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‘Call of Duty’s’ Vince Zampella dies in crash of Ferrari on SoCal mountain road

Vince Zampella, the video game developer who helped launch the wildly lucrative and enduring “Call of Duty” franchise and “Apex Legends” studio Respawn Entertainment, has died.

A representative for Electronic Arts, which owns Respawn, confirmed Zampella’s death Monday in a statement shared with The Times. He was 55.

Zampella was one of two people who died Sunday afternoon in a car crash along Angeles Crest Highway, NBC 4 reported. The crash involved a red 2026 Ferrari 296 GTS, and the identities of the deceased are pending release by the county coroner, said California Highway Patrol spokesperson Sgt. Daniel Keene.

Zampella was a noted sports car collector, often sharing photos of his luxury vehicles and visits to car races on Instagram.

“This is an unimaginable loss, and our hearts are with Vince’s family, his loved ones, and all those touched by his work,” said the Electronic Arts representative in a statement. “Vince’s influence on the video game industry was profound and far-reaching.”

The CHP said in a Sunday news release that it received a call at 12:43 p.m. about a crash at Mile Post 62.70 of the scenic drive, which reopened in August after a years-long closure due to storm damage. Officers responded to the scene of the crash, and a preliminary investigation found that a car had been traveling southbound when, “for unknown reasons, the vehicle veered off the roadway, struck a concrete barrier, and became fully engulfed,” according to the release.

“The passenger was ejected from the vehicle, and the driver remained trapped,” the CHP statement said. “Both parties succumbed to their injuries.”

Video emerged online showing a red Ferrari shooting out of a tunnel along the highway at a high speed, slamming into a concrete barrier where the road curved and erupting into flames.

The 2026 Ferrari 296 GTS is a hybrid convertible powered by a twin-turbo 3.0-liter V6 and an electric motor, producing a combined 819 horsepower.

The scenic Angeles Crest Highway, which features 66 miles of mountainside twists and turns is a favorite among motorcycle riders and car enthusiasts but also has a track record of deadly and dangerous crashes.

The CHP said Sunday it was unclear whether drugs or alcohol were a factor in the crash.

Zampella was a formative figure in the modern gaming scene. Alongside Jason West and former creative partner Grant Collier, he co-founded the original “Call of Duty” studio, Infinity Ward, in 2002 and released the first installment of the first-person military shooting game in 2003. Activision acquired the studio that same year. Since its inception, “Call of Duty” has spawned dozens of sequels and spin-offs across various consoles and platforms, most recently “Call of Duty: Black Ops 7,” released in November.

He and West, after an acrimonious split with Activision, founded Respawn Entertainment in 2010. Though West departed Respawn in 2013 due to unspecified family issues, Zampella remained head of the studio, overseeing the creation of titles including “Titanfall,” “Apex Legends” and “Medal of Honor: Above and Beyond.” Additionally, Respawn expanded its lineup with the story-driven “Star Wars” titles “Star Wars Jedi: Fallen Order” and “Star Wars Jedi: Survivor,” starring Cameron Monaghan.

Zampella also led the L.A. branch of Swedish video game developer DICE, which was renamed in 2021 to Ripple Effect Studios, and was appointed to oversee its “Battlefield” franchise.

“A friend, colleague, leader and visionary creator, his work helped shape modern interactive entertainment and inspired millions of players and developers around the world,” Electronic Arts said in its statement. “His legacy will continue to shape how games are made and how players connect for generations to come.”

Zampella is survived by his three children, Quentin, 26; Kyle, 22; and Courtney, 19.



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Chris Rea, Driving Home for Christmas and Road to Hell singer, dies at 74

Emma SaundersCulture reporter

Getty Images Chris Rea, English singer-songwriter and guitarist, portrait, in his studio in 2005Getty Images

Chris Rea pictured in his studio in 2005

Chris Rea, the musician behind the festive classic Driving Home for Christmas, has died at the age of 74.

The singer died on Monday in hospital following a short illness, a spokesperson for his family said.

A statement on behalf of his wife and two children read: “It is with immense sadness that we announce the death of our beloved Chris.

“He passed away peacefully in hospital earlier today following a short illness, surrounded by his family.”

The blues-influenced star had a string of hits included Auberge, On the Beach, Fool (If You Think It’s Over), Let’s Dance and Road to Hell.

Paying tribute on X, Middlesborough FC said: “We’re deeply saddened to learn of the passing of Chris Rea. A Teesside icon. Rest in peace, Chris.”

Rea’s 1980s smash Driving Home for Christmas tells the story of a weary traveller making his way home in heavy traffic.

This year, it has been brought to new audiences as the backdrop to the M&S Food Christmas advert.

Getty Images Chris Rea performing in Germany in 1983Getty Images

In 2020, the singer’s social media platforms posted a chat between the Rea and his friend and fellow Middlesbrough native comedian Bob Mortimer, explaining how he came to write the track.

Rea said he was on the dole at the time, his manager had just left him and he had been banned from driving.

His then-girlfriend Joan (who he met when they were both 16 and went on to marry) had to pick him up in London in her mini and drive him home.

That’s what inspired the song, which was written in 1978, 10 years before it was released as a single in 1988.

Asked about what he thinks of when he hears the song, the singer joked about how it bought him “that lovely little holiday in the Maldives”.

The song has since been covered by artists including Engelbert Humperdinck and Stacey Solomon.

Rea was good friends with Mortimer and in 1997 they recorded Let’s Dance for Middlesbrough Football Club’s FA Cup Final.

On Monday evening, Mortimer posted on X: “So so sad. A lovely brilliant funny giant of a bloke. Oh Man… RIP Chris… Boro legend forever. Love to family and friends.”

But alongside the singer-songwriter’s success, he had suffered with various bouts of ill-health over the years.

He had his pancreas removed a few years after being diagnosed with pancreatic cancer at the age of just 33 in 1994, which meant he developed type 1 diabetes. He later had a stroke in 2016.

Paul Whitehouse, Chris Rea and Bob Mortimer on Mortimer & Whitehouse: Gone Christmas Fishing

Rea (centre) appeared on Mortimer & Whitehouse: Gone Christmas Fishing in 2020

The star never forgot his roots, telling Saga magazine last year: “I’ve always had a difficult relationship with fame, even before my first illness.

“None of my heroes were rock stars. I arrived in Hollywood for the Grammy Awards once and thought I was going to bump in to people who mattered, like Ry Cooder or Randy Newman. But I was surrounded by pop stars.”

He added: “The celeb thing has gone totally wrong in the sense that everyone has tried to top each other. They don’t put the work in.”

Speaking of his wife in the same interview, he said: “Our golden moment is each morning when there is an elbow fight over whose turn it is to make the coffee.

“Then there are the large mugs of fresh coffee, BBC Breakfast news or Sky and we gaze out of the window over the countryside for an hour and we are still 16. We are lucky to still have that feeling.”

Rea was born in 1951 in Middlesbrough to an Italian father and Irish mother, and had six siblings. He began his working life helping out with his family’s ice-cream business.

“To be Irish Italian in a coffee bar in Middlesbrough – I started my life as an outsider,” he later said.

Getty Images Chris Rea singing on stage and playing the guitar in 2017Getty Images

Once he found the guitar, he soon began playing in various bands and released his debut album Whatever Happened To Benny Santini? in 1978.

