downs

‘All of Sussex is laid out before us’: walking a new trail in the South Downs national park | Walking holidays

There are many ways to make an entrance, but lurching into a pub full of smartly dressed diners while windswept, muddy and more than a little frayed wouldn’t be my first choice. At 7.30pm on a sunny Sunday evening, the Welldiggers Arms – a country pub just outside Petworth in West Sussex – is full of people tucking into hearty roasts, the glass-walled restaurant overlooking glorious downland scenery, the sun all but disappeared behind the hills. For my husband, Mark, and I, it’s more than a stop for supper; the pub marks the halfway point on our two-day walking adventure along a brand new trail, the 25-mile Petworth Way.

Twenty-five miles may not sound like much (I have keen walker friends who would do it in a day) but, for us, it’s the perfect length, with plenty of pubs along the way. The first leg, from Haslemere to Petworth, covers countryside we’re both entirely unfamiliar with; the second, Petworth to Arundel runs through landscapes I’ve known since childhood. Happily, the start and finish points can be reached by rail – meaning we can leave the car at home and set off with nothing but small rucksacks, water bottles and detailed printed instructions.

A map showing the Petworth Way and the South Downs national park

Things start easily enough; a brief weave through Haslemere’s residential streets before the first serious ascent, through fields and shady, fern-rippled woodland that opens out on to Black Down, the highest point in the South Downs national park. After the dim light of the wood, the heathland blazes with colours; bursts of butter-yellow gorse, purple heather and bottle-green pine trees, all set beneath an intensely blue sky.

It reminds me of Ashdown Forest, which inspired Winnie-the-Pooh, and Mark and I bicker happily about who would be Christopher Robin and who Pooh, before arriving at the Temple of the Winds viewpoint, where we sink gratefully on to the seat and soak up the view. It is spectacular; green velvet hills and blueish-tinged valleys, church spires and the odd country estate dotted between the trees, all of Sussex laid out before us, half drenched in sunlight, half darkened by ominous clouds throwing down grey mists of rain on the horizon.

Sunset over Blackdown. Photograph: Roy Wylam/Alamy

Keen not to miss lunch at the Noah’s Ark pub in Lurgashall, we set off again, at which point the bickering becomes slightly less good-humoured as we realise we’re going the wrong way. Ten minutes’ later, we’re properly lost, with an OS app on a phone that has unhelpfully lost all signal and directions that make no sense. Thankfully, a pair of local walkers point us in the right direction, and we make it down the hill, past vineyards and on to the pub, where we settle in with a couple of cold halves, some local salami and warm bread, eaten while watching a cricket match on the village green.

Fortunately, the next few miles are more straightforward, until a final ascent that leads into Petworth House’s great park; a glorious end to the day that makes us feel as if we’ve got this walking thing licked. That is, until we realise there are very few taxis in Petworth and we’ll have to walk the extra mile and a half to the Welldiggers, which, fortunately, proves to be a cocoon of loveliness; all soft clean linens, piping-hot showers, and staff who politely pretend not to notice our slightly catatonic state over dinner.

Next morning, fuelled by delicious shakshuka (poached eggs in a hot tomato sauce) and several buckets of tea, we hop in a taxi back to Petworth park to continue the walk across the Sussex Weald. The route drops in on a short section of the Serpent Trail – a 65-mile route from Haslemere to Petersfield that we pencil in for next year – before veering away past Burton Park, a grandiose, privately owned Greek revival mansion, all Doric columns and vanilla-hued walls. From here, the path heads downhill, which, we agree, is not a good thing, as it means going uphill is not far off.

Uphill is something of an understatement, and the pull up through the villages of Barlavington and Sutton was made even more challenging as the White Horse Inn, earmarked for a restorative half, turns out to be closed on Mondays and Tuesdays. Fuelled instead by lukewarm water and half a Twix each, we carry on towards Bignor, the gradient steepening with every step. By the time we’re walking east along the South Downs Way, the 360-degree views – across a patchwork of faded cornfields and khaki grassland – are quite some reward. Even so, it’s a welcome change to begin the descent into Houghton village, where I know (because I’ve checked) lunch awaits.

