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Another pair of influencers might be joining President Trump’s effort to preserve TikTok in the U.S.: Rupert and Lachlan Murdoch.

The Trump administration has been working on a deal that would keep the wildly popular social video service operational for millions of Americans. Under a law signed by President Biden, TikTok’s U.S. service must separate from its Chinese parent company, ByteDance, or face going dark.

Congress passed the law out of security concerns over TikTok’s ties to China and worries that the app would give the communist government access to sensitive user data, which TikTok has denied doing.

Trump revealed more details about the plan over the weekend. The president on Sunday told Fox News that people involved in the deal include Oracle Corp. cofounder Larry Ellison, Dell Technologies Chief Executive Michael Dell and, probably, Rupert Murdoch and his eldest son, Lachlan.

“I think they’re going to be in the group, a couple of others, really great people, very prominent people,” Trump said on “The Sunday Briefing” on Fox News. “They’re also American patriots. They love this country, so I think they’re going to do a really good job.”

If the Murdochs were to be involved, it could be through their media company Fox Corp. investing in the deal, according to a source familiar with the matter who was not authorized to comment publicly. Fox Corp. owns Fox News, Fox Business and the Fox broadcast network. Fox News’ opinion hosts are vocally supportive of Trump.

The pending agreement would hand over TikTok’s U.S. operations to a majority-American investor group, White House press secretary Karoline Leavitt told Fox News on Saturday. The app’s data and privacy in the U.S. would be led by Texas-based cloud computing company Oracle, she added.

Oracle’s cofounder and chief technology officer Ellison is a Trump ally who is the world’s second-richest person, according to Forbes. TikTok already works with Oracle. Since October 2022, “all new protected U.S. user data has been stored in the secure Oracle infrastructure, not on TikTok or ByteDance servers,” TikTok says on its website.

Leavitt told Fox News that six out of the seven board seats controlling the TikTok app in the U.S. would be held by Americans and that the app’s algorithm would be controlled by America.

“We are 100% confident that a deal is done,” Leavitt said.

In a Monday news briefing, Leavitt said Trump expected to sign the deal later this week.

ByteDance would retain a less than 20% stake in TikTok U.S. The investor group is still being sorted out, reported CNN, citing a White House official.

The White House, Dell Technologies and Oracle did not immediately return a request for comment. Fox Corp. declined to comment.

TikTok’s future has been uncertain for months since the law was signed. After Biden had signed the 2024 law, ByteDance was initially given a deadline of Jan. 19, which has since been extended several times by Trump. The current deadline is Dec. 16.

Any deal would also need the approval of the Chinese government.

On Friday, Trump suggested on his social media platform Truth Social that China’s president, Xi Jinping, had approved the pact during a call between the two leaders.

Reports cited Xinhua, China’s state-run news agency, which quoted Xi as saying the Chinese government “respects the wishes of companies and welcomes them to conduct commercial negotiations based on market rules and reach solutions that comply with Chinese laws and regulations and balance interests.”

ByteDance in a statement on Friday thanked President Xi and President Trump “for their efforts to preserve TikTok in the United States.”

“ByteDance will work in accordance with applicable laws to ensure TikTok remains available to American users through TikTok U.S.,” the company said.

Trump has said he believes TikTok played a key role in helping him reach younger voters and win the 2024 presidential election. During his first term, he was a prominent voice calling for TikTok to be banned during his broader campaign against China over trade and COVID-19.

The closely watched Murdoch succession drama has ended with a $3.3-billion settlement that gives Lachlan Murdoch control of the family’s influential media assets, including Fox News, the New York Post and the Wall Street Journal.

Fox Corp. on Monday announced the “mutual resolution” of the legal wrangling that had clouded the future direction of the television company and the Murdoch-controlled publishing firm News Corp. The dollar figure was confirmed by a person familiar with the matter who was not authorized to comment publicly.

The succession dispute flared into public view last year after three of Murdoch’s children attempted to block proposed changes that patriarch Rupert Murdoch wanted to make to his trust to cement his oldest son Lachlan’s grip on power. In December, a Nevada probate commissioner rejected Rupert Murdoch’s request to amend his trust amid the opposition by his three adult children.

