Coronavirus

Out of sheer darkness, the Batman logo was emblazoned across the 86-foot-wide screen and dazzled my young eyes.

From Hollywood, I was instantly whisked away to Gotham City. The iconic DC comic book came to life and the booming thuds of the Caped Crusader smashing a pair of common thieves was real.

These were my first vivid memories of watching a movie in the larger-than-life Cinerama Dome on Sunset Boulevard, and being amazed by the screen’s size and the sense of being transported into another galaxy.

But the dome is magical on the outside, as well as the inside. The concrete geodesic dome is made up of 316 individual hexagonal and pentagonal shapes in 16 sizes. Like Grauman’s Chinese Theatre, it’s a structure that has become a Hollywood landmark.

The Dome represented a special place for me, until it became just another of the dozens of businesses in L.A. that never returned after pandemic closures in 2020.

Ever since, there have been rumblings that the Dome would eventually reopen. Although nothing is definitive, my colleague Tracy Brown offered a bit of hope in a recent article.

What’s the latest

Dome Center LLC, the company that owns the property along Sunset Boulevard near Vine Street, filed an application Oct. 28 for a conditional-use permit to sell alcohol for on-site consumption at the Cinerama Dome Theater and adjoining multiplex. The application doesn’t mention an reopening date or any details about movie screenings returning to the dome but suggests that a reopening may be in the works.

Elizabeth Peterson-Gower of Place Weavers Inc., said Dome Center is seeking a new permit that would “allow for the continued sale and dispensing of a full line of alcoholic beverages for on-site consumption in conjunction with the existing Cinerama Dome Theater, 14 auditoriums within the Arclight Cinemas Theater Complex, and restaurant/cafe with two outdoor dining terraces from 7:00 am – 4:00 am, daily,” according to the application filed by the company’s representative.

This would would be a renewal of the current 10-year permit, which expires Nov. 5.

The findings document filed with the City Planning Department also mentions that “when the theater reopens, it will bring additional jobs to Hollywood and reactivate the adjacent streets, increasing safety and once again bringing vibrancy to the surrounding area.”

A representative for Dome Center LLC did not respond immediately Friday to a request for comment.

What happened to the Dome?

The Cinerama Dome opened in 1963 and had been closed since the start of the COVID-19 pandemic in 2020.

Since the closing, the news about the future of the theater has been ambiguous.

In April, 2021, the owner of Pacific Theatres and ArcLight Cinemas announced they would not reopen the beloved theater even after the pandemic ended. But then, in December, sources told The Times that plans were in the works to reopen the Cinerama Dome and the attached theater complex.

In 2022, news that the property owners obtained a liquor license for the renamed “Cinerama Hollywood” fueled hope among the L.A. film-loving community’s that the venue was still on track to return.

But the Cinerama Dome’s doors have remained closed.

Signs of life

At a public hearing regarding the adjacent Blue Note Jazz Club in June, Peterson-Gower reportedly indicated that although there were not yet any definitive plans, the property owners had reached out to her to next discuss the future of the Cinerama Dome.

Perhaps this new permit application is a sign plans are finally coming together.

After the kind of year Los Angeles has endured — with devastating fires and demoralizing immigration raids — it would certainly bolster the spirits of all Angelenos to have another local landmark reopen its doors to welcome movie-loving patrons like me.

Today’s top stories

California Gov. Gavin Newsom speaks as he stands with First Partner Jennifer Siebel Newsom during an election night news conference at a Democratic Party office in Sacramento on Nov. 4, 2025.

(Godofredo A. Vásquez / Associated Press)

Voters approve Prop. 50

After World Series celebration, ICE and Border Patrol gather at Dodger Stadium once again

• Dozens of federal immigration agents were seen staging in a Dodger Stadium parking lot Tuesday morning, a day after the team returned home to celebrate its back-to-back championships with thousands of Angelenos.
• Videos shared with The Times and on TikTok show agents in unmarked vehicles, donning green vests and equipped with white zip ties in parking lot 13.
• Five months ago, protests erupted outside the stadium gates when federal immigration used the parking lot as a processing site for people who had been arrested in a nearby immigration raid.

Sen. Alex Padilla says he won’t run for California governor

• “It is with a full heart and even more commitment than ever that I am choosing to not run for governor of California next year,” Padilla told reporters outside his Senate office in Washington.
• Padilla instead said he will focus on countering President Trump’s agenda in Congress, where Democrats are currently in the minority in both the House and Senate, but hope to regain some political clout after the 2026 midterm elections.

What else is going on

Commentary and opinions

This morning’s must-read

For your downtime

A view of landscaping at the home of Susan Gottleib and her Gottleib Native Garden in Beverly Hills.

(Allen J. Schaben / Los Angeles Times)

Going out

Staying in

A question for you: What’s the best hiking trail in SoCal?

Alexandra writes: “Sullivan Canyon, for sure.”

Rochelle writes: “Can’t ever go wrong in Griffith Park, but for overall exercise, killer views, artifacts, and entertainment without wearing yourself out, my hiking partner and I like the Solstice Canyon Loop in Malibu, 3.4 miles. The most popular hike in the canyon, for good reason!”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

Joe Rinaudo hopes to host tours and educational opportunities at his home theater and museum through a nonprofit group dedicated to preserving photoplayers.

(Jason Armond / Los Angeles Times)

Today’s great photo is from Times photographer Jason Armond at the home of Joe Rinaudo, the foremost expert on photoplayers, who is preserving the soundtrack to a bygone movie era.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

The cuts in Hollywood just keep coming, following a sadly familiar script.

Last week it was Paramount, which laid off about 1,000 workers in the first wave of a deep staff reduction planned since tech scion David Ellison’s Skydance Media took over the storied media and entertainment company.

The cuts affected a wide swath of the company, from CBS and CBS News to Comedy Central, MTV and the historic Melrose Avenue film studio, my colleague Meg James and I reported. Another 1,000 layoffs are expected in the coming weeks.

But Paramount isn’t the only one in the media business that’s shedding jobs and payrolls.

Earlier, cable giant Charter Communications said it would lay off 1,200 people nationwide, as the company faces increased competition for its broadband internet packages. NBC News, too, laid off 150 employees last month amid declining TV ratings and lessening ad revenue.

Other recent media-adjacent layoffs included 100 cuts to Disneyland Resort’s Anaheim-based workforce and the massive 14,000 worker reduction at Amazon, including at the company’s gaming and film and TV studios.

And that doesn’t even include widespread job losses that happened earlier this year at companies such as Walt Disney Co., Warner Bros. Discovery, NBCUniversal and Six Flags Entertainment Corp.

It all adds up to a grim picture for Hollywood’s workers, who have faced a near endless marathon of economic hurdles for the last five years.

First it was the pandemic, followed by the dual writers’ and actors’ strikes in 2023, cutbacks in spending after studios splurged on streaming productions, and the outflow of production to the U.K. and other countries with lower costs than California.

Then, in January, nature struck a blow, with the fires in Altadena and the Pacific Palisades destroying many industry workers’ homes.

Topping it off, Saturday marked the first day that millions of low-income Americans lost federal food assistance due to the government shutdown that began Oct. 1. That has affected some 5.5 million Californians and probably some who work in the entertainment industry.

“It’s been one crisis after another, without enough time in between,” said Keith McNutt, western regional executive director of the Entertainment Community Fund, which provides social services for arts and entertainment professionals. “People are concerned and very worried and really trying very hard to figure out where they go from here.”

McNutt reports that the nonprofit group has already heard from some people who were recently laid off, and has experienced a sharp increase in demand for its services, particularly from those in the film and TV industry. The fund offers healthcare and financial counseling and operates a career center. It also provides emergency grants for those who qualify.

Clients include not only low-income people who are always hit hardest in downturns, but also veteran entertainment industry professionals who’ve worked in the business for 20 to 30 years.

