Netflix fans do not have long left to wait for a brand new season of Squid Game: The Challenge.
456 players will take part in Squid Game: The Challenge season two competing for a huge £4.56 million prize. (Image: NETFLIX)
Squid Game fans have just two days left until a brand new season of a high stakes reality game returns to Netflix screens.
Once again, 456 players will take on a series of brutal games in the hopes of winning a staggering $4.56 million cash prize for season two of Squid Game: The Challenge.
The hit Netflix reality show, based on the popular Korean thriller Squid Game, was a huge success when it first hit screens back in 2023. Another series was announced earlier this year, with it now being just days away.
Unlike the original phenomenon where players are killed if they lose, there will still be devastating impacts as contestant will miss out on winning the life-changing amount of money. Despite the full cast remaining under wraps, Netflix has already announced some huge names, including familiar faces from Selling Sunset and Big Brother.
Episode release schedule explained
Squid Game: The Challenge season 2 will return to screens on November 4. However, not all episodes will be released straight away.
Instead, fans will have to wait a week for different instalments for the three week run.
On November 4, fans will be treated to four episodes as a group of brand new players are introduced to the game.
November 11 will then see the next three episodes aired.
But fans will have to wait until November 18 for the remaining episodes in the huge season finale.
Squid Game The Challenge games
With subtle nods to various games, executive producer Nicola Brown told Tudum: “Those little Easter eggs are important for both the viewers at home and the players.
“The first thing they do when they walk into the dorm is look at the walls and try to figure out what the new games might be.”
Here are some games fans can look forward to:
The count – a brand new game that will determine how the competition continues
Six-Legged Pentathlon – teams race head to head, with legs tied together with mini games thrown in
Catch – a brand new game which games designer Ben Norman teases is not as simple as it sounds
Mingle – players on a carousel must gather in groups consisting of a number called out and walk into an adjoining room
Marbles – with the same rules as season 1 players again partner up and given a bag of marbles and 30 minutes
Slides and Ladders – a new game that turns the familiar board game into something high stakes and “oversized”
Circle of Trust – blindfolded at desks in a circle, the player who received a gift box must guess who gave it to them
Finale game – Remains a mystery for now
Is there a season 3?
With season 2 just days away, Netflix has already geared up for another season of the hit reality show. Anyone wishing to take part can apply online for a chance to compete.
However, according to Tudum, there is another way to get on the show. Tudum hints: “Player recruitment for Season 3 is also now taking place through Squid Game: The Experience inboth New York and London.
“Winners at the immersive, IRL experience will receive priority in the casting process, though this does not guarantee they will be selected to take part in Season 3.”
Squid Game: The Challenge season 2 premieres Tuesday, November 4 on Netflix.
The Faithfuls have finally banished a Traitor, as Jonathan Ross was voted out – but the twists aren’t over as the Celebrity Traitors finale draws near
Celebrity Traitors reveal mega double plot twist in semi-final
The Celebrity Traitors has been packed with twists and turns so far, and though the show is nearing its end, those plot twists are far from over. A dramatic double twist has already been revealed for the penultimate episode.
The hit BBC series is set to conclude on 6 November. Ahead of that episode, Claudia Winkleman revealed two twists that would shake things up for the celebs. It comes just after the Faithfuls finally managed to nab a Traitor and sent Jonathan Ross home.
As the Faithfuls celebrated their victory, Claudia rained on their parade by revealing that, at the next roundtable, banished players would not tell the remaining group if they were Faithful or a Traitor. “After tomorrow, the banished players will not reveal their true identity,” Claudia warned.
This is not the only twist. Claudia also revealed to the remaining Traitors, Alan Carr and Cat Burns, that they had to murder in plain sight that evening. In letters read by each deceitful player, Claudia said: “Traitors, tonight there will be no secret meeting in the turret. Instead you must murder in plain sight at tonight’s dinner.
“To do this one Traitor must toast the player you want to murder while saying the words ‘Parting is such sweet sorrow’ followed by their name. You must do this before the night is over.”
Alan has already killed in plain sight, having murdered his friend Paloma Faith by touching her face after touching a ‘poisoned’ plant. In a quiet discussion, Cat and Alan agreed that he would be the one to kill again, as Cat wasn’t very convincing when she tried to say it.
Cat suggested that Alan pretend to quote recently banished Stephen Fry whilst delivering the phrase, which is from Shakespeare’s Romeo & Juliet.
In an aside, Alan joked that he always had to do the Traitors “dirty work”. He said: “I have to do all the dirty work for these traitors. I’m surprised they don’t have me up in that turret with a hoover doing some light dusting. Why is it always me?”
The episode also saw Jonathan Ross head home. He was the first Traitor caught on the show and was voted out by six people, including both Cat and Alan. In fact, all bar two people voted for Jonathan, with the outliers being him and David Olusoga. David voted for Nick Mohammed.
Jonathan’s exit speech, dubbed “ridiculous” by Joe Marler, kept the other Faithfuls on their toes. He said: “I’ve got no idea what everyone is doing wrong.
“I cannot believe you’ve done it again. I can’t believe I’m standing here for no good reason so I don’t want to be rude but you’re idiots. But I am not judging because it’s fiendish.
“I’m not blaming the players, I’m blaming the game. I am now and have always been throughout the game completely faithful… to the Traitors!”
Hazbin Hotel season 2 is here with the first two episodes of the new season dropping on October 29
Hazbin Hotel season 2 has eight episodes(Image: PRIME VIDEO)
Hazbin Hotel is back with a bang for its second series, following the adventures of Hell’s crown princess Charlie Morningstar, portrayed by Erika Henningsen.
Charlie continues her mission to offer sinners redemption and a ticket to Heaven through her Hazbin Hotel, an alternative to Heaven’s annual soul “Extermination” due to Hell’s overcrowding.
The first series was a hit, earning a solid 78% on Rotten Tomatoes, and it has continued to grow in popularity with a dedicated following.
Here’s everything you need to know about where to catch the second series. The show is brought to life by SpindleHorse in partnership with Amazon MGM Studios, reports the Express.
While the pilot debuted on YouTube, Amazon Prime Video has since picked up the series, making season two available to all Prime Video subscribers.
The first two episodes of the new eight-part series were released on 29 October, with the rest airing weekly thereafter.
So, mark your calendars as the season two finale is set to air on 19 November.
The titles for the first two episodes have been revealed as New Pentious and Storyteller.
Series creator Vivienne “VivziePop” Medrano has hinted at some changes following feedback from the first series.
She promised better pacing and storytelling, with a more straightforward plot to follow. Medrano also gave fans a glimpse into the future of the show, revealing a five-series plan is in place.
Speaking to Polygon, she shared her thoughts on the latest season: “The pacing is better, because the story is simpler than season one, where there was so much going on.
“We were meeting the characters, we were dealing with the Heaven extermination deadline being pushed up, we were dealing with a big build to a final stand. There was just so much to cram into those eight episodes, at 22 minutes each.
“So the runtime for the episodes in season two are longer by default. We were able to get much more out of the runtime, and out of the episode count.”
Hazbin Hotel season 2 is now available on Prime Video.
SUNNYVALE, Calif. — A young woman is desperate to raise $50,000 for her mom’s life-saving medical treatment. She will get the money, but only if she agrees to her stepsister’s unusual proposal: to marry her wayward fiance, who comes from a wealthy family but also has a rap sheet.
That’s the plot line for an episode of “The Double Life of My Billionaire Husband.”
That may sound like a telenovela. In fact, it’s a popular series that appears on ReelShort, an app where audiences can view on their smartphones over-the-top, dramatic tales reminiscent of soap operas called micro dramas.
Unlike a regular TV show, this drama unfolds over 60 episodes, each lasting one to three minutes. After six episodes, viewers hit the paywall, where they could continue watching ad-free with a $20 weekly subscription, watch ads or pay as they go.
Already, the series has garnered more than 494 million views since it launched in 2022 and ReelShort says it has made more than $4 million from the show.
With titles like “The Billionaire Sex Addict and His Therapist,” “How to Tame a Silver Fox” and “Pregnant by My Ex’s Dad,” micro dramas lean heavily into sensationalism and light on budgets, which are typically less than $300,000 per series. And many of them are filmed in Los Angeles.
Director and co-writer Cate Fogarty watches actor Diego Escobar on dual vertical monitors. The film, by platform DramaShorts, is shot vertically to be adapted for viewing on a phone screen.
(Juliana Yamada/Los Angeles Times)
Short serialized dramas first took off in China, where they are hugely popular and generated revenues of $6.9 billion last year, even surpassing domestic box office sales, according to DataEye, a Shenzhen-based digital research firm.
Now, Hollywood is starting to take note of the bite-sized format.
In August, the venture arm for Lloyd Braun — the former ABC executive and chairman of talent agency WME — and L.A.-based entertainment studio Cineverse formed a joint venture called MicroCo to build a platform for micro dramas.
“Traditional Hollywood moved away from a whole genre and storytelling that fans love, and I think micro dramas really took advantage of that and really leaned into that fandom,” said Susan Rovner, chief content officer of MicroCo.
Studio interest
Major studios are investing in micro dramas in an attempt to replicate China’s success and find new ways to appeal to younger audiences that are accustomed to watching short-form videos on TikTok, YouTube, Instagram and other platforms while on the go.
Fox Entertainment recently announced an equity stake in Ukraine-based Holywater, a producer of micro dramas. Under the deal, Fox Entertainment Studios (a division of Fox Entertainment) will produce more than 200 vertical video titles over the next two years for Holywater.
And Walt Disney Co.’s accelerator program, which invests in startups, recently named micro drama business DramaBox, whose parent company is based in Singapore, as part of its 2025 class.
David Min, Walt Disney Co.’s vice president of innovation, said he believes micro dramas will continue to do well, especially with younger audiences accustomed to watching entertainment on their phones.
“We have to be where everyone is consuming their content, so that’s an opportunity for us,” Min said in an interview. “…This is just another new platform to experiment with and explore and see if it’s right for the company.”
First assistant director Chakameh Marandi, left, and actress Leah Eckardt wait during filming at Heritage Props last month in Burbank.
(Juliana Yamada/Los Angeles Times)
This year, ReelShort, which is based in Sunnyvale, Calif., says it will produce more than 400 shows, up from 150 last year.
All of the productions are filmed in the U.S. and mostly in Los Angeles, said ReelShort CEO Joey Jia in an interview. The company plans to build a studio in Culver City that will adapt its most popular micro dramas into films.
“We offer a lot of opportunity,” Jia said.
Warsaw-based DramaShorts said in 2026 it aims to shoot 120 micro drama projects in the U.S., up from 45 to 50 this year. About 25% of those will be in the L.A. area.
DramaShorts co-founder Leo Ovdiienko says, “People are so used to consume content through social media, through TikTok, through Instagram, through Facebook and to share information.” .
(Juliana Yamada/Los Angeles Times)
“People are so used to consume content through social media, through TikTok, through Instagram, through Facebook and to share information,” said DramaShorts co-founder and Chief Operating Officer Leo Ovdiienko, 29, in an interview. “I believe it’s only a matter of time before the big players will also come to this stage.”
The company works with production partners in L.A. who employ actors, writers and crew members who work on the quick-turn projects, a bright spot in a struggling job market.
“The plus side of filming in L.A. is it is the epicenter of Hollywood,” said executive producer, writer and director Chrissie De Guzman, who has worked on DramaShorts projects. “We know how the state of our industry is doing right now, so a lot of talent have moved into the vertical space.”
Though vertical dramas are the length of a movie, they are spliced up into small chapters and produced quickly. A 100-page script might be shot in just one week as opposed to a month for a feature film.
Each chapter usually features a cliffhanger or dramatic moment — whether that’s a slap or a character in danger.
“It just hits every little emotional point,” said Caroline Ingeborn, chief operating officer at Palo Alto-based Luma AI, which provides micro drama companies with AI tools. “It hooks you in like this and because it’s so easy to press [Play]. You just need to see the next episode.”
