dodger stadium

The celebration had hardly begun, when Shohei Ohtani first voiced the theme of the day.

“I’m already thinking about the third time,” he said in Japanese, standing atop a double-decker bus in downtown Los Angeles with of thousands of blue-clad, flag-waving, championship-celebrating Dodgers fans lining the streets around him for the team’s 2025 World Series parade.

Turns out, he wasn’t alone.

Two days removed from a dramatic Game 7 victory that made the Dodgers baseball’s first repeat champion in 25 years, the team rolled through the streets of downtown and into a sold-out rally at Dodger Stadium on Monday already thinking about what lies ahead in 2026.

With three titles in the last six seasons, their modern-day dynasty might now be cemented.

But their goal of adding to this “golden era of Dodger baseball,” as top executive Andrew Friedman has repeatedly called it, is far from over.

“All I have to say to you,” owner and chairman Mark Walter told the 52,703 fans at the team’s stadium rally, “is we’ll be back next year.”

“I have a crazy idea for you,” Friedman echoed. “How about we do it again?”

When manager Dave Roberts took the mic, he tripled down on that objective: “What’s better than two? Three! Three-peat! Three-peat! Let’s go.”

When shortstop Mookie Betts, the only active player with four World Series rings, followed him, he quadrupled the expectation: “I got four. Now it’s time to fill the hand all the way up, baby. ‘Three-peat’ ain’t never sounded so sweet. Somebody make that a T-shirt.”

For these history-achieving, legacy-sealing Dodgers, Monday was a reminder of the ultimate end goal — the kind of scene that, as they embark on another short winter, will soon fuel their motivations for another confetti-filled parade this time next year.

“For me, winning a championship, the seminal moment of that is the parade,” Friedman said. “The jubilation of doing it, when you get the final out, whatever game you win it in, is special. That night is special. But to be able to take a breath and then experience a parade, in my mind, that is what has always driven me to want to win.”

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“[To] do this for the city, that’s what it’s all about,” first baseman Freddie Freeman added. “There’s nothing that feels as important as winning a championship. And if so happens to be three in a row, that’s what it is. But that’s what’s gonna drive us to keep going.”

Last November, the Dodgers’ first parade in 36 years was a novelty.

Much of the group had been part of the 2020 title team that was denied such a serenade following that pandemic-altered campaign. They had waited four long years to experience a city-wide celebration. The reception they received was sentimental and unique.

Now, as third baseman Max Muncy said with a devious grin from atop a makeshift stage in the Dodger Stadium outfield, “it’s starting to get a little bit comfortable up here. Let’s keep it going.”

“Losing,” star pitcher and World Series MVP Yoshinobu Yamamoto added, in English, in a callback to one of his memorable quotes from this past October, “isn’t an option.”

Doing it won’t be easy.

This year, the Dodgers’ win total went down to 93 in an inconsistent regular season. They had to play in the wild-card round for the first time since the playoffs expanded in 2022. And in the World Series, they faced elimination in Games 6 and 7, narrowly winning both to complete their quest to repeat.

“I borderline still can’t believe we won Game 7,” fan favorite Kiké Hernández said in a bus-top interview.

But, he quickly added, “We’re all winners. Winners win.”

Thus, they also get celebrations like Monday’s.

As it was 367 days earlier, the Dodgers winded down a parade route in front of tens of thousands of fans from Temple Street to Grand Avenue to 7th Street to Figueroa. Both on board the double-decker buses and in the frenzied masses below, elation swirled and beverages flowed.

Once the team arrived at Dodger Stadium, it climbed atop a blue circular riser in the middle of the field — the final symbolic steps of their ascent back to the mountaintop of the sport.

Anthony Anderson introduced them to the crowd, while Ice Cube delivered the trophy in a blue 1957 Chevy Bel-Air.

Familiar scenes, they are hoping become an annual tradition.

“Job in 2024, done. Job in 2025, done,” Freeman said. “Job in 2026? Starts now.”

The Dodgers did take time to recognize their newfound place in baseball history, having become just the sixth MLB franchise to win three titles in the span of six years and the first since the New York Yankees of 1998 to 2000 to win in consecutive years.

Where last year’s parade day felt more like an overdue coronation, this one served to crystallize their legacy.

“Everybody’s been asking questions about a dynasty,” Hernández said. “How about three in six years? How about a back-to-back?”

And, on Monday, all the main characters of this storybook accomplishment got their moment in the sun.

There was, as team broadcaster and rally emcee Joe Davis described him, “the Hall of Fame-bound” Roberts, who now only trails Walter Alston in team history with three World Series rings.

“We talked about last year, wanting to run it back,” he said. “And I’ll tell you right now, this group of guys was never gonna be denied to bring this city another championship.”

There was Game 7 hero Miguel Rojas calling up surprise October closer Roki Sasaki, on his birthday, to dance to his “Bailalo Rocky” entrance song; a request Sasaki sheepishly obliged by pumping his fist to the beat.

Yamamoto, coming off his heroic pitching victories in Games 6 and 7, received some of the day’s loudest ovations.

“We did it together,” he said. “I love the Dodgers. I love Los Angeles.”

Muncy, Ohtani and Blake Snell also all addressed the crowd.

“I’m trying to get used to this,” Snell said.

“I’m ready to get another ring next year,” Ohtani reiterated.

One franchise face who won’t be back for that chase: Clayton Kershaw, who rode into the sunset of retirement by getting one last day at Dodger Stadium, fighting back tears as he thanked the crowd at the end of his illustrious (and also Hall of Fame-bound) 18-year career.

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“Last year, I said I was a Dodger for life. And today, that’s true,” Kershaw said. “And today, I get to say that I’m a champion for life. And that’s never going away.”

Kershaw, of course, is one of the few still around from the club’s dark days of the early 2010s, when money was scarce and playoff appearances were uncertain and parades were only things to dream about — not expect.

As he walks away, however, the team has been totally transformed.

Now, the Dodgers have been to 13 straight postseasons. They’ve set payroll records and bolstered their roster with a wave of star signings. They’ve turned the pursuit of championships into a yearly expectation, proud but unsatisfied with what they’ve achieved to this point.

“I think, definitionally, it’s a dynasty,” said Friedman, the architect of this run with the help of Walter’s deep-pocketed Guggenheim ownership group. “But that to me, in a lot of ways, that kind of caps it if you say, ‘OK, this is what it is.’ For me, it’s still evolving and growing. We want to add to it. We want to continue it, and do everything we can to put it at a level where people after us have a hard time reaching.”

On Monday, they raised that bar another notch higher.

“This parade was the most insane thing I’ve ever witnessed, been a part of,” Kershaw said. “It truly is the most incredible day ever to be able to end your career on.”

On Tuesday, the Dodgers’ long road toward holding another one begins.

“I know they’re gonna get one more next year,” Kershaw told the crowd. “And I’m gonna watch, just like all of you.”

Dodgers fans filled the streets of downtown Los Angeles early Monday morning, to celebrate the Dodgers becoming baseball’s first back-to-back World Series champion in 25 years.

The celebratory parade is commenced at 11 a.m., with the Dodgers traveling on top of double-decker buses through downtown with a final stop at Dodger Stadium.

The 2025 Dodgers team has been a bright spot for many Angelenos during an otherwise tumultuous year for the region, after historic firestorms devastated thousands of homes in January and then widespread immigration sweeps over the summer by the Trump administration.

(Eric Thayer/Los Angeles Times)

Manager Dave Roberts holds the Commissioner’s Trophy during the Dodgers World Championship Parade and Celebration Monday.

(Kayla Bartkowsk/Los Angeles Times)

Ramon Ontivros, left, and Michelle Ruiz, both from Redlands, join fans lining the streets of downtown Los Angeles.

(Kayla Bartkowsk/Los Angeles Times)

From left, Mike Soto, Luis Espino, and Francisco Espino, join fans lining the streets of downtown Los Angeles.

(Allen J. Schaben/Los Angeles Times)

Mia Nava, 9, waves a flag. “She’s skipping school today and her teachers know her passion.” Said her mom, Jennie Nava.

(Carlin Stiehl/For The Times)

Alex Portugal holds onto a championship belt at Dodger Stadium. Claudia Villar Lee, poses with a model of the World Series trophy around her neck.

(Kayla Bartkowsk/Los Angeles Times)

Young fans line the streets of downtown Los Angeles for the Dodgers World Championship Parade and Celebration.

The wait for the first Dodgers parade of the century: 36 years.

The wait for the second: One year and two days.

On Monday, in celebration of the Dodgers becoming baseball’s first back-to-back champion in 25 years, Los Angeles will throw another party for the Dodgers.

The Dodgers’ 2025 championship parade starts Monday at 11 a.m. and runs through downtown, followed by a rally at Dodger Stadium. The rally requires a ticket, which can be obtained starting at noon Sunday at dodgers.com/postseason.

For fans with rally tickets, parking lot gates will open at 8:30 a.m. and stadium gates at 9 a.m. The event is expected to start at about 12:15 p.m.

The parade and rally will be aired live on Channels 2, 4, 5, 7, 9 and 11 as well as SportsNet LA and AM 570, the team said.

