effects

Phil Tippett, the visual effects artist who crafted aliens in “Star Wars” and dinosaurs in “Jurassic Park,” is shutting down his Berkeley-based studios after more than 40 years of business.

The closing was marked by a weekend liquidation sale, where fans purchased memorabilia from movies like “Star Wars,” “Jurassic Park,” “RoboCop” and “Starship Troopers.” The sale included models of Imperial Walkers from “The Empire Strikes Back,” “Starship Troopers” miniatures, signed posters and equipment like computers and 3D printers.

“We have recently decided to evolve our physical footprint and production approach, and to exit our longtime Berkeley facility,” said the company in a statement on social media. “As we make this transition, Tippett Studio continues its visual effects and animation work across film, television and entertainment.”

The closure follows Tippett‘s sale of a majority stake in the company to PhantomFX, an India-based VFX studio, in 2024 and the Chapter 11 bankruptcy filing that followed. PhantomFX has completed the acquisition of Tippett Studio and will operate the studios under the same name.

Tippett and his wife, Jules Roman, founded the studio in 1984, by which point he’d already made his name in the world of visual effects through his work on the original “Star Wars” trilogy. He was instrumental in doing the stop-motion miniature chess scene in “Star Wars: A New Hope,” bringing the Imperial Walkers to life and creating aliens like Jabba the Hutt and tauntauns.

Under his own studio, he became best known for the dinosaurs in Steven Spielberg’s “Jurassic Park,” using computer generation to animate the prehistoric creatures. He also worked on effects for “The Matrix” films, “Hellboy” and the “Twilight” franchise.

Tippett had occupied the 6,200-square-foot Berkeley facility for 35 years, but as technology evolves, the studio no longer needs the large space.

“Stop-motion remains an important part of our creative capabilities, but maintaining a large permanent physical footprint is no longer necessary for our current requirements,” wrote Tippett Studios. “When projects require dedicated stages, fabrication, motion-control photography or other specialised physical infrastructure, we will work with appropriate external facilities to meet the needs of each production.”

The company‘s Toronto studio will keep running and is “currently in active production on a large feature film,” per the same statement.

The downsizing comes amid a particularly challenging stretch for film and TV productions in California. Following Covid-19, labor strikes and the flight of major Hollywood productions to other states and countries, many specialty businesses such as prop houses and VFX studios are struggling to stay afloat.

Despite the sale, Tippett told CBS News he isn’t giving up or planning to retire. He does not have plans to retire. “I will die with my sword in my hand,” he said. “We had almost a 40-year run. It was a good run.”

Memphis Grizzlies forward Brandon Clarke’s death in May was caused by the “effects of heroin and cocaine”, the Los Angeles authorities have revealed.

The County of Los Angeles Department of Medical Examiner ruled that the death was accidental., external

The 29-year-old was found unresponsive in a bedroom at a house in San Fernando Valley on 11 May, 2026 and was pronounced dead by paramedics.

The medical examiner’s office also listed the “combined effects of multiple prescription medications” as a “significant” contributor to his death but did not state what the medications were.

The medical examiner added that its full report would be available at a later date.

The Canada-born player was a first-round draft pick in 2019 but played only two games in the 2025-26 season because of injuries.

Paying tribute at the time, the Grizzlies said they were “heartbroken” by the loss, adding he was an “outstanding team-mate and an even better person whose impact on the organisation and the greater Memphis community will not be forgotten”.

Clarke played 309 NBA games, including 50 starts, and scored an average of 10.2 points per game.

A month prior to his death, Clarke was arrested in Arkansas on charges that included speeding and possession of a controlled substance.

Clarke was born in Vancouver and was a dual citizen of Canada and the USA.

After playing college basketball at San Jose State and then Gonzaga, he was drafted by the Oklahoma City Thunder and traded to the Grizzlies soon after.

Memphis Grizzlies ⁠forward Brandon Clarke’s ⁠May 11 death ruled accidental, with effects of heroin and cocaine cited.

The Los Angeles County ‌Department of Medical Examiner reported on Friday ⁠that Memphis Grizzlies ⁠forward Brandon Clarke died due to the effects of heroin and cocaine.

The medical examiner ruled Clarke’s ⁠May 11 death an accident. The combined effects of multiple prescription medications were also identified as a significant contributing ⁠condition, though the specific medications were not disclosed. The full medical examiner’s report has not yet been released.

Clarke, 29, was discovered unresponsive in a bedroom at a residence ‌in California’s San Fernando Valley and was pronounced dead at the scene by paramedics. The medical examiner conducted an examination the following day before formally certifying the cause and manner of death on Friday.

Clarke spent his seven-year NBA career with Memphis after finishing ⁠his college career at Gonzaga. He averaged ⁠10.2 points and 5.5 rebounds over 309 games (50 starts) and finished fourth in Rookie of the Year voting in 2019-20.

Injuries limited Clarke during ⁠his final seasons. He missed more than a year after tearing an Achilles ⁠tendon in 2023 and appeared in ⁠only two games during the 2025-26 campaign because of knee and calf ailments.

About six weeks before his death, Clarke was arrested in Arkansas ‌on charges that included possession and trafficking of a controlled substance following a traffic stop.

Following Clarke’s death, the Grizzlies ‌remembered ‌him as an “outstanding teammate and an even better person” whose influence extended beyond the organisation and into the Memphis community.

