Downton Abbey

The beloved period drama has been hailed by audiences online and compared to Downton Abbey and Sherlock Holmes

Fans of period drama have been met with bittersweet news following the recent confirmation that a cherished series will be making a comeback – but for one final outing only.

This announcement follows previous excitement surrounding a WWII film due for release later this year and a Netflix period drama series drawing comparisons to HBO’s Chernobyl, reports the Express.

The costume drama has previously earned acclaim from one IMDb reviewer who described it as “One of the best”. They highlighted how the lead performer was an “absolute master at facial expressions”.

They continued: “IMHO this series continues to get stronger and is one of the best things produced for network TV. I am hoping this will be as long lived as some of the classic British shows like Vera and Silent Witness [sic].”

Another viewer wrote in their 10/10 assessment: “A wonderful TV detective story that bridges 21 century sensibilities with the horrible conditions of Victorian England, with its pollution, gender and class inequalities, poverty, etc.”

They further commended the programme: “What truly makes this show exceptional are the costumes, the sets, the great chemistry between the two protagonist, and the relationships amongst the other characters that slowly develops throughout the six episodes [sic].”

A third 10/10 review declared: “Fresh look, captivating plot, beautifully portrayed characters, real feel of old atmosphere, close attention to detail.”

The admirer revealed they were “totally hooked” by the production.

A third glowing review, titled “Amazing period piece”, saw the reviewer enthuse: “I joined PBS for this great masterpiece.

“The tension between the lead actors keeps me coming back for more. In this Downton Abbey meets Sherlock Holmes drama, each episode brings a more compelling reason to keep coming back for more.”

Miss Scarlet is set to wrap up after its upcoming seventh season, having first graced our screens in 2020.

The series features Peaky Blinders actress Kate Phillips in the starring role of Eliza Scarlet, the first female detective in Victorian London.

Not only has Miss Scarlet been solving mysteries, but she’s also been shattering the glass ceiling with her work throughout the city.

In a statement obtained by Deadline, the show’s creator Rachael New expressed: “Making Miss Scarlet has been the greatest joy of my professional career.

“Every stage of this beautiful show – from the writing, filming, editing and finally it reaching the screen – it has taken a whole village. A village of exceptionally talented people.

“From the wonderful exec team who first saw the potential in this story, to my brilliant writing partner Ben Edwards, the Belgrade production team, the Dublin post team and not least to our remarkable cast led by the magnificent Kate Philips, it has been a collaborative and beautiful experience.

“I’m very proud of how the final season plays out and the story we tell for Eliza.”

She added: “It’s a wrench to say goodbye to a character that I have lived and breathed for all these years, but Eliza will forever be with me whether on screen or off.”

Meanwhile, leading actress Phillips remarked: “What a journey this has been. Miss Scarlet has been one of the greatest joys of my career, and I will forever be grateful to Rachael New for creating such a witty, sharp, and delightful character in Eliza.

“It’s been a privilege to work on a show crafted with so much love and dedication and as we prepare to say goodbye, I’m so proud of what we’ve achieved and the memories we’ve made.

“Thank you to everyone who has supported us – I can’t wait to share the farewell Miss Scarlet deserves.”

Alongside Phillips, Miss Scarlet – formerly known as Miss Scarlet and the Duke – also features Tom Durant-Pritchard, Paul Bazely, Tim Chipping, Evan McCabe, Felix Scott, Cordelia Bugeja, and Ansu Kabia.

Production is currently underway in Serbia on series seven’s final six episodes of the drama.

Miss Scarlet is available to stream on UKTV’s U.

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Some would argue that Downton failed to steal the crown of this classic.

Some things are simply unbeatable. A classic period drama, one as critically acclaimed as it was popular, remains regarded as amongst the finest ever produced — Upstairs, Downstairs.

The family saga charted the lives of the aristocratic Bellamy family and their staff in the early 1900s. Spanning three decades, the programme’s narrative stretched both World Wars and the jazz age through to the Great Depression.

As the quintessential period drama of its era, comparisons between Upstairs, Downstairs and Downton Abbey are inevitable. The BAFTA-winning ITV series established the benchmark for costume dramas with storylines that mirror its successor.

Upstairs, Downstairs came before Downton Abbey by 50 years. Both programmes portray the lives of an aristocratic family and their servants against a backdrop of social and political upheaval in the early 20th century.