In last year’s rally, Dodgers manager Dave Roberts and Ice Cube performed next to one another, with Roberts dancing and Ice Cube singing.

At one point, future Hall of Famer Clayton Kershaw took his turn at the microphone and hollered, “Dodger for life!”

In September, Kershaw announced he would retire at the end of the season. In his only World Series appearance, he got a critical out in the Dodgers’ 18-inning victory in Game 3.

He’ll make his final Dodger Stadium appearance as a player as part of a second consecutive championship rally. He’ll be back: The Dodgers will retire his No. 22 — they retire the number of all their Hall of Famers — and he’d certainly be in line to throw ceremonial first pitches in the Dodgers’ future postseason runs.

For now, though: Three-time champion Dodger for life.

TORONTO — As soon as Blake Treinen entered for the ninth inning of Game 5 of the World Series on Wednesday night, Clayton Kershaw dropped his guard and began to look around.

For the previous three hours, the future Hall of Fame pitcher had been locked in on the game, mentally preparing for a potential relief appearance from out in the bullpen.

But when that didn’t come, the 37-year-old Kershaw then let himself relax, took in the scene of an October night at Chavez Ravine, and soaked up the final moments of what was his final game ever at Dodger Stadium.

“It’s a weird thought, of like, ‘This is your last game ever there,’” said Kershaw, who announced last month he will retire at the end of this season. “And not a sad thought. Honestly, just a grateful thought. Just like, ‘Man, we spent a lot of great times here.’”

Win or lose in Games 6 and 7 of this World Series, Kershaw’s overall career will end this weekend at Rogers Centre in Toronto. But on Wednesday night, he closed the book on the ballpark he has called home for all 18 seasons of his illustrious MLB career.

Dodger Stadium is where Kershaw first made his big-league debut back in May 2008, as a highly anticipated left-handed prospect with a big curveball and quiet demeanor. It was the stage for his rise to stardom over the nearly two decades that followed, as he went on to capture three Cy Young Awards, 2014 National League MVP honors and a career 2.53 ERA that ranks as the best among pitchers with 1,000 innings in the live ball era.

It is where he experienced some of the most defining moments of his career, including a no-hitter in 2014 and his 3,000th strikeout earlier this year. It’s also where he suffered repeated October disappointments, none bigger than the back-to-back home runs he gave up in Game 5 of the 2019 National League Division Series.

In other words, it was always home for Kershaw, the place he would return to day after day, year after year, season after season — no matter the highs or lows, aches and pains, successes or failures.

“I just started thinking about it when the game ended,” said Kershaw, who elected to traverse the field to get back to the clubhouse after Wednesday’s game instead of the connected bullpen tunnel. “I was like, ‘Man, I might as well walk across this thing one more time.’”

About an hour later, Kershaw would linger on the field a little longer, joined for an impromptu gathering by his wife, Ellen; their four children; and other family and friends in attendance for his last home game.

“Ellen just texted after and was like, ‘Hey, we got a big crew,’” Kershaw said. “So I was, ‘Well, just go to the field. I’ll try to shower fast so we can hang out.’”

Television cameras caught Kershaw laughing as his kids ran the bases, tried to throw baseballs at a hovering drone and enjoyed a diamond that had become their own personal childhood playground over the years.

At one point, Kershaw posed with the Dodger Stadium grounds crew for a picture — standing on a mound they had manicured for all of his 228 career starts in the stadium.

“Honestly, it was awesome,” Kershaw said. “It was the perfect way to do it. Just have everybody out there, running around … It was unplanned, unprompted, but a great memory.”

Kershaw, of course, is hoping to add one more Dodger Stadium memory next week. If the team can reverse its three-games-to-two deficit in the World Series this weekend in Toronto, it would return to Chavez Ravine for a championship celebration.

If not, though, he’ll have a couple parting moments to cherish, from Wednesday’s postgame scene down on the field, to his final career Dodger Stadium outing back in Game 4 in which he stranded the bases loaded in the 12th for one of the biggest outs in his entire career.

“I’m super grateful with how that went, as opposed to the last time before that,” he quipped, having given up five runs in his only other Dodger Stadium appearance this postseason. “You can’t plan any of that stuff. Who knows if it ever works out. But yeah, to get that one last out was pretty cool.”

So, too, was his one last night Wednesday.

It’s Dodgers mania. Los Doyers clinched their spot in the World Series for the second year in a row.

Game 1 kicks off Friday. The first two games facing the Toronto Blue Jays will be away, with the Dodgers returning home for Games 3 and 4. Local restaurants and bars are preparing for back-to-back World Series wins by hauling in extra TVs and adding food and drink specials.

Whether you’re heading to Dodger Stadium and looking for a pre- or post-game destination or just want to be in the thick of Dodger madness, keep reading for 11 places near the stadium that are screening all of the games:

TORONTO — The Dodgers announced Thursday that reliever Alex Vesia is away from the team as he and his wife “navigate a deeply personal family matter,” and manager Dave Roberts said his availability for the World Series is uncertain.

Vesia, who has been the Dodgers’ top left-handed pitcher in the bullpen this season, was not present at the team’s World Series media session on Thursday, and was not seen at the club’s open workout at Dodger Stadium on Monday.

Roberts said that the club was reviewing its options within MLB’s postseason roster rules, but that for now Vesia’s status was considered day-to-day.

“We have a little bit of time — I think 10 o’clock tomorrow or something like that — to finalize our roster,” Roberts said. “But, yeah, we’re going through the process of trying to backfill his spot on the roster.”

One potential option for the Dodgers would be to place Vesia on MLB’s Family Medical Emergency List, which would require him to miss a minimum of three days but make it possible for him to rejoin the active roster later in the World Series.

For now, however, Roberts said “we’re just going day-to-day with really no expectations.”

In the Dodgers’ team statement, the club said “the entire Dodgers organization is sending our thoughts to the Vesia family.”

The Milwaukee Brewers have no chance.

Neither will the Seattle Mariners or Toronto Blue Jays.

The clear truth emerged from the Dodger Stadium shadows late Thursday amid a downtown-shaking roar of delight and disbelief.

This is ridiculous. This is simply ridiculous, how well the Dodgers are playing, how close the history books are beckoning, and how an ordinary summer has been followed with unbelievable days of the extraordinary.

The Dodgers are not going to lose another game this October. Write it down, bet it up, no major league baseball team has ever played this well in the postseason, ever, ever, ever.

With their 3-1 victory over the Brewers Thursday in Game 3 of the National League Championship Series, the Dodgers take a three-games-to-none lead with a sweep likely in the next 24 hours and coronation coming in the next two weeks.

The Dodgers are going to win this NLCS and follow it with a four-game whitewash of the World Series because, well, you tell me.

How is anybody going to beat them?

Match their aces-flush rotation? Nope. Equal their hot closer and revived bullpen? Sorry. Better than their deep lineup? Nobody is even close.

The Dodgers are more than halfway to finishing the most dominant postseason in baseball history, it’s all there in the numbers.

The only team to go undefeated through the playoffs since the divisional era began was the 1976 Cincinnati Reds. But the Big Machine only had to win seven games. Since the playoffs were expanded and the test became tougher, the greatest October streaks have belonged to the 2005 Chicago White Sox and 1999 New York Yankees, both of whom went 11-1.

These Dodgers were forced into that early wild-card series, so if they end this postseason without another loss, they will finish 13-1.

The last time a team in this town had such a dominating postseason was the champion 2001 Lakers, who went 15-1 in the postseason with only one stumble against Philadelphia on the night Allen Iverson famously stepped over Tyronn Lue.

Those Lakers were legendary. These Dodgers will be soon.

They are currently 8-1 in the playoffs and have won 23 of their previous 29 games and again, who’s going to beat them?

Start with that rotation. Tyler Glasnow followed gems by Blake Snell and Yoshinobu Yamamoto Thursday by twirling 5 ⅔ innings of swing and miss, holding the Brewers to one run with eight strikeouts, and in three games the Brewers have scored two runs in 22 ⅔ innings against Dodger starters.

And perhaps their best pitcher hasn’t even taken the mound yet, that being Friday’s starter Shohei Ohtani.

Now for their deep lineup. Ohtani is still mired in a career-worst slump, but his one hit Thursday was a leadoff triple that led to him scoring the first run, and seemingly everybody else chipped in. Mookie Betts had the first RBI, Tommy Edman knocked in Will Smith with the go-ahead run in the sixth, a hustling Freddie Freeman scored on a wild pickoff attempt, and on and on..

Finish with their bullpen, which is actually finishing. Taking over for Glasnow with a runner on first and two out in the sixth Thursday, Alex Vesia, Blake Treinen, Anthony Banda and Roki Sasaki shut the Brewers down the rest of the way, and their regular-season weakness has become their strength.

Incidentally, Sasaki’s ninth-inning shutdown was aided by a brilliant in-the-hole putout by shortstop Betts, and that’s just one more way the Dodgers can beat you.

All this, and as Thursday confirmed, they have arguably the best home-field advantage in baseball.

No place is bigger. No place draws more fans. And no place is louder, from the bleacher-rattling roar to the cover-your-ears sound system.

