create

When Jon Corfino was among the first to test ride Universal Studios Hollywood’s new high-speed “Fast & Furious”-inspired coaster, it was the culmination of a convoluted decade-plus journey filled with uncertainty. For before any track was laid, before the ride was even associated with “Fast & Furious” or any film franchise, Corfino, the park’s lead creative executive, didn’t know whether a coaster could even exist.

Universal Studios Hollywood is landlocked, constructed around a working film studio, meaning space is at a premium. And then there’s the problem of noise. Coasters, historically, are loud, and film productions necessitate a quiet environment. The theme park is also nestled against a neighborhood full of homes and apartments.

To make it work at all, the coaster would need to stand on a relatively steep hill, winding over, under and around escalators between the park’s upper and lower lot. It extends significantly beyond guest-accessible areas, visible even from nearby Ventura Boulevard. “It wouldn’t be your first choice,” Corfino says of the topography. “But in a way, it makes it more dynamic that we were able to do it.”

He continues, “Everything we do is a bit of invention.”

When discussion on the project first began a decade or so ago, Universal Studios Hollywood was far from a thrills park. While the Wizarding World of Harry Potter was nearing completion and would open in 2016 — a full-scale re-creation of a fictional world that would alter the tenor of the park — the vast majority of Universal rides were designed to place guests inside the world of stories they had already seen on the screen. Or to let them “ride the movies,” as Steven Spielberg once coined. The park’s portfolio was also dotted with stunt and animal shows.

Fast & Furious: Hollywood Drift will reach speeds of 72 mph and take riders through multiple inversions.

(Todd Martens / Los Angeles Times)

Universal was once heavily dedicated to pulling the curtain back on how movies were made. A coaster simply didn’t fit the vibe.

“It was never a thought,” Corfino says of his earliest days at Universal back in the 1990s. “It was a different ethos. We were going to take you behind the scenes and show you stuff. But during the epic transformation of bringing in ‘Potter,’ and immersing you in different environments, it became more of a reality.”

And so began the process of looking for a franchise to associate with the coaster, one that would still make sense with Universal’s inside-the-movies mindset. At the time, there already was a “Fast & Furious” segment on Universal’s behind-the-scenes tram tour (now shuttered, a replacement is expected to be unveiled in 2027).

“You go through a lot of ‘what ifs,’” Corfino says. “I can say, one of the earlier ‘what ifs’ was ‘what if this,’ in terms of brand. We already had one [‘Fast & Furious’ attraction] on the backlot, but we didn’t know what else we were going to be doing, so you go through a lot of different ideas. But it was early on that we said, ‘This brand speaks to it.’”

The view of Fast & Furious: Hollywood Drift from Universal Studios Hollywood’s Wizarding World of Harry Potter.

(Todd Martens / Los Angeles Times)

Fast & Furious, the street racing mega-franchise that’s celebrating its 25th anniversary this year, works in part because Universal could theme the coaster around cinematic stunts. Before guests board the ride, they will walk through a twisting queue area that will focus on prop cars with installations designed to show how movie magic is brought to life. Guests will be prodded to scan QR codes to further go behind-the-scenes, that is if they’re not distracted watching the coaster, which will launch directly above them and then go on a journey through multiple inversions on the side of a hill.

And then there was another problem: Would it be too loud? Before land was moved, Universal placed speakers on the old special effects and stunt buildings to see how noise traveled down the hill. “We did recordings all over the place and really established a baseline on which to design,” Corfino says.

Ultimately, the tracks would be complemented with multiple sound walls and shields, the latter clear structures designed to block coaster rumbles and audience screams. And because the cars can rotate 360 degrees, Universal can in theory direct rider yells away from the studio below and the neighborhood nearby. What’s more, the actual track has been filled with pea gravel, designed to minimize nose from any reverberations.

“It’s incredibly quiet,” Corfino says. “We were able to do that by putting materials inside portions of the track to deaden the sound. I’m not sure we would have needed it, but it was important to do the right thing. It’s pea gravel and rocks. It’s quieter than I ever thought it was going to be.”

VP of Universal Creative Jon Corfino, who led the creative development of the Fast & Furious coaster, photographed in 2019.

(Brian van der Brug / Los Angeles Times)

A 72-mph coaster with 360-degree rotation and multiple loops and inversions that’s relatively muffled? Perhaps. I can only say that as I watched test cars speed by me last week from an upper lot lookout, the soundtrack from the Jurassic World water ride below was certainly louder.

An opening date for the coaster has not yet been set, but it’s soon. The other week the Universal website briefly posted June 26 as a launch date, and while that was once a targeted day, it will not be the coaster’s grand opening, which is now expected after the Fourth of July holiday (the coaster will be open intermittently for tech rehearsals for some time before its official date).