The 94-year-old mogul wanted to ensure the conservative leanings of his media empire would carry on and felt that Lachlan Murdoch, who serves as chairman and chief executive of Fox, was the most ideologically compatible with his own point of view.

Until now, Rupert’s four oldest children — Prudence MacLeod, Elisabeth Murdoch, Lachlan Murdoch and James Murdoch — were set to jointly inherit control of the businesses. But, as part of the settlement, Prudence, Elisabeth and James agreed to relinquish their shares in the family trust and give up any roles going forward.

Two new trusts will be established. One will benefit Lachlan Murdoch and Rupert Murdoch’s two youngest daughters, Chloe and Grace Murdoch, who were born during his union with ex-wife Wendi Deng.

The second trust will benefit Prudence, Elisabeth, James and their descendants. Fox Corp. separately announced a public offering of 16.9 million shares of Fox Corp. stock, currently held by the Murdoch Family Trust.

Those proceeds, along with the sale of 14.2 million shares of publishing company News Corp.’s Class B common stock, will fund the new trust.

Fox said Monday that voting control of the Fox and News Corp. shares held by this trust “will rest solely with Lachlan Murdoch through his appointed managing director” through 2050.

“Fox’s board of directors welcomes these developments and believes that the leadership, vision and management by the Company’s CEO and Executive Chair, Lachlan Murdoch, will continue to be important to guiding the Company’s strategy and success,” the board said in a statement.

Fox said it is not selling any of its stock.

The family will sell nonvoting Class B shares and hold on to its voting shares — and control. Rupert Murdoch will remain the company’s chairman emeritus.

During a six-month period following the stock sales, James, Prudence and Elisabeth will be expected to “sell their de minimis personal holdings in FOX and News Corp.” to severe all ties with the companies.

Los Angeles classical music station KUSC-FM (91.5) has laid off employees after Republicans cut federal funding from the Corp. for Public Broadcasting.

James A. Muhammad, president of Classical California, the entity that operates the nonprofit KUSC and its sister station, KDFC in San Francisco, confirmed the workforce reduction in a note sent Thursday to its listeners.

“Despite our best efforts, the fact is that Classical California has experienced a reduction of $1.1 million in support from the Corporation for Public Broadcasting,” Muhammad wrote. “This, along with other impacts, requires us to make difficult decisions across KUSC-FM and KDFC-FM.”

A representative for Classical California did not respond to questions on the number of employees cut. A person briefed on the move who was not authorized to comment publicly said it was eight positions, including two department managers, all based in Los Angeles.

None of the announcers at the two stations were included in the cuts.

Classical California is among the many public media outlets that are scrambling to fill the budget gaps caused by the decision by the Trump White House and the Republican Congress to claw back the $1.1 billion in federal money allocated to the Corp. for Public Broadcasting.

The nonprofit entity administered the funds for public radio and TV stations, mostly affiliates of NPR and PBS.

Conservatives and libertarians have long called for the end of public funds supporting media organizations, especially ones they view as politically left-leaning. Trump has called NPR and PBS government-funded “left-wing propaganda.”

The Corp. for Public Broadcasting was also a vital revenue source for cultural and fine arts programming that often struggles to sustain itself in the commercial media marketplace.

Both KUSC and KDFC, which are owned and operated by the University of Southern California, play classical music 24 hours a day and are not NPR affiliates. They are the most-listened-to classical radio stations in the U.S.

Muhammad’s note to listeners included a plea for contributions to make up for the shortfall caused by the cuts.

“We remain committed to continuing to be your home for classical music,” Muhammad said. “As a listener-supported station, we need your support of KUSC and KDFC, now more than ever.”

The Corp. for Public Broadcasting, which helps pay for PBS, NPR, 1,500 local radio and television stations as well as programs like “Sesame Street” and “Finding Your Roots,” announced last week that it would close after the U.S. government withdrew funding.

The organization told employees that most staff positions will end with the fiscal year on Sept. 30. A small transition team will stay until January to finish any remaining work.

The private, nonprofit corporation was founded in 1968 shortly after Congress authorized its formation. Its demise ends nearly six decades of supporting the production of renowned educational programming, cultural content and emergency alerts about natural disasters.