Those who were lucky enough to have savings saw those wiped out by the pandemic, and then were unable to replenish their rainy-day funds after the strikes and industry contraction, said David Rambo, chair of the fund’s western council.

“It has been snowballing very slowly for about five years,” Rambo said.

Many in the industry are hopeful that California’s newly expanded film and television tax credit program will bring some production — and jobs — back to the Golden State. That’s what backers campaigned on when they lobbied Sacramento legislators to bolster the program. Dozens of TV shows and films have received credits so far under the revamped program, but it’ll take some time to see the results in filming data and employment numbers.

And that doesn’t help the workers who were just laid off last month. For those folks, McNutt suggests calling the fund’s health insurance team to make sure they understand their options and also to spend some time with career counselors to understand how Hollywood skills can be transferable to other employers, whether that’s on a short- or long-term basis. Most importantly, don’t isolate yourself.

“You’re not alone,” he said. “Nobody’s alone in this situation that the industry is finding itself in right now, and so reach out to your friends, reach out to your colleagues. If you’re not comfortable with that, reach out to the Entertainment Community Fund.”

Stuff We Wrote

Film shoots

Number of the week

The Los Angeles Dodgers’ wild 11-inning win on Saturday over the Toronto Blue Jays notched nearly 26 million viewers, making it the most-watched World Series game since 2017, according to Nielsen data.

The 2017 Game 7 win by the Houston Astros over the Dodgers had an audience of 28.3 million.

The Dodgers are now the first Major League Baseball team to win back-to-back championships in 25 years. On Monday, thousands of Dodgers faithful turned out for the team’s victory parade through downtown L.A.

Finally …

You’ve no doubt heard of L.A.’s famous star tours. But what about a tour of a historic cemetery?

My colleague, Cerys Davies, wrote about local historian and guide Shmuel Gonzales — or as he calls himself, “Barrio Boychik” — and his walking tour of Boyle Heights’ Evergreen Cemetery.

The cemetery is the final resting place for many of L.A.’s early movers and shakers, including the Lankershims and the Hollenbecks, and it’s also a prime example of L.A.’s multicultural history.

In Mexico and parts of Central America, Día de los Muertos is regarded as a day to commemorate and celebrate departed family and friends.

For generations, Greater Southern California has joined the tradition with altars, Aztec dances and displays of marigolds in late October to early November. The day to honor the dead also has served as a day of gathering among the living.

However, some celebrations are being reconsidered because of fears that participants may get caught in deportation raids executed by U.S. Immigration and Customs Enforcement agents.

This week the Department of Homeland Security announced it had deported more than half a million undocumented people since the Trump Administration took over in January. More than 2 million people have left the nation overall, the department said.

With raids continuing, some organizers of this weekend’s Día de los Muertos events are moving ahead with celebrations, while others have canceled them.

Times reporters spoke with event organizers to learn what they’re doing differently.

Cancellation is the policy

My colleague Suhauna Hussain reported in mid-September that Long Beach was nixing its annual parade, which drew sizable crowds in the past.

The event was canceled at the request of City Councilmember Mary Zendejas “out of an abundance of caution,” according to city spokesperson Kevin Lee, because it’s “a large and very public outdoor event.” Officials were not aware of any targeted federal enforcement activity.

“This decision did not come lightly,” Zendejas and the city said in statements. The decision addresses “genuine fears raised by community members, especially those who may face the possibility of sudden and indiscriminate federal enforcement actions that undermine the sense of security necessary to participate fully in public life.”

Roberto Carlos Lemus, a marketer who brought food trucks and other vendors to the festival last year, called the cancellation “very sad.”

“Everyone’s very sad about the situation. Día de los Muertos has been one of the largest celebrations for a very long time, and the city has done a great job putting it on,” Lemus told The Times. “Unfortunately, with Latinos being kidnapped and attacked by ICE and the current administration, I do understand why they made the decision that they made.”

The action was mirrored in other places. Santa Barbara’s Museum of Contemporary Art canceled its own parade because the “threat to undocumented families remains very real.” In Northern California, organizations in Berkeley and Eureka also canceled celebrations for similar reasons.

Moving ahead

Others are not letting the immigration raids interfere with the celebration.

Last year, tens of thousands of visitors patronized Division 9 Gallery’s Day of the Dead celebration in downtown Riverside. This year’s free two-day event will feature Aztec dancers, a pageant, processions, Lucha Libre wrestlers and altars — the traditional stands along with ofrendras placed inside classic cars — on Saturday and Sunday.

The event, located on Market Street between University Avenue and 14th Street, continues to grow in popularity, organizer Cosmé Cordova said.

Cordova said he’s not sure if there will be 60 altars, as was the case last year, or if 45,000 people will attend Saturday, the most popular of the two days.

“Because of what’s going on, people are afraid,” he said. “But we’re not canceling.”

Cordova said he’s hired security and noted that Riverside police and the mayor will be present.

“We’re working with the city and others to make sure everything is going to be good,” Cordova said. “This is an event that the community comes out for and I’m not concerned about anyone breaking it up.”

The week’s biggest stories

Gladstone’s Malibu, an iconic dining landmark, pictured partially smoking from the Palisades Fire on Jan. 8, 2025.

(Connor Sheets/Los Angeles Times)

Palisades Fire investigation

Dodgers World Series coverage

Trump Administration polices and reactions

Crime, courts and policing

More big stories

This week’s must-read

More great reads

For your weekend

(Christopher Reynolds / Los Angeles Times)

Going out

Staying in

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Kevinisha Walker, multiplatform editor
Andrew J. Campa, reporter
Hugo Martín, assistant editor
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Small screen giant Netflix has once again turned to the big screen, this time with the release of its latest buzzy film, “Frankenstein.”

Written and directed by Guillermo del Toro, the film opened last weekend with a limited release in 10 theaters in Los Angeles, New York and a few other cities, and will expand to more sites for a total theatrical run of three weeks. The film stars Oscar Isaac as the titular egomaniacal scientist and Jacob Elordi as the Creature (who, contrary to popular belief, is not named Frankenstein — you can thank my English major for that tidbit).

The film is getting some awards attention, particularly for the performance of the prosthetics-and-makeup-laden Elordi, and notched a solid 86% approval rating on aggregator Rotten Tomatoes. As of Sunday afternoon, Del Toro posted that the film had sold out at least 57 screenings. “Frankenstein” will debut on the streamer on Nov. 7.

Del Toro’s “Frankenstein” is just the latest in a long line of adaptations of the classic 1818 novel by Mary Shelley. From the first silent film short in 1910 to Boris Karloff’s famed turn as the monster in 1931 and the Kenneth Branagh-directed movie in 1994 that starred Robert De Niro as the creature (Branagh played Frankenstein and Helena Bonham Carter was Elizabeth Lavenza), the classic horror story has proved ripe for filmmakers’ commentary on humanity, science and nature.

In fact, “Frankenstein” has been a lifelong passion project for Del Toro, who has made an award-winning career out of analyzing and depicting monsters, from 2006’s “Pan’s Labyrinth” to 2017’s “The Shape of Water.”

For Netflix, it’s a reminder of why film remains an important, if unlikely, part of the streamer’s strategy.

It’s no secret that Netflix has built its reputation — and its streaming prowess — on the strength of its series, from “Orange Is the New Black” to “Stranger Things” and “Bridgerton.” After all, popular episodic shows keep viewers on the platform, rack up hours of engagement and help draw new subscribers to the service.

The Los Gatos, Calif., company’s embrace of movie theaters may seem surprising given its longstanding testy relationship with movie theater exhibitors and their distribution strategy.

In fact, Netflix has also long said its main goal is to offer subscribers first-run movies on its platform, directly undermining the traditional 90-day “window” between a film’s release in theaters and when it appears in the home.