But Corfino is willing to make one promise. “Given the physical realities of putting this on the side of a hill,” he says, “this is the best view in Hollywood.”

That is, if you’ll be brave enough to keep your eyes open to take it all in.

Universal Studios Hollywood first began exploring a high-speed coaster more than a decade ago.

(Todd Martens / Los Angeles Times)

This week in SoCal theme parks

• Los Angeles loves a parade. Head to the Los Angeles County Museum of Art on Saturday evening for the Art Parade, which is designed to showcase L.A.’s thriving creative community with a colorful procession down Museum Row. Of particular note: Experiential art firm Meow Wolf, which is in development on its first-ever Los Angeles installation, will be participating. Meow Wolf’s L.A. exhibit, influenced equally be sci-fi and cinema, is on target for a winter opening.
• Disneyland history is Los Angeles history. The Autry Museum of the American West has a new exhibit, “Life, Liberty and Los Angeles.” As part of the show, which highlights how SoCal reflected and contradicted our nation’s founding ideals, guests will come across a 1967 Autopia vehicle from Disneyland. Now perhaps a bit quaint, the ride once exemplified our region’s dreams of an open freeway. Autopia is due next year to be remade with electrical vehicles.
• Plan a tour of Walt Disney’s former Los Feliz home. Disney and his family in the 1930s lived in a storybook mansion. Keepers of the house have announced that it will be open on a few select Saturdays this summer for tours. Though a private residence, tours are led by Disney expert Dusty Sage, who oversees the Micechat website and fan community. I’ve been inside, and can report the house is full of unique design quirks as well as a number of only-in-SoCal historic tales.
• A lively night at Downtown Disney. Head to Downtown Disney on Friday at 5 p.m. for Yardfest 2026, an evening to honor the music and traditions of historically Black colleges and universities. Expect performances from the Texas Southern University Ocean of Soul Marching Band near the area’s live stage, which itself has a unique design paying homage to famed Black architects, as well as specialty food offerings and Mickey Mouse in his drum major outfit.

Ride report

Knott’s Berry Farm has a new show inside the Calico Saloon dubbed “Spirits and Shenanigans.” The production is part of the park’s summer offerings.

(Todd Martens / Los Angeles Times)

Today’s report is on a show. It’s summer season at Knott’s Berry Farm, which means a new storyline for its popular Ghost Town Alive!, a heavily improvised, actor-led experience that unfolds like a live-action role playing game. New this year is a hootin’ and hollerin’ good time of a show in “Spirits and Shenanigans,” which takes place in the Calico Saloon inside the park’s historic Ghost Town.

At 25-minutes, the production centers on the fictional husband-and-wife bar proprietors, who sing of leaving Illinois to open the spot, as well as its boot-tapping, can-can dancing staffers. Just ever-so-slightly risque with a bit of a patriotic feel, it’s a fast-moving ode to drinking holes and the sense of local community they provide. Expect tap dancing as well as numbers that will turn the entire stage into a drum kit. So if you’re heading to Knott’s this summer, “belly up to the bar,” as they sing, and grab a Boysenberry IPA and one of the few inside seats for this lively, can’t-miss production.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

A few hours after Lionel Messi and the Argentine World Cup team checked into their training base in Kansas City, a series of thunderstorms pounded the area, knocking out power, felling trees and bringing flood and tornado warnings.

Hardly ideal conditions for the world’s biggest soccer tournament. Yet that’s likely just the opening salvo of a disruptive weather system that could affect the 38-day competition, which kicks off next week with games in Mexico, Canada and the U.S.

“It’s pretty safe to say climate change is going to have a mark on this World Cup,” said Kaitlyn Trudeau, a senior research associate of climate science for Sacramento-based Climate Central. “With climate change we know it’s not just going to be hotter, but it’s also going to increase the humidity as well.”

And that could make this summer’s World Cup one of the last of its kind. Tournament soccer in June and July has been a tradition dating to the first World Cup in 1930, but since then global temperatures in June have warmed by 1.89 degrees, according to the U.S. National Oceanic and Atmospheric Administration. That may not sound like a lot, but it takes many days and nights of extreme heat to move the needle that much.

“It can be a very dangerous situation,” Trudeau said.

As a result, FIFA President Gianni Infantino has already begun discussions on moving the start of the tournament from June to March or October after 2030. In the meantime, early kickoffs, cooling breaks, air-conditioned stadiums and regular weather-related delays will necessarily become common features of the tournament, according to “Pitches in Peril,” a detailed report on the impact of climate change on global soccer, released in the run-up to the World Cup.