Here’s what to know:

Losing funding

President Trump signed a bill July 24 canceling about $1.1 billion that had been approved for public broadcasting. The White House says the public media system is politically biased and an unnecessary expense, and conservatives have particularly directed their ire at NPR and PBS.

Lawmakers with large rural constituencies voiced concern about what the cuts could mean for some local public stations in their state. They warned that some stations will have to close.

The Senate Appropriations Committee on Thursday reinforced the policy change by excluding funding for the CPB for the first time in more than 50 years as part of a broader spending bill.

How it began

Congress passed legislation creating the body in 1967, several years after then-Federal Communications Commission Chair Newton Minow described commercial television as a “vast wasteland” and called for programming in the public interest.

The corporation doesn’t produce programming and it doesn’t own, operate or control any public broadcasting stations. The CPB, PBS and NPR are independent of one another, as are local public television and radio stations.

Rural stations hit hard

Roughly 70% of the corporation’s money went directly to 330 PBS and 246 NPR stations across the country. The cuts are expected to weigh most heavily on smaller public media outlets away from big cities, and it’s likely some won’t survive. National Public Radio’s president estimated that as many as 80 NPR stations may close in the next year.

Mississippi Public Broadcasting has already decided to eliminate a streaming channel that airs children’s programming 24 hours a day, including “Caillou” and “Daniel Tiger’s Neighborhood.”

Maine’s public media system is looking at a hit of $2.5 million, or about 12% of its budget, for the next fiscal year. The state’s rural residents rely heavily on public media for weather updates and disaster alerts.

In Kodiak, Alaska, KMXT estimated the cuts would slice 22% from its budget. Public radio stations in the sprawling, heavily rural state often provide not just news but alerts about natural disasters such as tsunamis, landslides and volcanic eruptions.

From Big Bird to war documentaries

The first episode of “Sesame Street” aired in 1969. Child viewers, adults and guest stars alike were instantly hooked. Over the decades, Big Bird, Cookie Monster and Elmo have become household favorites.

Entertainer Carol Burnett appeared on that inaugural episode. She told the Associated Press she was a big fan.

“I would have done anything they wanted me to do,” she said. “I loved being exposed to all that goodness and humor.”

“Sesame Street” said in May it would get some help from a Netflix streaming deal.

Harvard professor Henry Louis Gates Jr. started “Finding Your Roots” in 2006 under the title “African American Lives.” He invited prominent Black celebrities and traced their family trees into slavery. When the paper trail ran out, they would use DNA to see which ethnic group they were from in Africa. Challenged by a viewer to open the show to non-Black celebrities, Gates agreed and the series was renamed “Faces of America,” which had to be changed again after the name was taken.

The show is PBS’ most-watched program on linear TV and the most-streamed nondrama program. Season 10 reached nearly 18 million people across linear and digital platforms and also received its first Emmy nomination.

Grant money from the nonprofit has also funded lesser-known food, history, music and other shows created by stations across the country.

Documentarian Ken Burns, celebrated for creating the documentaries “The Civil War,” “Baseball” and “The Vietnam War,” told “PBS NewsHour” that the corporation accounted for about 20% of his films’ budgets. He said he would make it up but projects receiving 50% to 75% of their funding from the organization won’t.

Influence of shows

Children’s programming in the 1960s was made up of shows like “Captain Kangaroo,” ’’Romper Room” and the cat-and-mouse skirmishes on “Tom & Jerry.” “Mister Rogers’ Neighborhood” mostly taught social skills.

“Sesame Street” was designed by education professionals and child psychologists to help low-income and minority students ages 2 to 5 overcome some of the deficiencies they had when entering school. Social scientists had long noted white and higher-income kids were often better prepared.

One of the most widely cited studies about the effects of “Sesame Street” compared households that got the show with those that didn’t. It found that the children exposed to “Sesame Street” were 14% more likely to be enrolled in the correct grade level for their age in middle and high school.

Over the years, “Finding Your Roots” showed Natalie Morales discovering she’s related to one of the legendary pirates of the Caribbean, and former “Saturday Night Live” star Andy Samberg finding his biological grandmother and grandfather. It revealed that drag queen RuPaul and U.S. Sen. Cory Booker are cousins, as are actors Meryl Streep and Eva Longoria.