Earlier this year, Netflix Co-Chief Executive Ted Sarandos poured salt on the wound when he called the theatrical business “outdated,” at a time when many chains are struggling to fill seats to pre-pandemic levels.

Yet, theaters are still important to Netflix, which releases about 30 films annually in cinemas.

One reason: the allure of Oscar glory.

For the last few years, Netflix has submitted dozens of movies for awards-qualifying runs.

It’s typical for those films to be in cinemas for about two to three weeks before showing up on the platform. (Sometimes, those theatrical showings are for marketing purposes, like the recent “KPop Demon Hunters” singalong screenings.)

Netflix has won numerous Academy Awards over the years, ranging from animated feature (Del Toro’s “Pinocchio” in 2023), supporting actress (Laura Dern for “Marriage Story” in 2020 and Zoe Saldaña for “Emilia Pérez” in 2025) and director (Alfonso Cuarón in 2019 for “Roma” and Jane Campion in 2022 for “The Power of the Dog”).

Best picture, however, has continued to elude the company.

Theatrical releases also help the streamer to attract filmmakers and build relations with key talent. For instance, Netflix’s upcoming “Narnia” film from Greta Gerwig will get a two-week Imax run next year. Netflix previously ran Del Toro’s well-received horror anthology series “Cabinet of Curiosities.”

And while serial narratives may reign supreme, to maintain subscribers, you need other kinds of content to keep it fresh. That’s where movies (and live events) come into play.

As consumers decide which streaming services they can’t live without, a platform that has a little bit of everything has an advantage.

“Having a good mix of movies and serial content is really important,” says Alicia Reese, senior vice president of equity research in media and entertainment at Wedbush Securities. “A lot of people use this as their one and only subscription.”

In other fronts, is the fight over OpenAI’s new Sora 2 dying down? Maybe not, but there are signs of easing tensions.

On Monday, United Talent Agency, SAG-AFTRA, Creative Artists Agency, Assn. of Talent Agents, actor Bryan Cranston and OpenAI released a joint statement noting that Cranston’s voice and likeness was able to be generated “in some outputs” without consent or compensation when the tool was launched two weeks ago in a limited release.

“While from the start it was OpenAI’s policy to require opt-in for the use of voice and likeness, OpenAI expressed regret for these unintentional generations,” the statement said. “OpenAI has strengthened guardrails around replication of voice and likeness when individuals do not opt-in.”

Cranston, who brought the issue to SAG-AFTRA’s attention, said he was “grateful” to OpenAI for improving its policies and “hope that they and all of the companies involved in this work, respect our personal and professional right to manage replication of our voice and likeness.”

Stuff We Wrote

Film shoots

Number of the week

NBC News sent termination notices to 150 staffers last week, as the network struggles with declining TV ratings and ad revenue. Layoffs have been prevalent throughout the media landscape this year, but have been felt especially hard at broadcast news outlets, as audiences increasingly migrate to streaming platforms and cut the cord.

In addition to these issues, my colleague Stephen Battaglio reported that the NBC News layoffs were also attributed to the spin-off of cable networks MSNBC and CNBC. NBC News now no longer shares resources with those outlets, which will become part of a new company called Versant.

Affected employees were encouraged to apply for 140 open positions throughout the news group.

Finally …

I had to do it. With the Dodgers returning to the World Series, my colleague Jack Harris looks at the team’s season this year and how they fought through multiple injuries on the roster to eventually turn the ship around.

It was one of those performances that will be spoken about for years.

Los Angeles Dodgers superstar Shohei Ohtani delivered a night for the ages in the Dodgers’ 5-1 win over the Milwaukee Brewers in the clinching fourth game of the National League Championship Series on Friday night.

After slumping throughout the postseason, the Japanese sensation hit three home runs and pitched six shutout innings with 10 strikeouts at Chavez Ravine to advance the Dodgers to the World Series.

The effort immediately drew praise from baseball writers as the “greatest game ever,” “the performance of a lifetime,” and highlighted the “improbability of his greatness.”

Yes, the Dodgers are advancing to their second-straight World Series, where they’ll face either the Seattle Mariners or Toronto Blue Jays, beginning Friday.

They will attempt to become the first Major League Baseball team to win consecutive crowns since the New York Yankees’ threepeat from 1998 to 2000.

However, the night became a celebration of Ohtani, as documented by my sports colleagues.

Let’s take a look at some of what made Friday such a magical evening.

Trying to understand what Ohtani accomplished

Columnist Bill Plaschke asked Dodgers fans if they realized what they were watching:

Los Angeles, can you understand the singular greatness that plays here? Fall Classic, are you ready for another dose of Sho-time?

Ohtani and the Dodgers are back on baseball’s grandest stage, arguably the best player in baseball history concocting arguably the best single-game performance in postseason history.

The final score was 5-1, but, really, it was over at 1-0, Ohtani’s thunderous leadoff homer after his thundering three strikeouts igniting a dancing Dodger Stadium crowd and squelching the Brewers before the first inning was even 10 minutes old.

How far did that first home-run actually travel? Back, back, back into forever, it was the first leadoff homer by a pitcher in baseball history, regular season or postseason, a feat unmatched by even the legendary Babe Ruth.

The unicorn Ohtani basically created the same wizardry again in the fourth inning and added a third longball in the seventh in carrying the Dodgers to their second consecutive World Series and fifth in nine years while further cementing their status as one of baseball’s historic dynasties.

Why was the effort surprising?

On that off-day between Games 2 and 3 of the National League Championship Series, Ohtani looked like a man on a mission, according to Dodgers beat writer Jack Harris in his game story:

Ohtani took one of the best rounds of batting practice anyone in attendance had seen, getting into the real work of trying to fix a swing that had abandoned him for much of this postseason.

In 32 swings, Ohtani hit 14 home runs. Many of them were moonshots. One even clanged off the roof of the right-field pavilion.

Over his previous seven games, going back to the start of the NL Division Series, he had two hits in 25 at-bats.

He had recorded 12 strikeouts and plenty more puzzling swing decisions. And he seemed, at least in the estimation of some around the team, unusually perturbed as public criticisms of his play started to mount.

Then, two days later, a tour de force performance that will be talked about forever.

“He woke up this morning with people questioning him,” said Andrew Friedman, Dodgers president of baseball operations, during an alcohol-soaked celebration in the clubhouse afterward. “And 12 hours later, he’s standing on the podium as the NLCS MVP.”

Up next for the Dodgers is the World Series and perhaps some more Ohtani magic.

The week’s biggest stories

Crime, courts and policing

More Dodgers National League Championship coverage

Trump administration, policies and reaction

More big stories

This week’s must-reads

More great reads

For your weekend

(Illustrations by Lindsey Made This; photograph by Jason Frank Rothenberg)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Andrew J. Campa, reporter
Kevinisha Walker, multiplatform editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Pay TV providers have a new message for consumers: Your ex wants you back.

While the media industry watches the once massive number of subscribers to cable and satellite services diminish like a slow-melting iceberg as audiences move to streaming, the companies are aggressively developing ways to slow the trend and perhaps win some business back.

Spectrum and DirecTV have both recently held fancy press events in New York to tout their efforts to offer a more consumer-friendly experience and services that add value for the still substantial number of customers they serve. Giving consumers more choice and flexibility is their new mantra.

The latest evidence of this emerged last week when Spectrum introduced an app store, where customers can get subscriptions to the streaming platforms such as Disney+, Hulu, AMC+ and ESPN, and access them alongside the broadcast and cable channels that still carry the bulk of high-profile sports and live events.

The Stamford, Conn.-based company’s 31 million subscribers can now get ad-supported streaming apps as part of their TV packages, which would otherwise cost an additional $125 a month. Ad-free versions are also offered at a discounted price.

