corrido

Clave Especial is finally taking a break.

In the last two months, the corrido tumbado band from Salinas, Calif., performed at the South by Southwest music festival in Texas—and made headlines by singing a narcocorrido; spoke to Latino students at Cornell University in upstate New York; and even embarked on a impromptu 10-hour road trip to show their support for Juan, a contestant from Mexico on one of MrBeast’s latest challenges who has become a viral sensation.

In fact, the trio— lead singer Alejandro Ahumada, guitarist Leonardo Lomeli and tololoche player Rogelio Gonzalez — felt so compelled to make the pilgrimage to the North Carolina grocery store where Juan has been sequestered for months, that they ditched all press events for their latest EP “Afterafter,” released on April 30, in order to meet and serenade him. The band even awarded a $5,000 scholarship to his son, Angel.

“Why? Because it felt so right,” said Ahumada. “His story connected with us, because we also come from hardworking parents that really gave it all for us.”

As the rush of East Coast travel wore off, Clave Especial returned to Salinas to throw a huge homecoming bash. “It’s like a full-circle moment,” said Ahumada of their May 4 performance at the Salinas Sports Complex.

They joined a video call from their childhood bedrooms to discuss “Afterafter,” a five-track project set to a fiery tempo — 140 BPM to be exact — that is nostalgic for summer days and the never-ending after-parties they bring. The songs were selected from their vault, they said, which includes a long list of tracks that didn’t make the cut for “Mija No Te Asustes,” the band’s 2025 critically acclaimed debut that featured co-signs by Fuerza Regida, Edgardo Nuñez and Luis R Conquirez.

This interview has been edited and condensed for clarity.

What was it like to perform back home in Salinas?

Alex: That’s actually the second time that we come back as Clave Especial. The first show was at the Fox Theater, which was a sold-out show. People were asking us, “Hey when are you guys coming back?” We decided to do it now at the Salinas Sports Complex.

Jumping to the EP, how did “Afterafter” come to be?

Alex: It was more like a fun concept that we kind of had in mind. We were actually working towards an album at a writers camp in Ensenada. It was at the beach. Then we jumped around to Miami, Puerto Vallarta. We caught ourselves jumping around beaches, a lot of parties. We want to give people like a summer EP, something they can slap during the summer when they’re partying.

If “Mija No Te Asustes” is an album about this confident boss man calling the shots, how would you characterize “Afterafter”?

Alex: I think it’s that same guy from the first album, he’s still living it up. In “Mija No Te Asustes” there’s some songs like “Como Capo” that introduce that vibe to this EP, so we just continued that wave. It was our biggest song yet. We knew that people liked us apart from the corridos like “Rápido Soy,” “No Son Doritos,” but I think with “Como Capo” we discovered that people like other sounds and lyrics. That’s what we tried to continue in “Afterafter.”

Musically, how would you describe the sound of this EP?

Leo: One thing about us, when we get in the studio, we play a lot in the tempo 6/8s, this upbeat speed. We always hit the BPM at 140 BPM — that’s the Clave Especial essence.

One of the songs that caught my interest was “Scary Movie,” because it reminded me of a corrido-inspired “Thriller” (by Michael Jackson). It also connects the past album because there’s a phrase where you say “Mija, no te asustes.” Tell me the backstory of that spooky song.

Alex: That’s funny, because I’m going to watch the Michael Jackson movie today. That song was actually composed by someone from Street Mob from Ensenada. I think that song was already in the vault.

Leo: That song was tailored for [the past] album. The [ad lib] was an Easter egg.

I saw that you were all recently in North Carolina at the grocery store where Mr. Beast is doing a challenge. There’s one Mexican dad named Juan competing for the million-dollar prize. You guys went to see him and also gave his son a scholarship. Why was it important for you guys to show up?

Alex: Basically we were in [New York] having dinner. We had some press the next day but we had to cancel on them. We commented on Mr. Beast’s video, and the comment got a lot of likes, we’re like “oh shoot, this is dope, this has a real impact on the Mexican community.” His son had swiped up on us, thanking us for supporting his dad.

We saw that Juan told his son to leave the competition ‘cause he wanted to keep going to school. I think we’re one of the few bands in the industry that went to school. I have my bachelor’s degree from Fresno State. It was something that really resonated with us. We had also just come off a panel there at Cornell University so everything just set the tone. We saw the map. It was 10 hours away, obviously a drive, but this opportunity’s never gonna come. We’re from Cali and this is on the other side of the country and we’re here now. Let’s show that the Mexican community is very powerful, united. Let’s go show some support to Juan and his kid. Hopefully he wins!