“The two subliminal messages of ’Finding Your Roots,’ which are needed more urgently today than ever, is that what has made America great is that we’re a nation of immigrants,” Gates told the AP. “And secondly, at the level of the genome, despite our apparent physical differences, we’re 99.99% the same.”

McAvoy writes for the Associated Press.

The Corp. for Public Broadcasting said Friday it was shutting down, about one week after President Trump signed legislation stripping its funding.

The group, which administers funds for PBS TV affiliates and NPR radio stations, said it would “begin an orderly wind-down of its operations.” A majority of staff positions will be cut Sept. 30, when the group’s fiscal year ends.

“A small transition team will remain through January 2026 to ensure a responsible and orderly closeout of operations,” the nonprofit said in a statement. “This team will focus on compliance, final distributions, and resolution of long-term financial obligations, including ensuring continuity for music rights and royalties that remain essential to the public media system.”

Since returning to office, Trump has made a priority of yanking federal funding for public broadcasters as part of a wider campaign against media outlets that he dislikes. The president derided PBS and NPR as government-funded “left-wing propaganda.” Congress fell into line.

It passed a measure in mid-July that clawed back $1.1 billion that previously had been allocated for public broadcasting for two years.

Separately, lawmakers introduced a Senate appropriations bill for 2026 that excludes funding for the Corp. for Public Broadcasting for the first time in more than 50 years. Conservatives have long wanted to strip funding from public media because of its perceived liberal bias.

The actions left the group without a steady source of operating money — and little hope that more would be on the way.

“Despite the extraordinary efforts of millions of Americans who called, wrote, and petitioned Congress to preserve federal funding for CPB, we now face the difficult reality of closing our operations,” Corp. for Public Broadcasting Chief Executive Patricia Harrison said in a statement.

The organization dates back nearly 60 years and has helped nurture such notable programs as “Sesame Street,” “PBS NewsHour,” “NOVA,” numerous Ken Burns documentaries and “Antiques Roadshow.” Through its partnerships with local stations and producers, the nonprofit made a mission of supporting educational and cultural programming, local journalism and emergency communications.

The move could cripple smaller public stations, including those in rural areas that struggle to mount high-dollar local membership campaigns. The Corp. for Public Broadcasting helps support more than 1,500 local public television and radio stations nationwide.

PBS SoCal, which operates member stations KOCE and KCET in Orange and Los Angeles counties, respectively, was set to lose more than $4 million in federal funding, Andy Russell, president and chief executive of the stations, previously told The Times.

NPR has two large affiliates serving Los Angeles: KCRW-FM (89.9) and LAist/KPCC-FM (89.3).

LAist, based in Pasadena, will lose about 4% of its annual budget — $1.7 million. Alejandra Santamaria, the station’s chief executive, told The Times last month that funding helped pay for 13 journalist positions in its newsroom.

KCRW in Santa Monica had been expecting $1.3 million from the Corp. for Public Broadcasting.

The stations have asked listeners to donate in order to compensate for the shortfall.

“Public media has been one of the most trusted institutions in American life, providing educational opportunity, emergency alerts, civil discourse, and cultural connection to every corner of the country,” Harrison said in the statement. “We are deeply grateful to our partners across the system for their resilience, leadership, and unwavering dedication to serving the American people.”

Ken Burns has made more than 30 documentaries and won multiple Emmys.

But without funding from public television, his educational programming such as “The Civil War” and “Baseball” might never have existed, he told “PBS News Hour” in an interview Thursday.

Even today, the acclaimed filmmaker whose works — including his upcoming project “The American Revolution” — are broadcast on PBS, said his films get around 20% of their budgets from the Corp. for Public Broadcasting, the body Congress recently voted to defund.

Projects that receive a higher percentage of their funding through public media “just won’t be able to be made,” Burns said. “And so there’ll be less representation by all the different kinds of filmmakers. People coming up will have an impossible time getting started.”

The U.S. Senate this week passed the Trump administration’s proposal to cancel $9 billion in federal funding previously allocated for foreign aid and public broadcasting, and the House of Representatives approved the package after midnight Friday, sending it to President Trump’s desk.

