Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
This week’s second caption reads:
CHEYENNE MOUNTAIN AIR FORCE STATION, Colo.—Runners participating in the North American Aerospace Defense Command 5k Tunnel Run exit the Cheyenne Mountain Complex through the north portal at Cheyenne Mountain Air Force Station, Colorado, May 10, 2018. The run was open to all local military personnel, friends and family and was held to celebrate the 60th Anniversary of NORAD and the U.S. Canadian binational NORAD agreement.. (U.S. Air Force photo by Senior Airman Dennis Hoffman)
Also, a reminder:
Prime Directives!
If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you.
If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like.
Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.
So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
This week’s second caption reads:
First Lt. Pamela Blanco-Coca, 319th Missile Squadron missile combat crew commander, and 2nd Lt. John Anderson, 319th MS deputy missile combat crew commander, conduct pre-operational checks at a launch control center in the F.E. Warren Air Force Base, Wyo., missile complex Feb. 9, 2016. The missileers worked heavily in conjunction with missile maintainers to conduct a test of Minuteman III weapon system components in a test known as the Simulated Electronic Launch-Minuteman. (U.S. Air Force photo by Senior Airman Jason Wiese)
Also, a reminder:
Prime Directives!
If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you.
If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like.
Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.
So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
The corporate media has endorsed and whitewashed US attacks against the Venezuelan oil industry. (US European Command)
US forces launched a military attack against Venezuela on January 3, reportedly killing over 100 people and kidnapping Venezuelan President Nicolás Maduro and first lady Cilia Flores, who also serves as a National Assembly deputy.
Western corporate media have played an active role in recent years in legitimizing escalated US aggression against the Venezuelan people, from whitewashing economic sanctions that killed tens of thousands (FAIR.org, 6/4/21, 6/13/22) to outright calling for a military intervention (FAIR.org, 2/12/25, 11/19/25). They also exposed themselves once again as the fourth branch of the US national security state, opting not to publish information they had prior to the January 3 operation in order to “avoid endangering US troops” (FAIR.org, 1/13/26).
The brazen act of war has elicited zero dissent from the Western media establishment, no urge to challenge Trump’s return to early 20th century “gunboat diplomacy.” Worse, with the White House pushing to impose a semi-colonial protectorate and plunder Venezuela’s wealth, corporate outlets continue working overtime to normalize US imperialist predations.
Damage control
In the weeks since the attack, Western media have made a point of referring to Maduro as “arrested” (NBC, 1/5/26), “captured” (PBS, 2/10/26) or “ousted” (ABC, 1/5/26). The choice is far from innocent. By not stating that the Venezuelan leader was “kidnapped” or “abducted,” in a blatant violation of international law, establishment journalists are normalizing the US’s rogue actions, denying Maduro the proper protections of prisoner of war status (FAIR.org, 1/20/26).
But it is not just through semantic distortion that corporate outlets have quarantined any critique of the administration’s lawlessness. Another common feature has been a certain “damage control” in covering up Trump’s most outlandish statements.
After the January 3 military operation, Trump stated in a press conference that “many Americans, hundreds of thousands over the years…died because of [Maduro].” No corporate outlets reported the outrageously false statement. (A couple of factchecking pieces—CBS, 1/6/26; New York Times, 1/8/26—addressed his adjacent, essentially unfalsifiable claim that “countless Americans” died due to Maduro.)
The attempts to make Trump’s Venezuela policy claims appear more rational are not new. For instance, in presidential press conferences, he constantly said that Venezuela had “emptied” its mental institutions into the US (X, 10/15/25, 11/2/25, 12/3/25, 1/3/26). But throughout 2025, the New York Times (11/4/25) mentioned this absurd statement just once, and the Washington Post (10/22/25, 12/21/25) did so twice.
On the domestic policy front, corporate journalists have had fewer qualms labeling Trump claims as “false,” when it comes to ending wars (CNN, 1/20/26), immigration (NBC, 2/4/26) or the 2020 US election (Guardian, 1/12/26). But they seem happy to carefully conceal or openly parrot false accusations that build the case for wars of aggression, whether in Yugoslavia, Iraq, Libya, Syria, Iran and now Venezuela (FAIR.org, 8/1/05).
