Vivian Ayers Allen dead: Poet and mother to stars was 102
Vivian Ayers Allen, a Pulitzer-nominated poet who foreshadowed the country’s journeys into space and was mother to Debbie Allen and Phylicia Rashad, has died, the family announced on Allen’s social media. She was 102.
“Mommie you have transformed into that cosmic bird Hawk that lives and breathes Freedom,” said the message, posted Wednesday. “We will follow your trail of golden dust and continue to climb higher. We promise ‘to be true … be beautiful … be Free.’”
It was signed with much love — literally five “loves” and dozens of red hearts — by “Norman, Debbie, Lish, Tex, Hugh, Vivi, Thump, Condola, Billy, Oliver, Gel, Tracey, Carmen, Shiloh, Aviah, Eillie, Gia, and all the Turks in our family.” A carousel’s worth of family photos was shared, set to Stevie Wonder’s song “Golden Lady.”
The family celebrated Ayers’ 102nd birthday just over three weeks ago, at the end of July. The festivities, attended by four generations of family, included a jazz concert put together by Andrew “Tex” Allen Jr., a jazz musician and the eldest of Ayers’ four children with dentist Andrew Allen. Ayers and Allen, who died in 1984, got divorced in 1954 after nine years of marriage that also yielded children Debbie, Hugh and Phylicia. All but Hugh would go into the performing arts.
Debbie Allen, 75, spoke about her mother in 2018 at an event honoring the “Grey’s Anatomy” star and her sister, Rashad, 77.
“We grew up with not a lot of money. We grew up with racial segregation. We grew up not being able to go to ballet class or downtown to a restaurant or to a movie,” Allen said. “And so my mother, Vivian Ayers, always made us believe that we were part of a universe that welcomed us and wanted our creativity and was waiting for us to do something good. And so we’ve been doing that forever.”
Ayers told Rashad that acting made her one of the “magic” people.
“I said, ‘What do you mean, Mama?’” the star of “The Cosby Show” told The Times in 2015. “She said, ‘You create so much out of nothing.’”
Born in 1923 in Chester, S.C., Ayers graduated in 1939 from the Brainerd Institute high school, established in 1866 for the children of freed slaves in her hometown. It was the final year the school was in operation. She then went on to study at Barber-Scotia College in Concord, N.C., and Bennett College in Greensboro, N.C., eventually getting an honorary doctorate from the latter of the two HBCUs.
Ayers flourished at a time ripe with talent. “Spice of Dawns,” her 1952 book of poetry, earned her a Pulitzer Prize nomination in 1953, the year Ernest Hemingway won the fiction prize for “The Old Man and the Sea” and William Inge won the drama prize for “Picnic.” Archibald MacLeish won the poetry award that year, one of his three Pulitzers, while two North Carolina weekly newspapers brought home the public service journalism prize for their campaign against the Ku Klux Klan, which resulted in the arrests of more than 100 Klansmen.
“Hawk,” a book-length poem set in a century in the future, was self-published by Ayers in 1957 and linked the freedom of flight with the possibility of space travel. It foreshadowed what was to come: 11 weeks later, the USSR launched Sputnik, the first man-made satellite to orbit Earth. Clemson University officially published “Hawk” in 2023.
NASA in 2024 celebrated Ayers’ work — she had been an editor and typist at the space agency — as it dedicated the Dorothy Vaughan Center in Honor of the Women of Apollo, some of whom were immortalized in the movie “Hidden Figures.” Rashad read “Hawk” at the July 19 ceremony, which honored all the women who worked, unheralded, to make the Apollo mission to the moon possible.
Ayers worked as a librarian at Rice University and in 1965 became the school’s first full-time Black faculty member. While there, she started the Adept Quarterly literary magazine in 1971. She was a playwright, with works including “Bow Boly” and “The Marriage Ceremony.”
She nurtured the artistic talents of her children — and did it for other children through Workshops in Open Fields, a program teaching literacy through the arts that Ayers founded in Houston and later brought to Brainerd Institute. She also founded a museum, the Adept New American Folk Center, focusing on arts of the American Southwest.
“Don’t wait for them to ask for something, just playfully take them into something they have never thought about and charm them into taking the disciplines,” Ayers told the Rock Hill Herald in 2018 about teaching children. “You have to do that. It takes a little urging when they are young to make them stay with the disciplines. They will bless you forever.”
Ayers moved with her children to Mexico for a time, where they learned Spanish and she studied Greek literature and the Mayan culture.
Rashad recalled her childhood in a conversation with The Times in 2012.
“There were a lot of books, and artists frequented our home. And as children we were privy to great intellectual and artistic debates,” she said. “My mother included us in everything that she did, and I mean everything. I remember as a child collating pages for her second book. It was wonderful.”
Ayers was there for dancer-actor Debbie Allen as well.
“My mother took the handrail off the staircase and put it on the wall in what should have been the dining room to create a ballet studio for Debbie to study with a dance instructor privately when she could not be admitted to the best schools that were on the other side of town in Houston,” Rashad explained. “And eventually Debbie was admitted to the Houston Ballet Foundation, but that was because of the private training she received in our home.
“My mother would do things like that. … She was always teaching us.”