The last time we chatted was at the Rolling Stone showcase at SXSW. I didn’t get a chance to talk to y’all afterwards, during the end of your set, you sang a cover of Los Alegres del Barranco’s “El Del Palenque” which venerates the narco leader El Mencho, who was killed by Mexican forces just weeks prior. Why was it important for Clave to sing that song specifically?

Alex:  We just like the song. At the end of the day it’s just music. It’s storytelling. It’s corridos. That’s what corridos is all about, and that’s why I got into the music scene. We just like the song. We’re from Jalisco, from Michoacán. It always turns up the crowd, so we did it for the people. People want to hear corridos. We’ve been seeing the censorship going on, but at the end of the day I don’t think that’s the problem. It’s a lot deeper than that, and music is just music, we’re just storytelling, singing music, having fun on stage.  I don’t know if we had it in our set list or not, but I think we had just played a song prior to that that had the same tones. I was like, keep it going, let’s play this one next. Nothing deep.

So it wasn’t planned?

Alex: No, it wasn’t. Afterwards I was like, “Damn, I sang that.” But, eh, who cares?

Do you guys ever get worried when you sing corridos? Or is that something that you’re able to manage being from the U.S., which provides a layer of protection?

Alex: There’s a famous dicho: El que nada debe, nada teme. Like at the end of the day we don’t owe anybody anything. We do music, we’re here by our own sacrifice. People that know our story know that.

Mexican lawmakers have long struggled to balance the country’s ongoing fight against narco-trafficking with the international popularity of corridos tumbados — which they say promote violence and crime.

On Monday, the famed corrido singer Junior H joined President Claudia Sheinbaum during her daily news conference to promote México Canta: a binational music competition for artists from both Mexico and the United States, organized by México’s Ministry of Culture.

During his speech, the 25-year-old supported the contest, now in its second iteration, which was designed to help amplify the musical potency of México while moving away from its violent reputation.

He also reflected on his own ascent to fame, which came through popular songs like 2023’s “El Azul” (alongside Peso Pluma), a narcocorrido believed to be about a Sinaloan drug lord Juan Jose Esparragoza Moreno; as well as his 2022 banda-fused track, “El Hijo Mayor,” which some speculate to be about the son of Joaquín “El Chapo” Guzmán.

“In my initial [career], some of the stories that I shared in my music didn’t add to the positive message that reflect my current compositions,” said Junior H, whose real name is Antonio Herrera Pérez. “I kept growing and I learned that music, besides being a form of expression, also implies a responsibility when millions of people hear you worldwide.”

Junior H — who grew up in Guanajuato before immigrating to Utah — continued to speak on his evolution as an artist and human, acknowledging the role he plays in shaping how his listeners, which amount to over 30 million on Spotify, visualize their futures.

“A culture of peace does not mean we cease to stop talking about our reality. It means finding new ways to express them,” said Junior H. “I invite all young generations to participate, to believe in your talent and to never stop believing in your dreams.”

Two months ago, the singer struck a different chord when he performed “El Azul” at the South by Southwest music festival on March 14 as part of the Billboard showcase. “It’s the government against us, or us against the government,” said Junior H to the audience, in resistance to censorship.

As of now, 10 out of 32 Mexican states have implemented bans or limitations on corridos in public spaces; lawmakers assert that the lyrics promote organized crime. The penalty for singing such ballads can range between a monetary fine to prison time.

In October, Junior H was reportedly fined 400,000 pesos (more than $23,000) after performing “El Azul” during a festival in Zapopan, Jalisco, per Billboard. The Zapopan municipal president, Juan José Frangie Saade, allegedly banned the artist from performing in the city during his term, which ends in September 2027.

As of now, the singer is slated to perform at the Baja Beach Fest in Rosarito, Baja California, on Aug. 8.

Contrary to her predecessor, Andrés Manuel López Obrador, a staunch critic of corridos tumbados, President Sheinbaum is keeping an open mind to the power of the trap-infused subgenre. As a result, this year’s edition of México Canta will place its focus on regional Mexican music acts.

“We are not censoring [regional music], because I don’t believe in censorship,” said Sheinbaum during the news conference. “I don’t think prohibiting music or its contents will solve anything. More than anything, we need to promote nonviolent music. That’s the objective of this contest.”

Open calls for México Canta are now open through June 10. The semifinals will take place at the Million Dollar Theatre in Los Angeles on Aug. 23 and at the Angela Peralta Theater in Mazatlán on Aug. 30. The grand finale will take place Sept. 13.