“This place has an aura about it,” Max Muncy said of Dodger Stadium. “It’s the biggest capacity in baseball. Everybody talks about it when you come here. The lights seem a little brighter. The music seems a little louder — that might actually be because it is a little louder.”

Yeah, fans, you might hate the otherworldly stadium volume, but the players like it.

“That’s part of the perks of being at Dodger Stadium, we have that sound system,” said Muncy. “It sounds silly to say something like a sound system could be an advantage. But it really is. When the speakers in the center field are cranking and the crowd is going absolutely nuts and you feel the field shaking beneath your feet, it’s a really big advantage. And that’s something we’ve always had here.”

The stadium rose to the occasion Thursday as it always does this time of year, filling up despite the weird mid-afternoon starting time, constantly standing and screaming by the game’s end.

“When we’ve had those big moments, there’s arguably no place that can get louder than Dodger Stadium, especially in the postseason,” Muncy said. “When you have 56, 57,000 people screaming all at the same time in a big moment, it’s pretty wild. That’s an advantage that we’ve always had here, and the guys love it.”

There’s a lot to love.

The Dodgers aren’t ready to call Roki Sasaki their closer, but who are they kidding?

Sasaki is their closer.

When the 23-year-old rookie from the Japanese countryside stepped onto the October stage on Wednesday night, he revealed himself to be more than the team’s best late-inning option.

He showed he was special.

He was Reggie-Bush-exploding-through-the-Fresno-State-defense special.

He was Allen-Iverson-crossing-up-Michael-Jordan special.

He was Yasiel-Puig-doubling-off-a-runner-for-the-final-out-in-his-debut special.

“Wow,” third baseman Max Muncy said. “Really, all you can say is wow.”

Watching Sasaki pitch the final inning of a two-game sweep of the Cincinnati Reds in their National League wild-card series, the patrons at Dodger Stadium at once recognized the novelty of his act. The same crowd that can’t distinguish home runs from fly balls was chanting his first name throughout the ballpark after just two pitches.

Sasaki threw seven fastballs in the perfect inning, and six of them were faster than 100 mph. The other was clocked at 99.8 mph.

With a forkball that looked as if it were dropping perpendicular to the ground, he struck out the first two batters he faced. Spencer Steer and Gavin Lux had no chance.

“That guy is gross,” reliever Tanner Scott said.

The 11-pitch performance by Sasaki was why the 8-4 victory in Game 2 felt so different from the 10-5 win in Game 1. In both games, the bullpen created messes in the eighth inning. Game 1 left the Dodgers questioning how they could defend their World Series title with such an unreliable group of relievers. Game 2 offered them a vision of how they could realize their ambition.

“That’s what we need right there,” Muncy said.

Sasaki was the last card in the deck for the Dodgers, who gave up on Scott before the playoffs even started. They experimented with some less experienced arms, but none of them performed well. Edgardo Henriquez and Jack Dreyer were part of a dispiriting three-run eighth inning against the Reds in Game 1. Converted starter Emmet Sheehan was part of another eighth-inning meltdown in Game 2, as he retired just one of the five batters he faced, and that was on a sacrifice fly that drove in a run. Sheehan was charged with two runs.

By the time Sasaki started warming up in the bottom of the eighth inning, he might as well have already inherited the closer role by default. The other candidates had pitched their way out of consideration.

Never mind that Sasaki had never pitched in relief in either the United States or Japan until he did so on a recent minor-league rehabilitation assignment. Sasaki pitched out of the bullpen twice in the major leagues in the final days of the regular season, and he was about as promising a bullpen possibility as they had.

So when Sasaki emerged from the bullpen against the Reds, fans in every section of Dodger Stadium stood to applaud. Sasaki represented their final hope.

Once on the mound, Sasaki delivered a performance that was as aesthetically pleasing as it was effective.

The high leg kick. The athletic delivery. The velocity and precision of his fastball.

Words couldn’t accurately describe what he did, so his teammates didn’t bother trying.

“You guys saw the same thing I did,” catcher Ben Rortvedt said.

Dodgers management was reluctant to say anything definitive about Sasaki’s role moving forward.

Was Sasaki the new closer?

“He’s going to get important outs for us,” president of baseball operations Andrew Friedman replied.

Asked the same question, manager Dave Roberts offered an equally ambiguous answer.

“I trust him,” Roberts said, “and he’s going to pitch in leverage.”

As guarded as Friedman and Roberts were, they couldn’t conceal the truth. Something fundamentally changed for the Dodgers on Wednesday night: They found their ninth-inning pitcher.

Sasaki is their closer.

Dodger Stadium won’t be empty Sunday, even though the next time the Dodgers play at home will be Tuesday in a National League Division Series opener.

But LA Card Show will make its Dodger Stadium debut that day with a Dodger blue-tinged format that includes a watch party of the team’s regular-season finale starting at 12:10 p.m. on DodgerVision.

Most of the time, however, attendees likely will have their heads down, studying the intricacies of trading cards and memorabilia of all stripes and types. More than 350 collectibles vendors will display, buy, sell and trade wares across sports, Pokémon, Disney and other trading card games along with comics, toys and art.

“It’s the perfect blend of card show and cultural experience, and Dodger Stadium provides the ultimate backdrop for us to lean in and create an extraordinary event,” said Chris Koenig, executive director of Dodgers 365, the program that brings outside events into Chavez Ravine.

The event begins at 10 a.m. and will include live DJ sets, food vendors, brand activations, giveaways and an autograph lounge with former Dodgers Ramón Martínez, Joe Kelly and Orel Hershiser, who owns a collectibles store in Claremont called Legends’ Attic.

Tickets are available at lacardshow.com/tickets.

Clayton Kershaw blew a kiss to his family, pounded a fist in his glove, then made the familiar trot from the Dodgers’ dugout to the Chavez Ravine mound.

This time, however, he did it alone.

In what was his final regular-season start at Dodger Stadium, coming one day after he announced that he would retire at the end of this year, Kershaw took the field while the rest of his teammates stayed back and applauded.

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On a night of appreciation for his 18-year career, the moment belonged to him — and an adoring fan base that has watched his every step.

The first time Kershaw ever pitched at Dodger Stadium, he was a much-hyped and highly anticipated 20-year-old prospect. His talent immense. His Hall of Fame future in front of him.

When he did it for potentially the last time on Friday night, he was a much-beloved and long-admired 37-year-old veteran. Hardened by the failures that once defined his baseball mortality. Celebrated for the way he had learned to overcome them.

Few athletes in modern sport play for one team, for so long. Fewer still experience the emotional extremes Kershaw was put through, or manage still to weather the storm.

When Kershaw was asked about Dodgers fans during his retirement news conference Thursday, that’s the dynamic he quickly pointed to.

“It hasn’t been a smooth ride,” he said. “We’ve had our ups and downs for sure.”

Between boundless cheers and intermittent boos, historic milestones and horrifying heartbreaks, triumphant summers and torturous falls.

In regular-season play, baseball has maybe never seen a more accomplished pitcher. Kershaw’s 2.54 ERA is the lowest in the live-ball era among those with 100 starts. He is one of the 20 members of MLB’s 3,000 strikeout club. He is one of four pitchers to win three Cy Youngs and an MVP award.

In October, however, no one’s history has been more checkered. There were implosions against the St. Louis Cardinals in 2013 and 2014. The infamous fifth game of the 2017 World Series against the sign-stealing Houston Astros. The nightmare relief appearance in 2019 against the Washington Nationals. Nine trips to the playoffs in his first 11 seasons, without winning a championship once.

In those days, it made Kershaw’s relationship complicated with Dodger Nation. He was heroic until he wasn’t. Clutch until the autumn. It didn’t matter that he was often pitching on short rest, or through injuries and strenuous workloads, or in situations no other pitcher would have ever been tasked. He was the embodiment of the Dodgers’ repeated postseason failings. The face of a franchise that could never clear the final hurdle.

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1. Clayton Kershaw reacts after getting San Francisco’s Jerar Encarnacion to hit into a double play in the third inning Friday night at Dodger Stadium. 2. Kershaw acknowledges the cheers from the Dodger Stadium crowd after exiting the game in the fifth inning. 3. Kershaw acknowledges the crowd after leaving the game in the fifth inning. 4. Kershaw is congratulated by his teammates as he exits the game. 5. Kershaw is embraced by Dodgers manager Dave Roberts as he leaves the game in the fifth inning. (Gina Ferazzi / Los Angeles Times)

“It’s almost like a relationship, right?” Kershaw said. “You’ve been in it 18 years with them. There’s some great times, and then there’s some times where you probably want to break up for a minute.”

In his case, though, that’s how such an enduring bond was built.

He persevered through such struggles. He kept coming back every season. He finally got over the hump with World Series titles in 2020 and 2024. He never shied away from even his darkest moments.

“With that responsibility as the ace, you’ve got to take on a lot of scrutiny or potential failures,” manager Dave Roberts said. “Everything wasn’t optimal for him. But he never complained about it. Never made an excuse for it.

“I think the fans, certainly at his highest moments, have shown their love for him and support. In those other times, I think it’s just, the fans have been hurting along with him. Wanting so much for a guy that’s been such a stalwart and a great citizen and person for this city and organization.”