The crew of vertical film “Sleeping Princess” break between scenes.
(Juliana Yamada/Los Angeles Times)
Labor tensions
With ultra-low budgets, many of the productions are non-union, prompting some writers and actors to work under pseudonyms to avoid facing sanctions from their unions, said several people who work on the shows.
In an effort to address the issue, performers union SAG-AFTRA recently announced it has created agreements that cover low-budget vertical dramas.
Writers Guild of America West President Michele Mulroney said in an interview the union is aware that “there are companies that are trying to do this work non-union, so the guild wants to help our members … in ways that they can work on verticals and make sure they get that work covered.”
Micro drama producers said they welcome talking with the unions, but questioned whether their business models could support union contracts.
“We’re not anti-union at all,” said Erik Heintz, executive producer at Snow Story Productions, which makes vertical dramas for platforms including DramaShorts.
Despite labor tensions, these short-form dramas have provided a key source of employment for Hollywood workers who’ve struggled to find jobs as production has moved out of California.
Corey Gibbons, 44, a director of photography, said vertical dramas kept him in the business when other work dried up.
“I have a feeling that we’re on the brink of something that’s really going to change,” Gibbons said. “I’m just excited to be a part of it.”
So was 27-year-old actor Sam Nejad, a former contestant on “The Bachelorette” who started acting in vertical dramas in January. He said he’s landed one or two lead roles a month since then and can earn $10,000 a week.
“It’s a new art,” Nejad said. “The new Tarantinos, the new Scorseses are all coming through this.”
ReelShort’s office in Sunnyvale looks more like a typical Silicon Valley startup than a Hollywood studio.
Jia, the chief executive, sits at a desk in an open floor seating area with his staff. Along the office walls are framed posters with titles like “Prince With Benefits,” “Never Divorce a Secret Billionaire Heiress” and “All the Wrong Reasons.” Jia proudly points out why each program was notable on a recent tour of the space.
“I don’t have money to hire celebrities,” Jia said. “I have 100% rely on story.”
The 46-year-old entrepreneur, who has an electrical engineering background, launched his business in 2022. At the time, there wasn’t much interest from Hollywood studios.
The skepticism followed the high-profile collapse of Quibi, the startup led by studio mogul Jeffrey Katzenberg and tech executive Meg Whitman, that worked with A-list movie stars on series that would appear on an app in short chapters. Quibi raised $1.75 billion, only to shut down roughly six months after launching.
Jia took a different approach. Rather than signing expensive deals with celebrities, he hired students or recent graduates from colleges like USC to work at his company.
Jia approves all of the micro drama stories at ReelShort, which he says is expected to generate $1 billion in revenue this year.
A ReelShort representative declined to disclose the company’s earnings but said the business is profitable.
Jia said ReelShort has 70 million monthly active users, with 10% of them paid users.
The churn — the rate at which customers drop weekly subscriptions — can be more than 50% at ReelShort, Jia said. That makes it paramount for the company to have a steady stream of content that entices customers to keep paying. Currently it has more than 400 in-house titles and roughly 1,000 licensed titles.
Like others in the genre, ReelShort and DramaShorts rely heavily on data metrics like customer retention and paid subscribers to make their content decisions.
“A lot of directors are thinking, when I shoot the film, ‘I don’t care how people think, this is my creation, it’s my story,’” Jia said. “No, it’s not your story. Your success… should be determined by the people.”
Rapper Gucci Mane’s newest release might be his most vulnerable yet.
The Atlanta-based musician, promoting his third memoir, “Episode,” revealed to “The Breakfast Club” crew on Monday that he had been diagnosed with schizophrenia and bipolar disorder. He also went into detail about how he has learned to manage the mental health conditions, with a stern but helping hand from his wife, Keyshia Ka’oir.
The 45-year-old hip-hop star, born Radric Davis, said in a joint interview with Ka’oir that he sought professional help for his mental health after experiencing an episode during the pandemic. “After that I was just like, ‘Man, I gotta really hold myself accountable and take care of my health,’” he said.
“I don’t ever wanna have another episode again. I’m like, I’m gonna see a therapist, if I have to take medicine — I kinda like threw in the towel,” the rapper continued. “Whatever I need to do to get better.”
Schizophrenia is a serious mental health condition that affects how people behave, think and feel, according to the Mayo Clinic. Someone living with schizophrenia — which the clinic says can be managed with medicine and therapy — can experience “a mix of hallucinations, delusions, and disorganized thinking and behavior” and can “lose touch with reality.”
Bipolar disorder is a treatable mental health condition marked by extreme changes in mood, thought, energy and behavior, according to the Depression and Bipolar Support Alliance. A widely known symptom of the illness is manic episodes, which are marked by elevated changes in mood or behavior. But many people with a bipolar disorder diagnosis more commonly experience depressive episodes.
During the hour-long conversation, the “Wake Up in the Sky” rapper and Ka’oir shared details about his various episodes over the years and how it affected their relationship. They married in 2017 and share two kids. Ka’oir recalled witnessing Gucci Mane’s episodes even before they tied the knot.
During the episodes, “you’re seeing someone you don’t know,” said Ka’oir, who was born Keyshia Watson and modeled as Keyshia Dior. She recalled the rapper making “disrespectful” remarks and understood that he didn’t mean it. “I felt like if I left, he wouldn’t have been the same,” she said Monday. “He needed someone to help him.”
“I’m cool with this,” Ka’oir recalled thinking when someone voiced concern for their marriage.
Helping the Grammy-nominated “Exactly How I Feel” rapper manage his conditions proved challenging over the years, Ka’oir said. She said she worked with his inner circle to plan a “kidnapping” to a hospital so he could receive professional help. Ka’oir said she was confident that the rapper would never hurt her, even if other people worried otherwise.
Gucci Mane, who has faced legal woes including a federal prison sentence that ended in 2016, said he was “super embarrassed and hurt by the things I said” during his episodes. After his release from prison, he said, he apologized to a number of rap artists, name-dropping Rick Ross, Drake and Nicki Minaj. The latter had her own thoughts about the pair’s interview, accusing Ka’oir on X of sedating the “I Get the Bag” artist.
“I felt bad. I felt terribly bad,” he said, adding that apologizing to fellow stars felt like a weight had been lifted off his shoulders.
Ka’oir said she worked to keep her husband’s episodes away from the public eye by controlling his social media presence. She explained that she learned how to identify an episode before it became a full-blown incident, noting that some signs included him making mean comments or odd requests. Gucci Mane said that during episodes of what he called “psychosis,” he would hear voices speaking ill about people in his close circles.
Drug use, stress and a lack of sleep were among his triggers, he said. He added that other musicians did not reach out to support him during his episodes.
Throughout the interview, Gucci Mane made it abundantly clear that he prioritizes his family life, noting he sought professional help to be present and to raise his children with Ka’oir.
“My best decision was to marry her and be with her,” he said. “I got somebody to hold me accountable and I got somebody to watch TV with. Sometimes that’s all you wanna do … I don’t really need a lot.”
Gucci Mane released his memoir and his newest album — both titled “Episodes” — on Friday. This marks the third book from the rapper, who previously released memoirs in 2017 and 2020.
Matt Groening knows what a real theremin sounds like.
As a kid who grew up on the celluloid junk food of the 1950s and ’60s, “The Simpsons” creator heard the ghostly wail of that early electronic instrument in sci-fi film scores and in albums by his beloved Frank Zappa. Its cousin, the ondes martenot, was featured in one of Groening’s favorite classical pieces — the “Turangalîla-symphonie” by Olivier Messiaen — which would inspire the name for a lead character in “Futurama,” Turanga Leela.
So, when composer Alf Clausen was recruited in the sophomore season of Groening’s popular new show about a yellow nuclear family and answered a request to use theremin — a small lectern with two metal antennae sticking out, which a musician plays by moving their hand in the space between — in the inaugural “Treehouse of Horror” episode in October 1990, Groening immediately recognized it was a fake; it was bouncing around the scale in a way a real theremin can’t do.
“And [Clausen] admitted, yeah, it wasn’t a theremin; it was a keyboard,” Groening recalls. “And it took many years for us to get a real theremin. The downside of the theremin is that it can’t play all the notes — but it’s got a feel to it that is so great.”
Clausen quickly became a fixture of “The Simpsons,” scoring every episode from that first “Treehouse of Horror,” now an annual Halloween tradition, all the way through the end of the 28th season, which wrapped in 2017, as well as composing many unforgettably funny songs with the show’s writers. Groening often referred to Clausen as the show’s “secret weapon.”
A scene from “Treehouse of Horror XXXVI,” this year’s Halloween episode of “The Simpsons.”
(“The Simpsons” & 20th Television)
The show’s producers were always pushing to save money, Groening says, and to have the show scored with synthesizers and a drum machine — par for the course for TV music in the 1990s. But Groening felt differently. “I always thought that the music really helped the show in a way, because I thought the animation was kind of … primitive,” Groening punctuates the word with a laugh, “and I thought, man, though, if we have great orchestral music backing up these goofy drawings, it’ll mean: ‘Hey, we really meant it!’ And Alf got that right away.”
Groening was none too happy, then, when Clausen was fired by Fox in 2017. The official reason stated was the high cost of recording every episode with a live orchestra; but the veteran composer, who had previously scored TV series like “Moonlighting” and “ALF” (no relation), was 76 when he got the boot, later suing Disney and Fox over age discrimination. (Clausen died earlier this year at age 84.)
Enter Bleeding Fingers Music, a composer collective founded in 2014 by Hans Zimmer, Russell Emanuel and Steven Kofsky that has grown from its original six composers to a stable of 26. Zimmer had been a longtime go-to for “Simpsons” executive producer James L. Brooks, and he won over a skeptical Groening with his zany score for “The Simpsons Movie” in 2007.
With a composer void, Brooks approached Zimmer about taking over the series, and Zimmer proposed Bleeding Fingers — whose credits at that point included several entries in the “Planet Earth” series and various History Channel documentaries and reality shows.
Russell Emanuel of Bleeding Fingers.
(Kevin Shelburne)
“It took a long time for the decision to be made,” says Emanuel, a cheeky Brit who got his start making soundalike rock albums in the 1980s and co-formed Extreme Music in 1997, a music library company that produced EDM tracks for shows like “Top Gear.” Zimmer was an early contributor to Extreme Music, and in 2001 the company moved into his vast Remote Control Productions campus in Santa Monica.
“It was taken very seriously,” Emanuel adds. “The first I knew about it was Hans calling me into his room and going, ‘We’ve got “Simpsons.” Don’t f— it up.’”
It was an awkward arranged marriage for Groening — and a “baptism by fire” for Emanuel and his cohort. They had an ample three weeks to tackle their very first episode, a “Game of Thrones” parody titled “The Serfsons,” which featured some theremin solos. Groening asked if it was a live theremin. It was not, the new composers sheepishly replied.
“He could hear it immediately, and completely called us out on it,” says Emanuel. “We had to go back and redo that whole thing. There were two or three big issues for him — but, you know, that was part of us learning the language.”
On a recent Friday morning on the Fox scoring stage, just around the corner from Groening’s office of nearly four decades, the “Simpsons” creator was smiling as a live orchestra recorded the score for Sunday’s new “Treehouse of Horror” episode (streaming next day on Hulu). There was a woodwind virtuoso, Pedro Eustache, making wild and beautiful sounds in an isolated booth with his arsenal of flutes — and out on the stage there was a real, live theremin.
Running the session was Kara Talve, a young but dominant digit of Bleeding Fingers who has been the principal composer on “The Simpsons” since Season 30; this is her sixth “Treehouse of Horror” episode. After graduating from Berklee College of Music, she took an assistant job at Bleeding Fingers — mostly, she says, because she wanted to work on “The Simpsons.”