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The George & Dragon at Houghton. Photograph: Nick Scott/Alamy

It’s this leg that really reaffirms the joy of walking for me. As the Arun valley unfolds beside the wooded hills of the Arundel estate, I think of how many decades I’ve driven the road that runs alongside and how different the countryside looks when taken at a slow pace, with the chance to stop and look, rather than snatched glances through the windscreen. Thirty years ago, I’d sit over lunch with my mum and dad in the George & Dragon’s garden, watching hikers amble down the very hillside we’re walking on. I’ve not been back to the pub for many years and it’s lovely – if slightly lump in throat – to return and have my parents suddenly conjured up so vividly.

It’s tempting to stay all afternoon, but after a classic ploughman’s (what else?), we lace up our boots for the final stretch, past Houghton’s thatched, flint-walled cottages and along the River Arun, before one final ascent into the Arundel estate. Clouds glower, but we’re lucky; the rain holds off as we skirt the edge of Swanbourne Lake and pass the Hiorne Tower, built by architect Francis Hiorne in 1797, as part of his (failed) bid to rebuild Arundel Castle. When we pop out on to London Road and amble towards the familiar outline of the castle, we’re almost too focused on finding large slabs of cake to properly celebrate the fact we’ve arrived at our destination.

Later, once the train has taken us back to our corner of the East Sussex countryside, I think about how little I know, really, of the landscapes I’ve visited since childhood. We’ll probably never be long-distance walkers, but weekend trails like this prove you don’t have to be; a couple of days is enough to see a familiar landscape in a whole new light.

Accommodation was provided by the Welldiggers Arms, which has double rooms from £115 B&B

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Poland downs drones during airspace intrusion as Russia attacks Ukraine | Military News

DEVELOPING STORY,

Polish Prime Minister Donald Tusk says military defences deployed after ‘multiple violations of Polish airspace’.

Poland has shot down drones over its territory after repeated violations of its airspace during a Russian aerial attack on neighbouring Ukraine, the Operational Command of the Polish Armed Forces said.

“During today’s attack by the Russian Federation targeting targets in Ukraine, our airspace was repeatedly violated by drones,” the Polish command said in a statement early on Wednesday.

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“At the request of the Operational Commander of the Armed Forces, weapons have been used, and operations are under way to locate the downed targets,” the military said.

The army said that Polish and NATO military aircraft had been mobilised to ensure airspace safety.

“Polish and allied aircraft are operating in our airspace, while ground-based air defence and radar reconnaissance systems have been brought to the highest state of readiness,” the operational command said.

Polish Prime Minister Donald Tusk confirmed that an “operation is under way related to multiple violations of Polish airspace”.

Translation: An operation is under way related to multiple violations of Polish airspace. The military used armaments against the objects. I am in constant contact with the President and the Minister of Defence. I received a direct report from the operational commander.

Earlier, it was reported that four airports in Poland, including its main Chopin airport in Warsaw, were closed due to military activity.

According to notices posted to the US Federal Aviation Administration’s website, the three other airports closed were Rzeszow–Jasionka airport, the Warsaw Modlin airport, and the Lublin airport. Poland’s military did not mention the airport closures.

The military mobilisation in Poland came after Ukraine’s Air Force reported that Russian drones had entered Polish airspace, posing a threat to the city of Zamosc, but the air force later removed the statement from its Telegram messaging app.

Most of Ukraine, including the western regions of Volyn and Lviv, which border Poland, were under air raid alerts for several hours overnight, according to Ukraine’s Air Force data.

Poland said earlier that it planned to close its border with Belarus at midnight local time on Thursday (22:00 GMT, Wednesday) due to Russian-led military exercises scheduled to take place in Belarus.

Russia and Belarus’s large-scale military exercises, known as the “Zapad” drills, have raised security concerns in neighbouring NATO member states: Poland, Lithuania and Latvia. The “Zapad-2025” (West-2025) drills will be held in western Russia and Belarus from Friday.