“I think the respect, the universal respect, is certainly warranted 10 times over.”

Over a 6-3 win against the San Francisco Giants that ended just minutes after the Dodgers clinched their 13th consecutive postseason berth, that’s what was celebrated from Kershaw’s first pitch to his last.

The left-hander threw 4⅓ innings of two-run ball, striking out six batters on four hits and four walks, but it wasn’t his stats that mattered. He struggled with his command, averaged only 89 mph with his fastball, and left the mound with the Dodgers trailing, but the memories from this night will go far beyond that.

From the moment Kershaw emerged on the field at 6:23 p.m., fans rose to their feet. They cheered and chanted his pregame routine in the outfield and bullpen. They roared when his name was introduced shortly before first pitch.

They knew this could be his Dodger Stadium send-off, a sentimental opportunity to say thank you for all he accomplished and all he endured.

Kershaw felt a swirl of emotions, as well, sitting teary-eyed in the outfield while taking in the scene before the game began.

“You’re trying to focus on the night and getting outs, but it’s a special day,” Kershaw said. “It’s the last time here, potentially, and this place has meant so much to me for so long. I didn’t want to not think about it.”

At the start of the first inning, his teammates made sure he wouldn’t. As Kershaw headed to the mound, the Dodgers’ fielders made an impromptu decision to stay back and let him be serenaded with an extended ovation.

“I didn’t love it,” Kershaw joked. “But it was a great gesture.”

And as he stood on the mound alone, he smiled and waved at a moment 18 years in the making.

“This is one of those moments where Dodger fans, you all have seen him for 18 years and watched his career grow and everything that he’s gone through,” Roberts said. “People are going to back and go, ‘I was there for the last time he started a home game at Dodger Stadium.’”

From there, the night was surprisingly tense.

Kershaw gave up a home run on the third pitch of the game to Heliot Ramos. He spent the next four innings battling traffic, stranding two runners later in the first, another two in the second, and two more in the third after a Wilmer Flores RBI single.

By the fourth, it was clear Kershaw was not long for the evening. His pitch count was rising. The bullpen was active. And with two outs in the inning, Willy Adames was extending a two-strike at-bat.

On the ninth pitch of that battle, however, Kershaw finally got a whiff on a slider. For the first time since the first inning, Dodger Stadium erupted once again.

Watch Dodgers pitcher Clayton Kershaw’s full start against the San Francisco Giants at Dodger Stadium on Friday night.

Kershaw returned to the mound in the fifth, and struck out Rafael Devers with a fastball at the knees.

With that, his night was over, along with maybe his Dodger Stadium career.

“I feel like the moments that we have right there in front of us, it’s history,” second baseman Miguel Rojas said.

“You had to just kind of be there to really feel the emotions,” shortstop Mookie Betts added.

In the stands, applause echoed through a sell-out crowd of 53,037 — which included former teammates Austin Barnes, Andre Ethier, Russell Martin, Trayce Thompson and AJ Pollock; as well as other Los Angeles sports icons from Magic Johnson to Matthew Stafford (a childhood friend of Kershaw’s from Texas).

After receiving hugs from his infield, and embracing Roberts with an apology (“I’m sorry I pitched so poorly tonight”) and a request (“Not trying to be disrespectful, but I’m keeping this ball”), the pitcher then made the slow walk back from the rubber.

Dodgers pitcher Clayton Kershaw makes a hugging gesture as he walks off the mound to a standing ovation at Dodger Stadium on Friday night.

(Gina Ferazzi / Los Angeles Times)

He took a deep breath. He gave a hugging motion to his family sitting in the loge level. He donned his cap, and repeatedly said thank you to a crowd that never ceased to cheer.

“It hasn’t always been a smooth ride, but you guys have stuck with me,” Kershaw, who also re-emerged from the dugout for a raucous curtain call, reiterated in a postgame on-field interview.

“Dodger Stadium is a super special place, and the fans are the main reason why,” he added in his postgame news conference with reporters. “They continue to come out and support us. Every night, it’s 50,000 people. I wish I had better words other than I’m just so honored and thankful to hear those ovations. I’ll never take that for granted.”

Now, one more October awaits — with the Dodgers (87-67) officially clinching a postseason berth Friday after roaring to the lead on back-to-back home runs from Shohei Ohtani and Betts in the bottom half of the fifth.

Kershaw’s role in this last title chase is uncertain. With a loaded rotation, but shaky relief corps, the Dodgers’ best use for him could come out of the bullpen. Roberts said he envisions Kershaw fitting somewhere on the playoff roster. Kershaw said he can “do the math” and is prepared “to do whatever I can to help.”

Either way, his legacy with the Dodgers, and its forever indebted fan base, had already long before been graciously cemented.

“I’m kind of mentally exhausted today, honestly, but it’s the best feeling in the world now,” Kershaw said. “We got a win, we clinched a playoff berth, and I got to stand on that mound one last time. I just can’t be more grateful.”

“Perfect night,” he later added. “It really was.”

Last year, in the middle of a World Series celebration he had spent two decades dreaming about, Clayton Kershaw took the mic at Dodger Stadium and made a declaration.

“I love you guys, thank you!” he shouted to an adoring Chavez Ravine crowd.

“Dodger for life!”

On Thursday, that distinction was cemented.

After 18 seasons, three Cy Young Awards, an MVP, more than 3,000 strikeouts and two World Series titles, Kershaw announced he will retire from Major League Baseball after this season.

Kershaw’s announcement, which came in a press release from the team, preceded what could now be his final Dodger Stadium start scheduled for Friday night.

That game will mark his 246th time taking the bump at the only ballpark he has ever called home. Depending on what happens in October, when Kershaw will make one more run at one more championship, it could be his last.

After 222 wins, more than 2,800 innings, and a career 2.54 ERA, his countdown to Cooperstown will begin this winter.

After serving as the face of the franchise during one of the most successful runs in club history, the book will finally be closing on his illustrious Dodgers career.

Kershaw’s retirement had been a long time coming. Over each of the past four offseasons, he contemplated whether or not to walk away from the game. An 11-time All-Star and five-time ERA champion, he long ago ensured his spot as a future Hall of Fame pitcher. As the franchise’s all-time strikeout leader, his place in club lore had already been enshrined.

Yet, the 37-year-old Kershaw never lost his desire to play.

Despite an elbow injury at the end of the 2021 season, a shoulder surgery after the 2023 campaign, and foot and knee procedures this past offseason, he came back to continue his Dodgers career — never ready to give up another title chase.

This year, he has authored the kind of renaissance season that once felt beyond him. He is 10-2 in 20 starts with a 3.53 ERA, succeeding despite diminished fastball velocity and a decline in overall stuff. He has been an integral member of a first-place Dodgers team. And though one more postseason run lies ahead, with the Dodgers trying to defend last year’s World Series title, he decided his time in baseball was finally up.

“On behalf of the Dodgers, I congratulate Clayton on a fabulous career and thank him for the many moments he gave to Dodger fans and baseball fans everywhere, as well as for all of his profound charitable endeavors,” Dodgers owner Mark Walter said in the team’s release. “His is a truly legendary career, one that we know will lead to his induction in the Baseball Hall of Fame.

Originally drafted seventh overall by the Dodgers out of Highland Park High School in Texas in 2006, Kershaw has spent the entirety of his professional life in the organization, going from top prospect to young sensation to Cy Young winner to pitcher of his generation.

He made his MLB debut in 2008, and broke out as a star the following year. By 2011, he had earned his first All-Star selection, his first ERA title and his first Cy Young Award. The accolades would keep coming after that — with Kershaw leading the majors in ERA each season from 2011-2014, winning two more Cy Youngs in 2013 and 2014, and becoming only only the 22nd pitcher to ever win MVP honors with his 21-3, 1.77-ERA season in that historic 2014 campaign.

The back half of Kershaw’s career was plagued by injuries, starting with a bad back that sidelined him for part of 2016.

Still, he earned another ERA in 2017, while helping the Dodgers win their first pennant in 29 years. He had a resurgent performance in the pandemic-shortened 2020 season, going 6-2 in the regular season with a 2.16 ERA before finally experiencing a World Series title.

Up to that point, the postseason was the only area were Kershaw struggled. In 32 playoff outings from 2008-2019, he was 9-11 with a 4.43 ERA — mediocre numbers underscored by excruciating collapses against the St. Louis Cardinals and Houston Astros and Washington Nationals along the way.

But in 2020, Kershaw vanquished such demons, making five starts and going 4-1 with a 2.93 ERA in the Dodgers’ first victorious World Series run since 1998. The title, Kershaw has said since, meant more than even he could have ever imagined.

“I think having that [World Series] definitely started letting me relax a little bit more,” Kershaw said in 2023. “I didn’t realize I had been carrying that weight that much.”

And once he won it once, the notoriously competitive left-hander craved to do it again.

That’s why, even as his body has continued to break down in recent years, Kershaw kept coming back every spring. He believed, when healthy, he could still contribute to a World Series roster. And despite numerous free-agent flirtations with his hometown Texas Rangers, he always saw the Dodgers as the best way to get there.