They diverge in some major ways though, with the most obvious being Downton Abbey’s production values. The 1970s show looks more understated, a quality that strikes viewers as either nostalgic of off-putting.

Downton’s location is fundamentally more grand. The Bellamy family inhabit a London townhouse, worlds apart from the Crawley family’s lavish country manor which became a character in its own right.

Whilst Downton was famed for its visual spectacle, a share of the audience felt the series occasionally strayed into the melodramatic. In contrast, Upstairs, Downstairs has been likened to theatre due to its more grounded visuals and plot lines.

Fans of both period dramas have invariably come together online to compare the shows and name their favourite.

One person sparked a debate on a Downton Abbey forum by asking: “If you have seen both shows, which show do you think is better?” to which one person simply responded: “Upstairs Downstairs without question.”

“The original Upstairs Downstairs is one of the finest TV programmes ever made,” argued another. “Downton Abbey is a jumped up soap opera.”

Of course it would be remiss not to mention the BBC’s reboot of Upstairs, Downstairs in the 2010s, but that’s a whole ‘nother debate.

Upstairs, Downstairs can be streamed on ITVX.

Netflix has confirmed it’s making a brand-new historical series that will focus on a family ripped apart by betrayal

Netflix has announced plans to produce a period drama focused on one of the most harrowing periods in history.

The upcoming Netflix series comes from the same creative team behind another major period drama for the streaming giant, reports the Express.

IMDb users have been effusive in their praise for the programme, drawing parallels with acclaimed shows such as The Crown and Downton Abbey.

One viewer headed their 10/10 review: “A Masterpiece of Emotion and Visual Beauty.”

They elaborated: “I’m absolutely in love with this series. After waiting two whole years for the next six episodes, I couldn’t help but binge them all in one go. And wow, it was worth the wait! The actors are phenomenal-so much emotion in their performances that they pulled me into every moment. I cried, laughed, and felt everything in between.”

A second reviewer wrote in their 9/10 assessment: “Like the Crown but much more captivating.”

A third critic awarded 10/10, describing it as “an utterly gorgeous series” and noted: “The Crown wasn’t historically 100% accurate either, but did we absolutely adore every second of it and appreciate how beautifully done the series was? Well, I did at least.”

They continued: “This series had me captivated on every level from the first second it began.”

Another viewer commented: “If you like The Crown, you’ll like this” and explained: “Romantic would be something like Pride and Prejudice or Bridgerton. This was more like Downton Abbey or The Crown, where in the drama is the focus.”

Witches is a fresh series in the works at Netflix, brought to you by the producers of The Empress.

The narrative will unfold in medieval Germany, tracing the lives of three sisters amidst the German witch hunts.

As per Deadline, the drama will delve into a family torn asunder by “suspicion, accusation and betrayal”, their struggle to safeguard loved ones from the “grip of fear and fanaticism”, and the “unyielding resistance” during one of “Europe’s darkest chapters”.

In a statement to the publication, producers Robert and Katharina Eyssen expressed their immense joy at finding a “creative home” at Netflix once again, following their collaboration on The Empress.

The duo affirmed that the streaming giant “truly understood” their artistic vision, having built up “trust” over many years with the platform.

They added: “As with The Empress, we are creating a family story centered on strong, complex, and defiant female characters.

“It is a radically emotional story that explores marginalization and persecution – a series that provokes thought, sweeps you along, and gets under your skin [sic].”

This announcement follows reports that filming has concluded for season three of the International Emmy-winning The Empress in Bavaria, Germany and the Czech Republic.

Production for the third season kicked off in September 2025 and it has been confirmed as the final instalment for the sprawling period drama.

The final series will comprise six episodes, delving into the aftermath of the Sardinian War and Emperor Franz (portrayed by Philip Froissant) returning from the frontlines burdened with trauma and guilt over the loss of thousands of young lives.

Empress Elisabeth von Wittelsbach (Devrim Lingnau) will support him as she battles for her marriage and the empire.

She will also encounter difficulties at court due to her deteriorating health, leading her to depart Vienna and embark on an unforeseen journey.

The Empress season 3 is set to launch on Netflix later this year.

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The Empress season 3 will be released on Netflix later this year

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Bridgerton star Claudia Jessie has landed a leading role in an upcoming Channel 4 drama.