Kara Talve of Bleeding Fingers, who has been the principal composer of “The Simpsons” since Season 30.
(Sage Etters)
“But I had to convince Russell that I could do it,” Talve says, sitting in her studio next to her boss. “I don’t think he trusted me yet. But also: Why would he, because I was like 5 years old.”
It’s quickly apparent how self-deprecating and silly they both are — Emanuel recently got a tattoo of a Spotify code that, when scanned, triggers Justin Timberlake’s “SexyBack” — but also how seriously they take this job.
“The responsibility of working on a show like this, we don’t take it lightly,” Talve says. “And because I was so intrigued by the show, and I really, really wanted to work with Russell on ‘The Simpsons,’ I went back and I listened to those old episodes — because I want to honor the musical language that Alf left, and that Danny Elfman left.” (Elfman composed the iconic theme song, which Emanuel and Talve consider “the heart of the show.”)
“And it’s a very specific palette,” she adds. “Like, not to get too nerdy about it, but there really is this harmonic language that’s only in Springfield.”
There are other, subtle ingredients to a good “Simpsons” score: For instance, the music should (usually) duck out of the way for the verbal or visual punchline. And the show has always overflowed with pop culture references and spoofs, which requires an almost bottomless well of musical knowledge. That’s one area where having two dozen other composers working in the same building comes in handy.
“There’s this adaptability that you have to have on this show,” says Talve, “and it’s every genre under the sun, and you kind of just have to figure out how to do that. And Russ was a big part in teaching me, because he’s the king of production music.” She adds that the composers in the collective also play a variety of instruments, so “I can just ask them to come in and play this line, because we can’t sell it to the showrunners if it sounds too fake.”
The average “Simpsons” episode has between five and 10 minutes of score — which might sound like easy street.
“The amount of starts is very challenging,” Talve says. “And it is deceiving. People go, ‘Five minutes? Oh, you’re just doing a bunch of stings’ or whatever. But I want to debunk this because it’s actually way harder, for me personally, to do 30 short cues for one episode than to have one long cue that’s five minutes because the amount of emotional turns that the music has to have, and that you have to hit all this stuff within 10 seconds — it’s actually really frickin’ hard.”
(In 2014, Clausen told me he always joked that “I can make you feel five ways in 13 seconds.”)
The Simpson family in a segment from this year’s “Treehouse of Horror.”
(“The Simpsons” & 20th Television)
Most episodes are recorded with small ensembles at the Bleeding Fingers facility, but the “Treehouse of Horror” chapters are special; they tend to have wall-to-wall music, and the producers splurge on a full orchestral session at Fox — just like the old days.
This year’s anthology spoofs “Jaws,” “Late Night With the Devil” and “Furiosa.” Talve’s score bobs and weaves accordingly, from big brassy horror to eerie synths to world percussion and a custom-made plastic flute.
Groening, who was full of praise for Talve’s “Treehouse” score, has gradually warmed to the Bleeding Fingers team approach — viewing it less like a factory churning out product and more like the way animators work.
“The nature of animation, with maybe two or three exceptions in the history of the medium — it’s all a collaboration,” Groening says. “We’ve got a lot of ‘Simpsons’ writers, we have a lot of voice actors, a lot of animators, a lot of musicians. I mean, one of the great things about that particular session was that these are some of the greatest musicians in Los Angeles, playing amazing music.”
He even wishes people could witness it in person.
“There should be live concerts of this music because it is so much fun to listen to,” he says.” And it gets a little constrained, you know, when it’s supporting goofy animation — but as music, it’s really fantastic.”
“South Park” is bidding adieu to its short-lived but buzzy Season 27.
The sixth episode of the year, which airs Wednesday on Comedy Central, marks the first episode of Season 28, a spokesperson from the network confirmed to The Times. (The episode will stream on Paramount+ Thursday.)
The reason behind the decision to end Season 27, which was originally expected to have 10 episodes, is unclear. But fans of the long-running satire will still get four additional episodes this year, if “South Park” co-creator Matt Stone and Trey Parker stick to the schedule they outlined. Fans had been speculating about the start of a new season after seeing television listings that coded Wednesday’s episode as the first of Season 28.
The new episode, titled “Twisted Christian,” follows a possessed Cartman, who “may be the key to stopping the Antichrist,” according its brief description. A short teaser also shows the students of South Park Elementary engaging with the viral “67” slang, an essentially meaningless phrase that has taken over Generation Alpha.
The recent episodes have been drawing strong viewership and have, as always, poked fun at topical issues and political figures including President Trump, immigration raids, tariffs and the FCC. Even Paramount, which bought the global streaming rights to “South Park” this summer in a $1.5-billion deal, has been the butt of several jokes.
Season 27 had an unusual cadence of episodes, with the first two arriving on a weekly schedule, then biweekly before the arrival of the most recent episode (and the apparent finale of the season), which aired three weeks later on Sept. 25.
The second episode drew criticism for its parody of Charlie Kirk, the slain political influencer, despite the episode airing weeks before his death. Comedy Central, which is owned by Paramount, announced it will not air reruns of the second episode of the latest season after Kirk was fatally shot Sept. 10 in Utah. The episode can still be found on Paramount+.
The final episode of Season 27 was the first to air after Kirk’s death, but Parker and Stone told the Denver Post the delay was unrelated to its content: “No one pulled the episode, no one censored us, and you know we’d say so if true.” The pair issued a statement on Sept. 17 saying the episode wasn’t finished in time.
Future episodes of “South Park” will air every two weeks through Dec. 10.
Times TV editor Maira Garcia contributed to this report.
Starting Sunday, actor Jason Ritter will be back onscreen as attorney Julian Markston in Season 2 of the CBS legal drama “Matlock,” loosely inspired by the 1980s and ’90s Andy Griffith show of the same name. He still gets a thrill when he thinks about the cast he gets to work with, which includes Skye P. Marshall, Beau Bridges and Oscar winner Kathy Bates.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“You almost, but not quite ever, forget that you’re working with an absolute acting legend,” Ritter says. “Kathy is so sweet and so kind and such a team player and collaborator that it helps to sort of stop that voice in your head from going like ‘It’s Kathy Bates!’ every time it’s a scene with her.”
The 45-year-old L.A. native, part of an entertainment family that includes his late father, sitcom legend John Ritter, didn’t offer up many details about the new season but did say viewers can expect more on-the-edge-of-your-seat episodes. (If you need a refresher of last season, episodes of “Matlock” are available on Paramount+.)
“It has the same pace and fun mystery as the first season, but now my character’s secrets have been revealed,” says Ritter, who regularly posts about the show and his fellow actors on Instagram along with humorous bits.
At home with actor-wife Melanie Lynskey, whom he married in 2020, and their 6-year-old daughter, there aren’t any great mysteries that need to be solved, but there is work to do before bed.
“When midnight starts,” Ritter says, “we’re probably finishing up the jobs, as we call them — you know, the dishes and the chores and cleaning everything up, which is a lovely habit that I’ve gotten into from [my wife]. I always used to just wake up to the nightmare from the night before and I’ve learned to really appreciate waking up to a clean area.”
After lights out and some sleep, his ideal Sunday picks up hours later and is filled with plenty of coffee, some miniature golf or a nature walk and more.
This interview has been lightly edited for length and clarity.
7 a.m.: A different kind of call time I will wake up usually at 7. If our daughter is going to school, then I have to wake up at 7 so I can start making her lunch and getting stuff ready. But if she’s having a bit of a sleep-in [on the weekend], then I still have to wake up at 7 to make sure everything times out. And then I’ll make her little lunch and her breakfast. While she’s eating breakfast, she usually gets to watch an episode of something. That’s my prime scrolling through social media time.
9:30 a.m.: Time for more coffee We would all pile in the car, and our first stop would probably be a coffee stop. We are a big coffee family — not our daughter. We always make a pot of coffee in the morning. And even though we’ve had several cups already, we’ll stop at Go Get Em Tiger, one of our favorite coffee places in L.A. We’ve come to know a lot of the baristas there, so we get to chat about life and everything. And then we’ll be back on the road.
10 a.m.: Miniature golf or a ‘beauty’ walk Our daughter and I will go to Castle Park, which is the miniature golf place in Sherman Oaks. My daughter and I have really bonded over miniature golf, and that’s sort of our little thing. Any miniature golf course has a real special place in my heart, but Castle Park is the place that I went to as a kid. The course is basically the same. It’s just so fun to watch [our daughter] get better and better at golf; even though, recently she’s become obsessed with par.
If mini golf didn’t take up so much time, my daughter and I like to go on these little beauty walks where she gets on her scooter and puts her helmet on. We just walk around the neighborhood, and she can’t pick any flowers. But we can pick up little flowers or leaves off the ground. So anything that she sees that’s beautiful, she picks up, and we make a little bouquet. And what’s so amazing about it for me is to see what she finds beautiful on those walks.
1 p.m.: A chopped salad and fries for lunch There’s a place called Angelini Osteria that has a salad that I really enjoy. It’s called the Alimentari Chopped Salad. It’s got avocado and chicken and bacon and currants and almonds. It comes with two dressings, but I usually just do the sort of lemony kind of oily dressing. And it is just so delicious. I am the only meat eater in my family. At some point, maybe my conscience will get the better of me, and I’ll switch over to their diet. Angelini also has very good french fries. When we’re on the road and the lunch that I’ve packed hasn’t been enough for [my daughter], french fries is one of those safe things that if we’re in a bind, we can pick them up from almost anywhere.
2 p.m.: Time for the Museum of Jurassic Technology Another favorite thing that I would do is go to the Museum of Jurassic Technology. I just love that place. It’s so fascinating. It’s one of those places that if someone’s coming in from out of town, I love showing them. I love taking them there without telling them anything about it and just watch them kind of explore. And it’s just such a mysterious, magical place.
5 p.m.: Fresh escape room fun Then I would see if I could get a bunch of my friends together, and we would go do an escape room somewhere in town. It’s just one of my favorite things to do, and they’re all over the place in Los Angeles. I would go to maybe 60out or Maze Rooms or one that I had never heard of. There’s an app called Morty that helps find escape rooms and keep track of the ones you did if your memory is poor like mine. If I can’t convince my friends to do another one right after in the same location, then we would be done by 6. It would be time to go back home and make our daughter’s dinner and get her through the entire dinner-bath time-bedtime phase.
9 p.m.: Dinner and “The Bachelor” before bed My favorite thing is when Melanie and I order in from a place called Bulan Thai Vegetarian Kitchen. It has these incredibly delicious hot wings. Our daughter will be asleep in the other room. And we get to eat some delicious Thai food and watch some silly show or some serious show.
If our daughter has gone to sleep around 8, this will usually be maybe 9, 9:30 depending on if I’ve fallen asleep in the bed next door. This is also why sometimes it gets so late and bleeds into the next day. Because by the time we get to have our alone fun, dinner and watching time, it’s 9:30, 10, and some of those “Bachelor” episodes are two hours long.
And yes, I promise that somewhere in this day, I have showered. [Laughs] That is another very important element of our day. It’s the one that can go by the wayside. But we always try to check in with each other. Like, “Have you showered today? Have you showered? OK, you go and then I’ll go.”
George Gilbert was repeatedly warned by Big Brother for using offensive language and has now been removed from the ITV show in scenes that will air tonight’s episode
Controversial George Gilbert’s Big Brother exit in full ahead of damning episode(Image: ITV)
Big Brother contestant George Gilbert has been asked to leave the show following repeated use of offensive language. The 23-year-old’s removal will be aired in tonight’s episode.
George has been a controversial figure on the show since he entered, as he has had several arguments with other housemates over political issues like immigration and homelessness. He was also given a formal warning by Big Brother after doing a homophobic impression of another housemate, Sam Ashby, in a game of Truth or Dare.
In scenes deemed by ITV to be too offensive to air, George is said to have made an antisemitic comment that led to his ejection from the house. His full exit will be shown tonight (9 October).