His commercial breakthrough came in the 1980s, as two of his studio albums – The Road To Hell (1989) and Auberge (1991) – went to number one in the UK.

He returned to his blues roots in his later years while facing his health challenges.

After his stroke nine years ago, he recovered to launch a new album, Road Songs For Lovers, in 2017.

He took the album on the road at the end of that year but had to cancel a number of shows after he collapsed mid-song while performing at the New Theatre in Oxford.

Rea released a new album in October 2025, titled The Christmas Album, featuring a remaster of Driving Home For Christmas as well as other festive tracks.

Paying tribute to Rea following his death, journalist Tony Parsons described him as a “top man” and “hugely underrated songwriter”.

TV personality Lizzie Cundy, who appeared in the music video for a 2009 version of Driving Home For Christmas, said that she was “so sad” to hear the musician had died.

“I loved every minute and was an honour to work with him and be in his iconic music video,” she said. “He will always be an inspiration and legend to me.”

Andy McDonald, Labour MP for Middlesbrough and Thornaby East, said he was “very saddened” to hear the news of Rea’s death.

In a post on X, he said: “Chris, a most cherished son of Middlesbrough, will live on through his wonderful music. My sincere condolences to his family.”

Rea and his wife Joan shared two daughters, Josephine and Julia. He credited his family with helping him to cope after his ill health.

“It’s music and family with me. I’m only one of four, that’s how I am,” Rea once said. “I’m 25% of a unit. It’s always been that way and we like it that way. In between that there’s music.”



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Eddie Sotto, Imagineer who shaped modern theme parks, dies

Theme parks have long had a checkered reputation when it comes to dining.

And theme park designer Eddie Sotto once wanted to put an end to such a reputation. “Why,” Sotto reflected to me in 2023, “are we not thinking more holistically as to what we’re putting inside the guest as to what we’re putting in front of the guest?”

“The old joke is that people don’t expect the food to be any good in an immersive environment,” Sotto said. “I don’t believe that. I believe it should all be good. You’re paying a lot. The opportunity is for it all to be transformative.”

Sotto, whose outspoken passion for theme park design made him a favorite among Disney’s vast fanbase, died on Dec. 17 in Orange County after a long battle with various heart-related issues, said his wife of 48 years, Deena. He was 67.

While Sotto’s best-known masterworks are overseas, be it the creation of Main Street, U.S.A., for Disneyland Paris or overseeing the development of the early trackless attraction Pooh’s Hunny Hunt for Tokyo Disneyland, he had a reputation for fighting tirelessly to enhance the theme park experience, pushing for improvements to everything including ride vehicles and the food on guests’ plates.

In the early ’90s while working for Walt Disney Imagineering, the company’s secretive arm devoted to theme park experiences, Sotto took it upon himself to hold a chef-led symposium for Imagineers.

“They taught us Imagineers a lot about the ritual of dining, and understanding what foods do to you,” he said, describing how theme park dining should go beyond developing a burger with a cute name.

He was also an early designer on Disneyland’s Indiana Jones Adventure, brought music to Space Mountain and elevated a Los Angeles landmark: He led an interior refresh of the now-shuttered Encounter restaurant at LAX.

Born in Hollywood on March 14, 1958, and raised in La Mirada and Fullerton, Sotto grew up obsessed with Knott’s Berry Farm and Disneyland. He married Deena, his high school sweetheart, when he was 19. Sotto initially followed in his late father’s early footsteps, working at Sears. His meteoric rise in theme park design would be unheard of today, as Sotto never attended college and was self taught, drafting theme park designs in his down time while selling appliances.

His hiring at Imagineering caused some debate, says Tony Baxter, the Disney legend who oversaw the creation of such attractions as Big Thunder Mountain, Indiana Jones Adventure, Star Tours and Splash Mountain. Outgoing and driven, Sotto began reaching out to Baxter for advice in the late ‘70s, says Baxter. It would take nearly a decade for Baxter to persuade his superiors to take a chance on Sotto, who was eventually hired by Imagineering in 1986 after stints at Knott’s Berry Farm and the Landmark Entertainment Group. It was at Landmark where he met one of his key mentors, Herb Ryman, a fine artist and longtime concept designer with Imagineering.

Visitors walk near Sleeping Beauty's Castle at Disneyland Paris.

Eddie Sotto’s most famed Disney work is the design of Main Street, U.S.A., at Disneyland Paris.

(Michel Euler / Associated Press)

“For people in management, they kind of want to see a portfolio of something solid,” Baxter says. “But for me, it’s what’s going on in someone’s mind. And Eddie’s mind was sharp as a tack.”

So savvy, believed Baxter, that he was given the task of reimagining Main Street, U.S.A., for a French audience at Disneyland Paris. Sotto’s take on the introductory turn-of-the-century land is widely regarded as its finest, with its grand Victorian-inspired designs diving more deeply into factual American history than its predecessors. Enclosed archways line each side of the street behind the shops. The arcades serve as a shield from Parisian weather but also gave Sotto the opportunity to design installations that focus on the Statue of Liberty, American inventions and the bond between the United States and France.

The goal, says Baxter, was “to create shops in competition with European architecture.” Tom Morris, a retired Imagineer who worked closely with Sotto, says Sotto’s Main Street possesses “an extra layer of storytelling,” adding that Sotto gave the thoroughfare “more of an opportunity for exploration.”

“It’s excessive in the best way possible,” adds Christopher Merritt, a theme park designer and author who worked with Sotto on Pooh’s Hunny Hunt.

Morris recalled first meeting Sotto when they were teens in the 1970s. Morris jokes that he and Sotto both went to Disneyland “more than our parents thought was healthy, which was four or five times per year.” Their paths initially crossed at the Anaheim public library, where they went to peruse its Disneyland collection.

“There were files and files of photographs and employee newsletters — all sorts of weird and interesting things,” Morris says. “I always thought I must be the only weirdo who is interested in all of this, but one day there was another person in there and that person was Ed Sotto. That’s where we met, and I was really surprised, actually, that there was someone else afflicted with the same obsession for Disneyland.”

At Knott’s, Sotto was tasked with reimagining a motorcycle chase ride. Sotto, as recalled in the book “Knott’s Preserved” by Merritt and J. Eric Lynxwiler, took four buttons off a coat and created a mini soapbox car and ran it around a conference table as if it were a Matchbox toy. This would lead to the creation of the Wacky Soap Box Racers, in which the makeshift cars would careen through painted facades of cartoon-ish animals cheering on the guests. The attraction emphasized silliness, taking riders into “Catnip Junction” and through rat-infested sewers.

Eddie Sotto in an aqua tie.

Eddie Sotto in 2015. In his 13-plus years at Imagineering, the designer touched multiple Disneyland attractions.

(Courtesy of Deena Sotto)

“He told me that everyone backed away from the project because he was the new kid,” says Merritt. “He got literally no budget. There was an end scene in a fireworks factory and they were making bombs out of rubber beach balls that they spray painted black. There were doing this by hand. And it’s a big hit.”