Bridgerton’s Claudia Jessie has secured a leading role in an upcoming Channel 4 drama, where she’ll star alongside Glenn Close.

Known for her portrayal of Eloise, the sharp-tongued and defiant fifth child in Netflix’s popular period drama Bridgerton, Jessie is set to take on a contrasting role in Up To No Good. The six-part series marks the television writing debut for playwrights Nina Raine and Moses Raine, who have adapted Helen Tursten’s short story collections An Elderly Lady Is Up to No Good and An Elderly Lady Must Not Be Crossed.

A press release teasing the forthcoming series reveals that Fatal Attraction star Glenn Close will portray Maud Oldcastle, described as “a hilariously brusque, cantankerous, ruthless older woman-and those are her nice qualities”.

The synopsis continues: “She is also a killer. Determined to break from a lifetime spent caring for her sister, Maud sets out to claim a long-overdue second act, but when a suspicious young detective investigating a death in Maud’s building starts to believe there is more to her than meets the eye, Maud is forced to reckon with her crimes, present and past.”

Toxic Town’s Jessie will be stepping into the shoes of young detective Hannah, with Andor’s Gloria Obianyo portraying Astrid, EastEnders‘ Anita Dobson as Elsa, Game of Thrones’ Ben Crompton playing Barry, and The Wheel of Time’s Meera Syal taking on the role of Margaret. Rounding off the star-studded cast announcement, Downton Abbey’s Penelope Wilton will be seen as Charlotte, reports the Manchester Evening News.

Rebecca Holdsworth, Commissioning Editor for Drama at Channel 4, expressed her excitement in a statement: “Nina and Moses Raine’s deliciously dark and witty world has drawn together a truly fantastic line-up, and we’re excited for audiences to be introduced to Maud Oldcastle and the unforgettable characters surrounding her. UP TO NO GOOD promises a bold, razor sharp and wickedly entertaining series that feels undoubtedly Channel 4.”

Scott Huff, Joint Managing Director, Playground, also shared his enthusiasm, saying: “We are thrilled to have brought together this extraordinary group of artists for UP TO NO GOOD. A cast of this calibre is a testament to Nina and Moses’s brilliant scripts, our casting director Robert Sterne’s exceptional taste and Glenn Close’s legendary talent. We can’t wait for audiences to see this group of actors together on screen.”

Andrew Plotkin, EVP of Drama Development at Sony Pictures Television, commented: “We are thrilled to have Lee Haven Jones directing the series, not only setting the tone, but immersing himself on the ground throughout production. With a standout cast joining Glenn to bring Nina and Moses’ brilliantly crafted scripts to life, their collaboration further elevates the storytelling at the heart of UP TO NO GOOD. What’s coming together is remarkable, and audiences are in for something truly special.”

The new series will see Claudia in a character completely different from her present role as an outspoken and curious Bridgerton daughter, who desperately resists societal pressures and would rather immerse herself in books than attend balls, showing minimal interest in marriage or potential suitors.

The current season follows Benedict Bridgerton (Luke Thompson) as he searches for a mysterious woman, Sophie Baek (Yerin Ha), whom he met at a masquerade ball. It’s also building towards Eloise’s storyline, with Claudia having previously hinted at what lies ahead for her character when her moment in the spotlight eventually arrives.

The Shonda Rhimes production, based on Julia Quinn’s novels, first graced our screens in 2020, tracing the romantic journey of Daphne Bridgerton (Phoebe Dynevor) and Simon Basset (Regé-Jean Page). The following two series then saw the eldest Bridgerton sibling Anthony (Jonathan Bailer) tie the knot with Kate Sharma (Simone Ashley), and third Bridgerton son Colin’s (Luke Newton) passionate affair with the true author of Lady Whistledown, Penelope Featherington (Nicola Coughlan).

Discussing how the current series is paving the way for her own season, Claudia shared with RadioTimes.com: “Eloise is desperately trying to find her way of doing it, right? That’s what I’ve always been excited to be able to one day do, is to show love or romance or whatever her journey is in the most Eloise way possible. I think she’s just trying to find out her way of doing it.”

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She further added: “That’s what I think the set-up is until ultimately we see what her way of doing it is, her version of it. I’m buzzing to one day do it. I love this show with my whole heart.”