Asked about the duration of the border closure, Polish Minister of Interior Marcin Kierwinski said it would only be reopened when the government was sure “there was no more threat to Polish citizens”.

The Belarusian Ministry of Foreign Affairs said it had summoned the Polish charge d’affaires to complain about the border closure, which it said “caused significant difficulties”.

It described Poland’s move as “an abuse of its geographical position”.

“The temporary suspension of passage indicates rather an intention to conceal one’s own actions than the existence of any threat from Belarus,” the Foreign Ministry said.

Lithuania’s border guard said on Tuesday that the protection of its border with Belarus and Russia would be strengthened due to the exercises.



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Messi brace for Argentina downs Venezuela in emotional World Cup farewell | Football News

A sold out stadium of 85 thousand in Buenos Aires witness two farewell Lionel Messi goals in World Cup qualifier.

Lionel Messi made sure he had good memories of playing a home qualifier with Argentina’s national team for the last time in his illustrious career.

The former Barcelona forward scored twice on Thursday in Argentina’s 3-0 victory over Venezuela in front of a raucous sellout crowd that had gathered at Estadio Monumental to bid him farewell.

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“Being able to finish this way here is what I’ve always dreamed of,” Messi said.

“I’ve experienced a lot of things on this pitch, both good and not so good, but it’s always a joy to play in Argentina, in front of our fans.”

Lionel Messi of Argentina looks on during the South American FIFA World Cup 2026 Qualifier match between Argentina and Venezuela
Lionel Messi of Argentina stands in front of one of the many banners prepared for him by the home fans during the World Cup qualifier [Marcos Brindicci/Getty Images]

Messi is yet to give any clues about when he will retire from the top level of the sport, but the qualifiers for the 2030 World Cup will begin in 2027, when he is 40.

The Argentina captain scored in the 39th and 80th minutes, and Lautaro Martinez added a goal in the 76th.

Messi now has 36 goals in South American World Cup qualifiers and remains the all-time scoring leader.

His Inter Miami teammate, Luis Suarez, has 29 goals in continental qualifying, but he has retired from Uruguay’s national team. Bolivia’s Marcelo Moreno Martins is third with 22.

Argentina's forward #10 Lionel Messi leaves the field after winning the 2026 FIFA World Cup South American qualifiers football match between Argentina and Venezuela
Argentina’s forward Lionel Messi bids final farewell as a player on home soil as he leaves the field in Buenos Aires [Juan Mabromata/AFP]

Looking ahead, Messi clarified he will only compete in next year’s World Cup if he feels physically fit.

“I’m excited, eager. It’s day by day, feeling the sensations. If I feel good, I enjoy it; if not, I’d rather not be there,” he said, adding that the nine months until the tournament kicks off “is a long time”.

Already qualified, the World Cup champions extended their tally to 38 points and will remain atop the South American qualifying standings regardless of what happens in the last round next Tuesday.

Venezuela, trying to qualify for its first World Cup, remains on 18 points and in seventh place. They’re still in contention to advance to an intercontinental playoff.

Lionel Messi of Argentina shoots to score the team's first goal during the South American FIFA World Cup 2026 Qualifier match between Argentina and Venezuela
Lionel Messi of Argentina shoots to score his team’s first goal during the South American FIFA World Cup 2026 Qualifier match against Venezuela [Marcelo Endelli/Getty Images]

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Liverpool’s Szoboszlai downs Arsenal while Man City stumble again | Football News

Holders Liverpool beat Arsenal 1-0 in English football’s Premier League, while fallen favourites Man City lose 2-1 at Brighton.

Dominik Szoboszlai curled home a brilliant long-range free kick to earn Liverpool a 1-0 win over Arsenal in an early-season meeting between two of the likely Premier League title contenders.

Manchester City was also expected to be challenging for the championship this season, but collapsing to a 2-1 loss at Brighton – for a second straight loss – was another sign that Pep Guardiola’s team has lost its aura of dominance.

Little separated Liverpool and Arsenal at Anfield before Szoboszlai stepped up to an 83rd-minute free kick and whipped it into the top corner from about 30 yards.