Sotto in his 13-plus years at Imagineering had an influence on Disneyland. As a concept designer on Indiana Jones Adventure, Sotto, says Baxter, conceived the idea in which the ride vehicles would appear to go through one of three different doors, an illusion accomplished by a rotating wall. Repeat visitors would sense as if the car was moving on an alternate track. Today, the walls no longer move and the effect is attempted via projection technology. “I felt my rolling ball [at the ride’s end] and Eddie’s choice room were the two things that really made the ride unique in terms of, ‘Wow, how did they do that?’” Baxter says.

Sotto ascended quickly while at Imagineering, rising to the position of senior vice president, concept design.

“Eddie just kept sketching and drawing,” Morris says. “He was inspired by Herb Ryman and that was Herb’s motto: ‘Just keep drawing.’ I just think when you have a lot of quick sketching acuity, word gets out. People know. This is someone you want on your team, especially in the early stages, to help concept, bring forth and pitch an idea.”

In the mid-’90s, Sotto realized a dream of many an Imagineer, particularly Morris, of bringing onboard audio onto a roller coaster, specifically Disneyland’s Space Mountain. Today, it’s commonplace for coasters to have synced music or sound effects, but Morris says there were technical hurdles that needed to be solved, most notably related to the engineering of the speaker sets on individual cars.

Sotto pushed it through, but not without some personal touches. An avid fan of rock ‘n’ roll, Sotto tapped surf rock guitar legend Dick Dale for a part of the composition, which heavily pulled from Camille Saint-Saëns’ “Aquarium” section of “The Carnival of the Animals.” The result was otherworldly, but also rooted in a sound associated with riding the Southern California waves. Dale’s riffs, wrote Sotto on his website, “were to be triggered to compliment each twist, turn and drop of your ‘rocket.’”

“He loved Orange County surf guitar music,” says Merritt. “So he hires Dick Dale for this intergalactic soundtrack for Space Mountain. They did some promotional thing where they put Dick Dale standing on Space Mountain playing his guitar. That’s just the audaciousness of Eddie.”

In fact, Sotto wrote on his site, it was the promise to play atop Space Mountain that sold Dale on the gig. Sotto would leave Imagineering in 1999 to soon after establish his own Laguna Beach-based SottoStudios, but not before getting an opportunity with Imagineering to remodel Encounter at LAX. Sotto’s vision was a space-age bachelor pad, a place, he said in 2023, “where George Jetson and Barbarella might meet for a drink,” with lava lamp-inspired pillars and soda fountains modeled in the shape of vintage sci-fi ray guns, complete with sound effects.

 Traffic encircles the Theme building at LAX.

A remodel of the interior of LAX restaurant Encounter was one of Eddie Sotto’s career highlights.

(David McNew / Getty Images)

Sotto long spoke of the restaurant, which closed in 2013, as one of his favorite projects.

“Theme has to go deep,” Sotto said. “It has be something that’s relevant and exciting to people. I spent weeks putting together 11 hours of music for Encounter. What you were hearing could be a B-side from William Shatner’s space album. Theme has to reward your close inspection at a rich level. That’s why people return.”

SottoStudios over the years was heavily involved in the automobile industry, as Sotto led the design of many car showrooms. Sotto also had a passion for restaurants, and worked on numerous L.A. establishments including John Sedlar’s shuttered but acclaimed Rivera. Sotto’s career would also take him to Jeff Bezos’ Blue Origin offices, for which he designed a Jules Verne-inspired rocketship fireplace that doubles as a lobby meeting space.

And his passion for theme parks never wavered, says Baxter, even as his heart issues worsened. At their monthly lunches, Baxter notes that he and Sotto would continue to brainstorm new Disney attractions or alternative directions to what the company was announcing. Sotto, says Baxter, spent his final few days at Orange’s UCI Medical Center, but was given a room with a view of Disneyland’s fireworks, which he looked forward to watching each evening. Baxter recalled a picture of the two of them eating chili cheese dogs at Disneyland.

“He sent it to me, and said, ‘I’m dreaming of a day when we can do this again,’” Baxter says. “That was just two weeks ago.”

In addition to his wife, Deena, Sotto is survived by their son Brian, daughter Venice and her husband, Rocky.

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Driving Home For Christmas singer dies aged 74 after years of ill health

Chris Rea Performs at Salle Pleyel

LEGENDARY British singer-songwriter Chris Rea has tragically passed away aged 74.

The singer, from Middlesbrough, penned the smash hit Driving Home For Christmas in 1978.

Chris Rea penned the legendary Christmas tune ‘Driving Home for Christmas’Credit: Redferns
Rea has recorded 25 studio albums, two of which topped the UK Albums ChartCredit: Getty

Christopher Rea was born on 4 March 1951 in Middlesbrough in the North Riding of Yorkshire to an Italian father, Camillo Rea, and an Irish mother, Winifred K. Slee.

In 1973 he joined the local Middlesbrough band, Magdalene and began writing songs.

He went on to enjoy a long and sucesfull career on the British music scene.

His most famous song Driving Home for Christmas, song has made a reappearance on the UK Singles Chart every year since 2007.

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It’s now a chart regular at this time of year, reaching its highest position in 2021 when it made it to number 10.

Rea was diagnosed with pancreatic cancer at the age of just 33 and faced nine serious operations – spending a total of 32 weeks in hospital.

While appearing on the TV show Mortimer & Whitehouse: Gone Fishing Christmas special in 1994 Rea told the hosts he had “never really gotten over” his diagnosis.

He has previously opened up on his health battle, revealing that some of his internal organs, his pancreas, gallbladder, and left quadrant of the liver were “all gone” after an operation.

It was after he had received the lifesaving surgery that the star discovered he had type 1 diabetes.

Speaking candidly about the moment he told his wife Joan Lesley about the diagnosis Rea said: “She pulled the car over and burst into tears.”

Chris has previously said he has to take “34 pills every day” after his health struggles.

His wife Joan was there when the hitmaker wrote the Christmas favourite Driving Home for Christmas.

The pair have been together since they met as 16 year olds in Middlesbrough and it is said Rea has the longest surviving relationship in the music industry.

The couple have two daughters together Josephine, born 16 September 1983, and Julia Christina, born 18 March 1989.

Speaking to Bob Mortimer about its origins, Chris previously said: “I was on the dole when I wrote that.

“My manager had just left me. I’d just been banned from driving.

“My now wife, Joan, had to drive down to London to pick me up in the Mini and take me home, and that’s when I wrote it.”

That Christmas drive up north was a magical one indeed, not only did he write a famous song, he also received a cheque for £15,000 upon stepping through his front door.

His song Fool (if you think it’s over) had become a hit in America and earned him a pretty sum. The timing couldn’t have been better given he was down to his last £200.

It was a while before Driving Home would make any money.

Rea has faced a lengthy health battleCredit: Redferns

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Reagan biographer, legendary California journalist Lou Cannon dies

Journalist and author Lou Cannon, who was widely considered the nation’s leading authority on the life and career of President Reagan, died Friday in a Santa Barbara hospice. He was 92.

His death was caused by complications from a stroke, his son Carl M. Cannon told the Washington Post, where his father served for years as a White House correspondent.

The elder Cannon covered Reagan’s two-term presidency in the 1980s, but his relationship with the enigmatic Republican leader went back to the 1960s, when Reagan moved from acting to politics.

Cannon interviewed Reagan more than 50 times and wrote five books about him, but still struggled to understand what made Reagan who he was.

