Euphoria

Earlier this year, Colman Domingo devoted a portion of his monologue on “Saturday Night Live” to a few things he is famous for. One example? “When you come to my house, the vibes are spectacular.”

Those vibes must have transitive properties: On a recent morning in a borrowed backyard in Santa Monica, the vibes were as impeccable as one of the actor’s famously natty red-carpet looks. Posing for photos poolside, Domingo was the picture of laid-back charm, chatting with the crew in that commanding leather-and-gravel voice and flashing a toothsome smile.

With four projects in 2026 alone and more than 100 credits across film, television and the stage dating back to 1994, you definitely know Domingo from something. Increasingly, people recognize him from several things. Or, as the case may be with a performer of his caliber, they don’t — and that has been the highest compliment of all for the 56-year-old Philly native.

“It is the wildest thing,” says Domingo, stretched out on a sectional in the shade. He recounts how people have approached him about his role as Danny, the elegantly snarky architect on the Netflix comedy “The Four Seasons,” and were flummoxed to discover that he also plays the tightly wound Ali, he of shaken faith and sawed-off shotgun, on the recently concluded HBO drama “Euphoria.” “I’ve had so many people who saw me as one character, but they didn’t know I played the other character, even if they watched both. They’re like, ‘Wait a minute, that’s the same guy?’”

Domingo in “Euphoria.”

(Patrick Wymore / HBO)

That’s the same guy. Familiarity has bred respect as Domingo nabbed Emmy nominations for both roles for the second time — supporting actor in a comedy for “The Four Seasons” and guest actor in a drama for “Euphoria,” a trophy he took home in 2022.

“I get the yin and yang,” he says of the pleasure and challenge of inhabiting men from such different worlds.

Domingo credits “Euphoria” creator Sam Levinson with the complexities of Ali’s journey, which were showcased in the finale in breathtaking extremes of violence and grace and included a poignant monologue about the limits of empathy as he grieved the loss of his sponsee Rue (Zendaya). “It was so beautiful,” says Domingo of the conclusion of his arc. “Sam gave me words that are not just for Rue. They’re like a prayer for the world, sitting down at tables and having the hard conversations and trying to get people to come to their personal truths. To have a breakthrough in their lives. That’s how he’s been utilizing me for the series.”

(Evan Mulling / For The Times)

Conversely, Tina Fey and the writing staff of “The Four Seasons” have been using Domingo’s Danny as, among other things, a brutally effective vehicle to deploy acidic one-liners. (A favorite: “This the town Tracy Chapman sped away from.”)

“He is fictitious, but in many ways there’s a lot more of me in him than I personally have seen [in my previous characters],” he says of the man whose bravado masks an unsettled energy as he encounters the challenges of midlife. “Even in my notes to Tina and the showrunners, I started to craft a character that was closer to myself. I’m like, ‘I don’t see the mes in the world, queer men who are mostly in heteronormative worlds and how we activate and how we love and our friendships that are not just based on the fact that we are queer.’”

Domingo’s own midlife — conversations about fiber and the proliferation of readers in every room aside — is enviable. In addition to the two series, he appeared in two of the most talked-about films of the year, the blockbuster Michael Jackson biopic “Michael” and Steven Spielberg’s sci-fi thriller “Disclosure Day.” In another instance of playing a set of disparate characters, he was the imperious patriarch Joe Jackson in the former and the rebellious, empathetic whistleblower Hugo Wakefield in the latter.

“I wanted to challenge myself in different spaces,” says Domingo with gratitude for those roles as well as other 2026 opportunities, like his “SNL” appearance — which brought him back to his “Big Gay Sketch Show” days — and his recent guest-hosting stint on “Jimmy Kimmel Live!” “I never want to get caught up just doing the same thing.” He recalls a time when he played a couple of villains in a row and similar offers poured in. “I thought, ‘Oh no, I’ve done that.’ I knew it was time to move on to something else. And even ‘The Four Seasons,’ when that came along, I had been going back to back with dramatic roles — ‘Sing Sing,’ ‘The Color Purple,’ ‘Rustin.’ It takes a little toll on you.”

Domingo with Marco Calvani in “The Four Seasons.”