In the episode, George will be called to the Diary Room, where Big Brother will remind him of the rules he agreed to when he started on the show. “Hello, George,” Big Brother said. “George, before you entered the Big Brother House, the rules regarding unacceptable and offensive language and behaviour were explained to you.”
George then flippantly asked, “What is it?” Big Brother responded that the show has issued a warning to the Essex-based contestant on “several separate occasions” about his language and even issued him with a formal warning.
“Despite this, at 6.22pm, in a conversation about conspiracy theories, the words you used broke the rules regarding unacceptable and offensive language.
“George, Big Brother thinks that your repeated use of offensive language in the house including during yesterday’s conversation is unacceptable. Big Brother cannot permit you to use language in a manner which is likely to be considered offensive by Housemates or the viewing public.”
Parish councillor and actor George said he understood, but Big Brother then had more to say. He continued: “Despite the prior warnings and the opportunities we have given you to adjust your language in the House, you have persisted in using offensive language. And as a result, Big Brother has no choice other than to remove you from the House.”
George was given the opportunity to say something. He said: ““I always want to question any theory, any movement, I just like to, I just want to know the truth about things and I’m sorry. So I’m really gutted but if that’s what you want to do then I’m sorry it’s ended like this.”
This is very similar to what he said upon leaving the Big Brother house. “As a flag bearer of freedom of speech, I never hesitate to discuss and question any topic regardless of how contentious it may be,” the 23-year-old said.
“Sadly, the boundaries of what is deemed offensive are subjective and I evidently went too far this time by crossing their line one too many times. It is a shame that specific debate could not be had and that it has had to end like this. Infamy, infamy, they’ve all got it in for me.”
Because of his language and behaviour, George was nominated for eviction in this week’s vote. However, his removal forced ITV to halt the public vote. Addressing the situation on Big Brother Late and Live, host AJ Odudu said “George was removed from the Big Brother house today following repeated use of unacceptable language and behaviour.
“As he was up for eviction, the vote has been closed for now. So if you’ve voted already, your votes don’t count. But new votes between Cameron B, Elsa and Richard will be opening tomorrow and you’ll have five new votes. So tune in tomorrow to see the housemates reaction to the news.”
There’s been just one episode of Celebrity Traitors but fans think they’ve worked out which celebrity will be taking home the crown already, after a huge twist
Traitors fans think they’ve already ‘worked out’ the winner of the show(Image: BBC)
It was a dramatic first episode of Celebrity Traitors tonight – and fans think they’ve already worked out who will win the show with eight more to go after thinking they’d spotted a ‘huge clue’.
The show started off with a huge twist tonight. Instead of being taken to the iconic Scottish castle, the SUVs took a major detour, and the celebs started the game by meeting host Claudia Winkleman at a graveyard.
There, they were told to dig their own graves, which all included a shield under all the dirt. The first six were granted immunity, and it was Celia Imrie, comedian Joe Wilkinson, ex rugby player Joe Marler as well as Charlotte Church, Kate Garraway and Jonathan Ross who received the all important item.
However, Charlotte later gave hers up in the challenge after a huge blunder by Clare Balding, and it was a waste for Jonathan Ross, who was named as a Traitor moments later. Alan Carr and Cat Burns were also given the role of Traitors.
Fans have already been left impressed with the Traitors, and think they’ve worked out who will win after dissecting everyone’s gameplan.
There was one Traitor in particular who seemed to stand out to viewers, as one fan took to X, formerly known as Twitter to write: “I think cat can be harry level traitor, she has that vibe,” as another agreed: “i think Cat will shaft Alan & Jonathon and neither of them will see it coming.”
“Cat burns is capable of winning it all imo !!! #CelebrityTraitors,” another penned.
A couple of fans later thought they’d spotted a ‘clue’ that drove them to their predictions, as one penned: “placing my bets now that cat burns is going to win because her album comes out on the night the traitors finale airs.”
Another agreed: “Cat Burns winning traitors – calling it now. Album coming out on night of the final!”
At the end of the show, it was revealed that Traitors, Alan, Jonathan and Cat were given the task to murder one Faithful in plain sight, by touching their face. Fans were left in hysterics at the huge twist
The episode ended on a huge cliffhanger, as the trio decided Chatty Man Alan would be the least suspecting, but who will be the first out?
Fans will have to tune in to the second episode tomorrow night at the same time to see who the Traitors chose as their first victim.
There’s a brand-new crime-drama airing on Channel 5 this week as Murder Before Evensong is set to be filled with twists and turns.
Murder Before Evensong will air on Channel 5 this week(Image: Robert Viglasky/AcornTV)
On Tuesday night, Channel 5 viewers will tune in for the first instalment of Murder Before Evensong.
The six-part murder mystery is based on the novel by I’m A Celeb fan-favourite, Reverend Richard Coles, the first in his best-selling series, the Canon Clement Mysteries.
Set in 1980s England, the series is set to keep audiences on the edge of their seat as bodies keep piling up in a village, which results in the main protagonist finding himself unexpectedly entangled in a murder case.
With the first episode airing this week, here’s everything you need to know about the Channel 5 drama
When does Murder Before Evensong start and how can you watch it?
The Channel 5 series will launch on Tuesday, 7th October at 9pm. The second episode will air the following Tuesday (October 14)
An overview for the first episode reads: “Canon Daniel Clement, introverted Rector of Champton, has his life turned upside-down when his difficult mother Audrey arrives unannounced. And Daniel upsets the apple cart himself by proposing the installation of a lavatory in the church, to widespread consternation.
“But a more serious challenge lies in wait for Daniel when he stumbles upon the body of his parishioner, Anthony Bowness, cousin of Lord de Floures, who was researching Champton’s history during the war.
“Daniel is forced to delve under the veneer of village life, questioning who he can trust, and, when threats are made against him, whether he himself was the intended murder victim.”
How many episodes are in Murder Before Evensong and what is it about?
The crime drama will consist of six episodes, with the first one airing on Tuesday, October 7.
Throughout the six episodes, Channel 5 fans will watch Canon Daniel Clement, the Rector of Champton, caught in the middle of a murder case when a body is uncovered at the church.
A synopsis for the series reads: “Canon Daniel Clement shares Champton rectory with his widowed mother – opinionated, fearless, ever-so-slightly annoying Audrey – and his two dachshunds, Cosmo and Hilda.
“When Daniel announces a plan to install a lavatory in the church, the parish is suddenly (and unexpectedly) divided: as lines are drawn, long-buried secrets come dangerously close to destroying the apparent calm of the village. And then a body is found dead at the back of the church, stabbed in the neck with a pair of secateurs.
“As the police move in and the bodies start piling up, Daniel is the only one who can try and keep his fractured community together… and catch a killer.
Who stars in the show?
Actor Matthew Lewis will star in the Channel 5 drama as Canon Daniel Clement, the Rector of Champton. He’s best known for his roles in Harry Potter and All Creatures Great and Small.
His mother, called Audrey in the show, will be played by Amanda Redman, seen in the likes of New Tricks and At Home with the Braithwaites.
The cast also consists of Amit Shah from Happy Valley as DS Neil Vanloo, Adam James, who is seen in The Day of the Jackal as Bernard De Floures, and Meghan Treadway, who features in One Day as Honour De Floures.
The likes of Alexander Delamain will also appear in the show as Alex De Floures alongside The Crown’s Marion Bailey as Kath, Amanda Hadingue as Dora and Tamzin Outhwaite as Stella Harper.
Other famous faces in Murder Before Evensong include Francis Magee as Edgy and Nina Toussaint-White as Jane Thwaite.
The Channel 5 drama has been adapted by Nick Hicks-Beach (Lewis, DCI Banks, Midsomer Murders) and has been directed by David Moore (Fool Me Once, Outlander, Shetland, Marple).
Murder Before Evensong is available to watch on Channel 5 from 9pm on October 7.
The “Reading Rainbow” is officially back, with internet-famous librarian Mychal Threets at the helm.
Following the reboot’s premiere last Saturday, the new host responded to the audience’s wishes for a Latino lead in a recent social media post. He wrote, “You’re not going to believe this… I am [Latino]! My dad is Black, my mom is Mexican and white. I’m a mixed kid, homeschool kid, library kid, PBS kid, and @readingrainbow kid!”
Threets, who got his start as a Bay Area librarian, tells The Times that because he was home-schooled, he was able to learn about his heritage mostly through books. He says he was raised to be proud of his heritage and looks up to both his grandfather and mother as examples of what it means to be Latino. Much of his childhood was also marked by the sounds of Selena Quintanilla, whom he recently got memorialized in a tattoo.
“My heritage and being Latino will hopefully be reflected in my appearance on the show,” said Threets in a statement. “I hope people will see me and see a happy, jovial person who has the same heritage as them.”
Threets started to gain online popularity in 2020. He started posting short-form videos of himself reading and sharing stories from working in a library. Many of those videos garnered more than a million views and earned him several hundred thousand followers.
The original “Reading Rainbow,” hosted by LeVar Burton, first launched on PBS in 1983. For over two decades, Burton taught literacy skills and helped instill a love for reading in children across the country. The show ended in 2006, having earned a handful of Emmy and Peabody Awards. It ran for a total of 155 episodes and is recognized as one of the longest-running children’s programs ever.
At the time, the show was funded in part by the Department of Education. The reboot comes at a time when public media, including television, has been subject to sizable budget cuts. The revitalization will instead appear on the kids’ YouTube channel, Kidzuko, which is owned by Sony Pictures Television, as well as the Reading Rainbow’s website.
The reboot, which premiered over the weekend, has mostly stayed true to its roots with a new rerecorded theme song and a trivia segment. Celebrity guests will include “Dancing With the Stars” performers Rylee Arnold and Ezra Sosa, “The Bear’s” actor Ebon Moss-Bachrach, John Legend, Chrissy Teigen and Gabrielle Union. New episodes air every Saturday, until Oct. 24.
“Reading Rainbow seeks to make reading fun for everyone, all races, all backgrounds, all levels of reading! The reactions have been out of this world,” said Threets. “I am overwhelmed in the best of ways.”
When the cast and crew of “Bob’s Burgers” gathered to celebrate the show’s milestone 300th episode earlier this month, two key figures were missing.
Creator Loren Bouchard and actor H. Jon Benjamin — who voices the “Bob” of the title — were unexpectedly waylaid by illness and travel troubles, respectively. It was a scenario that could have been an episode of the long-running adult animated series, down to the celebration’s setting, which took place in a room resembling the inside of the show’s titular hamburger joint.
The only thing missing was a musical interlude.
Centering a family that runs a restaurant, “Bob’s Burgers” kicks off its 16th season Sunday on Fox with its 300th episode titled “Grand Pre-Pre-Pre-Opening.” The milestone episode will take things back to before the Belcher’s opened their family eatery.
According to Bouchard, one of the questions the writers wanted to explore in this episode was “Why is Linda doing this?”
“Bob’s Burgers [the restaurant], it’s got his name in it, but we sense that he can’t do it without her,” Bouchard says. “[Bob] says that in the show, but what do we mean when we say that?”
The look to the past also shows Bob (Benjamin) and Linda (John Roberts) preparing to welcome their first child, Tina (Dan Mintz). The Belcher clan also includes Tina’s younger siblings Gene (Eugene Mirman) and Louise (Kristen Schaal).
“Grand Pre-Pre-Pre-Opening” is the 300th episode of “Bob’s Burgers.”
(20th Television / Fox)
Bouchard admits he is usually not one for celebrating episode counts — “It starts to feel a little bit like bulk pricing,” he jokes — but he recognizes that the longevity of the series is something special. “Bob’s Burgers” premiered in 2011.
“What you get with a show that lasts this long and has this many episodes is a different relationship with the fans,” Bouchard says. “You get to have a 15-year relationship. That’s like family. There are marriages that don’t last that long.”