“The more I wrote,” Cannon told the Reno Gazette-Journal in 2001, “the more I felt I didn’t know.”

Cannon was born in New York City and raised in Reno, Nev., where he attended the University of Nevada in Reno and later San Francisco State College.

After service in the U.S. Army, he became a reporter covering Reagan’s first years as governor of California for the San Jose Mercury News. In 1972, Cannon began working for the Washington Post as a political reporter.

Cannon recalled first encountering Reagan in 1965 while assigned to cover a lunch event for reporters and lobbyists and being surprised by Reagan’s command of the room when he spoke.

Reagan was beginning his campaign for governor by proving he could answer questions and “was not just an actor reading a script.” At the time, the word actor was “a synonym for airhead. Well, Reagan was no airhead,” Cannon said in a 2008 interview at the Richard Nixon Presidential Library & Museum.

To Cannon’s surprise, the reporters and lobbyists mobbed Reagan after the event was over to get his autograph. Cannon introduced himself.

“I remember those steely eyes of his. I thought he had this great face, but his eyes are tough,” Cannon said. “His eyes are really something.”

On the phone later, Cannon’s editor asked him what he thought of Reagan. He replied, “I don’t know anything, but if I were running this thing, why would anybody want to run against somebody that everybody knows and everybody likes? Why would you want him to be your opponent?

“I predicted that Reagan was going to be president, but I didn’t have any idea he was going to be governor,” Cannon said. “I was just so struck by the fact that he impacted on people as, not like he was a politician, but like he was this celebrity, force of nature that people wanted to rub up against. It was like seeing Kennedy again. They wanted the aura, the sun.”

In 1966, Reagan was elected governor by a margin of nearly 1 million votes and Cannon found himself “writing about Ronald Reagan every day.”

Reagan’s political opponents in California and Washington consistently underestimated him, assuming the former actor could be easily beaten at the ballot box, Cannon said. Reagan ran for president unsuccessfully twice, but had the will to keep trying until he won — twice.

“Reagan was tough, and he was determined, and you couldn’t talk him out of doing what he wanted to do,” Cannon said. “Nancy couldn’t talk him out of what he wanted to do, for god’s sakes. And certainly no advisor could or no other candidate. Ronald Reagan wanted to be president of the United States.”

Cannon’s first book on the president, “Reagan,” was published in 1982. In 1991 he published “President Reagan: The Role of a Lifetime,” which is regarded as a comprehensive biography of the 40th president.

Cannon also authored a book about the LAPD and the 1992 Rodney King riots in Los Angeles, in addition to chronicling a range of tales over the years, including the federal bust of a 1970s heroin kingpin in Las Vegas.

Mr. Cannon’s first marriage, to Virginia Oprian, who helped him research his early books, ended in divorce. In 1985, he wed Mary Shinkwin, the Washington Post said. In addition to his wife, he is survived by three children.

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Award-winning BBC radio presenter Sir Humphrey Burton dies aged 94 as tributes flood in

SIR Humphrey Burton, an award winning classical music broadcaster and BBC Radio 3 presenter, has died at age 94.

The prolific broadcaster, author and director died peacefully at home today with his family by his side.

Humphrey Burton has passed away after an incredible career in broadcastingCredit: Alamy
Humphrey Burton in 1975Credit: Alamy

Sir Humphrey had a celebrated career in the arts including as head of the BBC’S music and arts in the 1970s and 80s where he hosted the BBC‘s Omnibus and In Performance arts programmes.

He went onto found the BBC‘s Young Musician of the Year award in 1978 which helped to spotlight young talent, including famed violinist Nicola Benedetti.

In a statement, his family said: “He was deeply loved by his children and grandchildren, and his commitment to spreading the joy of classical music was so inspiring.”

It continued: “He will be missed beyond words. We take comfort in knowing he is now at peace.”

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Sir Humphrey was knighted in 2020 for services to classical music and the arts.

His daughter, Clare Dibble, announced the news on X: “It is with great sadness that I report the passing of my father, Sir Humphrey Burton 25.3.31-17.12.25, at 05.15 this morning at home with family by his side. A huge influence on several generations of arts programme makers, he will be missed beyond word.”

BBC Radio 3 then said in a tribute on social media: “He was a much-loved classical music broadcaster and had a huge influence on generations or arts programme-makers.

“Our thoughts are with his family and friends.”

Classic FM, where he worked as a presenter on multiple programmes, said he “helped shape a golden age of classical music on television and radio“.

Sir Humphrey helped with programmes on Leonard Bernstein and Yehudi Menuheim, both influential figures he had personal and professional relationships with.

These programmes “introduced multiple generations to classical music with the trademark enthusiasm that made his name synonymous with arts broadcasting,” said Classic FM in a tribute.

His programme, Burnstein on Beethoven: A Celebration in Vienna won an Emmy Award in 1972 and he went onto win again in 1988 for the Great Performances episode Celebrating Gershwain.

This was part of a 20 year friendship with the composer and conductor Leonard Bernstein which saw the broadcaster direct 170 documentaries and filmed concerts.

Sir Humphrey was born in Towbridge Wiltshire in 1931 and became one the broadcasting industry’s most influential presenters.

He studied music and history at Fitzwilliam House, Cambridge before joining BBC Radio as a trainee studio manager in 1955.

Sam Jackson, the controller of BBC Radio 3 and BBC Proms said he was fortunate to work with Sir Humphrey and described him as a “a man so full of grace, warmth, and brilliant anecdotes.”

Suzy Klein, Head of Arts and Classical Music TV at the BBC, told The Sun: “In the history of arts and classical music broadcasting, there are few figures as influential as Sir Humphrey Burton.

“His vision, ambition and ability to forge partnerships across borders brought world-class opera, classical music and arts programming into the homes of many millions. Humphrey leaves an enormous legacy at the BBC and beyond, and our thoughts are with his family and friends.”

BBC Radio 3 made the announcement in an Instagram postCredit: BBC Radio 3
Humphrey Burton was renowned for introducing classical music to all agesCredit: Alamy

The Royal Philharmonic Society said Sir Humphrey’s renowned work set a “gold-standard” which engaged millions with music.

“Few have done so much to proclaim classical music’s wonders” it added.

Alongside radio, Burton helped the launch of BBC Two in April 1964 before he became the BBC’s first Head of Music and Arts a year later. He later founded London Weekend Television.

He won a BAFTA (then SFTA) for creativity in music programming in 1965.

Until 1988 Sir Humphrey was editor of performance programmes and director of Proms. He also directed opera relays from the Royal Opera House, English National Opera, Glyndebourne and Scottish Opera.

Sir Humphrey married Gretel Davis in 1957 but the couple later divorced and he married Swedish radio and television presenter Christina Hansegård in 1970.

He is survived by his six children: Chris Hockey, Clare Dibble, Matthew Burton, Helena Burton, Lukas Burton and Clemency Burton-Hill.

Sir Humphrey Burton is made a Knight Bachelor of the British Empire by the Prince of Wales in 2020Credit: Alamy
Humphrey Burton at the Oldie Literary LunchCredit: Alamy

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Ethan McLeod: Macclesfield forward dies in car accident on M1

Macclesfield forward Ethan McLeod has died in a car accident on the M1 motorway while travelling back from a game on Tuesday.