The Corp. for Public Broadcasting, which administers the funds for NPR radio stations and PBS TV affiliates, is on track to lose $1.1 billion that had previously been budgeted for the next two years.

The impact of those cuts will be deeply felt across both NPR and PBS, leaders of both organizations told The Times. Layoffs and reduced programming are expected, and the blows will disproportionately strike smaller markets that rely more heavily on federal funding.

“This is going to hit hardest in the places that need it the most,” said Gabriel Kahn, a professor at the USC Annenberg School for Communication and Journalism.

Stations in smaller markets are staffed significantly less than stations in larger cities, often because of the disparity in funding. The Corp. for Public Broadcasting acted as “the great equalizer,” Kahn said, padding the budgets of smaller stations so they could continue operating.

“It’s just going to be increasingly lonely out there as these voices, who were of the community and generally very well trusted, are going to disappear,” Kahn said. “Because within a year, you’re not going to be able to hear these things on the radio anymore in a lot of places.”

The cuts fulfill a longtime dream of conservatives and libertarians, who bristle at the notion of public funds supporting media organizations, especially ones they view as left-leaning. Republicans have for decades called for cuts to public broadcasting because of their perceived liberal slant of its programming.

Trump has called NPR and PBS government-funded “left-wing propaganda.”

But several prominent voices in media and politics were quick to call attention to the harm the cuts will have, especially on communities where the local stations rely heavily on federal funding.

“A PBS station is really like the public library. It’s one of those important institutions that may be the only place where people have access to local news,” Burns said. “There’s a kind of sense of local accountability, and as news becomes nationalized and even internationalized, there’s a loss there.”

PBS President Paula Kerger expressed similar concerns.

“Many of our stations which provide access to free unique local programming and emergency alerts will now be forced to make hard decisions in the weeks and months ahead,” Kerger said in a statement Thursday.

Alaska Sen. Lisa Murkowski, one of two Senate Republicans to vote against the package, said she strongly opposes the cuts to public media in a statement after the vote. She referenced a 7.3 magnitude earthquake in Alaska this week that triggered a tsunami warning as an example of the public service stations provide.

“My colleagues are targeting NPR but will wind up hurting — and, over time, closing down — local radio stations that provide essential news, alerts and educational programming in Alaska and across the country.”

A devastating blow to SoCal stations

Public media outlets in Southern California’s urban areas, which can turn to wealthy locals for donations, are less dependent on federal funding than stations in smaller markets. But they will still feel an immediate loss.

Washington, D.C.-based NPR has two major affiliates serving the Los Angeles area: LAist, or KPCC-FM (89.3), and KCRW-FM (89.9).

LAist, based in Pasadena, was set to receive $1.7 million, about 4% of its annual budget. Alejandra Santamaria, president and chief executive of LAist, said the money is equivalent to 13 journalist positions at the local news operation. KCRW in Santa Monica was expecting $264,000 from the Corp. for Public Broadcasting.

PBS SoCal, which operates member stations KOCE and KCET in Orange and Los Angeles counties, respectively, is facing a loss of $4.3 million in federal funding, according to Andy Russell, president and chief executive of the stations.

Connie Leyva, executive director of KVCR Public Media in San Bernardino, which operates PBS and NPR affiliates, said earlier this week that the Senate action will mean losing $540,000, about 6% of its operating budget. Thus, she has to consider cutting five positions on an already lean staff.

Kahn, the USC professor who is also the publisher and editor of Crosstown L.A., a nonprofit newsroom focused on local reporting and data journalism, said the cuts could have unintended consequences for Trump’s own voters.

“The irony, of course, is that these are areas that generally support Trump with high margins, and they’re are also areas that have the greatest allegiance to their local public radio station,” he said.

Public media outlets around the country were preparing for the worst. Early Thursday morning, the worst arrived.

The U.S. Senate voted to approve the Trump White House’s proposal to claw back $9 billion in federal funding previously allocated for foreign aid and public broadcasting. The 51-48 Senate vote means that the Corp. for Public Broadcasting, which administers the funds for NPR radio stations and PBS TV affiliates, is on track to lose $1.1 billion that had been budgeted for the next two years.