The vanishing cartel
In recent years, and especially in the second half of 2025, US officials justified escalating attacks against Venezuela on the grounds that Maduro and associates ran a drug trafficking operation, the so-called Cartel of the Suns. Trump himself, during his January 3 press conference, claimed Maduro “personally oversaw the vicious cartel known as Cartel de los Soles.”
While experts consistently questioned the cartel’s existence, and specialized agencies, including the DEA, found Venezuela to play a marginal role in drug trafficking, media outlets reproduced the warmongering claims without scrutiny, citing only the denials from the Venezuelan president they have systematically demonized for over a decade (e.g., New York Times, 10/06/25; NPR, 11/12/25; CNN, 11/14/25).
But the biggest rebuff came from the Justice Department itself. When the time came to indict Maduro, US prosecutors dropped the accusation that the Venezuelan leader headed an actual drug cartel, and downgraded the Cartel of the Suns to a “patronage system.” In other words, the Justice Department was aware that the cartel charge had no substance, and instead accused Maduro of a much looser “drug trafficking conspiracy.”
But this remarkable about-face brought no accountability for the media establishment. Having spent years echoing claims that US prosecutors admitted would not hold in court, corporate outlets chose to ignore the new development, rather than exposing their shameful stenography over the years and taking responsibility for its deadly consequences. FAIR used Google to search for reporting on this crucial about-face in outlets including the Washington Post, Reuters, CNN, NBC and NPR, and found no results.
The one notable exception in this quasi-state corporate media circus was the New York Times‘ Charlie Savage (1/5/26), reporting on the administration’s quiet dropping of its casus belli. Savage wrote that this “called into greater question the legitimacy” of the administration’s designation of the Cartel of the Suns as a foreign terrorist organization. However, the piece stopped short of challenging the US military operation and illegal kidnapping of Maduro, referring to the Venezuelan leader as “captured” and “removed from power.”
The paper of record was quick to compensate for the vanishing of a flimsy regime-change trope by bringing up another one, focusing on a tried and tested dishonest narrative: Venezuela’s alleged ties with Hezbollah, one of the main opponents of the US and Israel in West Asia (FAIR.org, 5/24/19). Under the headline, “What to Know about Hezbollah’s Ties to Venezuela,” Times reporter Christina Goldbaum (1/19/26) offered nothing but a laundry list of unsubstantiated claims from anonymous officials.
Media connivance with Washington’s official narratives to justify imperialist attacks only pave the way for new iterations. Recently, in tightening the murderous blockade against Cuba, the Trump administration proffered the totally baseless claim of the Cuban government “providing a safe haven” for Hamas and Hezbollah. While the New York Times (1/30/26) uncharacteristically reminded readers that Trump offered no evidence, other outlets (NBC, 1/29/26; CNN, 1/30/26) were happy to echo the accusation uncritically.
Left: Breaking news! NBC (1/5/26) brought on Deputy Attorney General Todd Blanche to tell viewers that “the US case is strong.”; Right: Media like Politico (2/11/26) focused not on the United States’ stealing Venezuela’s oil, but on the question of whether it was doing so transparently enough.
Holding a country hostage
The media establishment’s support for US foreign policy did not end with the January 3 act of war. Since the attacks and presidential kidnapping, the Trump administration has taken control of Venezuelan oil exports at gunpoint after a month-long naval blockade that involved seizing tankers in the high seas for allegedly transporting Venezuelan crude in violation of unilateral US sanctions.
Under an initial agreement, Venezuela surrendered 30–50 million barrels for White House–picked intermediaries to transport and sell. Proceeds were deposited in bank accounts in Qatar, with a portion being returned to Carácas at the administration’s discretion (Venezuelanalysis, 1/21/26, 1/29/26). Analysts have argued that this arrangement explicitly violates the Venezuelan constitution.
Some articles have given space for Democrats to oppose the Trump deal, but mostly on the grounds of lack of transparency or opportunities for corruption (CNN, 1/15/26; Politico, 2/11/26; New York Times, 2/11/26). Readers will find no opposition on principle to the Trump administration’s Mafia-esque extortion of a sovereign nation’s natural resources, from the president himself saying the US will “keep some” of the hijacked Venezuelan oil (CNBC, 1/22/26) to Secretary of State Marco Rubio announcing that the administration is “prepared to use force to ensure maximum cooperation” (New York Times, 1/28/26).