McLeod, 21, was returning from his team’s National League North match at Bedford Town in which he had been a substitute.

The accident occurred at around 22:40 GMT near Northampton when his white Mercedes collided with a barrier.

Macclesfield described McLeod as “incredibly talented” and “well-respected member” of their squad.

In a statement, the club said:, external “News of Ethan’s passing has devastated our entire club and no words can convey the immense sense of sadness and loss that we feel now.”

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Carl Carlton, funk singer behind ‘She’s a Bad Mama Jama,’ dies at 72

Carl Carlton, the funk and R&B singer known for upbeat, era-embodying singles like “Everlasting Love” and “She’s a Bad Mama Jama (She’s Built, She’s Stacked)” has died. He was 72.

Carlton’s son, Carlton Hudgens II, posted to social media confirming the death on Sunday. “RIP Dad, Legend Carl Carlton singer of She’s a Bad Mama Jama. Long hard fight in life and you will be missed.” The post did not cite a cause of death.

Born Carlton Hudgens in Detroit in 1953, he debuted as “Little Carl” Carlton, but changed his stage name and moved to Houston after he was signed to the local label Back Beat Records. He had a minor soul-scene hit in 1971 with “I Can Feel It,” and broke through nationally in 1974 when his regal cover of Robert Knight’s “Everlasting Love” hit No. 6 on Billboard’s Hot 100 and spent 15 weeks on that chart.

Carlton is perhaps best known for his 1981 single, “She’s a Bad Mama Jama (She’s Built, She’s Stacked),” a grooving and awestruck ode to the female form that hit No. 22 on the Hot 100 and helped his self-titled album that year reach gold status.

The song has enjoyed a long life in popular culture — it’s been sampled by rappers like Foxy Brown, BigXThaPlug and Flo Milli, and frequently appeared on soundtracks for TV shows and films like “Friends.”

He continued releasing records into the ‘80s, and appeared several times on “American Bandstand” and “Soul Train,“ though his output slowed in the ‘90s. In 2003, he performed for Barry Glazer’s TV special, “American Soundtrack: Rhythm, Love, and Soul,” which featured Aretha Franklin and other marquee R&B and soul acts. His last album was 2010’s gospel LP “God Is Good.”

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Mike White, former California and Oakland Raiders coach, dies at 89

Mike White, who had a successful career as a college coach with California and Illinois and later coached the NFL’s Oakland Raiders, has died. He was 89.

Cal said White’s family confirmed that he died Sunday in Newport Beach.

White helped the Golden Bears win a share of the Pac-8 title in 1975, led the Illini to their first Rose Bowl in 20 years in the 1983 season and coached the Raiders in their first two seasons back in Oakland in 1995-96 after leaving Los Angeles.

He also worked as an assistant for the San Francisco 49ers and was on Dick Vermeil’s staff with the St. Louis Rams when they won the Super Bowl following the 1999 season.

“Mike was special,” said Burl Toler Jr., a linebacker who played at Cal under White from 1974-77. “He treated us like men and with a lot of respect. Mike was a very gifted and smart coach who loved Cal and loved being a coach, and he surrounded himself with a lot of like minds who instilled in us a will to succeed.”

White was a four-sport student-athlete at Cal in the 1950s and spent time as an assistant with the Bears and at rival Stanford before getting the head coaching job at his alma mater in 1972.

White had a 35-30-1 record in six seasons at Cal, with his biggest success coming in 1975 when he was named coach of the year after the Bears finished tied with UCLA for first place in the conference. Cal finished 14th in the nation with an offense that featured Chuck Muncie and quarterback Joe Roth.

White also coached quarterback Steve Bartkowski earlier at Cal and helped develop him into the No. 1 overall pick in the 1975 NFL draft.

He then left for the NFL, spending two seasons as an offensive line coach for the 49ers, before returning to college in 1980 with Illinois. He led the Illini to a 47-41-3 record with three bowl trips, including a loss in the 1984 Rose Bowl to UCLA.

That 1983 Illinois team went 9-0 in the Big Ten and is the only team in conference history to beat every other conference opponent in the same season.

White then returned to the NFL in 1990, spending five seasons as an assistant with the Raiders before taking over as head coach. He had a 15-17 record before getting fired after the 1996 season.

Dubow writes for the Associated Press.

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Geraldine Ferraro dies at 75; shattered political barrier for women as vice presidential nominee in 1984

Geraldine A. Ferraro, the savvy New York Democrat who was embraced as a symbol of women’s equality in 1984 when she became the first woman nominated for vice president by a major party, died Saturday at Massachusetts General Hospital in Boston. She was 75.

The cause was complications from multiple myeloma, her family said.

Ferraro was diagnosed with multiple myeloma, an incurable form of blood cancer, in 1998. She did not disclose her illness publicly until 2001, when she went on NBC’s “Today” show and said she had beaten the cancer into remission with thalidomide, the once-banned drug that had proven effective with some end-stage cancers. The cancer recurred, but she again went into remission after therapy with a new drug.

Initially told that she had three to five years to live, she survived for more than 12 years, long enough to witness the historic candidacies of two other women in 2008: Hillary Rodham Clinton, the former first lady and current secretary of State who ran against Barack Obama for the Democratic presidential nomination, and Sarah Palin, the former Alaska governor who was Republican Sen. John McCain’s running mate.

Ferraro was “a pioneer in our country for justice and a more open society,” former Vice President Walter Mondale told the Associated Press of his former running mate. “She broke a lot of molds, and it’s a better country for what she did.”

Palin also praised Ferraro, writing in a Facebook message that she “broke one huge barrier and then went on to break many more.”

Ferraro’s 1984 candidacy was seen as a potentially powerful weapon to turn the emerging “gender gap” of the 1980s to the advantage of the Democratic Party, which sought to regain the White House after Ronald Reagan’s first term.

But her four-month campaign almost immediately hit rough waters. She was bashed by critics who questioned the finances of her husband, John Zaccaro, a Manhattan real estate developer. A devout Roman Catholic, she was repeatedly assailed by New York’s archbishop, the late John J. O’Connor, for her views supporting abortion rights. She also endured insinuations of mob connections as the first Italian American on a national ticket.

“I was constantly being asked, ‘Was it worth it?’ Of course it was worth it!” she wrote in “Framing a Life, A Family Memoir,” published in 1998. “My candidacy was a benchmark moment for women. No matter what anyone thought of me personally, or of the Mondale-Ferraro ticket, my candidacy had flung open the last door barring equality — and that door led straight to the Oval Office.”

Her nomination astonished some of the most stalwart feminists. Among them was Ms. magazine founder Gloria Steinem, who had predicted that 1984 would be the year that politicians talked seriously about putting a woman on the national ticket, not “the year they actually did it.”

Over the next two decades, other women achieved milestones in national politics. Janet Reno became U.S. attorney general, Madeleine Albright was named secretary of State, and Nancy Pelosi became speaker of the House.

Their path was eased by Ferraro, who believed that a childhood tragedy set up her moment in history.

“I’ve often said that if my father hadn’t died, I might not have done anything,” Ferraro once told Steinem in an interview. “I saw my mother left suddenly with kids and no money…. I wanted to be able to take care of myself and not miss a beat.”