The House of Representatives is expected to give final approval for the Trump administration’s request later Thursday.

The reaction from NPR was swift. The Washington, D.C.-based nonprofit has two major affiliates serving the Los Angeles area: LAist, or KPCC-FM (89.3), and KCRW-FM (89.9).

In a statement after the vote, NPR Chief Executive Katherine Maher warned of dire consequences for smaller communities that depend on public broadcasting outlets. “Nearly 3-in-4 Americans say they rely on their public radio stations for alerts and news for their public safety,” she said.”We call on the House of Representatives to reject this elimination of public media funding, which directly harms their communities and constituents, and could very well place lives at risk.”

PBS leaders sounded a similar alarm.

“These cuts will significantly impact all of our stations, but will be especially devastating to smaller stations and those serving large rural areas,” PBS President Paula Kerger said in a statement. “Many of our stations which provide access to free unique local programming and emergency alerts will now be forced to make hard decisions in the weeks and months ahead.”

PBS and NPR have both filed suit against President Trump and other administration officials over the president’s May executive order calling for the funding cutbacks. They say the order is a case of “viewpoint discrimination” driven by the White House’s unhappiness with the content of public media. Trump has called NPR and PBS government-funded “left-wing propaganda.” Republicans have for decades called for cuts to public broadcasting because of the perceived liberal slant of its programming.

Public media outlets in Southern California’s urban areas are less dependent on federal funding than stations in smaller, rural markets, which don’t get the same kinds of donations from wealthy locals, for example. But they will feel an immediate impact as the money TV and radio stations expected from Corp. for Public Broadcasting in October is now on the verge of disappearing.

Connie Leyva, executive director of KVCR Public Media in San Bernardino, which operates PBS and NPR affiliates, said earlier this week that the Senate action will mean losing $540,000, about 6% of its operating budget. Thus, she has to consider cutting five positions on an already lean staff.

In addition to serving the Inland Empire, KVCR operates a service called First Nations Experience (FNX), which produces programming for and about Native Americans and world Indigenous cultures. Such initiatives are endangered by the funding cuts.

“We just created an app, which is free to download and get Indigenous material wherever you are,” Leyva said. “But without funding, how do we continue to keep that relevant and fresh?”

Leyva said KVCR will likely have to reduce its block of PBS children’s TV programming that reaches her community through over-the-air antennas. “I heard one senator say, ‘You can have Disney or Nickelodeon,’” she said. “He doesn’t understand you have to purchase that. All of our programming is free, and these cuts harm our poor communities.”

LAist, based in Pasadena, was set to receive $1.7 million, about 4% of its annual budget. Alejandra Santamaria, president and chief executive of LAist, said the money is equivalent to 13 journalist positions at the local news operation.

“We have to make some tough choices,” Santamaria said.

Santamaria said the station has already reached out to donors to cover the expected shortfall. “We may not ever again get federal funding, so you have to fundraise the money to fill that gap in perpetuity,” she said.

Classical California, which operates radio stations KUSC-FM (91.5) in Los Angeles and KDFC-FM (90.3) in San Francisco, receive around $1 million annually in government funding. KCRW in Santa Monica, which produces tastemaking noncommercial music programs as well as news content, was expecting $264,000 from the CPB.

NPR is receiving a highly symbolic financial boost days before Congress is expected to vote on the fate of federal funding that supports the news and culture nonprofit.

Ann Philbin, former director and current director emeritus of the Hammer Museum at UCLA, has been named this year’s Getty Prize recipient. The honor comes with a $500,000 grant for a nonprofit of the winner’s choice, and Philbin has selected NPR and its Los Angeles member stations, KCRW and LAist.

The prize is considered the Getty’s highest honor and recognizes what the institution calls “cultural leaders whose work expands human understanding and appreciation of arts and culture.” Previous awardees include Frank Gehry, Mark Bradford, Ed Ruscha, Yo-Yo Ma and Thelma Golden.

“I wanted to shine a light on one of the most pressing issues of our day,” Philbin said in a phone interview. “And that’s freedom of speech and freedom of the press.”