“Football’s all of a sudden starting to reckon with the new climate realities,” said Elliot Arthur-Worsop, founding director of Football For Future, a pioneering U.K. nonprofit and co-publisher of “Pitches in Peril.”

“Extreme weather events are becoming more unpredictable,” he said. “The players, the spectators and the officials, they’re all at risk here, especially when it comes to extreme heat. How can we future-proof the game?

“Adaptation looks like moving the entire tournament to another time of year to deal with the extreme weather. Short term it could be moving the kickoff times, it could be introducing more drink breaks, having more heat protocols and safety regulations.”

Some climatologists fear summer events like the World Cup and Olympic Games are just one heatwave away from a major weather-related tragedy. In fact, Arthur-Worsop said his group’s study found that this men’s World Cup, the first held in North America in 32 years, will likely be the last played here.

“By the time the cycle of awarding the hosting rights would possibly come back, our climate projections show that the tournament in its current form would be unplayable due to extreme weather events,” he said. “Not only heat, but other compounding threats such as extreme wind and flooding and wildfires.”

Trudeau worries that whatever adaptations are eventually adopted won’t keep pace with a rapidly warming planet.

“We are basically pushing ourselves to a limit,” she said. “I’m not saying we’re going to absolutely lose the World Cup. But we are making it so much harder to find time to safely enjoy these kinds of events.

“This is not a safe environment and we should not be putting people’s lives at risk just to watch a game.”

FIFA did move the 2022 World Cup, pushing the start of the tournament in Qatar from June to November. Even then the games had to be played in air-conditioned stadiums, though. Three of the 16 venues to be used this summer — in Atlanta, Houston and Arlington, Texas — are domed and climate-controlled.

But the next World Cup, to be held in 2030, will be played mostly in Spain, Portugal and Morocco, where June and July temperatures frequently top 95 degrees. And just one of the likely venues is climate-controlled.

As for this summer’s tournament, a 2025 study published in the International Journal of Biometeorology found that conditions in 14 of the 16 World Cup host cities are likely to exceed the extreme Wet Bulb Globe Temperature (WBGT) threshold, an advanced index used to measure how the human body experiences heat stress.

A weather delay interrupts a Club World Cup match between Auckland City FC and Boca Juniors in Nashville in June 2025.

(Alex Grimm / Getty Images)

But you don’t have to do complicated math to know it’s hot because there’s also the “feels like” index, which registers how your body feels the heat. That can be vastly different from the reading on a thermometer. In Miami, for example, where seven World Cup games will be played, humidity will make an air temperature of 90 degrees “feel like” 109 degrees.

Under those conditions, it becomes more difficult for the body to cool itself.

“We talk about temperatures all the time, but that is only one part of the equation. It’s not including the amount of heat that you might feel from humidity,” Trudeau said. “It’s so important because once it gets too humid, then our body’s main cooling mechanism, sweating, is no longer possible.

“These are the kinds of situations where you have to be really careful. Not just players, but also people who maybe work at the stadiums, people who are watching the matches. It can be a very dangerous situation.”

Playing games in the cooler evening hours could alleviate that but FIFA, in a nod to TV viewers in Europe, scheduled 40 of the tournament’s 104 games, including the majority of games in the knockout rounds, to kick off at 3 p.m. or earlier local time. And though mandatory three-minute hydration breaks midway through each half have been added, Trudeau questions their impact.

“That’s kind of silly to be like, ‘Oh, we’re going to give an extra water break. But we’re going to be doing it at the hottest time of the day,’” she said. “It kind of sends mixed messages, right? What is the main priority of FIFA here? Is it to get the most views and the most revenue and the most whatever? Or is it to actually protect these players?

“We should not be having these in the hottest parts of the world at the hottest times of day,” she continued. “It’s just common sense.”

Chelsea’s Benoit Badiashile puts water on his face before a Club World Cup match against Esperance de Tunis in Philadelphia in June 2025.

(Francois Nel / Getty Images)

FIFA defended the schedule, saying in a statement that climate-related risks are assessed as part of overall tournament planning and managed in close coordination with the host cities, stadium authorities and national agencies.

“Building on experience from recent tournaments, a tiered heat-mitigation model will apply,” the statement continued. “When forecasts indicate elevated temperatures, venues will activate additional cooling capacity, including shaded areas, misting systems, cooling buses and expanded water distribution. Work-rest cycles for staff and volunteers are adapted accordingly, and first-aid readiness is reinforced with clear triage and escalation pathways for suspected heat illness. These measures scale dynamically based on real-time conditions before and during each event.”