“I thought I would take a risk,” Szoboszlai told Sky Sports. “I was confident, so I tried it and finally! It’s a long time when you practice all the time and Trent [Alexander-Arnold] was taking the free kicks, but finally I could have my chance, and I did it.

“This [type of] shot I didn’t practice in the last few weeks as we were shooting from closer, but I had to take a risk and shoot it a little bit harder.”

Filling in at full back in an emergency, the Hungary captain – typically an attacking midfielder – did his best impression of now-departed right back Alexander-Arnold with a top-quality strike that was out of keeping with the rest of the game.

It’s now three straight wins to open the season for Liverpool, the defending champion.

For Arsenal, it was a first loss and first goal conceded – extending its winless record at Anfield dating back to 2012.

“Arsenal had an unbelievable season last season and three times in a row coming second,” Szoboszlai added.

“To be honest, it’s a compliment always to keep on going with City, with Chelsea with us – it is always really hard. They have an unbelievable team and an unbelievable coach.”

Liverpool's Hungarian midfielder #08 Dominik Szoboszlai (L) strikes the ball over the wall from a free kick to score the opening goal during the English Premier League football match between Liverpool and Arsenal
Liverpool’s Hungarian midfielder Dominik Szoboszlai, left, strikes the ball over the wall from a free kick to score the only goal [Darren Staples/AFP]

Man City lose again as former Liverpool midfielder Milner nets EPL record

City’s defeat at Brighton followed a 2-0 home loss last weekend to Tottenham, which is demonstrating the same vulnerabilities and brittleness it showed last season when surrendering the title to Liverpool after four consecutive years as champions.

“This is the reality: we are not at the level from a long time [ago],” said City midfielder Rodri, the reigning Ballon d’Or winner, who was starting in the league for the first time since September last year following a serious knee injury.

Brajan Gruda surged through an open defence, rounded goalkeeper James Trafford and slotted into an empty net for the 89th-minute winner for Brighton, which trailed to Erling Haaland’s first-half strike – his 88th goal in 100 Premier League appearances since moving to England in 2022.

City conceded an equalizer in the 67th minute after Matheus Nunes raised his arm in the area to block a shot, with James Milner converting the penalty for Brighton to become – at age 39 years and 239 days – the second-oldest scorer in Premier League history. He is also the second youngest, having netted as a 16-year-old for Leeds.

With City noticeably fading, Brighton created a succession of chances before Gruda converted one to seal a repeat of his team’s come-from-behind 2-1 win over City last season.

City’s only points so far this season have come from a 4-0 opening-round win at Wolverhampton, after which pundits were saying Guardiola’s team was back. Now, it has fewer points than Manchester United.

West Ham eased the pressure on manager Graham Potter with a 3-0 win at Nottingham Forest, secured by late goals by Jarrod Bowen, Lucas Paqueta — from the penalty spot — and Callum Wilson.

West Ham lost its first two games in the league, conceding eight goals in the process, and also was eliminated from the English League Cup in midweek.

Paqueta, the Brazil midfielder, celebrated his successful penalty kick by pretending to answer a call and throw away a phone before kissing the badge on his jersey – perhaps a nod to being linked over the past 24 hours with a move to Aston Villa.

Crystal Palace visits Villa in the final game on Sunday to wrap up the Premier League’s third round.

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System of a Down’s Daron Malakian strikes familiar, violent chords on new Scars on Broadway album

Fans of System of a Down desperately hoping the Armenian American alt-metal band will one day release a full-length follow-up to their chart-topping 2005 companion albums “Mezmerize” and “Hypnotize” can at least seek some solace in the latest offering from band co-founder Daron Malakian. “Addicted to the Violence,” the third album from his solo project Daron Malakian and Scars on Broadway, may lack System frontman Serj Tankian’s mellifluous singing, iconoclastic rants and feral screams, but its eclectic structure, melodic earworms, fetching vocal harmonies and poignant themes are sonically and structurally similar to System of a Down — and with good reason.