Over the last year, El Segundo-based DirecTV rolled out smaller packages of channels aimed at consumers who no longer want a big monthly bill for the panoply of networks that have accumulated in the pay TV bundle over the years. The satellite TV service now offers smaller “genre packages” of channels and streaming apps that cater to a particular interest available at a lower price — designed for news junkies, sports fans, kids and Spanish-language speakers. There is one for entertainment channels as well.

There are early indications consumers are responding. In the second quarter of this year, Spectrum reported a loss of 80,000 cable customers due to cord-cutting, a significant decline from the same period in 2024, when 408,000 homes ditched cable.

DirecTV does not disclose its subscriber numbers, but Vincent Torres, the company’s chief marketing officer, said the smaller and more bespoke channel packages are drawing younger consumers who have bypassed pay TV subscriptions up to now.

For Spectrum, the deal to get the Disney apps came out of an ugly carriage dispute in August 2023 that for 12 days left customers without programming, including the U.S. Open tennis tournament and the start of the college football season. The standoff followed comments by Walt Disney Co. Chief Executive Bob Iger that taking the company’s program services directly to the consumer and bypassing its traditional pay TV partners was inevitable.

Spectrum CEO Chris Winfrey suggested his company could get out of the video distribution business and stick to selling its far more profitable broadband internet services.

The dispute was a sharp example of the pressure on cable providers that have been asked to pay more to carry the channels from Disney and other media conglomerates as they feel the pressure of rising programming costs and sports rights fees. The costs are passed along to customers who are paying more for content that is available on streaming services. Spectrum insisted on a deal that made Disney’s streaming apps available to its customers at no additional cost.

The tensions subsided and, in June, Spectrum reopened and extended its contract with Disney before it was up — a rarity in the contentious arena of carriage negotiations that lead to channel blackouts.

DirecTV’s slimmer cable packages came after a similarly bruising dispute with Disney last September, with customers losing access to the channels for 13 days.

But there was a new spirit of unity on stage at Spectrum headquarters, where ESPN Chair Jimmy Pitaro, the architect of ESPN’s direct-to-consumer strategy, was among the guest speakers.

Although Pitaro has long hammered away at how ESPN needs to be accessible to sports fans wherever they are, he touted the value of the cable subscription and described the relationship with Spectrum as “the best it has ever been.”

Spectrum customers already get ESPN channels through their cable subscription, but adding the direct-to-consumer app allows them access to its features such as enhanced real-time stats during live games and a personalized “SportsCenter” that uses AI to create a custom highlight show for users.

Spectrum has enlisted the networks it carries to make promotional spots touting its new services. Speaking at the Spectrum event, Winfrey acknowledged it will take some time for consumers to get used to the idea of getting more from their cable provider at no additional cost.

“Our No. 1 issue is — and this may shock you — but customers don’t trust the cable company,” Winfrey said. “Maybe with good reason. For how many decades did the cable industry go out and say HBO is included for free? And it was for three months and then, $10 would show up on your bill. We’ve conditioned people to think it’s a free trial period.”

Torres notes that more consumers are experiencing what he calls “content rage” as the prices of individual streaming services such as Peacock and Disney+ continue to rise. As programming gets sliced and diced for the growing number of services, consumers are finding that more than one subscription is necessary, especially for fans of the NFL or NBA, which have spread their games over several services.

“You see a growing frustration that ‘I can never find what I want to find when I want to watch it,” Torres said. “The fragmentation of the content is creating customer dissatisfaction. They can’t always find what they’re looking for.”

Along with its slimmer channel packages, DirectTV recently introduced a new internet-connected device called Gemini that combines streaming apps with traditional TV channels.

Pay TV companies are also offering voice-controlled remotes to help consumers find what they want to watch, whether on streaming or a traditional channel.

Executives say more enhanced viewing experiences are coming to keep the pay TV customer connected.

Starting this season, Spectrum’s SportsNet channel will be offering its Los Angeles customers several Lakers games in an immersive video format that can be streamed through an Apple Vision Pro device. The technology will give users a courtside view of the game at Crypto.com Arena. All that’s missing is a seat next to Jack Nicholson, but as AI advances, who knows?

Stuff We Wrote

Film shoots

Number of the week

Disney’s sci-fi sequel “Tron: Ares” got off to a weak start, opening with just $33.5 million in North American theaters.

The results were well below 2010’s “Tron: Legacy,” which opened to $44 million. The production budget for “Tron: Ares” was reportedly $180 million.

Still, Disney does have two potential box office hits later this year with “Avatar: Fire and Ash” and animated sequel “Zootopia 2.”

Finally …

Stacy Perman’s deeply reported piece on fake collectible movie props is a must read. Bonus points for an appearance by notorious movie and TV executive Jim Aubrey, known as “The Smiling Cobra.”

In the last few weeks, USC has found itself caught in a political tug-of-war that could potentially change campus life permanently.

Gov. Gavin Newsom threatened on Oct. 2 to cut “billions” in state funding, including the popular Cal Grants that many students rely upon, if California schools bowed to pressure from the Trump administration.

Newsom’s messaging came in response to a White House directive that asked USC and eight other major national universities to commit to President Trump’s views on gender identity, admissions, diversity and free speech in exchange for priority access to federal dollars.

The topic was covered in depth by my colleagues Jaweed Kaleem and Melody Gutierrez.

Let’s jump into their article and see what options lie ahead for USC.

What the White House told USC

USC and other universities were asked to sign a “Compact for Academic Excellence in Higher Education,” which commits them to adopt the White House’s conservative vision for America’s campuses.

The Oct. 1 letter also suggests colleges should align with Trump’s views on student discipline, college affordability and the importance of hard sciences over liberal arts.

The compact asks universities to accept the government’s definition of gender — excluding transgender people — and apply it to campus bathrooms, locker rooms and women’s sports teams.

But the White House letter to USC and other campuses is more stick than carrot.

The government says it will dole out new federal money and give preference to the universities that accept the deal over those that do not agree to the terms.

Signing on would give universities priority access to some federal grants, but White House officials say the government money would not be limited solely to those schools.

How Trump wants to cut back on international students

The federal compact would also severely restrict international student enrollment to 15% of a college’s entire undergraduate student body. Plus, no more than 5% could come from a single country.

That provision would hit USC hard, where 26% of the fall 2025 freshman class is international. Half of those students hail from either China or India.

Cutting into that rate would be a financial blow to USC, where full-fee tuition from international students is a major source of revenue. The university has already endured hundreds of layoffs this year amid budget troubles.

How Newsom is responding

Newsom wrote that “if any California university signs this radical agreement, they’ll lose billions in state funding — including Cal Grants — instantly.”

He added, “California will not bankroll schools that sell out their students, professors, researchers, and surrender academic freedom.”

Students become eligible for Cal Grants through the Free Application for Federal Student Aid or California Dream Act Application. In 2024-25, $2.5 billion in Cal Grants were doled out to California students.

What is USC doing?

The school’s faculty members strongly denounced Trump’s offer at a meeting Monday, calling it “antithetical to principles of academic freedom.”

But interim President Beong-Soo Kim told the roughly 500 attendees that the university “has not made any kind of final decision.”

One of the nine schools presented with Trump’s deal, MIT, forcefully rejected the White House’s proposal last week. (It is unclear how the White House selected the nine schools that were offered the deal.)

Notes from a reporter’s notepad

Kaleem, one of the Times reporters on this story, noted that universities throughout Southern California, including USC, UCLA and others in the UC or Cal State systems, find themselves under siege from the White House, whether they were offered Trump’s proposal or not.

“Grants for funding and research are being held up because of investigations into antisemitism or diversity or other issues,” he said. “There are very few universities untouched by the push from Trump on higher education.”

Kaleem spoke with several politically active students and professors at USC who see Newsom’s gesture as a blessing in disguise.

“They felt the governor’s threat to take away money actually gives the USC campus cover to resist Trump more forcefully,” Kaleem said.