It is hard to find double standards, because no other nation on Earth unleashes this kind of gangster imperialism. But concerning Russia, Western media did not hold back from denouncing its “stealing,” “robbing” or “plundering” of Ukrainian minerals or grain, despite these resources being in territory that Russia occupies and claims sovereignty over (Washington Post, 8/10/22; Guardian, 12/11/23; DW, 8/28/23; New York Times, 6/5/22).
In a nutshell, when Washington imposed deadly sanctions against Venezuela, corporate pundits said these only targeted Maduro and were meant to promote democracy (FAIR.org, 6/14/19, 6/4/21, 6/13/22, 6/22/23). When the White House ramped up military threats, mainstream journalists parroted drug trafficking allegations (FAIR.org, 2/12/25, 11/19/25). When the drug trafficking charges were exposed, Western outlets reheated baseless stories about Hezbollah. And when Trump seized Venezuelan oil at gunpoint, the only mild concern was whether he would use it to enrich himself.
True to its roots in the “yellow journalism” of Joseph Pulitzer and William Randolph Hearst, the liberal media establishment is fully on board with Trump’s “Donroe Doctrine.” They have undoubtedly earned the title, to paraphrase Gen. Smedley Butler, of “gangster journalists for capitalism.”
Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
This week’s second caption reads:
Missileers with the 321st Missile Squadron run through the test sequence document during the Simulated Electronic Launch-Minuteman test inside the launch control center at a missile alert facility in the 90th Missile Wing’s missile complex, Neb., April 11, 2017. The missileers worked heavily in conjunction with missile maintainers to conduct a test of Minuteman III weapon system components. A successful test proves the ICBM weapon system’s effectiveness in a safe and secure manner. (U.S. Air Force photo by Staff Sgt. Christopher Ruano)
Also, a reminder:
Prime Directives!
If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you.
If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like.
Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.
So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
Gogglebox aired a gruesome moment on Friday’s episode as they aired scenes from Alice Roberts: Our Hospital Through Time
Gogglebox aired a gruesome moment on Friday’s episode as they aired scenes from Alice Roberts: Our Hospital Through Time(Image: Channel 4)
The Gogglebox cast were left screaming on Friday’s episode after watching a squeamish moment during Alice Roberts: Our Hospital Through Time.
During the latest instalment, the cast members caught up with the latest television shows, which included Alice Roberts: Our Hospital Through Time.
The Channel 5 show sees Professor Alice Roberts explore 900 years of St Bartholomew’s Hospital – Britain’s oldest on its original site. From medieval miracle cures to modern cardiac and cancer care, Professor Roberts explores all that is on offer.
During the latest episode on Wednesday night, Professor Roberts recreated a grisly 17th-century operation on a ‘patient’ suffering from an enormous bladder stone. The scenes were aired on Friday’s Gogglebox with the cast members reacting to the squeamish moment.
After showing real bladder stones from over the years, which left the Gogglebox cast floored over the size, Professor Roberts then got stuck into a 17th-century operation on a dummy model to extract a bladder stone.
It was explained on the show that bladder stones can grow if patients don’t drink enough water to which Gogglebox’s panicked Lee Riley told Jenny Newby: “I don’t drink enough water, you know!”
The show then explained that back in the 17th-century it was “too dangerous” to operate from the top as it was too near the bowels so instead they would operate from underneath, going through the “root of the penis and prostate” with no anaesthetic. Professor Roberts then conducted this precise operation on a dummy model.
Responding to the scenes, Gogglebox’s Giles Wood exclaimed: “I think I’d rather call it a day, wouldn’t you?” before covering his eyes, adding: “Has it finished yet Mary?”
Meanwhile, Lee also had to look away exclaiming: “Can you imagine?” to which Jenny quipped: “I’m glad you’re suffering for a change!”
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Viewers were also left squeamish over the scenes as they took to Twitter, now X, to share their thoughts. One person said: “I have no words ! #Gogglebox” while a different account added: “I’m having to cover my ears for this bit ! #Gogglebox.”
A different viewer joked: “If that wasn’t a great advert for drinking more water, I don’t know what is. #GoggleBox#Stones” while another wrote: “From now on I’m going to be drinking gallons of water daily. #Gogglebox!”