“All of my songs can work for either Scars or System because they come from my style and have my signature,” Malakian says from his home in Glendale. “When I wrote for System, I didn’t bring guitar riffs to the band. Like with [System’s 2002 breakthrough single] ‘Aerials.’ That was a complete song. I wrote it from beginning to end before I showed it to them.”

Malakian — who tackled vocals, guitar and bass — assembled “Addicted to the Violence” (out Friday) during the last five years, using songs he’d written over roughly two decades. The oldest track, “Satan Hussein,” which starts with a rapid-fire guitar line and features a serrated verse and a storming chorus, dates to the early 2000s, when System’s second album, “Toxicity,” was rocketing toward six-times platinum status (which it achieved nine months after release).

With Scars, Malakian isn’t chasing ghosts and he’s not tied to a schedule. He’s more interested in spontaneity than continuity, and artistry takes precedence over cohesion. None of the tracks on the band’s sporadically released three albums — 2008’s self-titled debut, 2018’s “Dictator,” and “Addicted to the Violence”— follow a linear or chronological path. Instead, each includes an eclectic variety of songs chosen almost at random.

“It’s almost like I spin the wheel and wherever the arrow lands, that’s where I start,” he explains. “I end up with a bunch of songs from different periods in my life that come from different moods. It’s totally selfish. Everything starts as something I write for myself and play for myself. I never listen to something I’ve done and say, ‘Oh, everybody’s gonna love this.’ For me, a song is more like my new toy. At some point, I finish playing with it and I go, ‘OK, I’m ready to share this with other kids now.’”

Whether by happenstance or subconscious inspiration, “Addicted to the Violence” is a turbulent, inadvertently prescient album for unstable times — a barbed, off-kilter amalgam of metal, alt-rock, pop, Cali-punk, prog, Mediterranean folk, alt-country and psychedelia — sometimes within the same song. Lyrically, Malakian addresses school shootings, authoritarianism, media manipulation, infidelity, addiction and stream-of-consciousness ramblings as dizzying as an hour of random, rapid-fire channel surfing.

Is writing music your way of making sense out of a nonsensical world?

I like to think of it as bringing worlds together that, in other cases, may not belong together. But when they come out through me, they mutate and turn into this thing that makes sense. In that way, music is like my therapist. Even if I write a song and nobody ever hears it, it’s healthy for me to make and it helps me work stuff out. When I write a song, sometimes it affects me deeply and I’ll cry or I’ll get hyped up and excited. It’s almost like I’m communicating with somebody, but I’m not talking to anyone. It’s just me in this intimate moment.

Is it strange to take these personal, intimate and therapeutic moments and turn them into songs that go out for the masses to interpret and absorb?

I want people to make up their own meanings for the songs, even if they’re completely different than mine. I don’t even like to talk about what inspired the songs because it doesn’t matter. No one needs to know what I was thinking because they don’t know my life. They don’t know me. They know the guy on stage, but they don’t know the personal struggles I’ve been through and they don’t need to.

Was there anything about “Addicted to the Violence” that you wanted to do differently than “Dictator”?

Different songs on the album have synthesizer and that’s a color I’ve never used before in System or Scars. Every painting you make shouldn’t have the same colors. Sometimes I’m like, “Will that work with the rest of the songs? That color is really different.” But I’m not afraid to use it.

[Warning: Video includes profanity.]

“Shame Game” has a psychedelic vibe that’s kinda like a hybrid of Strawberry Alarm Clock and Blue Oyster Cult, while the title track has a prog rock vibe redolent of Styx, Rush and Mars Volta.

I love all that stuff. I spend more time listening to music than playing guitar. It’s how I practice music. I take in these inspirations and it all comes out later when I write without me realizing it.

In 2020, System released the songs “Protect the Land” and “Genocidal Humanoidz,” which you originally planned to use for Scars on Broadway.

At that time, I hadn’t recorded “Genocidal Humanoidz” yet, but I had finished “Protect the Land,” and my vocals on the song are the tracks I was going to use for my album. Serj just came in and sang his parts over it.

Why did you offer those songs to System when every time you tried to work on an album with them after 2010, you hit a creative impasse?