Over the years, the show’s dedicated audience has seen “Bob’s Burgers” expand beyond television with the release of “The Bob’s Burgers Movie” in 2022 as well as a touring live show of comedy and music.
Bouchard explains that the show’s approach to these milestone episodes have been to “go small and deep” to avoid overstuffing them with fan service. They’ve treated the 100th, 200th and 300th episodes like a new pilot that centers the restaurant and family “in a very basic way” as if it were someone’s introduction to the series.
The 300th episode, written by Bouchard and Nora Smith, digs into the show’s core premise to reveal how Bob and Linda came to juggle a restaurant and a family at the same time.
“I started my family when I started ‘Bob’s,’ so it’s very personal to me,” Bouchard says. “I like the chaos and just audacious optimism that you could have children and start a doomed-to-fail, Hail Mary of a creative project at the same time. It’s why I like this family, that they did this too.”
To commemorate the milestone, Bouchard and the cast discussed, in their own words edited for clarity and length, “Bob’s Burgers’” status as a “comfort show,” the Belcher family dynamics, memorable episodes and more.
A comfort food
“Bob’s Burgers” cast members Larry Murphy, left, Dan Mintz, Kristen Schaal, Eugene Mirman and John Roberts at the Bento Box offices.
(Frank Micelotta / Fox)
It’s not rare for “Bob’s Burgers” to be described as a “comfort show” — something fans can turn on to unwind or fall asleep to. The cast attributes this to the show having real emotions that come from the heart.
“The sweetness of [their affection] being genuine, that’s the thing,” Mirman says. “It’s just a mix of warmhearted and funny and sort of grounded.”
“The jokes aren’t taking people down a notch,” Schaal says. “The show has always been in a lane that people are realizing they should come over to — the kind lane.”
Bouchard says that “it’s very touching and affecting” that audiences turn to the show for comfort but acknowledges it’s something he can’t focus on while the show’s in production.
Bouchard: I definitely don’t take it lightly. I don’t want to think about it while we’re making “Bob’s.” If I thought about it while we’re making it, I would I feel like there’s a scenario where I could mess it up. You don’t want to shoot for comfort show, you want to shoot for edgy, attention-grabbing. [Episodes with] act breaks and big closing numbers. I know people don’t mean, “I fall asleep when I see it for the first time.” They mean, “I put on episodes I’ve seen before and it’s comforting in a profoundly, sleepy way.” I think being an adult by definition means at the end of the day you need something to just transition so that you can fall asleep. I’m glad that “Bob’s” does that for people.
Roberts: We love how much comfort this brings to the world. We like being light and having a job in entertainment that makes people feel good — it makes the world a better place. That’s rare and we’re blessed and we’re grateful.
Dinner (musical) theater
Tina, left, Louise and Gene in an episode of “Bob’s Burgers.”
(20th Television / Fox)
According to Bouchard, the music on the show was ”a ’dare we dream’ type thing in the beginning.” But the reception to the show’s catchy ukelele-driven theme song made him feel like there was room to push the musical elements further, like having a unique end credits and outro song for each episode.
“This sort of flea market find, slightly childlike music felt to us like of the show, but the audience had to give us permission,” Bouchard says. “We had to go slowly to get that.”
Once they saw the audience was on board, he felt like the show had the go ahead to hit the ground running from putting musical moments within the stories to eventually having musical episodes. While it’s still something they take “moment by moment,” Bouchard says he’s “so glad that [the music is] part of what people seem to want from the show.”
Roberts: I think in the earlier seasons, we were more improvising and things like that. But now it’s very professional big songs. It’s fun. I’m impressed by everybody.
Mirman: I’m truly incapable of singing. So the way we do it for me is that the person who’s in charge of the music will sing one line and I will mimic it like nine times to the best of my ability. [Then] they splice together a child singing poorly that is still much better than me in real life. But it’s still very fun. It’s very fun to be challenged.
Mintz: I’m kind of in Eugene’s boat. I can’t remember pitch for very long after I hear it, so I do have to immediately hear it and immediately repeat it. But I’ve been surprised at how much I do enjoy it. You do it again and again, and then the final ones are like, “Now do it and don’t hold back.” And you feel a real singer for, like, one line. There’s also the no pressure of it because I’m singing as a person, as a character, who’s not a professional singer, so it doesn’t have to be that good.
Where’s the beef? Belcher family dynamics
The Belchers inside their restaurant.
(20th Television / Fox)
One thing that comes through in every episode of “Bob’s Burgers” is just how much the Belchers love each other.
“[Linda] is a mom that pays attention and is present and shows up for her children,” says Roberts, who draws from his own mother for his performance. “There’s a realness there and it’s very grounding for the show. … Linda’s gone a little crazy sometimes, but for the most part, it’s all very much stuff that you can relate to.”
Perpetually in the Belchers’ orbit is Teddy — handyman, loyal customer and Bob’s best friend.
“I think of Teddy as constantly trying to inject himself into the lives of the family that he doesn’t have,” says Larry Murphy, who voices Teddy. “The best part about that is that they might shake their heads [at him], but they always rise to the occasion and are supportive of the character.”
And as much as the Belcher children can tease or annoy each other at times, there is no doubt that they all genuinely care for one another too.
“There’s a sibling camaraderie that is really lovely,” Mirman says. “It reminds me of the camaraderie on TV and movies in the ‘80s. That era of the stuff I grew up watching.”
Schaal: I love how they enjoy each other’s company. They’re usually not trying to lose the other one. I mean, in some episodes, Louise is bothering Tina and we explore that. But in general, they hang out together, they play together. They’re not on their f— iPads, separate in their own worlds. They’re going on adventures. And at the end of the day, Louise has their back like no one else and she’ll fight for them.
Mintz: I think it’s great for Tina to be pulled out of her comfort zone by her siblings, even though she’s supposed to be the leader as the oldest. Those are some of the most fun episodes for me when Gene and Louise want to do something dangerous or against the rules or whatever. Tina’s anxious for some reason and keeps being like, “Well, we shouldn’t,” but she gets dragged along. There’s always some moment in every one of those where it’s like, ‘Wait, Jimmy Jr. will be there. OK, maybe I’m fine with this.’ I think Tina’s life would be a lot more boring if she didn’t have someone make her break the rules all the time.
Favorite flavors
Tina and Linda in “Bob’s Burgers.”
(20th Television/Fox)
Over the years, “Bob’s Burgers” has come to be known for its various holiday episodes for Halloween, Thanksgiving and Christmas that often rank among viewers’ favorites.
“I love on Thanksgiving when they play the marathon of stuff,” Roberts says.
But holidays aren’t the only flavor of memorable episodes. And even after 16 seasons, the cast says they are just as excited to flip through new scripts and record episodes together as they were when they started.
As for their favorites, Mintz says he enjoys “all the fantasy ones.” Murphy agrees.
Murphy: I like those episodes where the kids are each telling their own story — and it might not have happened. It just gets to not exist in the world of “Bob’s Burgers,” but it’s someone’s point of view telling a story, like when they built that giant robot [“The Handyman Can”]. Kind of a “Rashomon”-type idea.
Schaal: I like anything that’s emotional. If Louise ever gets to be emotional, I get excited. Even like the one where they’re looking for Bob’s mom’s grave [“Show Mama From the Grave”]. They’re going for something that is really sad, but doing it so well. I love those episodes.
Roberts: I think what’s really awesome is that there’s an individual episode for each character that’s genius. For me, I think “Lindapendent Woman” was an incredible episode. I just did an episode Holly Schlesinger wrote where it’s more about Linda and her past. We all got our turn at having incredible episodes.
Mirman: I agree with Kristen about the ones that have an emotional arc. There is a Christmas one [“The Plight Before Christmas”], where all three kids have an event and the parents understand they can’t make it to everything. Eventually Tina makes it to Louise’s poetry reading where she wrote two poems and one is really sweet and about the family. I’ve watched that episode a bunch.
Schaal: Going back to the story ones. The one about the chores [“Fight at the Not Okay Chore-ral”], where Louise is butting heads with Linda about doing chores and then they tell stories about being in a wild west town. That one I love because it was about this real conflict. And the funny thing is, my daughter has requested to watch that one several times. I think it’s because Linda breaks down and says, “I’m wrong, I give up,” and my kid is thrilled to see the mom say that.
We’re here, we’re gruyere, get used it
Teddy and Linda in an episode of “Bob’s Burgers.”
(20th Television / Fox)
“Bob’s Burgers” has often been hailed for its inclusivity. As a series living in “the kind lane,” the characters are accepted for who they are — even if there’s gentle ribbing at times.
“Nobody’s trying to change anyone,” Roberts says. “They’re just trying to make them better human beings.”
“And they don’t have to defend who they are,” adds Schaal. “There’s complete acceptance.”
At a time when trans and queer people are increasingly targeted by ring-wing politicians and activists through legislation and dehumanizing rhetoric — LGBTQ+-friendly shows such as “Bob’s Burgers” can, for some, feel like a refuge. Bouchard explains how the show’s approach to being inclusive is intentional.
Bouchard: One of the simple tricks that we do is you just do it. You don’t have to shine a light on it. What I think is interesting about acceptance and tolerance and inclusivity — all those things have become capitalized words, and they almost lose their value when they’re not just part of your daily life. Your storytelling has to be about something other than that. That’s not going to be as satisfying as just put it in the character and let it be their daily. They get up feeling accepting and inclusive and normalizing, and they go to bed that way. They don’t learn that f— lesson in the middle of a half-hour show. That’s fine that it exists. Maybe sometimes, as a culture, we need to all come together and learn a lesson. [But] “Bob’s” is in the business of not writing those episodes. We’re in the business of writing those characters without fanfare.
And I give credit to my parents. I think my sister and I were weird in the normal weird way — weird kids are normal. A lot of parents make room for that, and love their kids no matter how they express themselves as little kids. I guess some don’t, but I am glad to have come up in that. To me, it feels natural. To me, it’s not a stretch. The way to do it is to just live it, just be it, and assume that when it’s on paper and it seems normal to you, hopefully it’ll feel reassuring and comforting to other folks too.
Every episode of “South Park” opens with a disclaimer: “All characters and events in this show — even those based on real people — are entirely fictional. All celebrity voices are impersonated … poorly. The following program contains coarse language and due to its content it should not be viewed by anyone.”
While some of that language must be required by an exhausted legal team behind the scenes, the long-running satirical cartoon is known for pressing hot-button topics and rapidly churning out searing parodies. Season 27, which premiered in July, is no exception, focusing on President Trump, his associates, policies and other current events. Some members of Trump’s cabinet have been outspoken about their likeness appearing in “South Park,” but others have shrugged it off. Over the years, the animated series has depicted conservatives and liberals alike, leaving almost no public figure, politician or activist shielded from critique or crude depiction.
This season has had an unusual cadence of episodes, with the first two arriving on a weekly schedule, then biweekly before the arrival of Episode 5, which aired three weeks later on Wednesday. The delayed episode arrived after the shooting death of conservative activist Charlie Kirk, whose debate style was depicted in the Episode 2. However, “South Park” creators Matt Parker and Trey Stone told the Denver Post the delay was unrelated to recent events, like Jimmy Kimmel’s suspension, or the content: “No one pulled the episode, no one censored us, and you know we’d say so if true.” The pair had issued a statement on Sept. 17 saying the episode wasn’t finished in time. Future episodes will air every two weeks through Dec. 10.
Here is a guide to every parody and reference so far on this season of “South Park.”
This story will be updated with each new episode.
‘Sermon on the ‘Mount,’ Episode 1
Cartman in “Sermon on the ‘Mount.”
(Comedy Central)
Cutting funding to the Corp. for Public Broadcasting
Cartman is dismayed to find out National Public Radio has lost its federal funding after he tunes in to hear static — an NPR program is his “favorite show,” he says, where “all the liberals b— and whine about stuff.” He rants to his friends about how the government “can’t cancel a show” and wonders what might be next on the chopping block.