(Emily V. Aragones / Netflix)

Fortunately, all of that work has helped Domingo amass a very comfy set of laurels (upon which he refuses to rest). While his success has been a slow burn, including years of work on Broadway as an actor and playwright — Domingo co-wrote the book for “Summer: The Donna Summer Musical” as well as several straight plays — and his stint as a series regular on “Fear the Walking Dead” the last five years lighted the fuse on the rocket.

In that time, Domingo has won four NAACP Image Awards, been nominated for back-to-back lead actor Oscars, Golden Globes and BAFTA awards, and received a second Tony Award nomination, this one for best play as a co-producer of the “Hamlet” adaptation “Fat Ham.” (His previous Tony nod came in 2011 for featured actor in a musical for “The Scottsboro Boys.”)

Colman Domingo.

(Evan Mulling / For The Times)

“I’m very happy that this has happened the way it has,” he says of this golden period of work and creativity in his 50s. It’s not that he wouldn’t have appreciated or been ready for it in his youth, he says, but he has seen the pitfalls of success that happens too young. “At this age, I know myself. I know what I need. I have boundaries. I know how to still be a person in the world. And that’s the part that’s important to me, which is not being so isolated.”

There’s little danger of that given how often he is now stopped on the street. But he is cheered by the interactions because, whether fans love him as a good guy, a bad guy or a character in between, they all want the same thing. “Whatever I’ve done, people always ask, ‘Can I have a hug?’” Maybe the vibes are not about the house, but Domingo himself.

NEW YORK — It was bedlam on Broadway as the New York Knicks won their first NBA championship in 53 years on Saturday night, with exuberant celebrations marred by mayhem and violence, including a shooting in Times Square.

Outside Madison Square Garden, a crowd watching on a big screen roared as the Knicks rallied from a 16-point deficit to beat the Spurs in San Antonio in Game 5 of the NBA Finals.

Soon after, tens of thousands of people filled the streets and the rowdiest among them were clashing with police, smashing windshields, scaling scaffolding, light poles and a statue, climbing into and atop school buses in Times Square and trying to hitch a ride on a moving fire truck.

Around 2 a.m., a 17-year-old was shot near 42nd Street and Broadway, police said. Bystander video captured the sound of at least seven shots and showed people crouching and running for cover. Police took the victim to the hospital because an ambulance could not get through the crowds, police said. A gun was recovered and three people were taken into custody.

Four people were stabbed or slashed, and one of the school buses, which was being used for World Cup transportation, was set on fire and engulfed in flames, police said. Other buses and five police cars were also damaged, police said.

In all, 63 people were arrested, with charges including assault on a police officer, criminal possession of a weapon, criminal mischief and disorderly conduct.

Knicks owner James Dolan, speaking in San Antonio after the game, urged fans to stay calm.

“We need to tell everybody in New York that we know that they’re celebrating, we want them to have a great time,” said Dolan, interrupting guard Josh Hart’s news conference. “Please be safe. Don’t get hurt; don’t hurt anybody.”

The city will officially celebrate the Knicks on Thursday with a parade and City Hall ceremony.

As the clock ticked to the final buzzer on Saturday night, anxiety that had dominated the game’s first three quarters gave way to euphoria. An orange-and-blue-tinted fever dream that started with the Knicks’ first playoff game two months ago ended in the third title in their 80-year history.

Fireworks boomed over Brooklyn and Central Park. Fans flocked to Times Square and ran through the streets. Outside the Garden, they sang the team’s anthem: “Go New York, Go New York, Go!”

Police officers and ambulance workers shouted, “Let’s go Knicks!” over loudspeakers in Brooklyn. Strangers shook hands and hugged. In the Lincoln Tunnel, where people were riding buses back from the World Cup at MetLife Stadium in New Jersey, drivers honked their horns in celebration.

“I’m so overwhelmed. I’m so happy,” said Mathieu Ogno of Long Island, who fought back tears as he soaked in the victory at a team-sanctioned watch party at Wollman Rink in Central Park.

Ogno wore the jersey of Knicks captain Jalen Brunson, whose 45 points propelled his team to victory and him to the NBA Finals MVP. Brunson’s gritty determination and chip-on-his-shoulder style have made him a fan favorite, embodying New York’s working-class ethos.

The Knicks’ championship — 19,392 days since their last — capped an extraordinary postseason for a franchise that hadn’t been to the NBA Finals since losing to the Spurs in 1999. Since April 23, the team has won 15 of 16 games, with its lone loss coming Monday in Game 3.