Because [the second Nagorno-Karabakh War] was going on in Artsakh at that time between [the Armenian breakaway state Artsakh and Azerbaijan], and we decided we needed to say something. We all got on the phone and I said, “Hey, I got this song ‘Protect the Land,’ and it’s about this exact topic.” So, I pulled it off the Scars record and shared it with System.

You released the eponymous Scars on Broadway album in 2008, almost exactly two years after System went on a four-year hiatus. Did you form Scars out of a need to stay creative?

At the time, I knew that if I wanted to keep releasing music, I needed a new outlet, so Scars was something that had to happen or I would have just been sitting around all these years and nobody would have heard from me.

You played a few shows with Scars before your first album came out in 2008, but you abruptly canceled the supporting tour and only released one more Scars song before 2018.

That was a really strange time. I wanted to move forward with my music, but we had worked so hard to get to the point we got to in System, and not everyone was in the same boat when it came to how we wanted to move forward. I just wasn’t ready to do a tour with Scars.

Was it like trying to start a new relationship after a bad breakup?

I might have rushed into that second marriage too quick. I had [System drummer] John [Dolmayan] playing with me, and I think that was [a sign that] I was still holding onto System of a Down. That created a lot of anxiety.

A few years later, you announced that you were working on a new Scars album and planned to release it in 2013. Why did it take until 2018 for you to put out “Dictator”?

I was writing songs and thinking they were amazing, but in my head I was conflicted about where the songs were going to go. “Should I take them to Scars? Is that premature? Would System want to do something with them?” I underwent this constant struggle because Serj and I always had this creative disagreement. I finally moved past that and did the second album, but it took a while.

Man standing sideways in a dark suit behind red background

“Everything we’ve experienced has brought us to where we are now. And now is all we’ve got because the past is gone and the future isn’t here yet. So, the most important thing is the present,” Malakian said.

(Travis Shinn)

System of a Down played nine concerts in South America this spring, and you have six stadium gigs scheduled in North America for August and September. Is there any chance a new System album will follow?

I’m not so sure I even want to make another System of a Down record at this point in my life. I’m getting along with the guys really well right now. Serj and I love each other and we enjoy being onstage together. So, maybe it’s best for us to keep playing concerts as System and doing our own things outside of that.

The cover art for “Addicted to the Violence” — a silhouette of a woman against a blood-red background holding an oversize bullet over her head, and standing in front of a row of opium poppies — is the work of your father, Iraqi-born artist Vartan Malakian. Was he a major inspiration for you?

My approach to art and everything I know about it comes from my dad, and the way we approach what we do is very similar. We both do it for ourselves. He has never promoted himself or done an art exhibition. The only things most people have seen from him are the album covers. But ever since I was born, he was doing art in the house, and he’s never cared if anyone was looking at it.

Do you seek his approval?

No, I don’t. He usually is very supportive of what I do, but my dad’s a complicated guy. I admire him a lot and wish I could even be half of the artist that he is. And if he and my mom didn’t move to this country, I would not have been in System of a Down. I would have ended up as a soldier during Desert Storm and the Second Gulf War. That’s my alternative life. It’s crazy.

Have you been to Iraq?

When I was 14 years old, I went there for two months to visit relatives and it was a complete culture shock. I’m a kid that grew up in Hollywood, and I went to Baghdad wearing a Metallica shirt and I was a total smart aleck. Everywhere we went, I saw pictures and statues of Saddam Hussein. I turned to my cousin and said, “What if I walked up to one of the statues and said, ‘Hey Saddam, go f— yourself?’” Just me saying that made him nervous and scared. Talking like that was seriously dangerous and I had no idea. That was a definite learning experience of what I could have been. And it inspired me later to write “Satan Hussein.”

You had a glimpse of life under an authoritarian regime. Do you have strong feelings about the Trump administration and the way the president has, at times, acted like a dictator?

I don’t hate the guy and I don’t love the guy. I’m not on the right, I’m not on the left. There are some things both sides do that I agree with, but I don’t talk about that stuff in interviews because when it comes to politics, I’m not on a team. I don’t like the division in this country, and I think if you’re too far right or you’re too far left, you end up in the same place.

