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Friends star Matthew Perry will be the subject of a moving new documentary series about his life and struggles with addiction

Netflix has unveiled a trailer for its documentary series about Matthew Perry.

The One About Matthew Perry will focus on the late Friends star’s life, career and struggles with addiction. In the trailer, Perry’s close friends and family members open up about the 17 Again and The Whole Nine Yards star.

The trailer prominently features Perry’s sister, Mia Perry Bowick, who shares details about the huge sums of money her sibling had spent trying to beat addiction. The footage also includes some of Perry’s most iconic on-screen moments from Friends.

In a particularly poignant moment, one person reveals how Perry “saved my life” through his own advocacy to help fellow addicts. There is also touching archival footage of Perry discussing his demons in his own words.

A logline for the upcoming series reads: “Told through intimate testimonies from close family and friends, this documentary event reveals the real Matthew Perry—generous, funny, vulnerable, larger than life—and the battles he fought to become the man behind the icon. A raw record of a life lived in full, and the honesty that became his greatest legacy.”

The One About Matthew Perry is the first in-depth documentary about the actor since his death. The series will shed light on the different facets of his life from the comedy genius to the man struggling with addiction and also a campaigner to help others get sober.

A Netflix description goes on to state: “Tender and unflinching, the series doesn’t separate Matthew’s humor from his pain, or his fame from his addiction. It sits with both, the way the people who loved him had to. Millions around the world are touched by addiction – their own, or someone they love – and this series speaks directly to them.”

The streaming platform is releasing the three-part factual series The One About Matthew Perry on October 27. The programme will be coming out a day before the third anniversary of the star’s death.

Perry tragically died on October 28, 2023 at the age of 54. He was found unresponsive in a hot tub at his Los Angeles home. His cause of death was the acute effects of ketamine, according to the Los Angeles County Department of Medical Examiner.

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His death sent the world into mourning with his Friends co-stars paying tribute to Perry. Prior to his death, Perry had released his 2022 autobiography – Friends, Lovers, and the Big Terrible Thing: A Memoir.

Reflecting on the decision to open up about her brother’s death, Mia Perry Bowick said: “It’s taken time for me to feel ready to share these memories and what it was like to love Matthew through all the complexity of his life—to see him as a whole person, not just as Chandler, and not just as someone who struggled with addiction. As his sister, he shaped who I am today, the person I strive to be, and the work to which I’ve devoted my life.

“Matthew had a beautiful heart and a generous spirit, and even in his darkest moments, he could still make you laugh and feel loved. I hope this series gives everyone who loved him, whether personally or from afar, a deeper appreciation for who he truly was, and the legacy he leaves behind.”

The One About Matthew Perry will be released on Netflix on October 27

The series is hosted by BBC Silent Witness expert Jo Millington

True crime fans do not want to miss a brand new chilling documentary series, plunging viewers into the heart of a crime, and it’s coming sooner than you think.

UK Forensic Breakthroughs is a brand new release, dropping today (September 22) on the True Crime channel. Spanning across 10 episodes, each instalment will focus on its own murder case where scientific breakthroughs and microscopic evidence secured justice for grieving families.

From the murder of a Witney local, whose investigation was the first time in the UK fibre mapping technique was used, and the conviction of a serial arsonist in Cornwall, forensic scientist Jo Millington will give exclusive access to the experts behind the investigations.

Jo Millington has been a forensic scientist for over 30 years, even working behind the scenes on BBC’s Silent Witness. An official synopsis teases: “A rare in-depth dive into the unseen world of forensic science – from ballistics and fibre analysis to forensic ecology and fire investigation. Firsthand testimony from detectives and leading forensic experts directly involved in the cases.

“Ten real UK murder cases where scientific breakthroughs and microscopic evidence secured justice for grieving family, friends and all those impacted by the crime.”

Premiering at 10pm tonight on the True Crime channel, the series will show how forensic science continues to shape major criminal investigations across the UK.

Speaking exclusively to Reach ahead of the show’s new launch, Jo Millington said UK Forensic Breakthroughs stands out from other crime shows, adding: “The first difference is that it puts forensic science at the heart of the show, which normally sits on the periphery in the shadow.