Gogglebox continues on Fridays at 9pm on Channel 4.
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The huge music star was seen jamming at a local boozerHe appeared as part of a cover bandCredit: TikTok/christopher.g29The star in question is Sam Fender who appeared with his musician brother and dad on stageCredit: TikTok/christopher.g29
Sam Fender has had three Brit Awards and his albums Hypersonic Missiles and Seventeen Going Under also topped UK charts.
But the Geordie star took to covering other people’s songs as he got together with his family in a social club.
A fan took to TikTok and posted a video of the star performing and captioned it: “Rare .. Sam Fender playing and singing with his dad and brother on keyboard.
“All for a good cause #teamjanine raising awareness for MND . Real canny lads!”
The award-winning singer took part in the event to raise funds for MND in memory of the late Janine Turnbull, joining his dad and brother on stage as part of band The Pirates.
In another video shared of the same event, fans rushed to the comments section to praise the star: “The vocals are absolutely insane, fair play.”
A second said: “They’re a talented bunch those Fenders.”
While a third wrote: “I love how humble Sam is and doing this.”
A fourth stated: “Was great that he was able to do that and just be Sam local lad again.”
He’s built formidable music connections from a collaboration with rising US star Noah Kahan to supportingBruce Springsteenand The Killers and hanging out with the late guitar virtuosoJeff Beck. and Johnny Deppwhen the actor was in the North East with his Hollywood Vampires band.
Sam was not fancied by the bookies, so his victory was something of a shock, and the crowd went ballistic at his name.
The Geordie name-checked fellow nominees during his acceptance speech and thanked an ecstatic crowd.
He said: “We did not expect this at all. I want to say thank you,” before declaring: “This region is the best region in the country.”
Sam then grabbed his guitar and launched into a rendition of his album’s titular track, People Watching.
He also paid tribute to the late actress Annie Orwin, the inspiration behind the song, who he described as like a “surrogate mother”.
Sam added that his win on home turf was “really, really important” because the music scene in Newcastle had “always been in an isolated bubble”.
Last year, Sam hoped to toast his global success with his own range of booze.
The star had been granted permission by the UK’s Intellectual Property Office to use his name to sell a range of goods.
The documents revealed he could market “Beers, Alcoholic beverages, and Non-alcoholic beverages; Retail services connected to the sale of Beers, Alcoholic beverages, Non-alcoholic beverages, Mineral and aerated waters, Fruit beverages and fruit juices.”
The application stays in place for ten years now that it has been rubber-stamped.
Sam has earned a legion of fans for his vocal abilityCredit: Getty
Today it’s an Italianate apartment building wedged between an Indian restaurant and a Target. But what stood half a century ago at 1454 5th Street in downtown Santa Monica was the Beach Boys’ Brother Studio, a former porn theater turned recording complex where the preeminent American rock band of the 1960s sought to coax its resident genius, Brian Wilson, back into the fold after a long stretch in the wilderness.
Nobody would consider the albums the Beach Boys made at Brother in the mid-70s — among them “15 Big Ones,” “The Beach Boys Love You” and the long-shelved “Adult/Child” — the band’s most successful. (Well, nobody except for Wilson, who frequently cited the synthed-up “Love You” as his fave.) A decade after 1966’s “Pet Sounds,” which so blew the Beatles away that they had to answer with “Sgt. Pepper’s Lonely Hearts Club Band,” the burly, bearded Beach Boys were far from the center of pop music; Wilson, in particular, had largely withdrawn from public life as he struggled with the effects of drugs and his fragile mental health.
Yet Brother offered the setting for a creative reflowering — arguably the band’s final moment of unity before the start of years of more serious infighting.
“It was like we all got back together and became Beach Boys again,” says Al Jardine, who founded the group in suburban Hawthorne in 1961 with Wilson, Wilson’s brothers Dennis and Carl and the Wilsons’ cousin Mike Love. Now, eight months after Brian Wilson’s death in June at age 82, a new box set looks back at the era as an expressive outpouring led by the band’s rejuvenated visionary.