In July, the Senate voted to approve the Trump White House’s proposal to claw back roughly $1 billion in federal funding previously allocated for public broadcasting. NPR and PBS are still operating despite the funding cuts, but layoffs and reduced programming are expected.
Christianity in public schools
Head of South Park Elementary PC Principal, whose name was a play on the initialism for politically correct, announces to the school that his name now stands for “Power Christian Principal.” He holds an assembly where he says that “our Lord and savior Jesus Christ” is the only thing that can bring back some normalcy to these “corrupt times.” He proceeds to welcome Jesus to the assembly as a guest speaker. When the students go back home, their parents and the people of South Park are alarmed to hear about the emphasis on Christianity — and the presence of Jesus — in the town’s public school.
The phrase frequently used by Trump was inscribed on a T-shirt Cartman wears after he realizes the concept of “wokeness” is no longer prominent. “Everyone hates the Jews, everyone’s fine with using gay slurs,” he says, lamenting that he no longer feels purpose if there’s no wokeness to contest.
Karoline Leavitt
The White House press secretary is depicted corralling the president, sporting a large cross necklace, as she often does during press briefings. Leavitt tells Trump a lot of his supporters are starting to turn against him and begs him to talk to them, adding that they’re “really riled up.” Trump’s base has expressed frustration over the administration’s approach to sharing information about the Jeffery Epstein case after he promised more transparency about the convicted sex offender, who died by suicide in 2019, and the sex trafficking investigation involving the late financier.
President Trump
Trump appears this season with an image of his face over an animated body, frequently repeating the phrase “Relax, guy” and threatening lawsuits against anyone who’s in his way. He is shown berating a White House portrait painter for an unflattering depiction of him and there are references to the size of the president’s genitalia. He’s also depicted as being in an abusive relationship with Satan — in which Trump is the abuser. “South Park” has previously depicted Satan as being the victim in an abusive relationship with Saddam Hussein.
The Epstein list
Satan laments the speculation that Trump’s name is on the “Epstein list,” a purported list of his alleged clients. In reality, the Justice Department has said no such list exists, walking back comments Atty. Gen. Pam Bondi made in a Fox News interview earlier this year that the list was “sitting on my desk” in preparation for release. When the list is brought up in the series, fictional Trump says, “Are we still talking about that?,” mirroring comments he made in real life.
CBS’ ’60 Minutes’ and Paramount drama
The stopwatch featured in the introduction to “60 Minutes” is strapped to a bomb when it appears on “South Park.” The hosts of the show are visibly nervous and continue praising the president while covering his lawsuit against the town of South Park, adding that they don’t agree with Trump’s detractors.
The scene references the legal tussle between Trump and Paramount Global, the parent company of CBS, which airs “60 Minutes.” The president sued over edits to a “60 Minutes” interview with then-Vice President Kamala Harris, which led to Paramount agreeing to pay $16 million to settle the lawsuit in July; shortly after, the Federal Communications Commission, led by a Trump appointee, approved Paramount’s merger with Skydance.
During the episode’s fictitious “60 Minutes” segment over Trump’s lawsuit against the town, Jesus comes to visit the townspeople. Through whispers, he tells them, “I didn’t want to come back and be in the school, but I had to because it was part of a lawsuit and the agreement with Paramount.”
“The president’s suing you?” a protester asks.
Jesus, through clenched teeth, explains: “The guy can do what he wants now that someone backed down. … You guys saw what happened to CBS? Well, guess who owns CBS? Paramount! You really want to end up like Colbert? You guys gotta stop being stupid. … If someone has the power of the presidency and also has the power to sue and take bribes, then he can do anything to anyone.”
“All of you, shut the f— up or South Park is over!” Jesus says.
The people of South Park end up settling their lawsuit with the president for $3.5 million, saying it will be fine as long as they cut some funding for their schools, hospitals and roads. And as part of the settlement, they have to agree to “pro-Trump messaging.” Cut to a live-action deepfake video of Trump trekking through the desert in a show of loyalty to his supporters before he strips naked.
‘Got a Nut,’ Episode 2
Cartman becomes a podcaster in Episode 2.
(Comedy Central)
Note: This episode aired on Aug. 6, more than a month before political commentator Charlie Kirk, who is parodied throughout the episode, was shot and killed.
ICE recruitment and immigration raids
This episode is focused on the ongoing raids carried out across the country by Immigration and Customs Enforcement and Department of Homeland Security officials since earlier this year.
When South Park Elementary counselor Mr. Mackey is fired — the government is doing away with needless spending in schools, he’s told — he signs up for a job with ICE, enticed by a generous signing bonus and a higher salary. Mackey watches a promotional video, complete with animations of officers wearing gaiters and a theme song: “We don’t ask for experience, just show up / We don’t care if you’ve read a book or grown up / If you’re crazy or fat and lazy, we don’t care at all … If you need a job, it’s a job to have.”
Mackey is hired with alarming speed and proceeds to go on his first raid, targeting a “Dora the Explorer” live show, which has a not-so-intimidating audience of young children and abuelitas. After ICE agents hear from protesters that there are “many Latinos in heaven,” they make the pearly gates their next stop.
Kristi Noem
The Department of Homeland Security secretary leads ICE agents through a series of raids this episode, but she first appears in an orientation video. She tells the new recruits, “A few years ago, I had to put my puppy down by shooting it in the face because sometimes doing what’s important means doing what’s hard,” and she proceeds to going on a shooting spree targeting yelping puppies (including Krypto the Superdog) throughout the episode. In her 2024 book, Noem wrote about how she killed her 14-month-old dog for exhibiting aggressive behavior.
She’s also seen rounding up as many immigrants as possible in raids, shouting orders like, “If it’s brown, it goes down.”
And in a running gag, her face periodically melts off, requiring a glam squad equivalent to a pit crew, and at one point, it seems to take on a life of its own. Trump also says her face “freaks me out” during the episode.
Noem responded to the depiction on Glenn Beck’s podcast, calling it “lazy” to target her looks. “If they wanted to criticize my job, go ahead and do that, but clearly they can’t, they just pick something petty like that,” she said.
Right-wing debate podcasts
While conservative political commentator Charlie Kirk does not appear as a character in this episode, his style of debate content — and his name — are featured.
Loudmouthed Cartman is frustrated that so many others, namely his classmate Clyde Donovan, are profiting off of “his shtick” of arguing against liberal views.
Clyde has a debate podcast, inviting viewers to watch as he “totally destroys these woke liberal students.” He’s set up in a tent on a college campus where he waits as a line of students come to speak with him, and he challenges them to “prove me wrong.” Cartman eventually takes over, saying that he is the “master debater” and sporting a haircut similar to Kirk’s. He shuts down his opponents’ arguments with phrases like, “You just hate America and you love abortions.”
Clyde and Cartman’s content replicates Kirk’s well-known style. The founder of the conservative organization Turning Point USA frequently toured college campuses and hosted events just like the one depicted in the episode. The phrase “prove me wrong” was used frequently by Kirk to promote his events, inviting students to challenge his political and cultural views.
On Sept. 10, Kirk was shot and killed while hosting such an event at Utah Valley University, the first stop of his “American Comeback” tour. Weeks before he was killed, Kirk responded to the episode with a 30-minute YouTube video, finding it humorous.
“I think a lot of it was hilarious towards me,” he said. “Some of it was very funny and I don’t think we should have too thick of skin.”
He also touched on the reach of his organization and events, noting that his name is enshrined in “The Charlie Kirk Award for Young Masterdebaters” that Cartman and Clyde compete for in the episode. “So a campus thing I’ve been doing for 13 years to debate random college kids has now been so important that it gets prominent prime-time placement on Comedy Central?” he asked through laughs. “I think the whole thing is just awesome and hilarious.”
Mar-a-Lago
When Mr. Mackey is rewarded for good work as an ICE agent, he’s flown to Trump’s Mar-a-Lago estate, where he frequently stays and hosts events.
He’s greeted by giggling women who hand him a drink and put flower leis around his neck before the president meets him and gives him a brief tour of Mar-a-Lago. While there, Mackey accidentally walks in on two older men receiving massages from younger women, one of whom is a tearful Dora, detained in the raid that took place earlier in the episode. The scene is likely a reference to Epstein and accounts from survivors who say they were forced to give massages to him and his associates. Trump said this summer that Epstein “stole” young women who worked at the Mar-a-Lago spa, which caused them to have a falling-out.
JD Vance
The vice president is depicted as a version of Tattoo, the character from late-’70s drama “Fantasy Island,” and is animated similarly as Trump, except the photo used for his face is lifted directly from viral memes. He often does the president’s bidding, calling him “boss.” In turn, Trump frequently calls Vance “stupid.” Acknowledging the caricature, Vance wrote on X, “Well, I’ve finally made it.”
‘Sickofancy,’ Episode 3
Randy begins microdosing ketamine and Towelie goes to Washington, D.C., in this episode.
(Comedy Central)
Immigration raid at cannabis farm
Randy’s hemp farm business, Tegridy Farms, is the site of an immigration raid at the the beginning of this episode. While Randy is shooting a commercial, complete with calming guitar music and a trite script, ICE officers interrupt by detaining almost all the workers. “You sons of b—,” Randy screams after the vans as they drive away. “Those are my Mexicans!”
In July, chaotic raids targeting a cannabis company’s growing site and greenhouse in Santa Barbara and Ventura counties drew national attention after a man who was fleeing immigration officials died.
Microdosing ketamine
With his business in shambles, Randy rethinks his strategy with the help of an over-complimentary AI chatbot. Perhaps in a nod to Trump’s former ally and onetime “special government employee” Elon Musk, the billionaire businessman behind Tesla, SpaceX and X, Randy turns to ketamine. Randy insists a slew of “tech guys” are taking small doses of ketamine and the drug “gives their minds the edge to work with AI.” Ketamine “bolsters our focus and creativity,” he tells his partner Towelie. Under the influence of the drug, Randy transforms Tegridy Farms from a “quaint farm” into an “AI-powered marijuana platform for global solutions.”
Musk’s use of ketamine and other drugs has been previously reported, with the tech leader saying in a 2024 interview that ketamine has been prescribed to him and is “helpful for getting one out of a negative frame of mind.” He has denied abusing it. “If you use too much ketamine, you can’t really get work done. I have a lot of work, I’m typically putting in 16-hour days,” he said. “So I don’t really have a situation where I can be not mentally acute for an extended period of time.”
Musk supported Trump’s campaign and served as an advisor to the president, helming the Department of Government Efficiency earlier this year with the goal of slashing spending.
Mark Zuckerberg and Tim Cook
Meta and Apple chief executives Mark Zuckerberg and Tim Cook, who were both present at Trump’s inauguration and have maintained friendly relationships with him, are both portrayed in this episode as members of a long line outside of the Oval Office waiting to bestow a gift on the president.
“Mr. President, your ideas for the tech industry are so innovative,” Cook says to Trump. Cook gives the president a gift on behalf of Apple, which actually happened this summer. Zuckerberg is later seen giving the president a gift that appears to be a gold and bejeweled Meta virtual reality headset.
Luxury jet from Qatar
Qatar’s leader is also seen in line holding a model gold plane with a tag that says “Air Force One.” Like everyone else, the leader compliments the president and insists his genitalia is not small before giving him the gift. Trump and the Defense Department accepted a luxury Boeing 747 aircraft from Qatar for President Trump to use as Air Force One this summer, despite ongoing questions about the ethics and legality of taking the expensive gift from a foreign nation.
Washington, D.C.
When Towelie takes a trip to the capital in this episode, he sees armed troops guarding monuments like the Washington and Lincoln memorials and the Capitol surrounded by tanks and jets. In the episode, the Lincoln Memorial has been replaced by a statue of a stern-faced Trump with exposed genitalia.