Memphis Grizzlies forward Brandon Clarke died in May from “the effects of heroin and cocaine,” the Los Angeles County Department of Medical Examiner announced Friday.

The manner of death was determined to be accidental, the department said.

Clarke died May 11 in a San Fernando Valley home, multiple media outlets reported at the time, and drug paraphernalia was found at the scene. The department said Clarke was found unresponsive around 5 p.m. that day and was pronounced dead by paramedics 15 minutes later. He was 29.

“On May 12, a deputy medical examiner conducted an examination of Mr. Clarke at the DME’s Forensic Science Center,” the department said in a statement. “The cause and manner of death were certified Aug. 7.”

Clarke was born in Vancouver, B.C., and played basketball at Desert Vista High in Phoenix, San Jose State and Gonzaga. Selected at No. 21 overall by the Oklahoma City Thunder in the 2021 NBA draft, Clarke was traded weeks later to Memphis, where he played his entire career.

He played in 309 games but only two last season because of injuries. Clarke averaged 10.2 points and 5.5 rebounds during his career.

“Everyone loved BC because he was always there as the most supportive friend you could ever imagine,” his agency, Priority Sports, said in a statement after his death. “He was so unique in the joy he brought to all of those in his life. It’s just impossible to put into words how much he’ll be missed. We love you, BC.”

Don Iwerks, an Academy Award-winning special effects pioneer whose innovations transformed film and Disney theme parks, died peacefully Thursday at the age of 96, the Walt Disney Co. announced.

For Disney and his own studio, Iwerks Entertainment, Iwerks helped develop technologies and techniques like Circle-Vision, the 360-degree camera behind “America the Beautiful” and other early Disney attractions, and the 3-D effects used in attractions like Captain EO and the Star Tours ride.

“There was a ‘can-do’ attitude I learned from Walt and my father,” Iwerks said, according to a statement shared by the Disney Co. “Walt gave everyone a feeling that they were creating things that others had never thought of before, of being a part of history.”

Born July 24, 1929, Iwerks received his first camera at age 14 as a gift from his father, animator Ub Iwerks.

The elder Iwerks met fellow artist Walt Disney when both men were teenagers working at a Kansas City, Mo., art studio. They would go on to work together at the Disney Brothers Cartoon Studio, where Iwerks designed and animated “Plane Crazy,” the first Mickey Mouse cartoon.

After a stint at his own animation studio, Ub returned to Disney as a special effects engineer, pioneering techniques like the 360-degree motion-picture camera.

“He was absolutely my inspiration because he was technically minded. He made my childhood and formative years one of the greatest times of my life,” Don Iwerks told The Times in 1998.

The Iwerks family moved to the San Fernando Valley in 1936, where Don graduated from Van Nuys High School in 1947.

He served as a photographer in Germany during the Korean War and joined his father at Disney following his 1952 discharge from the U.S. Army. An allergic reaction to chemicals used to develop film led to his transfer to the company’s Studio Machine Shop, where he spent the next 34 years.

Don spent three months in the Bahamas manning underwater cameras for the 1954 Disney film “20,000 Leagues Under the Sea.” He then worked as the camera technician on “A Tour of the West,” an original Tomorrowland attraction at the soon-to-be opened Disneyland. The immersive 360-degree film was shot on the Circarama camera system his father invented.

Together, Don and Ub developed technologies like the “endless loop” system that enabled a single film print to run for up to 10,000 performances with minimal intervention and refinements to the photography processes used in “Mary Poppins” (his favorite of the Disney films) and other movies.

His own hands were used as the model for those of the Abraham Lincoln Audio-Animatronics figure in “Great Moments with Mr. Lincoln,” which opened at Disneyland in 1965. The “Iwerks Hands” now appear on similar figures at Disney parks around the world, according to his family.

In 1986, he co-founded Iwerks Entertainment, which soon became a major player in the film and theme park industries. The company specialized in large-format films and created the 3-D projection system used in the Terminator rides at Universal Studios parks in Hollywood and Florida.

His innovations were honored with the Academy of Motion Picture Arts and Sciences’ honorary Gordon E. Sawyer Award and an Academy Scientific and Technical Award, among other prizes.

“It’s very obvious that computers are playing a big role in motion pictures today. The digital technology in film is able to put elements of scenes together on a film and have them look lifelike. It’s hard to know where that will go,” Iwerks said in a 1998 interview.

“My view is that technology should support a good story and add to it. Technology for technology’s sake?” he said with a shrug. “You still need good films.”

Iwerks is survived by his wife of 54 years, Betty; his sons, Larry and John; John’s wife, Chris; his daughter Leslie, and great-nephew,Mike, both of whom have also worked for Disney, according to an obituary shared by his family. His daughter Tamara preceded him in death.

“Like his father, he was a humble genius, a consummate problem solver, and delighted in sharing knowledge, encouraging others, and approaching every challenge with confidence and grace,” his family said in the statement from Conejo Mountain Funeral Home in Ventura.

Both Don and Ub Iwerks are commemorated in a storefront window on Main Street U.S.A. in Disney World’s Magic Kingdom. Located above the Main Street Bakery, the window is a lasting tribute to a family who made some of the park’s magic possible.

“Iwerks-Iwerks Stereoscopic Cameras,” the lettering reads. “No Two Exactly Alike.”