dream

Even those who do not follow French football in its most granular detail will be aware of the plight that could have befallen Lyon this summer.

Spared from administrative relegation to Ligue 2 just five and a half weeks before the start of the season, the club’s future in the French top flight hinged on their capacity to fulfil financial promises.

A firesale of the side’s most valuable assets duly ensued, and with it, expectations of a third successive season of European football dwindled.

Constrained by their financial frailties, Les Gones, spearheaded by sporting director Matthieu Louis-Jean, had to work diligently, embarking on an agile recruitment drive.

Spotting talent from lesser-known European leagues became a central tenet of their philosophy.

“We worked on different markets,” outlined the former Nottingham Forest right-back in September.

Amid a flurry of moves, Pavel Sulc and Ruben Kluivert arrived on permanent deals from Viktoria Plzen and Casa Pia respectively, while Adam Karabec joined from Sparta Prague on loan.

Louis-Jean has cultivated a burgeoning reputation as a strategic operator, but his most innovative market manoeuvre would have to wait until the winter window.

Having deviated from their reactive tendencies of the past, Lyon were left without a central striker of note, preferring to secure the temporary services of Martin Satriano on loan.

“We took a decision on the final day of the transfer window to leave the position of a first-choice striker open,” said general director Michael Gerlinger.

Louis-Jean, and Lyon’s wider recruitment department, were convinced an opportunity would present itself in January. Their intuition soon morphed into prophecy.

Having amassed just 99 minutes of action for Real Madrid during the first half of the season, Brazil striker Endrick needed an escape. Lyon were more than happy to provide sanctuary for a player and talisman they desperately craved.

“We had been waiting for a number nine for so long,” said Louis-Jean upon the 19-year-old’s unveiling after joining on loan until the end of the season.

Despite retaining Mateta, who is Palace’s top scorer with eight league goals this season, the Eagles paid a club record fee to sign striker Jorgen Strand Larsen from Wolves.

Palace were also on the verge of bringing in Everton winger Dwight McNeil until the deal fell through late on deadline day.

Glasner said he had “learned to accept situations” after Palace were also unsuccessful in finding a replacement for captain and centre-back Marc Guehi, who joined Manchester City earlier in the window.

“At the end of it, the club tried everything with huge offers and huge bids for a Marc Guehi replacement, but clubs said they don’t sell on deadline day,” Glasner said.

“Credit to the club that without getting any money for Mateta they still spent a big fee on Strand Larsen.

“On the other side, McNeil was the last one we thought we could finalise, but in the last minutes the terms of the deal changed again and the deal failed. I expected him and planned for him in the next day’s training.”

McNeil’s partner, Megan Sharpley, criticised Crystal Palace on social media for the way they handled the situation.

Everton boss David Moyes said the breakdown had “nothing to do” with his club and insists McNeil is “fine”.

“He’s in and he’s training as well, so Dwight’s OK,” Moyes said.

“We understand exactly where it went wrong, how it broke down. He knows everything about it and there’s no problems there.

“We had given permission for Dwight to go and have a medical and do all of the things required for it, so it was very hard to do much more than we have done.”

Following Bad Bunny’s landmark album of the year win at the 68th Grammy Awards for “Debí Tirar Más Fotos,” Ricky Martin penned a letter of appreciation to commemorate the moment.

In an opinion piece for the Puerto Rican newspaper El Nuevo Día published Tuesday, the Boricua hitmaker said Bad Bunny’s accomplishment stirred deep feelings within him.

“Benito, brother, seeing you win three Grammy Awards, one of them for album of the year, with a production entirely in Spanish, touched me deeply,” Martin wrote. “Not only as an artist, but as a Puerto Rican who has walked stages around the world carrying his language, his accent and his history.”

In addition to becoming the first all-Spanish album of the year winner, the “Nuevayol” artist took home the Grammy Awards for música urbana album and global music performance for the track “EoO” on Sunday.

Martin further called Bad Bunny’s achievement a “human” and “cultural” win, lauding him for not bending to the will of anyone who tried to change his sound in any way.