Their last title, in 1973, was also won on the road in a Game 5. Their first, in 1970, was won at home in a Game 7 thriller. Neither was celebrated with a parade.

“I’m happy to see my Knicks finally make it over the hump,” said Shawn Muoneke, 26. “I’ve seen them knock on the door. They were knocking on the door the past few years. But they finally made it over the hump, and I’m so happy to see it and I’m so happy I’m in the city to experience it.”

Muoneke, born a year after the Knicks’ last trip to the NBA Finals, started rooting for them when he was 10. He drove from Maryland to be in the city for Game 5 at the team’s Central Park watch party.

“I saw the ups, the downs and I watched the team come back up, and I was so happy to see them finally reach the highest echelon of stardom as a team,” Muoneke said.

After the Knicks’ win, he said, the vibes in the city “are the highest they’ve ever been.”

President Trump, a longtime Knicks fan who attended Game 3 at the Garden with Dolan, congratulated the team in a post on social media.

“What a year it has been but, even more so, what incredible playoff wins we have all witnessed, especially the last four — Maybe the greatest in the history of basketball,” Trump wrote.

With Brunson’s clutch performance, he added, “a superstar was born.”

After several dozen arrests throughout the playoffs and violence after Games 3 and 4 in New York that left officers injured and a teen in a coma, police girded for unrest as Saturday turned to Sunday.

“As we celebrate, be responsible, look out for one another, stay safe, be smart, and make this a night that reflects the very best of our city,” Mayor Zohran Mamdani said on social media. “Let’s go Knicks.”

Sisak and Lum write for the Associated Press. AP writer Emily Wang Fujiyama contributed to this report.

Euphoria’s creator Sam Levinson has claimed that Sydney Sweeney pushed him to include nude scenes for her character Cassie Howard as he defends himself from fan backlash

After the Euphoria season finale, fans were outraged by the inclusion of copious nude scenes for Cassie Howard, but Sam Levinson has claimed that Sydney Sweeney ‘forced’ him into it.

During the third and final season, Sweeney’s character was nude in multiple scenes, including a montage of nude fetish scenes, as her character started a career as an OnlyFans model. Some fans felt the show over sexualised Cassie and criticised Levinson for the direction the show took. But Levinson said in a podcast episode that it was Sweeney’s choice.

The showrunner said: “When I first wrote it, I thought, ‘Well maybe we shoot all of this and we don’t have any nudity.’ I was talking to her, and you know, [I said] ‘Maybe there’s ways to shoot around certain things?’

“She looked at me, and she was like, ‘Are you kidding? It’s like, I’m playing an OnlyFans model. You’re telling me you’re going to, like, skirt around it?’ And I was like, ‘Yeah, OK, it’s a fair point.’ So there’s always a discussion of what works best for the character.”

He added the the New York Times podcast that Sweeney was a “totally fearless actor” and “wonderfully professional”. Levinson said: “I adore working with her, because there’s such a flexibility in terms of the performance.”

Fan backlash to the scenes was quite strong. Critics of the show questioned their inclusion and argued Cassie was being “degraded” in them and that it was a “humiliation ritual” for Sweeney.

Levinson addressed the fan backlash: “I believe very strongly that the best, most honest performances are when an actor feels free and safe. That’s how you get a great performance. You can’t if there is any tension, the emotion that is going to be blocked. And that’s something I’ve known from my days of studying acting.” He claimed his role on set was to “create the most conducive environment for the actor”.

Sweeney has also appears to have spoken about the nude scenes. She took to Instagram on 31 May to share a series of behind the scenes pics from the last season, including one from when she was nearly naked, with a python draped over her body. She said underneath the image: “It’s called… acting.”

Fans were also angry with the the season finale for killing off Zendaya’s character Rue via an accidental overdose. After being sober all season, the character was given pain pills that were laced fentanyl and died. Accidentally overdosing on fentanyl was the same way Euphoria star Angus Cloud died in in 2023.

Some fans felt the death was wrong as Rue had been sober all season. “What the hell is this show about ??? Rue has been sober since episode one how come she died from overdose in the last episode?” one wrote on X. Another added: “I think it’s safe to say that this was the worst season of Euphoria.”

But Levinson said this was an “honest” ending for Rue. “The honest ending is that people like Rue don’t make it. There’s no reason to sugarcoat it. I wanted to tell this story for Angus [Cloud] and for people who weren’t granted a second chance.”

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