“Over a 10 part series, we’re using the programme to kind of assure a spotlight on forensic science. And more importantly, the scientists that do forensic science, every single day.”

Giving unprecedented access into the world of a forensic scientist, dubbed the “unsung heroes of investigations”, tonight’s episode will explore the story of Edwin Hiles who was found murdered in his own home, but a pioneering fibre mapping technique was used to link one suspect to the crime.

With episodes released weekly, one particular instalment viewers do not want to miss is episode 8 where teams take a deep dive into the world of forensic archaeology and forensic anthropology.

Jo added: “The teamwork that was involved in recovering Natalia Doherty’s body from a clandestine burial site is one of the most painstaking tasks that I have encountered in forensic science.

“Every layer of soil, every root system, and every fragment of evidence had the potential to reveal how her grave had been created, when it was dug and whether it had been disturbed over time.

“Caroline Sims’ archaeology team worked centimetre by centimetre – to record the grave’s construction, the position of the remains and to methodically recover every item from within it.

“Their meticulous approach ensured that the burial itself became evidence, allowing detectives to understand not only where Natalia had been hidden, but how her body had been concealed for so many years.”

TRUE CRIME is available on Sky, Virgin Media, Freeview, Freesat and Freely as well as for streaming via TRUE CRIME UK (FAST), accessible on platforms including Prime Video, Rakuten TV, Pluto TV, Plex, LG Channels, Samsung TV Plus, ITVX and 5.

UK Forensic Breakthroughs premiers tonight at 9pm on True Crime

The biggest news to come out of two film festivals this week stemmed from documentaries about tech moguls gone bad.

When Alex Gibney’s film production “Musk” premiered at the Venice Film Festival on Tuesday, it received a five-minute standing ovation, shouts of “thank you” from the audience and endless play across social media. The nearly four-hour production chronicles the rise of the world’s first trillionaire out of the dot-com boom, and lays bare the dangers that the Tesla and SpaceX chief executive now presents as a plutocrat with questionable judgment and unchecked power.

Closer to home, at the Telluride Film Festival, it was comedian Nathan Fielder (“The Rehearsal”) and Lance Oppenheim’s “You Can See Everything” that made breaking news. Their film features unfettered access to former Theranos Chief Executive Elizabeth Holmes in the weeks before she reported to federal prison to serve a sentence of 10 years and three months. She rode the early 2000s wave of venture-capitalism consumer-tech hype, defrauding investors and the public with a bogus new way to test blood. By 2014, she was the world’s youngest self-made female billionaire.

A couple of decades ago, films about Musk and Holmes probably would have framed the pair as forward-thinking entrepreneurs and architects of a new era. Today, the pitchforks are out, and who else better represents the hubris and greed of late-stage capitalism?

There’s plenty of buzz around both films ahead of their October releases, yet the richest man in the world is helping promote the “Musk” doc by incessantly posting about Gibney and his “hit” piece.

Musk’s X posts have referred to the filmmaker as a “horrible human” and a “bitter old man” and declared, “Dogs— is worth more respect.” Always looking for a conspiracy to explain away the perfectly explainable, he wrote that the film was a “psy op.” He included in the post an image of Gibney as a puppet of the Democratic Party and George Soros. Musk also offered Trumpian prose: “Gutless Gibney’s fatal flaw of fabricating a false film.”

“Musk” is due for a theatrical release in the U.S. on Oct. 16 followed by a streaming launch on HBO Max.

Musk’s attorney Alex Spiro is threatening a lawsuit. He sent a letter to the Gibney-led Jigsaw Productions accusing the filmmaker of misrepresenting facts about the mogul. Spiro says the filmmaker suggested that Musk used his Starlink satellites to bend the 2024 election in favor of his friend and ally Donald Trump.

“You are … on notice, before release, that the insinuation is false, that the material refuting it is public, and that you chose not to be told the rest,” Spiro wrote. Spiro claimed he contacted the production “multiple times” and “requested an opportunity to present the facts in the normal fact-checking process that is the hallmark of ethical journalism. You have refused to engage.”

Gibney says Musk declined to be interviewed for the film. In his absence, the documentarian created a digital avatar of the Tesla CEO and used statements pulled from decades worth of the entrepreneur’s interviews and public appearances. The film chronicles his childhood in South Africa and his time in Silicon Valley, and suggests that Musk’s genius is not as an inventor but as an investor. His talent, the film contends, is stock-pumping.