Is “Addicted to the Violence,” and especially the song “Killing Spree,” a commentary on political violence in our country?

Not just political violence, it’s all violence. “Killing Spree” is ridiculous. It’s heavy. It’s dark. But if you listen to the way I sing, there is an absolutely absurd delivery, almost like I’m having fun with it. I’m not celebrating the violence, but the delivery is done the way a crazy person would celebrate it. So, it’s from the viewpoint of a killer, the viewpoint of a victim, and my own viewpoint. I saw a video on social media of these kids standing around in the street, and one of them gets wiped out by the back end of a car and flies into the air. These kids are recording it and some of them are laughing like’s it’s funny. I don’t want to say that’s right or wrong, but from what I’m seeing, a lot of people have become desensitized to violence.

You’re releasing “Addicted to the Violence” about six weeks before the final six System of a Down dates of 2025. Have you figured out how to compartmentalize what you do with System of a Down and Scars on Broadway?

There was a time that I couldn’t juggle the two very well, but now I feel more confident and very comfortable with where System and Scars are. I love playing with System, and I want to do more shows with Scars. I couldn’t tell you how either band will evolve. Only time will tell what happens and I’m fine with that as long as it happens in a natural way. Everything we’ve experienced has brought us to where we are now. And now is all we’ve got because the past is gone and the future isn’t here yet. So, the most important thing is the present.

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Iran strikes: Israel downs scores of drones as escalation fears mount

Israelis look out over a largely deserted Jerusalem on Friday, with the Dome of the Rock in the Al Aqsa compound in the foreground, after the IDF’s Home Front Command ordered people to avoid travel and stay close to air raid shelters. Photo by Atef Safadi/EPA-EFE

June 13 (UPI) — Israel said Friday morning its air defenses had successfully repelled an Iranian airborne assault in retaliation for overnight Israeli airstrikes targeting Iran’s nuclear development program.

Israel Defense Forces said Iran had launched more than 100 drones toward Israel, prompting the Home Front Command to order the public to remain close to air-raid shelters, but the warnings were later scaled back after Air Force interceptor fighter jets and anti-missile systems downed or disabled the majority.

The IDF said it was unable to confirm the threat had been completely eliminated as more UAVs could have been launched since and en route toward Israel, but that sufficient numbers had been downed to allow the Home Front Command to temporarily ease the emergency measures.

Schools, government offices and most offices were shut for the weekend, but Israeli airspace was closed and all flights grounded until further notice, with flights already en route diverted. Jordan and Iraq also closed their airspace.

However, there were fears the missiles could follow and that the drones were just the beginning of a much more significant retaliation in line with Iranian Supreme Leader Ayatollah Ali Khamenei warning Israel “should anticipate a severe punishment” in response to its deadly strikes overnight.

The Jerusalem Post reported that airstrikes by the Israeli Air Force targeting Iran’s radar systems and air defenses were still ongoing late Friday morning.

“This operation will continue for as many days as it takes to remove this threat,” Israeli Prime Minister Benjamin Netanyahu said in a statement posted on X.

He said the “Operation Rising Lion” he had ordered was a “targeted military operation to roll back the Iranian threat to Israel’s very survival” from Iran’s advancing nuclear program, which he said was close to being able to manufacture a nuclear bomb unless it was stopped.

The Iranian foreign ministry vowed Friday to hit back saying the Israeli strikes on Iran were “a blatant act of aggression in violation of the U.N. Charter.

“In accordance with Article 51 of the U.N. Charter, Iran reserves the legitimate and legal right to respond to this aggression. The Armed Forces of the Islamic Republic of Iran will not hesitate to defend Iran’s sovereignty with full strength and in the manner they deem appropriate,” the ministry said in a statement.

It also threatened the United States, alleging the attacks could not have taken place without its backing and that as Israel’s “primary patron,” the U.S. government would “also bear responsibility for the dangerous repercussions of the Zionist regime’s reckless actions.”

Internationally, leaders have appealed for calm.