Born Aug. 26, 1935, in Newburgh, N.Y., she was the pampered daughter of Antonetta and Dominick Ferraro, Italian immigrants who had lost a son, Gerard, in a car crash and were so overjoyed at her birth a few years later that they named her Geraldine, in memory of him.

Dominick Ferraro ran a successful restaurant in Newburgh. When business fell on hard times, he turned to running a numbers game and was arrested. On the morning he was to appear in court, he died of an apparent heart attack. Ferraro was 8.

She became seriously anemic — doctors told her she had internalized her grief — and was unable to attend school for months. Strapped for money, her mother moved the family to a cramped Bronx apartment and took a job as a crochet beader. By scrimping on meat and other luxuries, she managed to send Ferraro to Marymount, an exclusive parochial school in Tarrytown, N.Y., and later to Marymount Manhattan College.

Ferraro graduated and became an elementary school teacher in Queens. At night she put herself through Fordham Law School, one of two women in a class of 179 whose professors resented her for “taking a man’s rightful place.”

Years later, when she was raising three children of her own and finally had begun to practice law, Ferraro split her legal fees with her mother and kept her maiden name in tribute.

She took the bar exam two days before her wedding in 1961 and passed, but Zaccaro did not want his wife to work, so she spent the next 13 years as a homemaker in upper-middle-class Forest Hills, N.Y. Their first child, Donna, was born in 1961, followed by John Jr. in 1964 and Laura in 1966.

She balanced her domestic responsibilities with pro bono work for women in family court and became the first woman on the board of the Forest Hills Gardens Corp. She also was elected president of a women’s bar association.

In 1974, when her youngest child was in second grade, she went to see her cousin, Queens Dist. Atty. Nicholas Ferraro, who hired her as a prosecutor. Within three years she was promoted to chief of the special victims bureau, in charge of sex crimes, child abuse, rape and domestic violence cases. It was emotionally draining work, but she won six jury trials, aided, according to a review by American Lawyer magazine, by her “straightforward eloquent approach” and “meticulous courtroom preparation.”

Her years as a prosecutor transformed her from a “small-c conservative to a liberal,” she later said. And it would lead her to adopt a supportive view of abortion that would put her in conflict with her church.

“You can force a person to have a child, but you can’t make the person love that child,” Ferraro wrote, reflecting on the child abuse cases she prosecuted. “I don’t know what pain a fetus experiences, but I can well imagine the suffering of a four-year-old girl being dipped in boiling water until her skin came off and then lying in bed unattended for two days until she died. And that was only one of the cases seared in my memory.”

In 1978, Ferraro formally entered politics. Running for Congress on the slogan “Finally, a tough Democrat,” she won by a 10% margin despite being snubbed by local party leaders.

She was reelected twice by even larger margins — 58% in 1980 and 73% in 1982.

She studiously strove to avoid the pitfalls of being a rookie and one of the few women in Congress. After overhearing a male colleague’s putdown of a new female member who “couldn’t find her way to the ladies’ room,” Ferraro mentally mapped out her exact route whenever she headed out the door. “Silly, right? And totally inconsequential,” she said. “But nothing is worse than looking as if you don’t know where you’re going.”

A quick learner, she soon caught the attention of House Speaker Tip O’Neill, who called her “a regular since the day she arrived.” She was in many ways an old-fashioned politician who could schmooze and glad-hand with the most wizened colleagues. O’Neill rewarded her with seats on the Democratic Steering and Policy Committee and the House Budget Committee, as well as the position of secretary to the House Democratic Caucus. Male colleagues found her effective but, as then-Rep. Leon E. Panetta described her, “not a Bella Abzug type,” a reference to the late New York congresswoman and feminist leader known for her confrontational style.

Ferraro supported a nuclear freeze, opposed Reagan’s tax-cut proposal, upheld support for social programs for the poor, elderly and children, and was a strong supporter of Israel. She was passionate about abortion rights and championed the Equal Rights Amendment. She also voted against mandatory busing for integration and for tuition tax credits for parochial schools, positions that won favor in her conservative, largely blue-collar district. Her record earned a description in Time as “a New Deal Democrat with a good seasoning of traditional family values,” an appealing balance that eventually would help her leap onto the national stage.

While she was building her career in Washington, interest in the gender gap began to intensify. Proportionally more men than women had voted Reagan into office in 1980. Many partisans began to take note of the fact that he had won by 8.4 million votes, a margin that they hoped could be overturned the next time by some 30 million unregistered women of voting age.

In late 1983, the drumbeat for a female vice president began at a conference of the National Organization for Women, the nation’s largest feminist group. Polls began to ask whether a woman on the ticket would make a difference, and the answer was coming back as yes.

In Washington, a group of politically connected Democratic women began a stealth campaign. Calling themselves Team A, they prodded prominent Democrats to publicly endorse the concept of a female vice president. Eventually, Mondale, Gary Hart and Edward M. Kennedy spoke favorably of the idea. The ad-hoc group floated names of potential candidates, including women then in Congress such as Barbara Mikulski of Maryland and Pat Schroeder of Colorado, and then-San Francisco Mayor Dianne Feinstein. They encouraged women in the national media to write about putting a woman on the ticket.

Early in 1984, after vetting the possibilities, the group decided that the woman with the most voter appeal was Ferraro. Over a Chinese takeout dinner, Team A broached the subject with her. Would she “stay open to the idea of becoming the actual nominee” if the concept caught on? Ferraro recalled her reaction: “I was flabbergasted and flattered.” The possibility of her nomination struck her as extremely remote, but she agreed to become the focus of the team’s efforts.

To raise her national profile, she went after a prominent role in the upcoming Democratic National Convention and became the first woman to be platform chair. She earned high marks for averting a potential convention revolt by delegates pledged to Hart and Jesse Jackson, who ultimately were satisfied that the platform reflected their views.

While she labored over the platform, prominent figures, including House Speaker O’Neill, began to drop her name as a contender for the No. 2 spot on the ticket.

By early July, she was regularly mentioned as a finalist on Mondale’s list, along with San Antonio Mayor Henry Cisneros, Los Angeles Mayor Tom Bradley, Philadelphia Mayor Wilson Goode, Kentucky Gov. Martha Layne Collins, Texas Sen. Lloyd Bentsen, and Feinstein. The party front-runner summoned her to Minnesota for an interview, but she nearly pulled herself out of contention after leaks from a high-ranking Mondale staffer resulted in stories deriding her prospects.

The waiting ended July 11 when Mondale popped the question: Would she be his running mate?

“I didn’t pause for a minute,” Ferraro wrote in “Ferraro: My Story,” published in 1985.

At a news conference that day, an unusually effervescent Mondale said — twice — “This is an exciting choice.”

Among the pundits who agreed was New Yorker political analyst Elizabeth Drew. Ferraro’s selection, she wrote, was “a lightning bolt across the political landscape.” It not only would help Mondale energize female voters, Hart supporters and independents, but would bolster the staid image of the Minnesota Democrat who, in a stroke, had “reduced ? the assumption that he is incapable of bold action.” Dragging by double digits in the polls, Mondale had grasped his “best, and perhaps only, hope” for victory in November.

On July 19, Ferraro strode onto the stage at San Francisco’s Moscone Center to accept her party’s nomination. She was greeted by roars of “Gerr-reee! Gerr-reee!” from what looked like a sea of jubilant women, many of them non-delegates who had finagled floor passes to witness this stirring moment in the nation’s history.