“We Gotta Groove: The Brother Studio Years” collects 73 tracks from 1976 and ’77, including outtakes, demos, a remastered version of the “Love You” LP and the first official release of the widely bootlegged “Adult/Child,” which puts Wilson’s touchingly emotive singing amid orchestral arrangements in a glossy big-band style. Among the set’s highlights are a voice-and-piano rendition of “Still I Dream of It,” which, according to legend, Wilson wrote in the hopes that Frank Sinatra would perform it, and a majestic take on “You’ve Lost That Lovin’ Feeling” that shows how brilliant a record-maker Wilson remained despite all the well-documented turmoil.
“Brian was healing from his personal life, and he was ready to go in the studio again,” says Jardine, 83, whose latest tour with the members of Wilson’s road band will stop Friday night at L.A.’s United Theater on Broadway for a complete performance of “The Beach Boys Love You.” With quirky but heartfelt tunes about Wilson’s daughter Carnie (“I Wanna Pick You Up”) and Johnny Carson (uh, “Johnny Carson”) — not to mention the propulsive “Honkin’ Down the Highway,” on which Jardine sang lead — “Love You” has become something of a cult classic among Wilsonologists.
Says Jardine of the LP: “Brian’s spirit — his songwriting soul — is really strong on that one.”
The Beach Boys opened Brother Studio around 1974 near the corner of 5th Street and Broadway, just a few blocks from the beach. They’d traveled to the Netherlands to record their most recent album, “Holland”; before that, they cut several records at Wilson’s home on Bellagio Road in Bel-Air, though the group’s erstwhile mastermind spent as much time upstairs in his bedroom as he did recording music with his bandmates.
Wilson’s retreat after the flameout of his notoriously ambitious “Smile” project made space for the other Beach Boys to shape the band’s music, as on 1970’s fondly remembered “Sunflower.” But the lack of hits eventually took its toll: With a laugh, Love, 84, says one reason they started up Brother was that Wilson’s wife, Marilyn, eventually “threw in the towel after years of having her house flooded with people” to less-than-spectacular returns. “It was sort of like a self-preservation thing,” he adds.
The Beach Boys backstage at New York’s Central Park in 1977.
(Richard E. Aaron / Redferns)
In “We Gotta Groove’s” liner notes, engineer Stephen Moffitt, who designed Brother after working earlier at L.A.’s Village Recorders, recalls clearing out “all the porn crap” from the building and installing a circular stained-glass window to establish the right vibe. A vintage magazine ad boasts of the studio’s high-end gear as well as its “large screen video lounge” and “a playroom with pong, pinball and bumper pool.”
“It was a respite,” Love says. “A place to go and be creative.”
Just as the band was getting Brother up and running, the Beach Boys scored an unexpected smash with 1974’s “Endless Summer,” a double-LP compilation of the group’s early material — “Surfin’ Safari,” “Don’t Worry Baby,” “California Girls” — that topped the Billboard album chart on its way to sales of more than 3 million copies. A similar hits collection issued in the U.K., “20 Golden Greats,” did just as well there. “An enormous success,” says Love. “One in every five families had it.”
Suddenly, having more or less ignored group-minded efforts like “Holland” and “Carl and the Passions — ‘So Tough,’ ” the world remembered what it loved about the Beach Boys, and that was songs written and produced by Brian Wilson.
The band got to work at Brother recording “15 Big Ones,” which featured a mix of Wilson originals and covers of oldies like “Chapel of Love” and “Blueberry Hill.” The first Beach Boys album since “Pet Sounds” to carry a solo production credit for Wilson, it came accompanied by an aggressive marketing campaign known as “Brian Is Back!”; Wilson appeared on the cover of Rolling Stone — “The Healing of Brother Brian,” the cover line read — and took part in a Beach Boys television special that showed his return to the concert stage at Anaheim Stadium.
Earle Mankey, an engineer at Brother in the mid-70s, says “15 Big Ones” was less Wilson’s attempt to relight the flame than it was “everyone else’s attempt to relight the flame.” He recalls Wilson looking like a “scared rabbit” when he walked into the studio to find some of the session musicians who’d worked with the Beach Boys back in the old days. (This was the time of Wilson’s first dalliance with the psychologist Eugene Landy, who would reenter Wilson’s life to much controversy in the early ’80s.)
Fans watch the Beach Boys perform at Anaheim Stadium on July 3, 1976.