“Musk” also reportedly explores how the trillionaire had access to sensitive techno-surveillance data when he ran the Department of Government Efficiency (DOGE) under President Trump in 2025. Geoffrey Hinton , often referred to as the Godfather of AI, is interviewed in the film and explains why Musk’s potential access to the data is such a problem: “It’s fairly clear to me that Trump is hell-bent on corrupting the midterm elections,” Hinton says. “If you wanted to corrupt those midterm elections and you wanted to use AI, all you needed to do was get detailed information on U.S. citizens. And what DOGE did looked like just what you would do.”

Gibney in interviews about the film has warned that Musk’s widespread, unchecked power is “extremely dangerous to world democracy.”

“What I discovered was that the story of Musk was not [a] new tech story,” Gibney said in a news conference at the Venice Film Fest. “[It’s] really the story of an old wine in a new bottle. His story turns out to be the story of the confidence man, the stock pumper, his wealth and power comes from inflated stock, and so I had told that story before with Enron and with Elizabeth Holmes, and so it was a story that was oddly familiar to me.”

Gibney is renowned for taking on big money, corruption and anything else that reeks of injustice. He’s tackled Wall Street, big pharma, Scientology, Guantanamo, and even Theranos founder Holmes.

The new film about Holmes, “You Can See Everything,” offers a quirkier, up-close take on Holmes. Produced by A24 and set for an Oct. 16 theater release, it follows the disgraced CEO post-conviction, and she appears more than comfortable in front of the filmmakers and their cameras. Audiences at Telluride were surprised by the access she gave to the filmmakers, and that Holmes spoke openly about her plans to launch a biotech comeback and revive Theranos from her cell in a Texas prison camp.

Forget the celebrity glitz of high-profile film festivals. In these eat-the-rich times, it’s the dark side of wealth, fame and alleged genius that satiate audience appetites. Enter two new documentaries that feed the beast.

TELLURIDE, Colo. — The Telluride Film Festival has always enjoyed keeping a secret. Tucked away in the Colorado mountains with nary a red carpet or paparazzo in sight, the low-key film festival doesn’t announce its lineup until the day before opening and surprise additions have long been a fixture of the event.

But even by Telluride standards, organizers went to unusual lengths this year to keep their biggest surprise under wraps. They had carved out a prime Sunday evening slot for a world premiere that, fingers crossed, would remain unknown until the audience was seated inside the theater. Festival director Julie Huntsinger offered only a few clues beforehand. The film involved some “very known names,” she told The Times. “Do not miss it. Your jaw will be on the ground for the entire length of the film.”

For three days, trying to crack the mystery became Telluride’s unofficial parlor game. Was it Aaron Sorkin’s “The Social Reckoning”? Denis Villeneuve’s “Dune: Part Three”? Alex Gibney’s Elon Musk documentary “Musk”? By Sunday, the mounting speculation had become fodder for jokes: Introducing his new movie “Club Kid” earlier in the day, writer-director-star Jordan Firstman announced that the evening’s TBA would be a newly restored print of Jerry Seinfeld’s 2007 animated film “Bee Movie.” “Just kidding,” he added. “I love Jerry.”

The festival kept the suspense going right up to showtime. Before entering the Werner Herzog Theatre on Sunday evening, hundreds of moviegoers were required to lock their phones in pouches to prevent spreading the word. Inside, they were warned that security guards equipped with night-vision goggles would be watching for anyone who managed to keep a phone accessible.

Taking the stage, Huntsinger made one last plea for secrecy. “What happens in Telluride stays in Telluride,” she told the crowd, before bringing out Nathan Fielder, the deadpan comic mind behind the reality-bending television shows “Nathan for You,” “The Rehearsal” and “The Curse.”

What Telluride had been guarding so carefully was “You Can See Everything,” a nearly three-hour documentary about convicted Theranos founder Elizabeth Holmes, co-directed by Fielder and documentary filmmaker Lance Oppenheim. The film, which A24 will release theatrically in October, had been made largely in secret over three years.

“For those of you who don’t know who we are and are disappointed, I apologize,” Fielder, joined onstage by Oppenheim, told the crowd to laughs. “But hopefully by the end of the film, you’ll be slightly less disappointed.”