Now USC administrators could defy the White House under the guise of trying to avoid losing funding from the state, according to those who spoke with Kaleem.

“They could say they can’t be blamed because they’re being forced to resist Trump,” he said. “It’s an interesting potential strategy.”

For more, check out the full article here.

Today’s top stories

Part of the debate over the ongoing federal government shutdown focuses on funding for the treatment of undocumented immigrants at hospital emergency rooms.

(Ashley Landis / Associated Press)

Trump claims Democrats want to use federal funds to give undocumented residents healthcare. That’s misleading

• Undocumented immigrants cannot access federal programs, but California law provides state-funded Medi-Cal coverage costing the state $11.2 billion annually.
• President Trump claimed recently that Democrats “want to have illegal aliens come into our country and get massive healthcare at the cost to everybody else.”
• Democrats called Trump’s assertion an absolute lie, accusing Republicans of wanting to slash federal healthcare benefits to Americans in need to pay for tax breaks for the wealthy.

Beutner launches bid for L.A. mayor, vowing to fight ‘injustices’ under Trump

• Former L.A. schools Supt. Austin Beutner kicked off his campaign for mayor on Monday with a video message that hits not just Mayor Karen Bass but also President Trump and his immigration crackdown.
• Beutner vowed to counter Trump’s “assault on our values,” while also criticizing City Hall over homelessness, housing costs and rising city fees.

Three more L.A. County deaths tied to synthetic kratom

• The deaths have been linked to kratom, a compound that is being synthetically reproduced and sold over the counter as a cure-all for a host of ailments, the county Department of Public Health announced Friday.
• The compound was found to be a contributing cause of death in three residents who were between the ages of 18 and 40, according to the county health department.
• That brings the total number of recent overdose deaths related to kratom in L.A. County to six.

What else is going on

Commentary and opinions

This morning’s must read

Other must reads

For your downtime

The Griselda’s Revenge cocktail from the Black Lagoon pop-up bar.

(Black Lagoon)

Going out

Staying in

A question for you: What frustrates you the most about parking in L.A.?

Karen writes: “My frustration is that the city started making people pay to park along the road up to the Griffith Observatory. That was the one free and delightful place to get both some sight-seeing and some good walking in after the hunt for a spot. It felt very unfair and opportunistic of the city to limit access to city parks by charging that fee.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

Theatergoers take their seats to see “Les Miserables” on Oct. 8 in Los Angeles.

(Jason Armond / Los Angeles Times)

Today’s great photo is from Times photographer Jason Armond at opening night of “Les Misérables” at the Hollywood Pantages Theatre.

Have a great week, from the Essential California team

Jim Rainey, staff writer
Kevinisha Walker, multiplatform editor
Andrew J. Campa, reporter
Hugo Martín, assistant editor
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

There’s something about Thai cuisine that is warm and welcoming.

Perhaps it’s the fire that bird’s eye chili brings to a dish, or maybe the bold punchiness of tom yum soup.

My colleague and food critic Bill Addison referred to Thai as “a pillar cuisine of Los Angeles.”

And why not?

The city boasts the world’s largest Thai population outside of Thailand. Those who open restaurants open our palates to a diverse range of flavors and sensations from their micro-regional cooking styles.

Addison is wary of using the term “best.” Instead, he crafted a list of his 15 favorite Thai restaurants in Los Angeles. Here, we’ll highlight a handful of those choices, in Addison’s own words.

(Mariah Tauger / Los Angeles Times)

Anajak Thai (Sherman Oaks)

If you’ve had any passing interest in Los Angeles dining culture this decade, you probably know the story: Anajak Thai was founded in 1981 by chef Ricky Pichetrungsi, whose recipes merge his Thai upbringing and Cantonese heritage, and his wife Rattikorn.

In 2019, when Pichetrungsi suffered a stroke, the couple’s son Justin left a thriving career as an art director at Walt Disney Imagineering to take over the restaurant.

It changed his life, and it changed Los Angeles, with Justin’s creative individualism — specifically his Thai Taco Tuesday phenomenon.

That’s when the menu crisscrosses fish tacos lit up by chili crisp and limey nam jim with wok-fragrant drunken noodles and Dungeness crab fried rice. Add what has become one of L.A.’s great wine lists, and the restaurant has catapulted into one of the city’s great dining sensations.

The restaurant closed for a couple of months over the summer for a renovation, revealing a brighter, significantly resituated interior — and introducing an open kitchen and a second dining room — in August.

The menu didn’t radically alter: It’s the same multi-generational cooking, tracing the family heritage, leaning ever-further into freshness, perfecting the details in familiar dishes.

Fried chicken sheathed in rice flour batter and scattered with fried shallots, the star of the Justin-era menu, remains, as does the sublime mango sticky rice that Rattikorn makes when she can find fragrant fruit in season and at its ripest.

(Bill Addison / Los Angeles Times)

Ayara Thai (Westchester)

Owner Andy Asapahu grew up in a Thai-Chinese community in Bangkok.

Anna Asapahu, his wife, was raised in Lampang, a small city in the verdant center of northern Thailand.

They melded their backgrounds into a sprawling multi-regional menu of soups, salads, noodles and curries when they opened Ayara in Westchester in 2004.

Their daughters Vanda and Cathy oversee the restaurant these days, but Anna’s recipe for khao soi endures as the marquee dish.

Khao soi seems to have become nearly as popular in Los Angeles as pad Thai. This one is quintessential: chicken drumsticks braised in silky coconut milk infused with lemongrass and other piercing aromatics, poured over egg noodles, sharpened with shallots and pickled mustard greens and garnished with lime and a thatch of fried noodles.

The counterpoints are all in play: a little sweetness from palm sugar and a lot of complexity from fish sauce, a bump of chile heat to offset the richness.

Pair it with a standout dish that reflects Andy’s upbringing, like pad pong kari, a stir-fry of curried shrimp and egg with Chinese celery and other vegetables, smoothed with a splash of cream and served over rice. The restaurant has a spacious dining room.

Note that lunch is technically carry-out only, though the family sets up the patio space outside the restaurant for those who want to stick around.

(Silvia Razgova / For The Times)

Holy Basil (Atwater Village)

Wedchayan “Deau” Arpapornnopparat and Tongkamal “Joy” Yuon run two wholly different Holy Basils.

Downtown’s Santee Passage food hall houses the original, a window that does a brisk takeout business cranking out Arpapornnopparat’s visceral, full-throttle interpretations of Bangkok street food.

His pad see ew huffs with smokiness from the wok. The fluffy-crackly skin of moo krob pops and gives way to satiny pork belly underneath. Douse “grandma’s fry fish and rice” with chile vinegar, and in its sudden brightness you’ll understand why the dish was his childhood favorite.

Their sit-down restaurant in Atwater Village is a culmination of their ambitions. The space might be small, with much of the seating against a wall between two buildings, but the cooking is tremendous.

Arpapornnopparat leaps ahead, rendering a short, revolving menu of noodles, curries, chicken wings, fried rice and vegetable dishes that is more experimental, weaving in elements of his father’s Chinese heritage, his time growing up in India and the Mexican and Japanese flavors he loves in Los Angeles.

One creation that shows up in spring but I wait for all year: fried soft-shell crab and shrimp set in a thrilling, confounding sauce centered around salted egg yolk, browned butter, shrimp paste and scallion oil. In its sharp left turns of salt and acid and sultry funk, the brain longs to consult a GPS. But no map exists. These flavor combinations are from an interior land.

If you enjoyed those selections, check out the full list here. Happy dining.

The week’s biggest stories

(Carlin Stiehl/For the Times)

Palisades fire and other blazes

Trump administration policies and reactions

Crime, courts and policing

More big stories

This week’s must-reads

More great reads

For your weekend

(Illustrations by Lindsey Made This; photograph by Kevin Winter / Getty Images)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Andrew J. Campa, reporter
Kevinisha Walker, multiplatform editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Taylor Swift has already conquered the music world and the concert business, so it’s no surprise that this weekend she reigned supreme over the box office — again.