It made last year’s World Series title a sentimental one for the iconic left-hander. Kershaw was a limited participant, making only seven starts in the regular season before missing the playoffs with his foot and knee problems. But he relished in the celebration, especially the title-winning parade that the 2020 team had been denied by the pandemic.

He knew then that he would be a Dodger for life.

On Thursday, it finally became official.

Issues accessing tickets from the MLB app caused problems at the entry gates for fans trying to enter Dodger Stadium before Monday’s game between the Dodgers and Colorado Rockies.

It’s unclear how many fans were affected, but the problem wasn’t confined to fans entering Dodger Stadium — the issue has been ongoing since at least last weekend at MLB ballparks across the country.

“MLB’s ticketing system TDC is experiencing difficulties across multiple venues for retrieving tickets and fan entry,” the Dodgers said in a statement. “The league is working with the Dodgers and other franchises to address the issues.”

The Dodgers notified season ticket holders Monday about the situation, urging them to reset their passwords on the MLB website. They instructed them to contact the team’s member services department if they were unable to access their tickets or couldn’t reset their passwords.

An MLB representative did not immediately respond to a request for comment.

In the waning days of the 1960s, when Don Sutton was starting his Hall of Fame career and Don Drysdale was finishing his, kids all over the Southland could turn on Channel 9 and catch a block of cartoons. “Speed Racer” came on first, followed by “Ultraman”.

In the lore: “A 130-foot tall red and silver giant of light, Ultraman came to Earth from another galaxy to protect humanity from invading aliens and giant monsters.”

Fortunately, the meet-and-greet version of Ultraman that showed up at Dodger Stadium on Tuesday was about 6 feet tall. I dropped by to say hello, although I had been warned he did not converse with humans.

“He’ll look at you quizzically, but also with endearment, knowing you are a little carbon-based unit that would like to become his friend,” said David Kornblum, president of Tsuburaya Fields Media and Pictures Entertainment.

Ultraman turns 60 next year. Kornblum is based in Los Angeles, and his job is to take what his Tokyo-based company calls “Japan’s most beloved superhero” and revive his popularity in the United States. This fall, you’ll be able to stream new and classic episodes of Ultraman.

It’s not just that Shohei Ohtani is more popular than Ultraman in Japan these days. If you’re a Japanese company wanting to get the word out in America about your product, you’re in good company at Dodger Stadium.

“With the Dodgers, you’ve got a 50,000-seat stadium basically sold out for 80 games a year,” Kornblum said. “It’s a natural in terms of having exposure for this character in this market, the second-largest market in the country.

“You have the opportunity to showcase your character with the most popular team.”

The “Shohei economy,” as one team official dubbed it last year, has taken on a new dimension.

Japanese fans flock to Dodger Stadium, of course, taking stadium tours conducted in Japanese, enjoying a variety of national delicacies at concession stands and clutching shopping bags packed with hundreds — and sometimes thousands — of dollars’ worth of Ohtani merchandise.

And, of the 24 corporations with advertising space between the foul poles at Dodger Stadium as of Tuesday, eight are based in Asia.

What’s new: With Ohtani as a global attraction, Japanese entertainment companies have used Dodger Stadium as a platform to popularize their star attractions.

“There is not a business sector that hasn’t weighed in with us,” Dodgers president Stan Kasten said, noting the Dodgers’ league-leading attendance and global viewership. “We are an entertainment venue. We’re a place to go to get attention.

“If you’re a brand looking for attention, where else would you go?”

With each deal, Ohtani’s contract becomes even more magical for the Dodgers. Never mind, for the moment, the sponsorships with Asian airlines, retailers, beverage companies, and so on.

With four Japanese character appearances at Dodger Stadium this season, the Dodgers have made more than the $2 million they pay Ohtani in salary this year. (The other $68 million is deferred.)

And, as the entertainment companies reach customers in the United States, the Dodgers reach fans in Japan, where they have leveraged Ohtani to become the dominant major league team.

The Dodgers launched a fan club there this year. Kasten said they hope to expand their marketing presence there as Major League Baseball considers relaxing rules under which the league itself — rather than individual teams — typically controls international business ventures.

“FC Barcelona told me they have 300 million fans around the world,” Kasten said. “That’s a good role model.”

When Tokyo’s Cover Corp. opened a Los Angeles office last year, they brought their star animated character — Gawr Gura — to Dodger Stadium.

“The fact that we could say we had a collaboration with the Dodgers, that is helpful to show we are that level of a brand,” said Motoaki Tanigo, the chief executive of Cover. “That was helpful to us, to introduce ourselves.”

The Dodgers sold 8,000 tickets as part of the Cover promotion, the company said and the team confirmed, with 80% of those fans visiting Dodger Stadium for the first time, and with many showing up super early to snap up commemorative merchandise. Cover staged a larger ballpark promotion this year.

Ultraman takes down Alien Baltan before before the ceremonial first pitch on Tuesday night at Dodger Stadium.

(Carlin Stiehl / Los Angeles Times)

Ultraman brought no merchandise with him, but he did bring an evil nemesis, who tried to steal the show during the ceremonial first pitch. If the point was to identify the evil nemesis called a kaiju for an unfamiliar audience, I suggested the company dress him in a Padres uniform.

“Or in a Giants uniform,” Kornblum said. “I would love if they would allow us to have a full smackdown, with a kaiju in a Giants jersey vs. Ultraman in a Dodgers jersey.

“A beatdown at home plate would be fun. But the corporate guys won’t let me do that.”

Parking at Petco Park, home of the San Diego Padres, is a distinctly different experience than parking at Dodger Stadium.

It’s about to be similar, however, when it comes to price.

City crews installed about 400 signs in downtown San Diego last week to let drivers know about new street parking-meter rates taking effect Sept. 1, calling it a special event zone. The hourly rate will increase from $2.50 to $10 starting two hours before games or concerts at the stadium, and will remain at that rate for six hours.

Getting to the stadium an hour before a three-hour game and perhaps enjoying a drink or meal at one of the establishments in the Gaslamp Quarter a short walk from the stadium can lift the cost of parking from $15 to $60.

And it could get worse. The variable parking rate policy change that the San Diego City Council approved in June allows the city to charge as much as $20 an hour, but officials are starting with $10.

The Padres were taken by surprise by the city’s action and objected to the increase, complaining that it was implemented without significant input from the team.

“We look forward to better understanding the city’s plan,” Padres spokesperson Vanessa Dominguez said.

Watching the kerfuffle must be amusing for Dodgers officials, who long have taken it on the chin for seemingly exorbitant parking fees and an enormous, barren parking lot that has all the charm of, well, an enormous, barren parking lot.

Parking at Chavez Ravine is not nearly as fun as at Petco Park, where the dozens of nearby restaurants, bars, shops and music venues make it akin to attending a Chicago Cubs game at Wrigley Field.

General admission parking at Dodger Stadium is $35 if prepaid and $40 at the gate, but it’s a long hike to the seats. Preferred parking — translation: a shorter walk — is $60, the same as the six-hour meter charge will be at Petco.

Dodgers fans have their complaints about parking — primarily a postgame snarl to get out of the Stadium that makes navigating the 405 seem like a breeze — and drama too often colors the experience.

A tailgating ban is enforced so diligently that fans can’t even enjoy an El Ruso taco leaning over the trunk of their car without being scolded by a security officer. Safety is difficult to ensure as well: Fans have been beaten senseless walking to or from their cars.

And through no fault of the Dodgers, a procession of vehicles identified as federal agents attempted to enter the stadium on June 19, a day immigration raids capped two weeks of roundups by arresting “30 illegal aliens in Hollywood … and nine illegal aliens in San Fernando and Pacoima,” Homeland Security Assistant Secretary Tricia McLaughlin said.

Federal officials said the gathering of vehicles was to conduct a briefing, and the Dodgers denied the vehicles entry into the stadium.

Parking near Petco Park is relatively safe, with well-lit lots and streets part of the fabric of a neighborhood packed with revelers. And Padres fans don’t require a metered street spot to park. The team runs several lots a few blocks from the stadium where parking can be reserved ahead of time. Rates range from $10 to $40.

The quadrupled special-event metered rate changes near Petco were included in a sweeping package of new parking rules throughout San Diego designed to increase revenue.

No more free parking on Sundays. Soon, no more free parking at the San Diego Zoo, Balboa Park and Mission Bay Park. Free beach parking will be a perk of the past.

The city doubled meter rates to $2.50 an hour in most places. And meter hours around the city will be extended by at least two hours later this summer. The increase is expected to bring in about $4 million through the remainder of the fiscal year, and at least $9.6 million annually starting next fiscal year, according to the San Diego Union Tribune.

“This city is a playground for folks,” San Diego Councilmember Sean Elo-Rivera said at a recent meeting. “It is really important to me that San Diegans not be subsidizing the vacations of tourists who have the financial capability of coming here and enjoying this city.”

Most Padres fans are San Diego-area residents, although when the Dodgers visit the city to their south the crowd is noticeably peppered with folks wearing Dodgers gear. As the rivalry between the teams has grown in recent years, Petco has become a favorite destination for Dodgers fans.

Groups like Pantone 294 — the Dodgers official blue-tone color is listed as Pantone 294 — organize “takeovers,” with hundreds of Dodgers fans purchasing tickets in the same section of an opposing ballpark. For the short trip to San Diego, fans can join others on tour buses or drive their own cars.