Discussing the future of her character, she previously shared with Netflix Tudum: “I like the idea of her becoming political. Obviously, romance is a very important part of the show, but out of all of the characters, Eloise is the one you’d like to see go a slightly different route. Because we see it in Season 2 where she’s meeting different people in different parts of society and reading new things, so I’d like to see that continue. Right now, she’s young and she’s just taking everything in. But I’d like her to have a really clear purpose, something that she really desires.”

Bridgerton is available to watch on Netflix.

The Netflix period drama is based on a beloved classic Gothic novel of the same name.

Enthusiasts of period dramas might be missing out on a Netflix treasure that’s adapted from one of literature’s most cherished classics.

This thriller, praised as “gripping from beginning to end”, features a beloved Downton Abbey star alongside a celebrated actress from Slow Horses.

Rebecca, which debuted on Netflix in 2020, draws from Daphne Du Maurier’s renowned thriller bearing the same title.

The 1938 Gothic masterpiece remains a timeless favourite due to its compelling themes and jaw-dropping plot twists, proving the tale continues to mesmerise audiences nearly a century on.

This bestselling novel has seen numerous adaptations throughout the decades, with Alfred Hitchcock’s Rebecca claiming the Academy Award for Best Picture in 1940.

The latest interpretation comes from director Ben Wheatley’s Netflix production, showcasing performances from Call me by Your Name’s Armie Hammer, Lily James and Kristin Scott Thomas.

James gained recognition portraying Rose in Downton Abbey, Young Donna in Mamma Mia! Here We Go Again and Pamela Anderson in Pam and Tommy.

Meanwhile, British theatrical icon Kristin Scott Thomas is renowned for her roles as Diana Taverner in Slow Horses, Fiona in Four Weddings and a Funeral and Sylvia McCordle in Gosford Park.

The IMDb synopsis for Rebecca states: “A young newlywed arrives at her husband’s imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives on in the house long after her death.”

Rebecca holds a disappointing 37% rating on Rotten Tomatoes, though based on viewer feedback, many believe the film deserves far greater recognition, reports the Express.

Enthusiasts flocked to the comments section to voice their opinions, with one declaring: “This movie gripped me from beginning to end. I couldn’t look away, and I didn’t see anything coming. You think you know what the movie is about, then there is a twist, and the whole thing takes a left turn you didn’t see coming.”

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Another viewer exclaimed: “ABSOLUTELY LOVED IT! ! !” before adding: “Nothing can touch the original masterpiece however this film, in many ways, is faithful Du Mauriers cunning flip of stereotypes.”

A third fan wrote: “Loved the thrill, love story, period views, so well made I would watch it again,” whilst another concurred: “Loved the book and this version of it in film. Have watched I many times. Great cast and acting.”

Additional supporters praised how the timeless novel had been transformed for Netflix, with one suggesting: “If you’ve read Rebecca and it’s a beloved novel to you, this movie is amazing. A great rendition.”

Another viewer expressed bafflement at the film’s critical mauling, writing: “I don’t understand all the bad reviews for Rebecca. I loved the new adaptation. I especially loved the costumes and filming locations. Lily James does a wonderful job.”

One supporter declared: “Excellent twist on a classic thriller! I am not sure why this doesn’t have better reviews but it is well worth your time,” whilst another concurred: “This movie is a stunningly faithful adaptation of Daphne du Maurier’s classic novel.”

A further enthusiast gushed: “What a ride! ! ! This genre bending thriller will take you on the wildest roller coaster of your life. The next time someone asks me what my favorite movie is, I’m saying Rebecca.”

They added: “This movie surpassed my every expectation. Here I was, sitting on the couch expecting some lame romance but nope! ! I am going to pass this movie down through generations of my family.”

Yet not everyone shared the enthusiasm, with one viewer noting: “Bland to the point of boring.”

Another complained: “What was an interesting, suspenseful book with hints of psychological thriller in it became a vapid, rushed, and bland movie that sapped two hours of my life. If you like your movies to stick to the plot of your books, avoid this.”

A third grumbled: “As much as I love the actors and actresses in this movie, nothing about it really had me enjoying the film. The clichés were handed out like appetizers and the plot of the film was all over the place. Wasn’t a fan.”

Nevertheless, considering all the glowing feedback from fans despite the film’s disappointing Rotten Tomatoes rating, Rebecca might well be regarded as an undervalued gem.

Rebecca is available to stream now on Netflix.

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