Swift’s latest venture into theaters came in the form of a listening session/fan party of sorts for her latest album, “The Life of a Showgirl.”

The 89-minute movie, titled “The Official Release Party of a Showgirl,” featured the premiere of the Swift-directed “The Fate of Ophelia” music video, as well as behind-the-scenes footage and commentary from Swift about the inspiration for her new songs.

As expected with anything Swift, the film quickly rocketed to the top of a weekend box office that didn’t have a lot of new big-name releases. The one-weekend-only affair hauled in $34 million in the U.S. and Canada, AMC said Monday morning. Globally, it made more than $50 million. Paul Thomas Anderson’s “One Battle After Another” was the runner-up in its second outing this weekend, grossing about $11 million domestically.

But the lack of competition doesn’t dilute the impact Swift had — and has had — on the box office. Her three-day theatrical total beats opening weekend grosses for other recent, studio films such as the Leonardo DiCaprio-led “One Battle After Another” ($22 million), 22-year sequel “Freakier Friday” reuniting Lindsay Lohan and Jamie Lee Curtis ($28.6 million) and my personal favorite, “Downton Abbey: The Grand Finale” ($18.1 million).

I may not be a Swiftie, but I know plenty who made their way to theaters this weekend, with some dressing up for the occasion. My colleague, Malia Mendez, wrote about the Taylormania that took over AMC Century City, which screened the Swift film 21 times over three screens, just on Saturday.

There’s something to be said about harnessing the power of a fan base to drive people to theaters. Look at Swift’s last theatrical appearance — 2023’s “Taylor Swift: The Eras Tour” made about $180 million domestically and brought in more than $261 million worldwide, making it the highest-grossing concert film of all time.

As she did with the “Eras Tour” film, Swift bypassed the typical Hollywood system and worked directly with AMC Theatres Distribution to release “The Official Release Party of a Showgirl.” The film played at all of AMC’s 540 locations and also showed at other theaters such as Cinemark and Regal.

The unconventional release was welcome news for theaters, which have struggled to bring in crowds as they did before the pandemic

“On behalf of AMC Theatres and the entire theatrical exhibition industry, I extend our sincerest appreciation to the iconic Taylor Swift for bringing her brilliance and magic to movie theatres this weekend,” AMC Chief Executive Adam Aron said in a statement. “Her vision to add a cinematic element to her incredible album debut was nothing less than a triumph.”

The film’s success is another reminder of the value of nontraditional, alternative content for theaters at a time when they need to employ fresh strategies to lure younger audiences to the multiplex.

As the number of movies released by studios has decreased, theaters are on the hunt for content to put on their screens. Lately, that’s ranged from episodic streaming series like “The Chosen,” which chronicles the life of Jesus, to concert films, opera performances and anniversary screenings of hits such as “The Sound of Music,” “Jaws” or “Back to the Future.”

It’s a business that really took off after the pandemic. Distributor Fathom Entertainment has specialized in this kind of nontraditional content for more than 20 years, but it is now seeing increased interest in these types of titles, particularly anniversary screenings, which now tend to make up between 20% and 40% of the company’s annual revenue.

Providing these kinds of titles is a way to mitigate the uncertainty of the film business, where there can be highs driven by hotly anticipated releases and lows when there’s little in the lineup.

“Our bread and butter is, and has continued to be, the big studio releases,” said Daniel Fastlicht, chief operating officer of the Lot, a luxury dine-in theater chain based in La Jolla with four locations. “What we want to see more than anybody is more content. But if that doesn’t happen, we still need to fill our auditoriums with people.”

All of the Lot’s theaters had at least one or two screens showing the Swift film, and the atmosphere was light, with people singing and dressing up, including a few in Travis Kelce jerseys, said Marcos Sayd, director of operations. He noted that alternative content helps their theaters fill the less-scheduled holes in their calendar. In addition to the Swift release, the Lot also programs local documentaries and films, as well as one-off events such as the Newport Beach Film Festival to draw audiences in.

And they’re not alone. Other theaters have been looking to position themselves as gathering places for communal experiences, whether that’s to celebrate T-Swift fandom, sing and dance to “KPop Demon Hunters” or collectively scream at a horror movie. Will the post-pandemic zeal for connection repopulate theaters again? Only time will tell, but the popularity of Swift’s latest film is a positive sign.

Stuff we wrote

Film shoots

Number of the week

Last week, YouTube agreed to pay $24.5 million to settle a lawsuit President Trump filed after his account was banned by the Google-owned streamer following the Jan. 6, 2021, riots at the U.S. Capitol.

San Bruno-based YouTube is the latest tech and media company to settle one of Trump’s lawsuits. Meta, Twitter (now X), Paramount Global and Walt Disney Co.-owned ABC News have all paid multimillion dollar sums in settlements. Most of the YouTube settlement dollars will go to Trump, who plans to contribute it to the Trust for the National Mall, which is “dedicated to restoring, preserving, and elevating the National Mall” and will also fund construction of the White House State Ballroom, according to court documents.

Finally …

My colleagues, Matthew Ormseth and Summer Lin, wrote about how the strange case of an illicit casino-turned-marijuana stash house/psilocybin mushroom-growing location that eventually led police to find an Arcadia mansion filled with 15 children, most of whom were born to surrogates.

About two months ago, my cousin Guillermo happily ventured from picturesque Cuernavaca, Mexico, to 95-degree Southern California.

He took his wife and two young kids to Disneyland, Universal Studios, the zoo, the beach and a Dodger game over a week span and then gleefully returned home. He spent about $6,000 for what he hoped was a lifetime of stories and memories.

His actions were pretty normal for a tourist though his timing was not.

Tourism to Los Angeles and California, in general, has been down this summer, representing a blow to one of the state’s biggest industries.

Theories as to why people aren’t visiting were explored this past week by my colleague Cerys Davis.

Davis spoke with experts and provided the scoop. Let’s take a look at what she wrote.

What the numbers say

International tourist arrivals to the state fell by 8% in the three months through August, according to data released Monday from Visit California. That is more than 170,000 fewer global tourists than last year. This is critical because international tourists spend up to eight times more per visit than domestic tourists.

Of all the state’s international travelers, arrivals from Canada fell the most (32%) in the three summer months.

Empty landmarks

On Hollywood Boulevard, there are fewer tourists, and the ones who show up are spending less, said Salim Osman, who works for Ride Like A Star, an exotic car company that rents to visitors looking to take a luxury vehicle for a spin and snap the quintessential L.A. selfie.

This summer, he said foot traffic dropped by nearly 50%.

“It used to be shoulder to shoulder out here,” he said, looking along the boulevard, normally teeming with tourists.

Business has been slow around the TCL Chinese Theatre, where visitors place their hands into the concrete hand prints of celebrities like Kristen Stewart and Denzel Washington.

There were fewer people to hop onto sightseeing buses, check out Madame Tussauds wax museum and snap impromptu photos with patrolling characters such as Spider-Man and Mickey Mouse. Souvenir shop operators nearby say they have also had to increase the prices of many of their memorabilia because of tariffs and a decline in sales.

Many of the state’s most prominent attractions are also experiencing dry spells. Yosemite National Park reported a decrease of up to 50% in bookings ahead of Memorial Day weekend.

Theories as to what’s keeping tourists away

The region’s economy and image suffered significant setbacks this year.

Shocking images of the destructive Eaton and Palisades fires in January, followed by the immigration crackdown in June, made global news and repelled visitors like friends of Australian tourists Geoffrey and Tennille Mutton, who didn’t accompany the couple to California this summer.