Philbin said she requested that half of the Getty grant go to NPR and the other half to be split between KCRW and LAist.

“Those two radio stations for me — and I think for so many Angelenos who spend so much time in their cars — are constant companions,” Philbin said. “We listen to them all the time, and they’re precious to us. To even think about the fact that they might not exist is unbearable.”

NPR Chief Executive Katherine Maher in May filed a lawsuit against President Trump after he issued an executive order directing the Corp. for Public Broadcasting to freeze all funding to NPR and PBS. She said Philbin’s decision to split the donation between NPR and its local affiliates showed a level of understanding about the interdependency of the local and national radio platforms not often mirrored in the national conversation.

“It is an extraordinary gift at an extraordinary time with real, material impact for the stations,” Maher said.

Congress has until the end of the week to vote on a White House proposal known as the rescission bill that would claw back $9 billion in foreign aid and more than $500 million per year in federal funding already approved for the Corp. for Public Broadcasting, which funnels financial support to NPR and PBS as well as local public radio and TV stations across the country.

Trump has been adamant that his allies vote in favor of the rescission package, writing on Truth Social last week that he will withhold support and endorsements from any Republican who doesn’t vote in its favor. He called the Corp. for Public Broadcasting, NPR and PBS “a monstrosity.”

The proposed cuts to the Corporation for Public Broadcasting would total $1.1 billion over the next two years. Federal funding accounts for about 15% of PBS’ budget and 1% of NPR’s budget, according to NPR, but local stations would be the hardest hit and some may not survive, Maher said. If they vanished, she added, they would take with them the kind of hyper-local, community-based reporting that helps forge and maintain a sense of place, identity and purpose, particularly in rural communities.

“That impact is something that is hard to conceptualize, even when you are a member of Congress who represents some of these communities,” Maher said. “Because you spend so much time living with one foot in the world of places like Washington, D.C., and very little time in the areas of the country where broadband services are not reliable or easily available, and cellphone service is not necessarily consistent and universal.”

Philbin noted that NPR’s mission statement is to create a more informed public and to celebrate the diversity of the human experience, and that those values are being challenged by a storm of misinformation.

The Getty Prize was founded in 2013 as the Getty Medal. It was initially given to several individuals each year, but last year it transformed into its current incarnation, honoring a single person who chooses the “pay-it-forward” grant recipient.

Last year’s honoree was Mark Bradford, who chose to steer the grant money to the Arts for Healing and Justice Network, which brings arts programming to minors in the juvenile justice system.

NPR and three of its member stations filed suit in federal court Tuesday against President Trump‘s White House over the president’s executive order to block funding for public media.

Trump’s order called for an end to government dollars for the Corp. for Public Broadcasting, the taxpayer-backed entity that provides funding to NPR and PBS. He called the outlets “left wing propaganda.”

The suit says the May 1 action by Trump violated the 1st Amendment.

“The Order targets NPR and PBS expressly because, in the President’s view, their news and other content is not ‘fair, accurate, or unbiased,’” the legal brief said, according to an NPR report.

The suit also says that the funding — currently at around $500 million annually — is appropriated by Congress. The allocation is made two years in advance.

“Congress directly authorized and funded CPB to be a private nonprofit corporation wholly independent of the federal government,” Corp. for Public Broadcasting chief Patricia Harrison told NPR in a statement.

Harrison said that the Corp. for Public Broadcasting is not a federal agency subject to the president’s authority.

“The Executive Order is a clear violation of the Constitution and the First Amendment’s protections for freedom of speech and association, and freedom of the press,” NPR President and Chief Executive Katherine Maher said in a statement.

The order is one of a number of attempts by Trump to limit or intimidate institutions he does not agree with. Targets included law firms, universities and media companies such as CBS, which is being sued for $20 billion over a “60 Minutes” interview with former Vice President Kamala Harris during the 2024 presidential campaign.

NPR filed the suit with three public radio outlets, including Denver-based Colorado Public Radio, Aspen Pubic Radio and KSUT which serves the Four Corners region of Arizona, Colorado, New Mexico and Utah.

Both NPR and PBS have stressed that the bulk of the federal funding they receive goes to stations that provide local news and emergency alerts for their communities.