When it comes to parking those cars, fees will have risen. Savvy fans who don’t mind taking the time can reduce the cost by parking near a San Diego trolley or MTS bus station: The fare remains $2.50.

Mookie Betts offered a new perspective Tuesday afternoon on his season-long slump, which is that it wasn’t a season-long slump.

In his view, it actually extended back to last season.

“I really haven’t been right since I came back from my hand last year,” Betts said.

Betts fractured his left hand in mid-June last season when he was struck by a 98-mph fastball. He was sidelined for almost two months.

Dodgers shortstop Mookie Betts stares down at his batting gloves after flying out in the ninth inning against the Minnesota Twins at Dodger Stadium on July 22.

(Gina Ferazzi/Los Angeles Times)

“Think about it,” Betts said. “Go and look at it. I haven’t been right since.”

Betts was a MVP candidate when he went down, hitting .304 at the time. He batted .263 after his return, including .185 over the final 17 games of the regular season.

The troubles from last year have carried into this year, in which he’s batting a career-worst .236.

Betts wanted to clarify the point he was trying to make.

“I wasn’t blaming it on my hand or anything,” he said. “I was just saying since coming back, I haven’t done anything. It’s not just this season.”

Betts even went out of his way to downplay the severity of the injury or how it has affected him since.

“It wasn’t like I obliterated my hand,” he said. “It was a fracture.”

Betts pointed to how his grip strength was measured in spring training. The readings showed his grip was stronger than he was the previous year.

Dodgers shortstop Mookie Betts makes a play during a game against the St. Louis Cardinals at Dodger Stadium on Aug. 4.

(Luke Johnson/Los Angeles Times)

“There’s no correlation to anything,” he said. “I wish I could blame it on something, but nah.”

My visit to Dodger Stadium on Tuesday was prompted by what Betts told reporters after a weekend series in Tampa. The remarks in question were made when Betts was hitless in his last four games; the streak extended to a career-high five after another hitless game on Monday against the St. Louis Cardinals.

“I’ve done everything I can possibly do,” Betts told reporters. “It’s up to God at this point.”

In print, at least, he sounded defeated. His quotes, I told him, were depressing.

“I don’t know if you’re watching what’s going on, but it is depressing,” Betts said with a smile.

So he still had a sense of humor.

Which isn’t to say he’s not baffled or frustrated by his lack of production.

“It’s unexplainable,” Betts said. “I don’t know. It sucks. You know how in Space Jam, they take your superpowers away? Kind of what it feels like. I’ve never been there, never done that, so to have that happen, I don’t know how to get out of it.”

Without any specific answers, he’s doubled down on the general philosophy that made him one of baseball’s greatest players.

He’s worked.

“That’s the only thing I can do,” he said. “The only thing I can control is my effort and my attitude.”

When Betts says he’s done everything he could do to recapture his old magic, what he’s really saying is that he’s doing everything he can.

“I hit for three or four hours a day,” he said. “At some point, your body breaks down, but I’d rather break down than not give the effort.”

Betts showed up at Dodger Stadium before 1:30 p.m. on Monday for the series opener against the Cardinals, which started at 7:10. He hit in the batting cages, worked on his defense on the field, and participated in batting practice. He returned to the batting cages at around 4:30 and stayed there until 6:15.

“Just trying to relearn, going to the basics, relearning myself,” he said. “I had to go back and think about what I used to do in the minor leagues, [those] types of things.”

Betts might not have yet figured out the adjustments required from him to break out of his slump, but he’s also not out of ideas. He acknowledged he’s purposely sounded more clueless than he actually is in order to avoid discussing changes he’s trying to implement.

“There’s a bunch of stuff that I’m working on,” he said. “That’s stuff that, no offense to you guys, but you guys wouldn’t understand.”

The former right fielder didn’t think the workload at shortstop was the source of his problems, and he didn’t think his batspeed had declined in the last couple of years, as data from baseball’s tracking system had indicated.

“I haven’t hit the ball solid,” Betts said. “Naturally, you slow down because you try to hit the ball solid.”

While the experiment of deploying Betts as a leadoff hitter ended after only two weeks, manager Dave Roberts said he was committed to batting him near the top of the lineup.

“If that’s not confidence from a manager to a player,” Roberts said, “I don’t know what is.”

Betts rewarded Roberts’ faith on Tuesday in a 12-6 victory over the Cardinals on Tuesday, as he was three for four with a double, a walk and three runs. The three-hit game was his first in almost two months.

Betts refused to read too much into the performance.

“It’s good to get the results, but it’s one game,” he said. “Every time we talk about [a good game], I go 0 for 20 after. So we’ll see about tomorrow.”

He departed the stadium uncertain of what the results would be the next day, but he knew what the process would be. He would continue to work and continue to search for answers.

Twelve years after a breakup that didn’t stick — and one year shy of the 20th anniversary of its biggest album — My Chemical Romance is on the road this summer playing 2006’s “The Black Parade” from beginning to end.

The tour, which stopped Saturday night at Dodger Stadium for the first of two concerts, doesn’t finally manifest the long-anticipated reunion of one of emo’s most influential bands; My Chem reconvened in 2019 and has been performing, pandemic-related delays aside, fairly consistently since then (including five nights at Inglewood’s Kia Forum in 2022 and two headlining appearances at Las Vegas’ When We Were Young festival).

Yet only now is the group visiting sold-out baseball parks — and without even the loss leader of new music to help drum up interest in its show.

“Thank you for being here tonight,” Gerard Way, My Chem’s 48-year-old frontman, told the crowd of tens of thousands at Saturday’s gig. “This is our first stadium tour, which is a wild thing to say.” To mark the occasion, he pointed out, his younger brother Mikey was playing a bass guitar inscribed with the Dodgers’ logo.

So how did this darkly witty, highly theatrical punk band reach a new peak so deep into its comeback? Certainly it’s benefiting from an overall resurgence of rock after years dominated by pop and hip-hop; My Chem’s Dodger Stadium run coincides this weekend with the return of the once-annual Warped Tour in Long Beach after a six-year dormancy.

Then again, Linkin Park — to name another rock group huge in the early 2000s — recently moved a planned Dodger Stadium date to Inglewood’s much smaller Intuit Dome, presumably as a result of lower-than-expected ticket sales.

The endurance of My Chemical Romance, which formed in New Jersey before eventually relocating to Los Angeles, feels rooted more specifically in its obsession with comic books and in Gerard Way’s frank lyrics about depression and his flexible portrayal of gender and sexuality. (“GERARD WAY TRANSED MY GENDER,” read a homemade-looking T-shirt worn Saturday by one fan.) Looking back now, it’s clear the band’s blend of drama and emotion — of world-building and bloodletting — set a crucial template for a generation or two of subsequent acts, from bands like Twenty One Pilots to rappers like the late Juice Wrld to a gloomy pop singer like Sombr, whose viral hit “Back to Friends” luxuriates in a kind of glamorous misery.

Gerard Way, from left, Mikey Way and Ray Toro perform as My Chemical Romance.

(Etienne Laurent / For The Times)

For much of its audience, My Chem’s proudly sentimental music contains the stuff of identity — one reason thousands showed up to Dodger Stadium wearing elaborate outfits inspired by the band’s detailed iconography.

In 2006, the quadruple-platinum “Black Parade” LP arrived as a concept album about a dying cancer patient; Way and his bandmates dressed in military garb that made them look like members of Satan’s marching band. Nearly two decades later, the wardrobe remained the same as the band muscled through the album’s 14 tracks, though the narrative had transformed into a semi-coherent Trump-era satire of political authoritarianism: My Chemical Romance, in this telling a band from the fictional nation of Draag, was performing for the delectation of the country’s vain and ruthless dictator, who sat stony-faced on a throne near the pitcher’s mound flanked by a pair of soldiers.

The theater of it all was fun — important (if a bit crude), you could even say, given how young much of the band’s audience is and how carefully so many modern pop stars avoid taking political stands that could threaten to alienate some number of their fans. After “Welcome to the Black Parade,” a bearded guy playing a government apparatchik handed out Dodger Dogs to the band and to the dictator; Way waited to find out whether the dictator approved of the hot dog before he decided he liked it too.

Fans react as My Chemical Romance performs.

(Etienne Laurent / For The Times)

Yet what really mattered was how great the songs still are: the deranged rockabilly stomp of “Teenagers,” the Eastern European oom-pah of “Mama,” the eruption of “Welcome to the Black Parade” from fist-pumping glam-rock processional to breakneck thrash-punk tantrum.

Indeed, the better part of Saturday’s show came after the complete “Black Parade” performance when My Chem — the Way brothers along with guitarists Frank Iero and Ray Toro, drummer Jarrod Alexander and keyboardist Jamie Muhoberac — reappeared sans costumes on a smaller secondary stage to “play some jams,” as Gerard Way put it, from elsewhere in the band’s catalog. (Its most recent studio album came out in 2010, though it’s since issued a smattering of archived material.)

Gerard Way of My Chemical Romance performs.