In August, Trump called up National Guard troops to Washington, D.C., to assist federal law enforcement in his bid to “reestablish law and order” by targeting criminals — though crime has been down in the city — and the homeless. Although troops were not initially armed, Defense Secretary Pete Hegseth later ordered them to carry service-issued weapons.
Reclassifying marijuana
Randy sends Towelie to meet with Trump and give him a gift in hopes of persuading him to reclassify marijuana on the national level. (The gift is Towelie himself.) Randy, in the form of a hologram, tells Trump he thinks they can work out a mutually beneficial arrangement.
Trump said in an August press conference that his administration was considering reclassifying marijuana as a less dangerous drug, which would be a significant change in policy but would not make the drug legal across the country.
‘Wok is Dead,’ Episode 4
Butters buys a Labubu for his girlfriend.
(Comedy Central)
Tariffs and Labubus
The clerk at the City Pop-Up — rebranded from City Wok — the lone purveyor of Labubus in the area, says the popular dolls are hard to keep in stock, and they’re very expensive because of tariffs. The “mystery box” that Butters has to purchase for the chance of getting the exact Labubu his girlfriend wants sets him back $85, and later, the price shoots up to $120 to offset a rise in tariffs. (The real-life dolls often fetch much more than that on resale sites, especially if they are rare.) When Butters balks at the price, the store owner explains that the cost of tariffs is passed onto the customer.
Fox News
This episode shows a clip from a Fox News segment where an anchor is overly complimentary of the president. The anchor says the president will take questions from a “diverse crowd of reporters” after returning to the U.S. from a historic tariff summit, only to reveal all of the reporters are from Fox.
The Fox News reporters also fixate on President Trump’s relationship with his wife, Melania, and his increasingly frequent appearances with Satan. There’s a heavy use of wordplay that suggests the anchors could be asking about the affair between the president and Satan or about whether Trump is actually the devil himself.
Kid Rock
Fox News reporters check in with Trump ally Kid Rock after breaking the news that — buckle up — Trump has impregnated Satan. A sobbing Kid Rock tells the reporters, “I’m just so happy.” The musician is a friend and ardent supporter of Trump, having performed at his inaugural rally in January and spoken many times publicly about his support of the president.
‘Conflict of Interest,’ Episode 5
South Park Season 27, Episode 5 “Conflict of Interest”
(Comedy Central)
Israel and Gaza
Kyle becomes irate when his classmates place bets on a popular market prediction app that his mother would “strike Gaza and destroy a Palestinian hospital.”
This episode marks the first time this season that the show has touched on the current conflict in Gaza, and it referenced real-life Israeli strikes on hospitals in the area.
Donald Trump Jr.
Trump’s eldest son appears in this episode as someone with many roles — he’s a strategic advisor for predictive markets, he answers the phone for the Commodity Futures Trading Commission and also acts as a special advisor to Israel. Although he wears all those hats, the series doesn’t portray him as particularly bright — he has a complete conversation over the phone with himself.
He’s also animated to look as if he’s had extensive plastic surgery and he speaks with a strained voice, as if he can’t move his face.
Trump Jr. holds several key roles in his family’s business and his father’s political sphere in real life, and he serves as an advisor to both Polymart and Kalshi, two prediction market apps that are named and spoofed in this episode.
Trump’s stance on abortion
Less keen on the baby he’s expecting with Satan, Trump looks for different ways to harm the pregnancy in hopes of terminating it. He asks Satan if he wants to smoke and hang out in a hot tub, holds up a wire hanger, tries to get him to trip down the stairs or fall under a pile of cat feces, and even makes Satan a soup full of emergency contraceptive pills.
In reality, Trump has repeatedly shifted his messaging on abortion but has most recently said he believes specific abortion policies and access should be decided not by federal law but by individual states.
Brendan Carr
The chairman of the Federal Communications Commission comes into the fold this episode when Kyle goes through several hoops to try to file a complaint over the bet involving his mom, which he finds offensive. The FCC is “dealing with all the offensive stuff now,” Kyle is told.
Carr says he needs to speak with the president after learning about the offensive content, but he ends up falling victim to all of Trump’s antics in his attempt to terminate Satan’s pregnancy, which send him to the hospital. The doctors say they’re “afraid he may lose his freedom of speech.”
Vance later threatens Carr, who keeps interfering with Trump’s attempts to end Satan’s pregnancy (Vance doesn’t want anything to mess with his proximity to the presidency). “We can do this the easy way, or we can do this the hard way,” Vance says to Carr.
Those words match the phrase Carr said in real life a week before this episode aired in reference to his call on ABC to act on comments late-night host Jimmy Kimmel made about Kirk’s suspected killer and his death. Carr has remained in the headlines since then as backlash grew against the FCC’s role in Kimmel’s suspension.
Benjamin Netanyahu
Frustrated by the bet about her and the ongoing conflict in Gaza, Kyle’s mom storms into the office of the Israeli prime minister. “Just who do you think you are, killing thousands and flattening neighborhoods, then wrapping yourself in Judaism like it’s some shield from criticism?” she says. “You’re making life for Jews miserable and life for American Jews impossible.” She continues to berate him and a group of officials while the credits roll. Netanyahu does not say anything in response.
All Creatures Great and Small is back on Channel 5 and will see the return of all the fan-favourites including Nicholas Ralph as James Herriot and Samuel West as Siegfried Farnon
The first episode, dubbed Gathering the Flock, showcases James and Tristan (portrayed by Callum Woodhouse) taking drastic measures after witnessing Siegfried’s wild and disorderly conduct, with some touching behind-the-scenes moments.
Anna Madeley reprises her role as Mrs Hall, alongside Rachel Shenton as James’s wife Helen. Tony Pitts and Imogen Clawson also make a comeback as Helen’s father and sister, Richard and Jenny.
The sixth series will also welcome back Patricia Hodge as Mrs Pumphrey and Mollie Winnard as Maggie.
Here’s everything you need to know about the guest stars for the first episode of the sixth series.
All Creatures Great and Small series 6 episode 1 cast
Archie Tredwell – Wayne Foskett
Wayne Foskett joins the cast for the opening episode. The 61 year old English actor is renowned for his roles in Merlin, Silent Witness and Midsomer Murders.
He’s also an avid artist and has showcased his works at the Jardiniere art exhibition.
Fans might also recognise him as Richard Stark from Game of Thrones or as Tom in Lightfields.
Jimmy Herriot – Thomas Riches
James’s son Jimmy is portrayed by Thomas Riches, but little is known about the young star at this point.
Susan – Lucy-Jo Hudson
Susan, an acquaintance of Siegfried’s, is played by Lucy-Jo Hudson, a 42 year old actress hailing from Leeds.
She’s the sister of rugby league player Ryan Hudson and was previously married to Coronation Street actor Alan Halsall, who portrays Tyrone Dobbs, until 2018.
The mum-of-two is recognised for her roles as Katy Harris in Coronation Street, Rosie Trevanion in Wild at Heart and Donna-Marie Quinn in Hollyoaks.
Rosie Herriot – Arlie and Autumn Doyle
Arlie and Autumn Doyle join the cast as James and Helen’s daughter Rosie, but little is known about these young twins.
Mary – Siena Marsden
Siena Marsden joins the cast as Mary, Edward’s daughter, although not much is known about this young actress yet.
Edward Hall – Conor Deane
Conor Deane returns as Mrs Hall’s son Edward, and he is also known for his roles as Fred Holdsworth in The Hardacres and Kyre Branson in Sherwood.
His other credits include Ridley, Happy Valley and What It Feels Like for a Girl.
All Creatures Great and Small airs on Channel 5 on September 25 at 9pm
Tuesday’s show marked Kimmel’s return to his talk series since Walt Disney Co.-owned ABC announced last week that it was suspending the show indefinitely. The decision came after Nexstar Media Group and Sinclair Broadcasting, owners of ABC affiliates, said they would not air the show because of comments Kimmel made about the suspect in the shooting death of conservative activist Charlie Kirk. Both companies said they would continue to keep “Jimmy Kimmel Live!” off air.
Kimmel was greeted by the studio audience with a long standing ovation and chants of “Jimmy.” He cracked a joke to open: “Who had a weirder 48 hours — me or the CEO of Tylenol?”
The host said he was moved by the support he had received from friends and fans, but especially from those who disagree with him. He cited comments from Ted Cruz and mentioned the support he received from Ben Shapiro, Candace Owens and Mitch McConnell.
“Our government cannot be allowed to control what we do and do not say on television, and that we have to stand up to it,” he said. “I’ve been hearing a lot about what I need to say and do tonight, and the truth is, I don’t think what I have to say is going to make much of a difference. If you like me, you like me; if you don’t, you don’t; I have no illusions about changing anyone’s mind.”
What was most important to him, though, was imparting that it was “never my intention to make light of the murder of a young man,” Kimmel said through tears.
“I understand that to some that felt either ill timed or unclear or maybe both, and for those who think I did point a finger, I get why you’re upset,” Kimmel said of his comments about Kirk’s suspected killer. “If the situation was reversed, there’s a good chance I’d have felt the same way. I have many friends and family members on the other side who I love and remain close to, even though we don’t agree on politics at all. I don’t think the murderer who shot Charlie Kirk represents anyone. This was a sick person who believed violence was a solution and it isn’t.”
Kimmel also said his ability to speak freely is “something I’m embarrassed to say I took for granted until they pulled my friend Stephen [Colbert] off the air and tried to coerce the affiliates who run our show in the cities that you live in to take my show off the air.”
“That’s not legal,” he continued. “That’s not American. That is un-American.”
The host did not comment on his suspension until Tuesday’s episode, which will air on the West Coast at 11:35 p.m. PT, but talk show hosts, actors, comedians, writers and even the former head of Disney had condemned ABC’s decision to pause production.
Hours before he taped Tuesday’s episode, Kimmel posted on Instagram for the first time since his suspension, sharing a photo of himself with iconic television creator Norman Lear. Kimmel captioned the photo “Missing this guy today.” The late Lear, whom Kimmel collaborated with on the television specials “Live in Front of a Studio Audience,” was an outspoken advocate for freedom of speech and the 1st Amendment and he founded the organization People for the American Way, which aims to stop censorship as one of its many goals.
Trump also took to social media before Tuesday’s episode to express his thoughts about Kimmel’s return, writing on Truth Social that he couldn’t believe the show was coming back: “The White House was told by ABC that his Show was cancelled [sic]!”
“Why would they want someone back who does so poorly, who’s not funny, and who puts the Network in jeopardy by playing 99% positive Democrat GARBAGE,” Trump continued. “He is yet another arm of the DNC and, to the best of my knowledge, that would be a major Illegal Campaign Contribution.
He went on to write he wanted to “test ABC out on this.”
“Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars,” he wrote, referencing the settlement with ABC after Trump filed a defamation lawsuit over inaccurate statements made about him by ABC News anchor George Stephanopoulos. “This one sounds even more lucrative. A true bunch of losers! Let Jimmy Kimmel rot in his bad Ratings.”
Pressure to suspend Kimmel came from Federal Communications Commission Chairman Brendan Carr, who said in a podcast interview last week that ABC had to act on Kimmel’s comments. The Trump appointee said, “We can do it the easy way or the hard way.”
Hours later, Nexstar, which controls 32 ABC affiliates, agreed to drop “Jimmy Kimmel Live!” indefinitely, and ABC followed with its own announcement that it was pulling Kimmel from the network. Sinclair Broadcasting, a TV station company long sympathetic to conservative causes, also shelved the show and went a step further by demanding that Kimmel make a financial contribution to Kirk’s family and his conservative advocacy organization Turning Point USA.
FCC Commissioner Anna M. Gomez, one of three commissioners, and the only Democratic member, released a searing statement the next day.
Gomez said the FCC “does not have the authority, the ability, or the constitutional right to police content or punish broadcasters for speech the government dislikes” and called the network’s move a “shameful show of cowardly corporate capitulation by ABC that has put the foundation of the First Amendment in danger.”