Last summer’s FIFA Club World Cup, a 63-game tournament played in the U.S. as a kind of dress rehearsal for this year’s event, gives an indication of the problems ahead. That tournament was plagued not just by high heat and humidity, but also by thunderstorms and lightning that paused or delayed a half-dozen matches in Orlando, Fla.; Nashville; Cincinnati; Charlotte, N.C.; and East Rutherford, N.J.

“The heat is incredible,” said Argentine midfielder Enzo Fernandez, who played in last summer’s tournament with Chelsea. “I got a bit dizzy during a play. I had to lie down on the ground because I was really dizzy.

“Playing in this temperature is very dangerous.”

But if health risks are the primary concern of summer sporting events on a warming planet, they aren’t the only ones. The weather also affects the quality of play, said Norwegian defender Julian Ryerson, who played for Borussia Dortmund in last summer’s club tournament.

“Football is different when you play in this humidity and heat,” he said. “It is really tough. You take some precautions. That’s the only way to go about it.”

As the planet continues to bake, there are also increasingly fewer ways of going about staging a World Cup. You can play it nontraditional times and in nontraditional places. You can play it indoors in air-conditioned stadiums.

Or you can not play it at all.

“We’re running out of options,” Trudeau said. “We have to understand that unless we are going to address human-caused climate change, you’re going to start losing these things that are culturally important to us or economically important.

“We cannot keep doing these things at the rate we’re doing them and the times that we’re doing them in the ways that we’re doing them while we also continue to warm the planet.”

May 15 (UPI) — Texas Children’s Hospital plans to create the first “detransition clinic” in the United States as part of a settlement with the state for provided transgender care, officials announced Friday.

Texas Attorney General Ken Paxton announced the settlement, which will also require the hospital to fire and revoke the medical privileges of doctors, as well as pay a $10 million fine.

The hospital will make care at the clinic free of charge for its first five years and offer services for children to detransition to their gender assigned at birth.

Paxton investigated the Houston-based hospital in 2023 for the transgender care services it offered at the same time the state legislature was outlawing gender-affirming care for children.

“I applaud Texas Children’s Hospital for changing course and committing to being part of the solution by agreeing to form a first-of-its kind Detransition Clinic that will provide free care to those who have been victimized by twisted, morally bankrupt transgender ideology,” Paxton said in a statement.

The settlement, he said, is meant to reverse damage caused by “ideologically motivated physicians who harmed patients with their transition care, which the attorney general’s office alleged included the use of false diagnosis codes.

The hospital, in its own statement, said that it had spent the past three years cooperating with the investigation, “navigating an unconscionable campaign of mistrusts and mischaracterizations of gender affirming care.”

It said that multiple internal and external investigations support that the hospital has been compliant with all laws — before and after the state ban on transition care.

“Today, we made the difficult decision to settle with the Texas attorney general and the Department of Justice, closing a chapter that has been wrought with falsehoods and distractions,” the hospital said.

“To be clear — we are settling to protect our resources from endless and costly litigation,” it said. “This settlement will allow us to redirect those precious resources to focus on life-saving care and groundbreaking discoveries of our exceptional clinicians and scientists.”

April 17 (Asia Today) — Japan is moving to strengthen a government-wide system to boost defense exports, including creating a centralized control structure and easing restrictions on what military equipment can be sold overseas, according to media reports.

The government plans to establish a director-general-level coordination body involving key ministries to oversee arms export policy and execution, the Asahi Shimbun reported Thursday.

Tokyo is also considering revising guidelines tied to its Three Principles on Defense Equipment Transfers to remove restrictions on five categories – rescue, transport, patrol, surveillance and mine countermeasures – that have limited exports so far.

According to Reuters, the government could move as early as this month to revise the guidelines, with the ruling Liberal Democratic Party already approving the direction at a party meeting Sunday.

The policy shift reflects a broader strategy with two main goals: expanding the range of weapons Japan can export and overhauling how those exports are managed.

Japan has effectively limited defense exports to non-lethal equipment in the past but is now moving to include systems with lethal capabilities. At the same time, the new coordination body would bring together the foreign, defense and industry ministries, along with private companies, to align export approvals, regulatory changes and sales support.

Prime Minister Sanae Takaichi said in parliament that easing arms export restrictions would contribute to economic growth, signaling a shift toward treating defense exports as part of industrial policy rather than solely a security measure.

Japanese officials have argued that expanding exports is necessary to sustain the domestic defense industry, maintain production capacity and secure supply chains that are difficult to support through domestic demand alone.

Analysts say the move goes beyond regulatory changes and represents a broader effort to build a national system designed to facilitate arms sales.

If implemented, the revisions would significantly lower barriers to exporting finished weapons, marking a major shift from Japan’s traditionally restrictive defense export framework.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260417010005454