culver city

The Southern Section will hold nine baseball championship games this weekend, led by the Division 1 final at 7 p.m. Friday at Cal State Fullerton between St. John Bosco and Norco.

Here’s a look at top matchups:

FRIDAY

Division 1: St. John Bosco vs. Norco at Cal State Fullerton, 7 p.m. Both schools will have their top pitchers ready to go, which means runs will be at a premium. Julian Garcia of St. John Bosco was in the dugout last season when the Braves won the title but couldn’t play as he was rehabbing from Tommy John surgery. He’s come back with a flourish, going 8-1 with a 0.88 ERA. All the Braves’ key pitchers are available, including closers Jack Champlin and Brayden Krakowski. Norco will start Jordan Ayala, who shut out Orange Lutheran in the quarterfinals. It’s going to come down to defense and someone getting a clutch hit against very good pitching.

SATURDAY

Division 2: Ganesha vs. Loyola at Rancho Cucamonga Quakes, 5:30 p.m.: Likely first-round draft pick Logan Schmidt will be on the mound for Ganesha, offering a huge challenge for the Cubs. He’s also the team’s top hitter. Loyola has faced top pitching all season in the Mission League and will have rising freshman Sheriff Hall on the mound. The Cubs also have players who can hit home runs, such as Jack Murray and Luca Marucci.

Division 3: Mira Costa vs. Agoura at Cal State Fullerton, 4 p.m.. Both schools have prom in the evening, so watch for players rushing to cars after the game. Mira Costa has somehow made it to the final despite losing its No. 1 and No. 2 pitchers to injury. Others have stepped forward, and the hitting attack has been good in the playoffs. Austin Olness hit a two-run home run in a 12-0 semifinal win over St. Francis. Agoura, under first-year coach Adam Goldstein, is another overachiever. Senior Tyler Starling hits and pitches with the best, but it’s been underclassmen pushing the Chargers toward a title.

Division 4: Glendora vs. Laguna Beach at Cal State Fullerton, 7:30 p.m. Senior Tanner Grable leads Glendora with 36 hits and four home runs and also can pitch. Junior Dylan Yencho is having a big season for Laguna Beach, batting .455 with 50 hits and an 0.94 ERA as a closer.

Division 5: Kaiser vs. Culver City at Rancho Cucamonga Quakes, 11 a.m. Senior Tino Cuellar is Kaiser’s leadoff hitter with 34 hits. Culver City finished second to Santa Monica in the Ocean League and has a productive freshman in Matthew Riesenberg, who has 36 hits, a .431 batting average and 29 RBIs.

Division 6: Brentwood vs. Covina at Cal State Fullerton, 1 p.m. The Eagles won’t have ace Jack Kaplan available after he threw a shutout in the semifinals, but there’s plenty of hot hitters, including junior Hudson Chase, who has 42 hits and seven home runs. Covina, which knocked out Lakewood and longtime coach Spud O’Neil in the semifinals, was second in the Valle Vista League to Charter Oak. Senior Lucas Thorpe has been providing key hits all season, including four in the semifinals.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

The Wende Museum of the Cold War announced on Saturday that it plans to build a $16-million expansion in Hawthorne.

The Culver City museum has purchased a historically significant midcentury modern building in Hawthorne, which it plans to transform into a research institute and interactive storage facility for its collections — a “living archive,” as it’s calling the facility.

The Wende plans to debut the space in spring 2028.

“In the museum world, there’s typically public space and storage space — meaning dead storage,” Wende founder and Executive Director Justin Jampol said in an interview. “And this living archive is a hybrid that combines both. It houses the collections and makes them accessible for discovery.”

The 24,000-square-foot building was erected in 1965 by shopping mall pioneer and developer Ernest Hahn to serve as his corporate headquarters. It was designed by movie theater architect George Nowak, who also designed the Writers Guild Theater.

The Wende plans to renovate the building, adding a 7,000-square-foot extension, with flexibility to further expand in the future. The facility will include state-of-the-art, climate-controlled storage for the museum’s more than 250,000-object collection of paintings, sculptures, photographs, tapestries and Cold War-era ephemera from the Soviet Union, East Bloc, China and other countries.

Interactivity, however, is the goal: so there will be spaces for “respite and inspiration,” Jampol said, such as a “scholar’s garden,” reading rooms and a library with a community learning lab and free coffee for visitors.

“The idea is to make it as engaging and comfortable as possible,” Jampol said. “Most archives are places that are very uncomfortable and uninspiring — think fluorescent lights blinking in a basement. The idea here is to open this up in a way that makes people want to be here. And focus on the content and not the space itself. We’re trying to create an experience that makes visitors want to go on an adventure.”

The Glorya Kaufman Community Center at the Wende Museum debuted this past fall.

(Stella Kalinina / For The Times)

The Wende’s Collections Department will be headquartered in the new building. The facility will also house a conservation center for endangered objects and paper archives, and will feature a digitization and imaging lab that will make the collections available online, free of charge.

It will also include reading rooms and research offices for up to 100 visiting scholars or artist fellows annually.

“The collections, instead of being hidden in a box, will be on full view,” Jampol said. “When you walk through, you won’t see boxes. You’ll see vases, tapestries, ceramics and more.”

Construction on the building, at 2311 W. El Segundo Blvd., starts May 15. Funds for the project came from the Arcadia Fund, the Kaufman Foundation and the Ralph M. Parsons Foundation, among other capital supporters.

The Wende Museum in Culver City opened its doors in 2017 inside a former 1949 atomic bomb shelter. It now draws about 25,000 visitors annually, who come to take in four exhibitions and more than 60 public programs. Admission is free.

Rapid expansion has been a hallmark of the Wende of late.

In September, it debuted a $17-million culture and wellness center offering free yoga, meditation, sound baths and therapy. The 7,500-square-foot facility was made possible with funding from the late philanthropist Glorya Kaufman who died a month before the building opened to the public. It’s called the Glorya Kaufman Community Center.

The Wende’s Glorya Kaufman Community Center includes a century old A-frame theater, an old MGM prop house, for free culture and wellness events.

(Stella Kalinina / For The Times)

In February, the Wende bought a three-bedroom house built in the 1940s adjacent to the museum’s campus that will be used as a live-work space for photographers in residence. It will include a community space for photography workshops and a post-production studio. The Nikita Foundation and the Victor Family Foundation provided funding.

It debuted a tiny home on its campus last fall, nicknamed “The Stevie” after donor Steve Markoff. It’s used for cross-disciplinary artist residencies.

A facility for interactive museum storage and research is not a new concept in Los Angeles.

The Autry Museum of the American West — after merging with the Southwest Museum of the American Indian in 2003 and since stewarding its collection of Indigenous art and artifacts — debuted a $32-million, 100,000-square-foot facility in Burbank in October 2022.

The so-called “Resources Center” was built to house, conserve and care for both museums’ collections in a state-of-the-art, climate-controlled and fire-safe environment. It also serves as a research destination for scholars, artists, tribal representatives and others to study the collections.

Jampol said that the project will enable the Wende to serve a wider swath of visitors, from specialists to the general public, and to venture outside of Culver City to engage other communities.

“It’s about making the collections both safe and accessible,” he said. “We looked to the Autry for inspiration alongside the V&A East in London — they both invite people in from the community, alongside scholars, to explore the collections. It’s the democratization of art — I love the ethos and spirit of that.”