“A lot of people have had a changed view of America,” Geoffrey said as his family enjoyed Ben & Jerry’s ice cream outside of Hollywood’s Dolby Theatre. “They don’t want to come here and support this place.”

Meanwhile, President Trump’s tariff policies and other geopolitical posturing have convinced many international tourists to avoid America, particularly Canadians, said Palm Springs Mayor Ron deHarte.

“We’ve hurt our Canadian friends with actions that the administration has taken. It’s understandable,” he said. “We don’t know how long they won’t want to travel to the states, but we’re hopeful that it is short-term.”

President Trump’s talk of making Canada the 51st state and his decision to hit Canada with tariffs have not endeared him to Canadian travelers. Meanwhile, media overseas have been bombarded with stories of capricious denials and detentions at U.S. border crossings.

Visitors from China, India, Germany and Australia also avoided the state, according to the latest data. That has resulted in a dip in traffic at most Los Angeles area airports. Cynthia Guidry, director of Long Beach Airport, said reduced airline schedules, economic pressures and rising costs also hurt airport traffic.

Viva Mexico (tourists)!

Despite the southern border lockdown and the widespread immigration raids, Mexicans were a surprising exception to the tourism slump. Arrivals from our southern neighbor were up about 5% over the last three months from 2024.

I asked my cousin, Guillermo, about his travel motivations.

He noted his desire to see family but also to visit many of Southern California’s jewels. He added that planning for this trip started a year earlier too.

Asked if he’d reconsider visiting California in the future, he delivered a timeless response.

“If there’s a deal, I’ll go.”

For more, check out the full story here.

The week’s biggest stories

(Carlin Stiehl/Los Angeles Times)

Explosion at Chevron’s El Segundo Refinery

Crimes, courts and policing

Media and tech news

Entertainment news

Unexpected deaths

More big stories

This week’s must-reads

More great reads

For your weekend

(Stephanie Breijo / Los Angeles Times)

Going out

Staying in

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Kevinisha Walker, multiplatform editor
Andrew J. Campa, reporter
Hugo Martín, assistant editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

KEIR Starmer is set to announce an “online hospital” that will deliver millions of appointments a year as a “new chapter” for the NHS begins.

The Prime Minister will use his leader’s speech at Labour’s conference to set out plans for NHS Online which will connect patients to specialist clinicians.

3

3

The scheme, which will begin operating in 2027, will deliver up to 8.5 million extra NHS appointments in its first three years, Labour claimed.

In his speech in Liverpool Sir Keir will say “a new world is coming” and “in decades to come, I want people to look back on this moment as the moment we renewed the NHS for a new world”.

The online hospital will be accessible through the NHS app and will allow patients to choose between the digital service and their local hospital.

And those who use the service will be able to access and track prescriptions, be referred for scans and tests, and receive clinical advice on managing their condition.

Patients who require a physical test or a procedure will be able to book them on the app, at a nearby hospital, surgical hub or community diagnostic centre.

Sir Keir will describe it as “a new chapter in the story of our NHS, harnessing the future, patients in control”.

“Waiting times cut for every single person in this country. That’s national renewal, that’s a Britain built for all.”

The Prime Minister will stress the need for continued NHS modernisation, insisting it is Labour’s responsibility to make the health service fit for the years to come.

Sir Keir will say: “I know how hard people work in the NHS – I see it my family – and I celebrate it at every opportunity.

“But the responsibility of this party is not just to celebrate the NHS, it’s to make it better.”

The scheme builds upon ideas already being used in some NHS trusts to reduce waiting times and allow patients to get treatment or advice quicker.

NHS England chief executive Sir Jim Mackey said: “This is a huge step forward for the NHS and will deliver millions more appointments by the end of the decade, offering a real alternative for patients and more control over their own care.

“Patients who choose to receive their treatment through the online hospital will benefit from us industrialising the latest technology and innovations, while the increased capacity will help to cut demand and slash waiting times.

“The NHS can, must and will move forward to match other sectors in offering digital services that make services as personalised, convenient, and flexible as possible for both staff and patients.”

NHS Providers chief executive Daniel Elkeles said: “The online hospital could be a very significant development, transforming the way many patients receive their care.

“The way the NHS provides outpatients services hasn’t changed much for decades, but during Covid we learned a lot about opportunities for new approaches using digital technology.

“It’s sensible they are taking the time to plan this properly because there are a lot of factors to consider.

“These include the handling of patient data and the need to avoid ‘digital exclusion’ of people who can’t access the service.

“It’s important there’s new funding and it will be an NHS organisation with NHS staff.

“This is a bold, exciting initiative, but the benefits should not come at the cost of destabilising vital services patients will continue to rely on.”

In his speech, The PM will also say there is “nothing compassionate or progressive” about letting illegal migrants cross the Channel as he stakes his political life on bringing an end to the small boats crisis.

He is under pressure to give a storming conference speech to silence his growing number of critics in both the party and across the country.

Delivering hard truths to his party faithful, the Labour leader will say beating Reform will require “decisions that are not cost-free or easy — decisions that will not always be comfortable for our party”.

Sir Keir sees stopping the migrant boats, maintaining economic discipline and taking another stab at slashing Britain’s bloated benefits bill as vital to winning re-election.

Channel crossings are at record levels under Labour, while use of asylum hotels has also increased.

It has seen Reform open up a ten-point lead, according to some polls, and become the bookies’ favourite to form the next government.

3

One of the joys of living in California is that you’re never too far away from a great meal.

And the variety of Mexican and Salvadoran cuisine throughout the Golden State is unsurpassed.

Once again, our friends on the LA Times Food team have released a well-researched and delicious list to confirm California’s status as a national food mecca.

Critic Bill Addison spent more than a year traveling throughout the state, tasting and compiling selections for the 101 Best Restaurants in California guide.

In his latest article, he’s highlighted 15 of the best Mexican and Salvadoran spots throughout the Golden State, highlighting popular haunts and hidden gems.

Look, this doesn’t have to be a tacos-versus-pupusas debate (sorry, Brad Pitt is correct). We can enjoy both and other plates on this list.

Here’s a few recommendations from Addison’s guide.

(Bill Addison/Los Angeles Times)

El Molino Central (Sonoma)

A molino is the specific mill used to grind nixtamalized corn into masa, which has been the focus of Karen Taylor’s businesses for decades.

In 1991, Taylor started Primavera, a Bay Area wholesale operation built around tamales and tortillas, and a name under which she sells life-giving chilaquiles for breakfast on Saturday mornings at San Francisco’s Ferry Plaza farmers market.

Nearly 20 years later, she translated what she’s learned about fresh masa into a tiny restaurant in the Boyes Hot Springs section of Sonoma County.

A portion of the menu flows with the seasons: in the summer, light-handed sopes filled with chicken tinga and chile rellenos filled with epazote-scented creamed corn arrive; winter is for butternut squash and caramelized onion enchiladas; and spring brings lamb barbacoa tacos over thick, fragrant tortillas.

Among perennials, look for the chicken tamale steamed in banana leaves and covered in chef Zoraida Juarez’s mother’s recipe for mole — hers is the color of red clay, hitting the palate sweet before its many toasted spices and chiles slowly reveal their flavors.

(Myung J. Chun/Los Angeles Times)

Popoca (Oakland)

At the most visionary Salvadoran restaurant in California, Anthony Salguero refashions his culture’s version of the beverage chicha, fermented with corn and pineapple, into a sticky, intricately sour-sweet glaze for grilled and braised chicken.

He shaves cured, smoked egg yolk over herbed guacamole as a play on the boiled eggs that often accompany Salvadoran-style guac. He serves a half Dungeness crab with tools to extract the meat and a side of alguashte, an earthy seasoning of toasted pepitas, to accentuate the crab’s sweetness.