The movie begins 34 days before Holmes is due to report to federal prison, with Fielder, Oppenheim and a small crew given extraordinary access to her life with her partner, Billy Evans, and their young children. Holmes and Evans embrace what they call “radical transparency,” opening their home to the cameras in hopes of convincing the filmmakers — and eventually the world — that the public has fundamentally misunderstood her.

But as anyone familiar with Fielder’s reenactment-heavy work can imagine, “You Can See Everything” quickly becomes something far stranger than a conventional documentary. Fielder finds himself drawn from behind the camera into the story, struggling to determine whether Holmes and Evans are being candid with him or manipulating him. From there, the movie takes a series of increasingly surreal turns, including elaborate reenactments involving a Hollywood actress (her arrival is too good to spoil) that further scramble the line between reality and performance.

During a post-screening Q&A moderated by Emma Stone, who co-starred with Fielder in the darkly comic A24 series “The Curse,” Fielder said that his own inability to get a firm grip on what he was witnessing became one of the forces driving the project.

“We’re all smart and we’re really working at the top of our intelligence,” he recalled thinking as he and the crew tried to make sense of their time with Holmes and Evans. “Why can’t we make sense of what’s happening in this house?”

The project began, appropriately enough, with a magic trick.

Oppenheim said he and Fielder were at the Magic Castle in Los Angeles several years ago when a magician asked the audience to name a celebrity. Someone called out Elizabeth Holmes. Afterward, Oppenheim told Fielder he had heard through a friend of a friend that Holmes was looking for someone to document her life.

Fielder had read John Carreyrou’s “Bad Blood,” the bestselling 2018 account of Theranos’ rise and collapse and initially saw little reason to make another documentary about Holmes.

“I thought the story was really fully told,” he told the Telluride crowd. Holmes, however, had largely disappeared from public view, and Fielder was curious about what she might have to say for herself.

Meeting her only deepened that curiosity. Sitting across from Holmes, Fielder said, he found her “sort of honest and charming,” even as his brain was warning him, “No, don’t trust.” That disconnect — between what he knew about Holmes and what he felt in her presence — became central to the movie.

A24 gave Fielder and Oppenheim unusual freedom to pursue the project without any deadline or obligation to turn what they captured into a finished film. If nothing came of it, Fielder recalled being told, “you can just throw everything away.”

Holmes founded Theranos in 2003 and became one of Silicon Valley’s most celebrated young entrepreneurs by claiming the company could perform a wide range of medical tests using only a few drops of blood. The company collapsed after investigations exposed serious problems with its technology and business practices. In 2022, Holmes was convicted on four counts related to defrauding investors and later sentenced to more than 11 years in federal prison.

As shown in “You Can See Everything,” once Holmes reports to federal prison, the filmmakers’ access to her changes dramatically, with Evans — who takes over Holmes’ Twitter feed and assumes power of attorney over her decisions — becoming their main conduit. Fielder said the relationship grew strained as Evans tried to exert greater control over the project. Neither Holmes nor Evans has seen the finished movie.

Fielder is hoping to keep the film’s biggest surprises under wraps. During the Q&A, he told the Telluride audience he hoped future viewers could experience the film without knowing where it was headed. Stone seconded the request.

“You won’t be upsetting me,” Fielder joked. “You’ll be upsetting Oscar-winning actress Emma Stone.”

Fielder said that even after three years immersed in her world, he still doesn’t know quite what to make of Holmes — or how much of what she says can be believed.

“I really am struggling to this day to understand exactly what I experienced in this,” he said. “I don’t quite know what I went through.”

As the crowd filed out of the Herzog, one reaction seemed to recur more than any other: “That was wild.”

Many true crime fans said it was a ‘wild’ watch as they tune in for the first time

An “insane” true crime documentary available to stream online is guaranteed to have your jaw on the floor.

There is an abundance of documentaries and films to watch on Netflix, but there is one particular watch that viewers say did not get “enough recognition” when it was first released.

Premiering in 2019, Bikram: Yogi, Guru, Predator examines the dramatic rise and fall of the controversial founder of hot yoga, Bikram Choudhury.