“You won without changing the color of your voice. You won without erasing your roots. You won by staying true to Puerto Rico,” Martin wrote. “You stayed true to your language, your rhythms and your authentic narrative.”

Martin, who first broke out as a solo musical act in the mid-’90s, became an international superstar off the back of his Spanish-language hits including 1995’s “María,” 1998’s “Vuelve” and “Perdido Sin Ti.”

He reached a new strata of stardom after his track “La Copa de Vida” was used as the official anthem for the 1998 FIFA World Cup. That song charted in over 60 countries and was translated into English. He landed his biggest hit with “Livin’ La Vida Loca,” which was the lead single from his 1999 self-titled English album.

When accepting his album of the year award Sunday night, Bad Bunny addressed the crowd predominantly in Spanish and spoke of the strugglesof the immigrant experience.

“I want to dedicate this award to all the people who had to leave their homeland, their country, to follow their dreams,” he said in English.

“Puerto Rico, believe me when I say that we are so much bigger than 100 by 35 and there is nothing that exists that we can’t accomplish,” the “Dakiti” artist said in Spanish. “Thank God, thank you to the academy, thank you to all the people who have believed in me throughout my whole career. To all the people who worked on this album. Thank you, Mami, for giving birth to me in Puerto Rico. I love you.”

The 54-year-old singer also showed love to Bad Bunny for using his platform to show solidarity for vulnerable communities.

“What touched me most about seeing you on the Grammys stage was the audience’s silence when you spoke,” Martin wrote. “When you defended the immigrant community, when you called out a system that persecutes and separates, you spoke from a place I know very well where fear and hope coexist, where millions live between languages, borders and deferred dreams.”

Martin concluded his letter by thanking Bad Bunny for reminding him and showing other Puerto Ricans that there is power in being true and authentic to yourself.

“This achievement is for a generation to whom you taught that their identity is non-negotiable and that success is not at odds with authenticity,” Martin wrote.

“This was for Puerto Ricans, for all our Latino brothers and sisters who dream in Spanish, for those crossing seas and borders wearing their cultures like a flag. From the heart, from one Boricua to another, with respect and love, I thank you for reminding us that when one of ours succeeds, we all succeed.”

The ‘test’ of a new country

This longing is shared by Angelica Angel, a 24-year-old student activist in exile.

She had grown up with tear gas and police beatings in Venezuela. After all, she had started protesting at age 15.

“They’ve pointed their guns at me, beaten me and almost arrested me. That’s when you realise that these people have no limits: They target the elderly, women and even young girls,” Angel said.

But the increasing political repression ultimately made her life in Merida, a college town in western Venezuela, untenable.

After 2024’s disputed presidential election, Angel decided to voice her outrage on social media.

Maduro had claimed a third term in office, despite evidence that he had lost in a landslide. The opposition coalition obtained copies of more than 80 percent of the country’s voter tallies, showing that its candidate, Edmundo Gonzalez, had won the race.

Protests again broke out, and again, Maduro’s government responded with force.

Military and security officers detained nearly 2,000 people, including opposition leaders, journalists and human rights lawyers.

When Angel denounced the arbitrary detentions on TikTok, she began receiving daily threats.

By day, anonymous phone calls warned her of her impending arrest. By night, she heard pro-government gangs on motorcycles circling her home.

Fearing detention, she fled to Colombia in August 2024, leaving her family and friends behind.

But living outside Venezuela gave her a new perspective. She came to realise that the threats, persecution and violence she had learned to live with were not normal in a democratic country.

“When you leave, you realise that it isn’t normal to be afraid of the police, of unknown phone calls,” said Angel, her voice trembling. “I’m afraid to go back to my country and to be in that reality again.”

For exiled Venezuelans to return safely, Angel believes certain benchmarks must be met. The interim government must end arbitrary detention and allow opposition members, many of whom fled Venezuela, to return.

Only then, she explained, will Venezuela have moved past Maduro’s legacy.

“Exiles being able to return is a real test of whether a new country is taking shape,” she said.