(Etienne Laurent / For The Times)

“I’m Not Okay (I Promise)” was blistering atomic pop, while “Summertime” thrummed with nervy energy; “Na Na Na (Na Na Na Na Na Na Na Na Na)” was as delightfully snotty as its title suggests. The band reached back for what Way called his favorite My Chem song — “Vampires Will Never Hurt You,” from the group’s 2002 debut — and performed, evidently for the first time, a chugging power ballad called “War Beneath the Rain,” which Way recalled cutting in a North Hollywood studio “before the band broke up” as My Chem tried to make a record that never came out.

The group closed, as it often does, with its old hit “Helena,” a bleak yet turbo-charged meditation on what the living owe the dead, and as he belted the chorus, Way dropped to his knees in an apparent mix of exhaustion, despair, gratitude — maybe a bit of befuddlement too. He was leaving no feeling unfelt.

Nine months after his death, Fernando Valenzuela stands immortalized in a new mural on the loge‑level wall at Dodger Stadium — a vibrant fusion of art and legacy unveiled Saturday.

Painted by Mexican American artist Robert Vargas, the mural shows Valenzuela tipping his cap to the sky in a Dodgers Mexican‑heritage jersey — featuring a green sleeve, red sleeve, white center — alongside two striking images of Valenzuela in his pitching stance. Vargas said the mural is meant to symbolize unity within the Latino community.

“I felt it very important to show that the Latino community has a place within these walls and has had a place within these walls,” Vargas said.

He wanted to reflect Valenzuela’s spirit that still lives in the hearts of many fans and feature the man behind the player.

“What he did in the community, is what resonates so much more for me than just the player — but the man, the person that he was,” Vargas said.

Valenzuela played for the Dodgers from 1980 to 1990. He grew up in Etchohuaquila, a small town in Mexico, and took Major League Baseball by storm in 1981, earning rookie of the year and Cy Young honors. Latino fans who previously felt little connection to the Dodgers were thrilled to see one of their own winning, sparking Fernandomania. Valenzuela wore No. 34 and it remains a popular jersey worn by fans at Dodger Stadium.

Claudio Campo choked up as he gazed at the tribute. Traveling from Phoenix with his son to celebrate the boy’s 11th birthday, Campo shared memories of a player whose greatness felt deeply personal. Valenzuela’s nickname, “El Toro,” are inked on Campo’s left arm.

“He was a staple for the people that didn’t have anything and then where he came from showed that anything is possible if you go ahead and revive what you are,” Claudio said.

Fans holding Valenzuela bobbleheads given away by the Dodgers took their pictures in front of the new mural Saturday night.

Longtime fan Dulce Gonzalez held back emotion as she showed off her shirt with the name “Valenzuela” written across it, describing the reason she started watching baseball.

“He was the first Latino player I could truly connect with and be proud of,” she said.

For Gonzalez, Valenzuela’s story resonated because he came from the same roots, offering representation she had longed for.

“We are a melting pot of races here, people love baseball from all races, but because I am Latina, I feel a little bit more connected,” she said.

Her son, Nicolas, dressed in a red and green Dodgers Mexican-heritage jersey, said Valenzuela helped heal some wounds after Mexican American families were displaced from their homes in Chavez Ravine shortly before Dodger Stadium was built on the same land.

“He really opened the city up to the Dodgers after a long difficult entry and he really represented triumph over adversity,” Nicolas said.

What would a baseball team in Los Angeles want from a retired artist and designer in New York?

Janet Bennett wasn’t sure.

Generations of Angelenos are familiar with her signature project. You probably have walked right past it. Those colorful tile mosaics that decorate the long corridors toward baggage claim in five terminals at Los Angeles International Airport? She designed them.

You might have seen them in the movies or on television: “Airplane!,” “Mad Men” and “The Graduate,” just for starters.

You might have memorized the trivia: When you passed the red tiles, you were halfway down the corridor. “Red means halfway” was shorthand for locals in the know, just like “E Ticket” or “the #19 sandwich.”

“It just says L.A. in so many ways,” said Janet Marie Smith, the Dodgers’ executive vice president of planning and development.

For the clubhouse walkway, Dodgers executive vice president of planning and development Janet Marie Smith and architect Brenda Levin opted for multiple shades of blue tiles.

(Robert Gauthier / Los Angeles Times)

The Dodgers wanted to get in touch with Bennett because they were about to install a similar tile wall at Dodger Stadium. Smith could not find Bennett, but she reached out to someone who had liked an article about Bennett that had been posted on LinkedIn. Same last name, same spelling. Smith crossed her fingers.

Turned out to be a relative of Bennett. The Dodgers sent some sketches of their project and asked Bennett for her thoughts.

“I was a little disappointed I didn’t work the project,” Bennett said over the telephone, chuckling, “but I don’t think I could have done it at this stage.”

“Once we got tile in our head, how could you not think of the LAX walls?” said Janet Marie Smith, the Dodgers’ executive vice president of planning and development.

(Robert Gauthier / Los Angeles Times)

Bennett is 96, happily living one block from Central Park. The LAX project was completed in 1961 — the year before Dodger Stadium opened.

What the Dodgers really were offering was the recognition denied to Bennett six decades ago.

“I realized they just wanted my blessing,” Bennett said. “They wanted the connection. And that was very satisfying.”

And, yes, she had some thoughts for the Dodgers. She wrote them a letter by hand, the old-fashioned way. The letter got lost in the old-fashioned mail, but Bennett’s daughter had thought to take a picture of the letter, and she sent it to the Dodgers via email.

Bennett’s advice for the colors of the tiles?

“Don’t limit it,” she wrote, “to the Dodger blue.”

On game days, Dodgers players take an elevator to the lowest level of Dodger Stadium. As they exit, they look to their right to see the Dodgers’ World Series championship trophies and most valuable player awards, to their left to see the Gold Glove awards.

When they turn toward the clubhouse, they see Cy Young and Silver Slugger and manager of the year awards on the right, rookie of the year awards and then the Dodgers’ retired numbers on the left.

“It’s meant to be uplifting and motivating, and a reminder to everyone — our players included, who take that path — of what a storied franchise this is,” Smith said.

The fans in the fanciest seats, the ones you see on television right behind home plate, can take that path too — but only until they reach the double doors, the ones with “DODGERS CLUBHOUSE” painted above them.

Pass through those doors, and you used to see a gray wall decorated with signage pulled from storage — signs from events held at Dodger Stadium long ago, and others commemorating milestone seasons. As part of the clubhouse renovations last winter, Smith and her team imagined how to freshen up that walkway.

“We wanted to try to get it out of its funk of just being a concrete wall,” she said. “And, once we got tile in our head, how could you not think of the LAX walls?”

Tile mosaic wall designs line departure halls in various LAX terminals.

(Robert Gauthier / Los Angeles Times)

The Dodgers’ clubhouse features a tile wall “in the hydrotherapy area,” Smith said. The tiles there are all Dodger blue.

For the clubhouse walkway, Smith and architect Brenda Levin opted for multiple shades of blue tiles, interspersed with white tiles — a decision reinforced when they received Bennett’s suggestion to go beyond Dodger blue. The wall includes more than 714,000 individual tiles, Smith said.

“I think they did an excellent job,” Bennett said. “They got the rhythm of vertical stripes, which has a very athletic look.”

To Smith, a fierce advocate of sports venues reflecting their host cities, the tile wall reflects home.

“In many ways, that is a symbol: not just of L.A., but of ‘Welcome to L.A.’ ” she said. “That felt right to us.

“It’s not screaming at you. But, if you know, you know. We’ve always wanted that area to feel like a ‘Welcome to L.A.’ to our players.”

If you know, you know, but the players may not know. Dave Roberts, the Dodgers’ manager, said he did not know the story behind the wall until Smith explained it to him.

“It’s a great little touch,” Roberts said.

Smith said players and team executives have asked about the wall. Many of them did not know about the LAX walls, but she understood why.

“They don’t fly commercial,” she said.

If you merit an obituary in the newspaper, the first sentence generally includes your claim to fame. In 2007, The Times published an obituary with this first sentence: “Charles D. Kratka, an interior designer and graphic artist whose Modernist projects included the mosaic walls in tunnels at Los Angeles International Airport, has died.”

Said Bennett: “I just about freaked out.”

After Bennett had finished the LAX mosaics, she left town. By the time the airport unveiled them, she said, she was in Latin America. Until she saw that Times obituary, it had not occurred to her that anyone else might have gotten the credit for the LAX project.

In the obituary, the airport historian credited Kratka with the design, and so did the director of volunteers at the airport museum. In 2017, so did an official LAX document: “Completed in 1961, Charles Kratka’s mosaic murals have become iconic symbols of Los Angeles International Airport.”

At the start of the Jet Age, when airplane travel was a glamorous affair and even passengers in the cheaper seats enjoyed in-flight meals served with silverware, Bennett said the murals were designed to evoke the wonder of a cross-country trip: blue for the ocean at each end of the corridor, and in between green for the forests, and yellows, oranges and browns for farmland, prairies and deserts.

Tile mosaic wall designs line departure halls in various LAX terminals.

(Robert Gauthier / Los Angeles Times)

Bennett freely admits that Kratka was involved in the project. The city hired Pereira and Luckman as architects for the LAX expansion, and Kratka was the firm’s head of interior design.