U.S. President Trump, who confirmed he was notified of the strikes in advance but that the United States was not involved, said he hoped that U.S.-Iran negotiations on Tehran’s nuclear program could continue.

“Iran cannot have a nuclear bomb, and we are hoping to get back to the negotiating table. We will see. There are several people in leadership in Iran that will not be coming back,” Trump told Fox News.

The independent London-based Iran International news outlet reported on X that Aladdin Boroujerdi, a member of the Iranian parliament’s National Security and Foreign Policy Commission, saying a sixth round of nuclear talks in Oman scheduled for Sunday would now not go ahead.

European Commission President Ursula von der Leyen expressed “deep alarm” and called for restraint, de-escalation and for military forces on all sides to stand down.

“A diplomatic resolution is now more urgent than ever, for the sake of the region’s stability and global security,’ she wrote on social media.

NATO Secretary-General Mark Rutte, speaking in Stockholm, told reporters it was critical that Israel’s allies stepped in to de-escalate the crisis.

“I think that is now the first order of the day,” he said.

International Atomic Energy Agency Director General Rafael Grossi told the U.N nuclear watchdog’s board which is meeting in Vienna, that nuclear facilities must never be attacked under any circumstances due to the risk to people and the environment.

“Such attacks have serious implications for nuclear safety, security and safeguards, as well as regional and international peace and security,” Grossi warned, noting that the IAEA has repeatedly stated that military strikes on nuclear facilities could result in radioactive releases that would not be contained within international borders.

“I call on all parties to exercise maximum restraint to avoid further escalation. I reiterate that any military action that jeopardizes the safety and security of nuclear facilities risks grave consequences for the people of Iran, the region, and beyond,” he said.

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French Open: Djokovic downs Zverev to set up semifinal against Sinner | Tennis News

Novak Djokovic beats Alexander Zverev to set up a French Open semifinal showdown with Jannik Sinner at Roland Garros.

A crucial moment arrived more than two and a half hours into Novak Djokovic’s French Open quarterfinal victory over Alexander Zverev. It was the fourth set, and Djokovic led, but Zverev was in possession of a break point and a chance to get back into the match.

They engaged in a 41-stroke exchange, the longest of a buggy and breezy Wednesday night, and Djokovic came out on top, smacking a forehand winner. He stayed in place afterwards, breathing heavily, with hands on his hips, scanning the standing ovation from thousands of Court Philippe-Chatrier spectators.

Djokovic might be 38 now. He might have slogged through a pair of three-match losing skids this season and slid to sixth in the rankings. What has not changed is Djokovic’s determination or his ability to be his best on big stages — and now he is two wins from a record 25th Grand Slam title.

Djokovic proved too much for third seed Zverev, a man who’s a decade younger and was last year’s runner-up at Roland-Garros, winning 4-6, 6-3, 6-2, 6-4 to set up a semifinal showdown against top-seeded Jannik Sinner.

Novak Djokovic of Serbia returns a shot during his match against Alexander Zverev of Germany on day 11 at Roland Garros Stadium
Djokovic of Serbia returns a shot during his match against Zverev at Roland Garros [Susan Mullane-Imagn Image/Reuters]

Earlier on Wednesday, Sinner continued his overpowering run through the bracket by dismissing Alexander Bublik 6-1, 7-5, 6-0. Sinner has not only not dropped a set so far, but he has ceded a total of only 36 games through five matches.

So Friday will bring a tantalising showdown between the player many consider the top player in tennis history, Djokovic, and the player who is at the top of the men’s game at the moment, Sinner. Djokovic and Sinner are tied 4-4 in their head-to-head series, but Sinner has won the last three matchups.

No one has spent more weeks at number one in the rankings than Djokovic. No one has won more major championships or reached more major semifinals than his total that now stands at 51 after becoming the second-oldest man to get that far in Paris.

Sinner, 23, is a three-time Grand Slam champion. That includes last year’s US Open and this year’s Australian Open, so his unbeaten streak at majors is now at 19 matches. He’s also won his last 26 sets at those events.

“He’s playing fast. He’s playing smart,” Bublik said. “He’s in another dimension with all the aspects of the game.”

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