(Tony Korody / Sygma via Getty Images)
Even Love admits that “Brian Is Back!” was a little overblown. “Brian was back to some degree,” Love says now. “One hundred percent? Perhaps not.”
Yet the campaign worked: “15 Big Ones” went to No. 8 on the Billboard 200 — the highest for a Beach Boys studio album in more than a decade — while the LP spun off the band’s first Top 5 single since “Good Vibrations” with a rendition of Chuck Berry’s “Roll and Roll Music.”
More important, the commercial success set up Wilson for a true artistic comeback with “The Beach Boys Love You,” which can still startle you with the purity of its emotion and the strange textures of Wilson’s production. Check out the beautifully lopsided groove of “Mona,” which Dennis sings with a bleary smoker’s rasp, or the lonely-sounding electric-guitar lick floating over the Wilson brothers’ harmonies in “The Night Was So Young”; listen to Brian and Marilyn trading marital assurances in their almost painfully guileless duet, “Let’s Put Our Hearts Together.”
“Of all Brian’s stuff, I’d say it’s his most personal album after ‘Pet Sounds,’ ” says Darian Sahanaja, who played with Wilson for the last couple of decades of his life. “Maybe even more than ‘Pet Sounds,’ because Tony Asher wrote most of the lyrics on ‘Pet Sounds’ and Brian wrote most of the lyrics on ‘Love You.’ The Brian that I knew is very much living and breathing in these songs.”
Unlike “15 Big Ones,” “Love You” was not a hit, peaking at No. 53 — even lower than “Holland.” As much as he adores the album, Sahanaja finds it amusing that anyone in the Beach Boys’ camp might have expected Wilson to try to give rock fans what they wanted.
“He wasn’t listening to the Top 40 at the time,” he says. “He just wrote whatever came out of him. There was no, ‘I wonder what Fleetwood Mac’s up to…’ ”
Indeed, Wilson went even further out with “Adult/Child,” for which he commissioned orchestral arrangements by Dick Reynolds, who’d worked in the ’50s with Wilson’s beloved Four Freshmen. Both Love and Jardine say they can’t quite remember why the album didn’t come out; Love says “it may not have suited the record company at the time” and points out that even “Pet Sounds” got the group’s A&R rep wondering “if maybe we could do something more like ‘I Get Around.’ ”
Whatever the case, “Adult/Child’s” mothballing led to another withdrawal by Wilson, who had far less to do with the band’s next few records and who eventually turned to a solo career. In 2012, Wilson produced a so-so Beach Boys reunion record — minus Dennis, who died in 1983, and Carl, who died in 1998 — but for much of the ’00s he and Jardine toured under Wilson’s name while Love toured as the Beach Boys. (Love’s band will play three shows at the Hollywood Bowl in July.)
Asked what it’s been like performing with Wilson’s band since his death, Jardine says, “I just feel like he’s still around.” Sahanaja says he’s seen Jardine tear up as they’ve been working up songs from “Love You” on the road ahead of Friday’s show. But he’s also been gratified to see the excitement among younger fans regarding what he views as the Beach Boys’ last great album.
“The reaction has been more insane than I’ve ever seen for any of the shows we ever did with Brian,” he says. “It’s like they feel they found this secret thing that they really identify with.” He laughs. “I’m telling you, these kids are freaking out — jumping up and down, singing along to all the words. They’re, like, pogo-ing.”
Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
This week’s second caption reads:
WASSENAAR, NETHERLANDS – MAY 5: The remains of a communication room are visible as the Seyss-Inquart bunker opens its doors to the public on Liberation Day for a special “Freedom Meal” on May 5, 2025 in Wassenaar, Netherlands. The holiday marks the Netherlands’ liberation from Nazi occupation 80 years ago. The bunker is named after Arthur Seyss-Inquart, a prominent Nazi official who served as Reich Commissioner during the German occupation of the Netherlands.He was found guilty of war crimes and crimes against humanity at the Nuremberg Trials and subsequently executed. After the war, the bunker, concealed beneath a structure resembling a traditional Dutch farmhouse, was repurposed by the Dutch armed forces during the Cold War and served as a site for NATO military exercises. (Photo by Pierre Crom/Getty Images)
Also, a reminder:
Prime Directives!
If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you.
If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like.
Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.
So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