“My name is Geraldine Ferraro,” the then-48-year-old declared, for once slowing her usual staccato style of speech. “I stand before you to proclaim tonight, America is the land where dreams can come true for all of us.”

The mood “was so electric that just being female felt terrific,” Maureen Dowd wrote in the New York Times.

But none of Ferraro’s years in Congress prepared her for the hurricane that was coming.

The media clamored for interviews, amassing in such numbers that Capitol Hill police roped off her office to keep them at bay. More than 50,000 letters and gifts — ranging from books to a boxing glove — poured in by election day.

Within two weeks of her nomination, the flak began to hit.

Critics blasted her for taking the statutory exemption to withhold information about her husband’s finances on disclosure statements required of members of Congress. And John Zaccaro was attacked for improperly borrowing money from the estate of an 84-year-old widow. He later was removed as conservator. In subsequent weeks the public would learn that Ferraro had improperly loaned money to her first House campaign in 1978, and that Zaccaro and Ferraro had underpaid their taxes that year.

In the blur of campaigning, Ferraro approved a news release that mistakenly said she would release her husband’s tax returns. When she subsequently refused to release the returns, the candidate with a dangerous tendency toward flippancy told a reporter: “You people who are married to Italian men, you know what it’s like.”

Immediately she knew she had made a terrible gaffe. She had meant that Italian men tended to be private about their personal affairs, but her remark was interpreted as an ethnic slur. It also fueled debate about Ferraro’s toughness, with critics contending if she wasn’t strong enough to oppose her husband, she couldn’t stand up to the Soviets.

Media scrutiny of her husband was so intense that reporters even began to investigate allegations that his father had once rented space to a member of the Gambino crime family.

(Washington Post editor Benjamin Bradlee later observed that the charges, which never amounted to much, would not have been made if she had been “somebody named Jenkins. You’d have to be from another planet not to think that,” he told The Times in a post-election analysis.)

In late August, she released a detailed financial disclosure statement and faced the national media. She earned favorable reviews for her responses to 90 minutes of often hostile questioning (“Ferraro passes a vital test,” went a cover line in Time) but her candidacy never recovered.

In September, Ferraro began fending off attacks on a new front. New York’s Archbishop O’Connor lashed out at her stand on abortion rights and said she had misrepresented church teachings on abortion. He even held open the possibility of excommunication. Anti-abortion and abortion-rights groups clashed at her rallies.

The Italian American community did not rise to her defense, even when other critics attempted to smear her with allegations of underworld dealings. Some commentators decried the sexism they said was fueling the attacks. Noting the silence of the Italian American community, syndicated columnist Richard Reeves observed: “The stoning of Geraldine Ferraro in the public square goes on and on, and no one steps forward to help or protest — not even one of her kind?. The sons of Italy and fathers of the Roman Catholic Church are silent or are too busy reaching for bigger rocks?. Heresy! Mafia! Men are putting women in their place.”

Ferraro did well when she faced then-Vice President George H.W. Bush in debate. He ignored her request that she be addressed as “Congresswoman,” however, and called her “Mrs. Ferraro” instead. Shortly before the debate, she was insulted by Barbara Bush who called her “that four-million-dollar — I can’t say it, but it rhymes with ‘rich.’ ” (Ferraro and Zaccaro’s net worth had been reported at $3.8 million.)

She was discouraged by news coverage that she felt rarely reflected the enthusiasm and massive crowds she encountered on the campaign trail. “They were far less interested in what I had to say about the life-and-death issues facing the nation than they were about what I was wearing, how I looked that day, whether or not I cried, and what was happening in my marriage,” she recalled in her memoir.

Reagan, one of the most popular presidents in history, wound up with an 18-point victory, aided in part by women, who supported him in greater numbers than they had the Mondale-Ferraro ticket. Post-election analyses found that Ferraro had neither greatly helped nor hindered the Democrats’ chances.

What later became clear to Ferraro was how ambivalent the electorate — particularly women — had been about her candidacy.

Those attitudes led Ferraro to make a controversial appearance in a 1991 commercial for Pepsi-Cola, in which she endorsed being a mother over being in politics. Feminists shouted betrayal.

The commercial apparently did little to bolster her chances the following year when she ran for the Democratic nomination for Senate. She lost the 1992 Democratic primary and again in the 1998 primary, her last bid for elected office.

Fatigued after the primary, she went for a medical checkup and was diagnosed with multiple myeloma.

She was determined to remain active despite the ups and down of her health. At President Clinton’s request, she served as U.S. ambassador to the United Nations Human Rights Commission. She found a forum for her views on television as the liberal co-host of CNN’s “Crossfire” and as a Fox political analyst. In 2004, she helped found grannyvoter.org with other female activists in their 60s to encourage grandparents to become politically involved. She also worked for a number of lobbying firms.

Later, Ferraro was a feisty advocate for Hillary Clinton’s bid for the Democratic presidential nomination, garnering criticism for remarking during the heated 2008 primary season that Obama had an advantage because he is black. The remark was perceived as racist, and in the ensuing controversy, Ferraro resigned from her voluntary position on Clinton’s campaign finance committee, but she did not back away from her view of how race and gender were playing out in the campaign.

“Sexism is a bigger problem” than racism in the United States, Ferraro told the Daily Breeze in the March 2008 story that made her a liability for the Clinton campaign. “It’s OK to be sexist in some people’s minds. It’s not OK to be racist.”

She harbored no regrets at having tried to become the first female vice president, despite how grueling the struggle was. What women needed to remember, she told an interviewer in 2004, was a simple fact of politics: “If you don’t run, you can’t win.”

In addition to her husband and three children, Ferraro, who lived in New York City, is survived by eight grandchildren. Funeral arrangements are pending.

elaine.woo@latimes.com

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TV star dies as colleagues announce his death on air

The star died in hospital at the age of 77, his colleagues confirmed on TV.

Sunrise star Dr Keith Suter has died in hospital at the age of 77 this year, it has been confirmed.

The broadcaster’s death was announced by hosts Samantha Armytage, Natalie Barr, and Matt ‘Shirvo’ Shirvington as they delivered an emotional tribute to him live on air.

They revealed that the former Foreign Affairs Editor, who held three doctorates and chaired numerous international bodies, “passed away peacefully in hospital”.

The sad news was delivered by Nat, 57, and Shirvo, 47, on Sunrise early Friday morning (December 12). They opened the programme saying: “Before we heard the news, we just wanted to pay a quick tribute to a close friend and member of this Sunrise, Dr Keith Suter, who passed away peacefully in hospital this week.

“Keith has been part of the Sunrise and Seven family for so many years, the most brilliant mind, a calm and trusted voice on some of the most complex stories, and a joy to work with behind the scenes as well.

“He helped explain wars, elections, and global crisis upon crisis, but he always did it with measure so people felt safe, and this morning our thoughts are with his beautiful family.”

Samantha, 49, who previously co-hosted Sunrise from 2013 to 2021 with fellow presenter David ‘Kochie’ Koch, also posted a moving tribute to the late broadcaster on Instagram, reports the Express.

Posting a picture of the Australian expert in his element whilst presenting on the breakfast programme, she wrote: “Very sad to hear of the passing of Dr Keith Suter overnight. He was a wonderful man.