“He was my boss,” Bennett said.

Bennett said the mosaic design was hers, although she said she did not recall whether she had chosen to use glass for the tiles.

“Everything from that point on was mine,” she said.

Bennett and her family have pushed for LAX to recognize her as the designer. Airport officials acknowledge Bennett’s participation in the project but, amid a search for records from six decades ago and without Kratka to provide his version of events, they believe a conclusive determination would be difficult. And, back in the day, credit was more commonly attributed to a firm rather than to an individual designer.

When I asked for a statement saying whom LAX currently credits with the design, an airport spokeswoman said, “LAX has no official comment.”

In 2017, Design Observer investigated and ultimately supported Bennett’s claims, citing two primary findings: one, an acclaimed designer of the same era “vividly recalls Bennett doing the murals,” and, two, Bennett installed similar tile murals for two Bay Area Rapid Transit (BART) stations in San Francisco.

That was good enough for Smith and the Dodgers.

At LAX, there is no sign crediting anyone — not Bennett, not Kratka, not Pereira and Luckman, not anyone else — for the murals. However, the Dodgers have given Bennett her due at Dodger Stadium, on a sign directly across from their tile wall.

“This mosaic wall draws inspiration from architect Janet Bennett’s iconic mosaic murals at Los Angeles International Airport,” the text begins, “that transformed a transit space into a work of art.”

When Clayton Kershaw made his major league debut as a gangly 20-year-old with a devastating curveball, he was considered a one-in-a-million talent.

On Wednesday he entered a much smaller club, becoming the 20th pitcher in history to strike out 3,000 batters. The milestone came in the sixth inning on his 100th pitch of the night, a 1-and-2 slider the Chicago White Sox’s Vinny Capra took for a called strike.

Kershaw then walked off the mound alone with his thoughts before being mobbed by his teammates on the warning track in front of the dugout. The Dodgers marked the moment with a video of his considerable career highlights on the video boards above the outfield pavilions.

An hour later the Dodgers had even more to celebrate when Freddie Freeman’s two-out RBI single capped a three-run ninth-inning rally in a walk-off 5-4 win.

“It’s the last box for Clayton to check in his tremendous career,” said Dodgers manager Dave Roberts, who doubted many more pitchers will ever join the 3K club.

“You’ve got to stay healthy, you’ve got to be good early in your career, you’ve got to be good for a long time,” he said. “I’m a fan first and I’ve kind of appreciated longevity and moments like that, as opposed to one moment in time. The consistency is something that should be valued.”

Roberts said before the game he would manage differently as Kershaw approached the milestone and he did, allowing him to start the sixth inning despite having made 92 pitches, the most he’s thrown in a game in more than two years.

He would need just eight more. Capra was the 27th batter Kershaw faced and the 15th he took to a two-strike count.

“It’s a little bit harder when you’re actually trying to strike people out,” Kershaw said. “I never really did that before.”

But he could sense the sellout crowd of 53,536 pulling for him every time he got close.

“They wanted it for me so bad,” he said. “And strikeouts tonight, I didn’t really do my part. But you could feel the tension and the fans. They were trying to will me to do it.”

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The Dodgers entered the ninth trailing 4-2 but loaded the bases with no outs on a single by Michael Conforto and walks to Tommy Edman and Hyeseong Kim.

Shohei Ohtani drove in one run on a ground ball to second, hustling up the line to avoid the double play. Mookie Betts followed with a sacrifice fly to the warning track in left-center to score Edman with the tying run.

Ohtani then stole second, scoring two batters later on Freeman’s single to right.

That kept Kershaw, who gave up a season-high nine hits, from taking his first loss of the season. But the Dodgers may have suffered an even bigger loss on the first pitch of the Capra at-bat when Chicago’s Michael Taylor slid hard into Max Muncy on an unsuccessful attempt to steal third.

Muncy, who hit a team-high .333 in June, writhed on the ground before being helped off the field, favoring his left knee. His condition was not immediately known.

Roberts said Muncy will undergo an MRI exam on Thursday but added “that we feel optimistic and our hope is that it’s a sprain.”

Taylor also left the game with a left shoulder bruise.

Nearly three hours earlier Kershaw had been greeted by a loud ovation when he stepped onto the field to stretch about 40 minutes before game time. But the loudest roar — aside the one for the record strikeout — came when Kershaw bounded out of the dugout to start the sixth.

“The energy in the crowd definitely palpable,” he said. “That ovation was something that I’ll never forget, for sure. And then the toast after the game with everybody. I’ll remember those things.”

The White Sox, meanwhile, wanted no part of the party. They forced Kershaw to labor through a 29-pitch first inning in which he faced six hitters, giving up a run and three hits. And it could have been worse, with a leaping Conforto robbing Lenyn Sosa of a three-run home run at the bullpen gate in left field for the final out.

Will Smith, announced as an All-Star starter along with Freeman and Ohtani earlier in the day, got that run back with two out in the bottom of the first, lining a full-count pitch into the left-field bleachers. White Sox opener Brandon Eisert did not return for the second inning and Andy Pages greeted his replacement rudely, driving Sean Burke’s first pitch over the wall in center for his 17th homer.

The Dodgers’ lead was short-lived, however, with Chase Meidroth opening the Chicago third with a single, then trotting home on Austin Slater’s two-run homer. Chicago added another run later in the inning on a one-out double from Andrew Benintendi and an RBI single from Edgar Quero.

Kershaw and the Dodgers, however, endured and at the end of the night the team had a win and the pitcher had joined an exclusive club.

“It’s an incredible list,” Kershaw said. “I’m super, super grateful to be a part of it.”

Etc.

Before Wednesday’s game, pitchers Blake Snell and Blake Treinen threw to hitters for the first time since going on the injured list in April. Snell, a two-time Cy Young winner, went on the injured list because of shoulder inflammation April 6 while Treinen has been sidelined because of forearm tightness since April 19. “They’ll go again in a couple days,” Roberts said. “But both guys looked really good.” Right-hander Tyler Glasnow, also out since April because of shoulder inflammation, is scheduled to make his third minor league rehab start for Oklahoma City on Thursday.

Staff writer Ira Gorawara contributed to this report.

Fernando Urquiza screamed himself hoarse, slapping palms with strangers on the field level of Dodger Stadium. He’d waited six innings — each on the very edge of his seat. He refreshed flight options to Milwaukee in case Clayton Kershaw made him wait until his next start for strikeout No. 3,000.

Roderick Abram, a die-hard New York Yankees fan celebrating his 40th birthday, rejoiced when Kershaw reached the strikeout milestone. In enemy pinstripes, his team allegiance wavered long enough to clap for a man he often hopes gets shelled — particularly in the Bronx — but not on Wednesday night.

Kershaw’s historic game wasn’t necessarily a vintage outing, but to his dearest fans, that only deepened the meaning.

The Chicago White Sox didn’t make it easy for Kershaw. He labored. He gave up runs. It seemed he might fall one short of the three strikeouts he needed. And still, he managed to finally become the 20th pitcher in MLB history to reach 3,000 strikeouts.

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“Building the emotion and building it up to what it came to be,” said Urquiza, who has attended Dodger games for 38 years. “But Clayton Kershaw pitching, it wouldn’t have happened any other way than to be an emotional outcome.”

As Kershaw wrapped the fifth with just two strikeouts, the mood at Dodger Stadium tightened. Phones rose with each windup, fans stood between pitches and that rare postseason stillness crept in, nearly three months early.

And though some considered leaving early to beat traffic and others weighed booking Milwaukee flights, it didn’t seem as though hope fled Dodger Stadium.

“I know it took a little bit longer for him to get it, but I knew he was going to get it, and that’s why they kept him in. And he wanted it bad, and he got it,” said 34-year-old barber Steven Moreno, who said he “wouldn’t have missed the game for the world.”

Back in 2008, Daniel Palomera brought his kids to watch Greg Maddux pitch. Instead, a baby-faced 20-year-old with a towering leg kick took the mound.

A young fan holds a sign with the number “3,000” on the night Dodgers pitcher Clayton Kershaw recorded his 3,000th career strikeout.

(Luke Johnson / Los Angeles Times)

Palomera saw the early days of Kershaw’s career 17 years ago and returned Wednesday for what could be one of his last major milestones.

“Two years ago, I didn’t think he was gonna make it,” Palomera said. “And last year, I thought he might have thought of retiring with all the injuries, but him coming back just makes it that much more special. He’s getting to do it here — that’s really special.”

Jeremy Wasser stood a few rows behind home plate in a sky blue Kershaw Foundation T-shirt. He tilted his head back and paused for a moment when asked about Kershaw’s legacy.

“To see him be as successful as he’s been, as consistently great as he’s been, he’s represented the city and represented the team with class and with character,” Wasser said. “And the combination of that character and his performance on the field is an extraordinary achievement.”

Kershaw’s accompliment will forever be known as a major milestone in Dodgers history, but it meant more than a statistic to the fans who gave the loyal veteran pitcher a six-minute standing ovation.

“The way he cares and treats his own teammates like family,” Moreno said. “He’s made this organization like a family.”