Directed by Academy Award winner Eva Orner (Taxi to the Dark Side), the film details how the controversial founder built a global fitness empire before it collapsed following numerous sexual abuse allegations.

An official synopsis on Netflix reads: “Arriving in Beverly Hills from Calcutta, India in the early 1970s, Choudhury quickly cultivated a celebrity following and built a global fitness empire that furnished him with extreme wealth.

“But by the 2010s, as numerous sexual abuse allegations emerged and stories of his aggressive, cult-like training environment surfaced, the lawsuits started to mount and Choudhury’s unorthodox teaching style became front-page news.”

It later adds: “BIKRAM: YOGI, GURU, PREDATOR, a Netflix original documentary, shines a light on the stories of the women who took him down and explores the contradiction of how this healing discipline could simultaneously help and hurt so many.”

Recently, one true crime reviewer took to social media having recently watched the documentary film, as they branded it an “insane” watch.

Sharing a video explaining the synopsis of the documentary, they wrote: “This true crime documentary will have your jaw on the ground.”

In the clip, they added: “This insane true crime documentary didn’t get enough recognition when it first came out.” One person replied: “Ohhh I loved this one crazzzyyyy”, as another commented: “Yes this was WILD!!!!”

A third added: “There’s a podcast about this too. Very strange, weird story.” A fourth wrote: “Oh yea this was a good one lol.”A fifth said: “That was a b***** crazy doc!! Too cray cray!!” Another stated: “I saw this already and I screamed at that ***!!! Absolutely insane!!”

Over on IMDb, one reviewer previously said: “The documentary was impeccably put together and a must watch for any yogi.”

Another wrote: “‘Bikram: Yogi, Guru, Predator’ is an exceptionally well made and well constructed documentary. It’s also one that, by the end, will probably also make you very angry for a variety of reasons.”

Bikram: Yogi, Guru, Predator can be streamed on Netflix

Raygun became a global phenomenon back in 2024, now she is speaking out in her own documentary

Netflix subscribers have said the same thing following the release of a documentary on a viral breakdancer.

Raygun, whose real name is Rachael Gunn, became a global phenomenon at the 2024 Olympics in Paris when her unconventional breakdancing routine went viral – for all the wrong reasons. Her unusual routine featured non-traditional movements including floor rolls and the now famous kangaroo hops, and she later found herself an internet meme.

After scoring zero points, the routine sparked controversy across the world, resulting in heightened mockery and online hate as she became one of the most talked about athletes of 2024.

Now, she has returned to cameras for her very own Netflix documentary titled ‘Untold: Raygun Breaking Badly’ which has today (September 1) landed on the streaming platform.

An official synopsis reads: “Nobody, least of all Rachael Gunn, expected to be an Olympian. But as Raygun’s performance at the 2024 Paris Olympics went viral overnight, so did an avalanche of memes, misinformation, and conspiracy theories questioning how she ever got there.”

Taking to Instagram, Netflix UK shared a teaser clip from the documentary as they captioned their post: “From Australian academic to global meme… Untold Raygun: Breaking Badly is now playing on Netflix!”

After landing on the streaming platform today, viewers are already having their say as opinions are divided. As some questioned “why” the documentary was released, one person penned: “There’s a Raygun documentary. That I have to watch!!! Surely there’s an interesting story behind those dances.”

Another said: “Just finished the Raygun documentary on Netflix and it is definitely a must-watch.” A third wrote: “Watching this Raygun documentary on Netflix and I’m in real tears lol Netflix the GOAT of documentaries btw but S/O to her for doing this too tho cuz [sic] she didn’t have to!”

On Instagram, one person said: “Fair play to her.” Another penned: “Just watched it. Jaw dropped to the floor all the way through. This screams Will Ferrell movie in all its aspects.”

Breakdancing, officially called breaking, made its Olympics debut in 2024. Away from the sporting event, Raygun was an academic as she has now opened up about the event that made history.

In the clip shared to social media today, Rachael can be heard saying: “Right before the Olympics, I went to my therapist, panicked. She was like ‘what’s the worst that could happen?’

“The whole world could laugh at me. She’s like ‘do you think that’s reasonable?'” She later adds: “There was this frenzy. It was this growing monster.”

Untold Raygun: Breaking Badly can be streamed on Netflix