“When corporations surrender in the face of that pressure, they endanger not just themselves, but the right to free expression for everyone in this country,” Gomez continued. “The duty to defend the First Amendment does not rest with government, but with all of us. Free speech is the foundation of our democracy, and we must push back against any attempt to erode it.”
Times staff writers Stephen Battaglio and Meg James contributed to this report.
The third episode of Coldwater had viewers reaching for their remote controls as they blasted the ‘disturbing’ scenes aired in the ITV prime-time drama
Viewers of Coldwater were left scrambling for their remote controls as they slammed the ‘disturbing’ scenes broadcast during the third episode of the ITV prime-time drama.
Andrew Lincoln plays John in the crime thriller, which airs on ITV1 on Sundays and Mondays and is available to stream in full on ITVX.
The six-part series charts the journey of John and his family as they relocate to the rural Scottish haven of Coldwater following John’s witnessing and response to a violent incident in a London park.
However, John grows increasingly exasperated with his restrictive and tedious life as a middle-aged house husband, his concealed rage threatening everything he cherishes.
Andrew Lincoln plays John in Coldwater(Image: ITV)
Despite longing for a more peaceful future for his family, he faces new challenges when he develops a friendship with neighbouring resident Tommy (Ewen Bremner), a seemingly charming man and devoted husband to local minister Rebecca (Eve Myles), with John becoming caught up in a series of disturbing events whilst falling into Tommy’s snare, reports the Daily Record.
During the third episode which broadcast on Sunday, September 21, audiences watched sinister Tommy (Ewen Bremner) kill pet cat Harlequin.
However, the unsettling scene sparked a wave of criticism on social media.
One viewer commented: “now the cat was a step too far! Absolutely no need to show that.”
A second posted: “I thought we moved past killing animals in shows, viewers hate it and it’s unnecessary. Yes it’s not real but it’s too disturbing, I immediately give up on shows for that so ITV you lost a viewer, only weak writers use animal deaths for a desperate attempt at tension. “
John has got himself caught up in Tommy’s web(Image: ITV)
A third added: “It’s gone too far #Coldwater There’s no humour, or ‘art’ in plain cruelty. I’ve kept with it, but no more.”
And: “Wish they wouldn’t have cruelty to defenceless animals in these dramas.”
Andrew Lincoln has revealed that he turned down the role in Coldwater twice before finally agreeing to take it on.
The Walking Dead actor explained: “I got sent the script and loved it, it made me laugh in all the wrong places, made me squirm with recognition, and constantly surprised me with the unpredictability of the characters, but it made me scared as well.
“I was quite scared about playing a character that was so unpleasant and weak and emasculated, and I wasn’t quite sure tonally where it sat.
“So I said no twice to it and then I had a lovely chat [with writer David Ireland] and couldn’t walk away from it.”
Coldwater continues on ITV1 tomorrow and it’s available to stream on ITVX
This article contains spoilers for the Season 3 finale of “The Summer I Turned Pretty.”
Isabel “Belly” Conklin and Conrad Fisher had a très romantique reunion in Paris in the highly anticipated series finale of “The Summer I Turned Pretty” this week — but that’s not the end of their love story.
Hours after Prime Video dropped the series finale of the hit show on Wednesday, the streamer announced a feature film continuation to be written and directed by author, creator and co-showrunner Jenny Han.
“There is another big milestone left in Belly’s journey, and I thought only a movie could give it its proper due,” Han said in a press release. The surprise announcement was made during the red carpet finale premiere in the City of Love, with Han and the stars of the series, including Lola Tung, Christopher Briney and Gavin Casalegno, in attendance.
Story and production details for the untitled “Summer I Turned Pretty” movie are under wraps, as is the release date. But fans of Han’s bestselling book series of the same name have already guessed which major milestone a “Summer” movie is likely to reveal: Belly’s wedding to Conrad.
The wedding, an ultimate happy ending for the couple after their tumultuous three-season journey of first love and heartbreak, was originally revealed in the epilogue of Han’s third “Summer” novel, “We’ll Always Have Summer.” Curiously for the series, in which Han has shown meticulous creative control with well-curated book moments, music and visual details, Belly and Conrad’s onscreen love story comes to an open-ended conclusion when they return together to the Cousins summer house, with Belly narrating an ambiguous forward jump in time.
Additionally, a credits montage titled “Christmas in Paris” shows snapshots of them spending the holiday together and an onscreen letter from Han thanking fans that appears to open the door to more of Belly and Conrad’s story: “Maybe we’ll meet again one summer in Cousins.”
Belly and Conrad’s onscreen love story comes to an open-ended conclusion when they return together to the Cousins summer house in the series finale.
(Eddy Chen / Prime)
The final three episodes of the global hit series expand on the book’s epilogue, switching the setting from Spain to Paris, where Belly (Tung) finishes college abroad after a love confession from Conrad (Briney) upends her would-be nuptials to his brother, Jeremiah (Casalegno). The penultimate episode included the handwritten letters from the book that Conrad begins sending Belly during their time apart, leading to their eventual romantic reconnection.
In the 79-minute series finale, written by Han and co-showrunner Sarah Kucserka and directed by Jesse Peretz, Conrad arrives in Paris a year later to surprise Belly on her birthday. They clear the air and rekindle their spark during a “Before Sunrise”-esque day together. A passionate night is followed by a tearful goodbye, an emotional revelation, a dramatic dash to the train station, and the return of the infinity necklace that has symbolized their love since Season 1.
The episode also checks in on the folks back home in Cousins, including Steven (Sean Kaufman) and Taylor (Rain Spencer), who are navigating the next steps of their own relationship, and Jeremiah, now an up-and-coming chef, who has moved on from his breakup with Belly and is forging a romantic connection with former co-worker Denise (Isabella Briggs).
After watching the finale, some fans on social media felt that Belly and Conrad’s love story was incomplete, wanting to see more of the couple together, and that it missed book moments like their wedding, closure for other characters, and a reunion of the whole Cousins crew.
Avid fans had already begun poring over the episode for hints of more “Summer” to come. Eagle-eyed viewers like TikTok creator @bookbeedani noted that the numbers “12” and “14” appearing throughout the episodes and holiday hints, including a red and green dress worn by Han in a promo revealing the finale title, support speculation that a Dec. 14 Christmas special might be in the works.
Those details could hint at what’s to come in a “Summer” feature film, including what we didn’t see in the series finale, like the letter Susannah wrote to Belly before her death, a “Bonrad” wedding — and first dance to “Stay” by Maurice Williams and the Zodiacs — and a final scene with the pair on the beach that has been witness to several of their important moments together.
“I’m definitely open to doing more stories in the universe,” Han told The Times in an interview ahead of the finale. The film, which will mark Han’s feature directorial debut after making her first foray into directing with a Season 3 episode told from Conrad’s perspective, could also tie up loose ends or tee up spin-off potential for other beloved characters, including Steven and Taylor in California; Laurel, John and Adam on that singles cruise; or Jeremiah and Denise in … love?
IT may not be an imposing castle and there’s no Claudia Winkleman but Downing Street has become the stage for a real-life version of The Traitors.
Sir Keir Starmer set the scene for weeks of vicious plotting when he banished his faithful deputy from the Cabinet.
3
Angela Rayner’s exit and Starmer’s hasty Cabinet reshuffle is like an episode of The Traitors… now PM must watch his back
3
Disgraced Rayner with Starmer and Reeves on the front benchCredit: AFP
His gushing letter to Angela Rayner after she was forced out was true to the hit TV series.
It could be summed up as: “So sorry, Ange. I really like you and I really, really hope it isn’t you. But I’ve got to go with my gut.”
But it hasn’t washed with her admirers who now see her as a standard bearer for Labour’s Left.
The problem for the PM is whether his ousted sidekick will be recruited by The Traitors — a clique of MPs and activists hellbent on revenge.
They think Sir Keir is the real traitor — a class traitor — and are ready to unleash anger and resentment that has been building up over the past 14 months.
The search for her successor will become a divisive and bloody battle for the soul of the party.
One activist declared: “It’s going to be carnage. The knives are out already — and many of them are aimed at Starmer’s back.
“Most MPs can’t stand him or his politics, and over the past week their hatred has gone off the scale.”
Ms Rayner and her supporters are not the only people to harbour a grudge against the PM.
Angela Rayner’s flat VANDALISED with graffiti calling her a ‘tax evader’ after she admitted underpaying stamp duty
Her departure forced him into a hasty Cabinet reshuffle in which several of her colleagues were also thrown under the bus.
One minister dumped in Sir Keir’s shake-up even vowed privately: “I’m going to f*** him up.”
The deputy leadership race could now turn into a proxy war to destabilise the PM and find his successor.
There are whispers about a stalking horse to pave the way for Manchester Mayor Andy Burnham to steal the crown and, bizarrely, that Ed Miliband is pondering a bid for a leadership comeback.
The scandal has also exposed the Prime Minister’s indecision and weakness — flaws he once levelled at Boris Johnson.
Sir Keir allowed Ms Rayner to cling on to her job for eight days after it was revealed she had avoided paying £40,000 stamp duty on her swish new seaside property at Hove, East Sussex.
It was clear that at the very least she was guilty of rank hypocrisy and had to go.
One of his biggest tests will be the Budget on November 26
You’d think after being gifted £2,400 of free spectacles, Sir Keir would have seen what was coming.
But he left it to an ethics adviser to reach the inevitable conclusion — and even then, the PM didn’t sack her but let her resign.
Sir Keir knows he must fix the economy and stop the boats if he has any chance of winning the next General Election.
But the Left has been angered and emboldened, and their opening salvos are likely to be fired at the Labour Conference in Liverpool later this month.
One of his biggest tests will be the Budget on November 26, when drastic action is needed to plug the £50billion black hole in Britain’s finances.
Normally, all the pressure would be on Rachel Reeves to deliver. But the PM sidelined the Chancellor last week to take personal charge of economic policy.
He appointed his own economics guru and poached Ms Reeves’s geeky number two Darren Jones as well as the Chancellor’s chief tax adviser to join his No10 team.
One disgruntled source said: “Keir has made it clear he plans to own the next Budget.
“If that’s the case, he can shoulder all the blame when it goes down like a bag of cold sick.”
Cabinet heavyweight Pat McFadden has been put in charge of forcing through welfare reform, months after benefit cuts were ditched amid a backbench rebellion. His task just got a lot harder.
Time to get a grip
Another big mission — which eclipses any TV challenge Claudia could set — is to tackle the asylum crisis.
Voters are desperate to see this Government deliver on its promises soon
Hardly a surprise, as Sir Keir has had more success removing ministers than asylum seekers.
He has ushered in tough-talking former Justice Secretary Shabana Mahmood — who supports chemical castration for serious sex offenders — to head up the dysfunctional department.
The PM knows that if she is unable to get a grip of the nation’s number one concern, he won’t be given time to send in a third team.
Voters are desperate to see this Government deliver on its promises soon.
Sir Keir returned from his summer break to declare he had begun “phase two” of his plan to change Britain.
If it continues like this, there won’t be any time for a phase three.
Voters will ask Sir Keir to reveal whether he’s a Faithful or a Traitor.
Then banish him from Number 10.
REFORM MP Lee Anderson wants schoolkids to wave Union Flags and sing the National Anthem at morning assembly.
Not so much Cool Britannia as School Britannia.
WHILE the nation was entranced by the Angela Rayner scandal, the Green Party elected a former hypnotherapist as its new leader.
Zack Polanski once claimed he could help women who wanted larger breasts by unlocking the power of their minds.
3
Zack Polanski once claimed he could help women who wanted larger breasts by unlocking the power of their mindsCredit: Getty
Now he’s turned his attention to growing his membership before persuading the rest of us to reverse Brexit.
I can only imagine how he’ll do that.
Perhaps he’ll mesmerise us into a second referendum with an election speech which goes: “Look into my eyes, look into my eyes.