“He guided us through many of the biggest world issues of our time – with grace and humour. You could talk to him all day, and often during breaking news, we did. RIP Dr Keith.”

Meanwhile, Nat and Shirvo shared on air that viewers had already begun sending their condolences to Suter’s family, with one observer noting that the presenter “made complicated world politics comprehensible and will be sorely missed.”

Nat reflected: “World affairs is complicated, and I think a lot of people, you kind of almost feel like you pretend you know what it is about, but we got to ask him really basic questions and boy, did he explain it all to us.”

Shirvo added: “He spoke to the people, didn’t he? And he was a beautiful man with such a lovely manner. And I tell you what, he always dressed so, so well as well.”

Nat responded with a chuckle: “I know. We are really going to miss him… Our sincere condolences to his family, he will be sorely missed.”

Suter was renowned for his extensive career with Seven, where he educated Australian audiences about international affairs and simplified intricate geopolitical matters. He also served as a futurist and strategic planning adviser, boasting three doctorates from Sydney.

The broadcaster specialised in international law of guerrilla warfare, the social and economic impacts of the arms race, and strategic planning scenarios. His groundbreaking work in this arena caught significant attention.

The Australian Government presented him with its Peace Medal in 1986, and he later received recognition as Rostrum’s Communicator of the Year in 1995.

During the 2019 Queen’s Birthday Honours, he was appointed a Member of the Order of Australia for “significant service to international relations, and to the Uniting Church of Australia.”

He chaired multiple organisations, including the International Humanitarian Law Committee of the Australian Red Cross and the International Commission of Jurists (NSW). Additionally, he held positions as director of studies at the International Law Association (Australia Branch) and managing director of the Global Directions think tank.

The telly veteran featured across numerous programmes on both wireless and television discussing politics and international matters, holding the position of Foreign Affairs Editor for Channel Seven for an extended period.

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Baby dies of exposure in flooded tent as Storm Byron batters Gaza | Weather News

Displaced Palestinians in dire need of tents, blankets, warm clothing in harsh winter climate.

A baby girl whose family was displaced by Israel’s genocidal war against the Palestinian people in Gaza has died of exposure to the winter cold as Storm Byron lashed the enclave amid Israel’s continued restrictions on essential winter supplies.

Eight-month-old Rahaf Abu Jazar was reported dead on Thursday after her family’s tent in Khan Younis took in water as heavy rainfall flooded tent camps across the enclave overnight, according to the Reuters news agency.

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Her mother, Hejar Abu Jazar, fed the baby before they went to sleep. “When we woke up, we found the rain over her and the wind on her, and the girl died of cold suddenly,” she told Reuters.

With hundreds of thousands of Palestinian families now sheltering in flimsy tents, Gaza’s civil defence agency struggled to cope, receiving more than 2,500 phone calls over a 24-hour period.

The agency reported that three buildings collapsed in Gaza City due to the storm.

Meanwhile, tents and other winter supplies remain blocked at the border as Israel continues to restrict the flow of aid into the enclave.

The Norwegian Refugee Council (NRC) said only 15,600 tents had been brought into Gaza since the ceasefire came into effect in October.

Those tents have gone to help approximately 88,000 Palestinians, according to NRC. This is in a territory where 1.29 million people are in need of shelter.

Israeli rights group B’Tselem said more than 6,500 trucks are currently waiting to be allowed by Israel into Gaza with essential winter supplies, including tents, blankets, warm clothing and hygiene materials.

Jonathan Crickx, chief of communication at UNICEF Palestine, said the scale of the disaster was “huge”, warning of a looming health disaster as children wandered the camps barefoot.

“What we’re scared of is that there is very poor hygiene, and all that pouring rain could enable the appearance of waterborne diseases like acute diarrhoea,” he said.

Reporting from Gaza City, Al Jazeera’s Hani Mahmoud said many families were leaving the seaport area as the winds picked up on Thursday. “They’re trying to get deeper inside Gaza City, to shelter in any of the remaining intact buildings – at least for the night,” he said.

As twilight descended, Mahmoud said many families faced a difficult night ahead. “Along with every other struggle that people have been going through for the past two years, there’s another battle now with the forces of nature,” he said.

Farhan Haq, spokesperson for United Nations chief Antonio Guterres, warned that more children could die of hypothermia. “That’s why we need to make sure that we can get warm clothing, tents and tarps and shelters [into Gaza],” he said.

The UN’s humanitarian office processed more than 160 flooding alerts since Thursday morning as Storm Byron barrelled through the enclave, said Haq.

 

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One Direction support act Camryn Magness tragically dies aged 26 after being hit in horror scooter smash

CAMRYN Magness, the singer who toured with One Direction, has died aged 26 after being struck while riding an electric scooter.

Her death was confirmed this week in a statement on her official social media pages, describing her as a “radiant force”.

Camryn Magness has died aged 26 after an electric scooter accidentCredit: instagram./@camrynrocks
Camryn was known for touring as a support act for One DirectionCredit: instagram./@camrynrocks
She is survived by her parents, her siblings and her fiancéeCredit: instagram./@camrynrocks

It read: “Our hearts are heavy as we mourn the loss of our beloved Camryn, a radiant force whose voice, coy, and bright spirit touched so many.

“Whether beneath the waves or on stage, she met life with fearless energy and boundless kindness.

“In the quiet between waves, her memory will surface—bright, bold, unforgotten.

“Rest in endless blue, our sweet girl. You are deeply loved and forever cherished.

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“Please keep her family and friends in prayer as they navigate this difficult time. Camryn will live on in our hearts forever.”

Camryn died last Friday after being struck in Fort Myers, Florida, according to multiple reports.

Born in Denver, Colorado, in 1999, she began her career at eight, posting YouTube videos that led to a record deal and a move to Los Angeles.

Her debut single Wait and See featured in the 2011 film Judy Moody and the Not Bummer Summer.

She toured with Cody Simpson and Greyson Chance in 2011 before joining One Direction as a support act for seven US dates on their 2012 Up All Night Tour.

The band then brought her back for 63 shows on their 2013 Take Me Home Tour.

Reflecting on that breakthrough, she previously told Teen Vogue: “Going into the tour, I was an unknown artist.

“It’s a great feeling to be walking around and someone coming up to me and saying, ‘Hey, you did so well!’. It was really exciting for me when that happened for the first time.”

Camryn later supported Fifth Harmony and released a run of singles, along with her 2017 album Glow.

Her official obituary described her as “beloved” as a “daughter, sister, fiancée, granddaughter, and friend” who died “far too young, and long before her light was ever meant to leave this world”.

It remembered her as a “vibrant, fearless, and deeply loved young woman whose compassion, humour, and bright spirit touched every person blessed to know her.”

It added: “A gifted performer, Camryn’s voice and music were extensions of her soul.

“Whether she was on a stage, at a family gathering, or sharing a song with someone who needed it, Camryn’s music was a reflection of her heart, her courage, and her endless creativity.”

Camryn Magness is survived by her parents, Sarah and Gary; siblings Chelsea and Cable; and her fiancée, Christian.

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

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The singer pictured back in 2013 in CaliforniaCredit: Getty
Camryn also toured with Cody Simpson and Fifth HarmonyCredit: Getty



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