Nicaraguan chancho con yuca, a slow-cooked pork stew, is the inspiration for a walloping pork chop marinated in achiote, grilled above glowing almond logs and poised at an angle, like a rakishly worn hat, over braised yuca and red cabbage.

Salguero ran the eatery Popoca as a pandemic-era pop-up in Oakland before finding a more permanent home (brick walls, pale wood floors, shadowed lighting) in the city’s downtown. While he focuses on reimagining the traditions and possibilities of Salvadoran cooking, he doesn’t abandon El Salvador’s national dish: The pupusas are exceptional, made from several versions of masa using corn he buys from Mexico City-based Tamoa.

(Ron De Angelis/For The Times)

Barbacoa Ramirez (Arleta)

Lamb barbacoa — when cooked properly for hours to buttery-ropy tenderness — is such a painstaking art that most practitioners in Southern California sell it only on the weekends.

In the Los Angeles area, conversations around sublime lamb barbacoa should start up in the north San Fernando Valley, at the stand that Gonzalo Ramirez sets up on Saturday and Sunday mornings near the Arleta DMV. You’ll see him and his family wearing red T-shirts that say “Atotonilco El Grande Hidalgo” to honor their hometown in central-eastern Mexico.

Ramirez tends and butchers lambs in the Central Valley. The meat slow-cooks in a pit overnight and, cradled in plush made-to-order tortillas, the tacos come in three forms: smoky, molten-textured barbacoa barely hinting of garlic; a pancita variation stained with chiles that goes fast; and incredible moronga, a nubbly, herbaceous sausage made with lamb’s blood.

Join the line (if it’s long, someone usually hands out samples to encourage patience) and then find a place at the communal outdoor table. Worried that options might run out, Addison said he tends to arrive before 9 a.m., an hour when Ramirez’s rare craftsmanship often inspires a mood where people sit quietly, holding their tacos as something sacred.

The week’s biggest stories

(Andrew Harnik / Associated Press)

Trump administration, policies and reactions

Crime, courts and policing

Transportation and infrastructure

More big stories

This week’s must-reads

More great reads

For your weekend

(Illustrations by Lindsey Made This; photograph by James Anthony)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Andrew J. Campa, reporter
Kevinisha Walker, multiplatform editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

WASHINGTON — The U.S. remains mired in a deadly pandemic, the economy is suffering from a bout of inflation and states face challenges from climate to transportation, but with only days left in their close-fought race, the hottest issue dividing Virginia’s candidates for governor this week was the late novelist Toni Morrison.

The Republican candidate, Glenn Youngkin, who has steadily gained ground over the past two months, aired an ad featuring Laura Murphy, a parent who had campaigned years ago against the use of Morrison’s widely acclaimed, Pulitzer Prize-winning novel “Beloved” in her son’s high school Advanced Placement English class.

In 2016 and again in 2017, then-Gov. Terry McAuliffe, a Democrat, vetoed a bill aimed at “Beloved” that Murphy helped lobby through the state legislature. It would have required K-12 teachers to give parents advance notice of books with “sexually explicit content” and allow them to take their children out of class. “Beloved,” based on a true story of a woman who killed her child to save her from slavery, includes several graphic descriptions of sexual violence.

Youngkin accused the former governor, now seeking to return to the office, of wanting to “silence parents because he doesn’t believe they should have a say in their child’s education.”

McAuliffe fired back that Youngkin was “focused on banning award-winning books from our schools and silencing the voices of Black authors” such as Morrison. The Republican, he said, was engaged in “Trumpian dog whistles.”

For both candidates, the issue provided a chance to rally key audiences — conservative suburban parents on the one side, Black voters on the other — as the state hurtles toward an election Tuesday that, if polls are correct, could be among its closest in years.

President Biden and former President Trump both have a lot riding on the outcome.

A close race on Democratic turf

The Virginia election is everything that California’s recall turned out not to be — a test of whether Democrats can hold the allegiance of suburban voters stressed by nearly two years of COVID-19 restrictions and of whether Republicans can win a blue state despite Trump’s unpopularity.

Last year, Biden carried Virginia by 10 points, and Democrats currently control all the statewide elected offices. The party took control of both houses of the state legislature over the last four years, and Republicans haven’t won the governorship since 2009.

In short, while Virginia is not as deeply blue as California or New York, it’s a state Democrats recently have been able to count on.

Right now, they can’t.

Biden’s popularity in the state has tumbled, just as it has nationwide since this summer when the Delta variant of the coronavirus upended his optimistic forecasts about COVID-19. A Monmouth University poll in mid-October found Virginia voters disapproving of Biden’s job performance, 52% to 43%, sharply down from an August poll.

The president’s slumping polls are a big problem for McAuliffe, creating “headwinds” for him, as the candidate told supporters last month.

He faces several other difficulties: With Democrats having run the state for the last eight years, they’re naturally the target of voters seeking a change. And McAuliffe, as a former governor trying to make a comeback — Virginia doesn’t allow governors to run for consecutive terms — wouldn’t be a likely change candidate in any case. As a 64-year-old white, male, longtime political figure, he’s not the type to inspire huge enthusiasm among young voters or progressives.

Youngkin, a first-time candidate, has skillfully positioned himself. He’s seized on discontent over schools to take control of an issue on which Democrats have long had an advantage. The Monmouth poll showed that education had risen on the list of top voter concerns and that Youngkin had pulled even with McAuliffe as the candidate voters thought could best handle the issue.

Overall, Youngkin clearly has momentum on his side. The Monmouth poll was one of several recently that found the two candidates dead even — a big accomplishment for the Republican, who this summer trailed by around seven points. A Fox News poll released Thursday evening showed Youngkin moving into the lead among likely voters.

Democrats have dominated early voting, which the state has greatly expanded, but both parties expect Republicans to show up in large numbers to vote in person on Tuesday.

Youngkin, the former CEO of Carlyle Group, a big private equity firm, has poured at least $20 million of his own money into the race, allowing him to keep pace with McAuliffe, a prolific fundraiser. He’s used that money for a barrage of television ads that depict him in classrooms, pledging to raise teacher pay — stealing a page from the Democratic playbook.

At the same time, he has closely identified himself with parents angry over unresponsive school bureaucracies — a sentiment that has boiled over in many parts of the country.

Youngkin has used education issues to mobilize conservatives, pledging to ban teaching of critical race theory in Virginia. It’s not clear that the academic theory, which analyzes the outcomes of systemic racism, is taught anywhere in the state’s K-12 schools, but the idea that it might be has become a rallying cry on the right. That, plus Trump’s endorsement, has solidified his Republican support.

Education also has given him an entrée to less ideological voters in the state’s large suburban regions. In recent elections, those voters increasingly have turned against the GOP, but many are deeply frustrated over the last year and a half of COVID-related school disruptions.

In the California recall election, Republicans had hoped that tapping into parental anger could give them the boost they needed to defeat Gov. Gavin Newsom. That failed, in large part because the top Republican candidate, Larry Elder, lacked credibility with swing voters.

Youngkin has avoided Elder’s habit of creating controversies. Instead, it was McAuliffe who inadvertently helped his opponent with ill-chosen words. During a candidate debate in September, as he explained why he had vetoed the so-called “Beloved” bill, McAuliffe said “I’m not going to let parents come into schools and actually take books out and make their own decisions.”

Then, he added: “I don’t think parents should be telling schools what they should teach.”

Youngkin has heavily featured that line in his ads.

McAuliffe’s campaign eventually responded with an ad in which the former governor expressed respect for parents, but the damage was done.

On top of the reasons that may cause some swing voters to switch this year, McAuliffe also faces a turnout problem, according to Democratic strategists close to his campaign: After the drama of last year, many Democratic voters are exhausted with politics. Republicans, by contrast, are highly motivated to avenge their recent losses.

To counter apathy, McAuliffe has depended heavily on Democrats’ chief motivator — Trump.

In speeches and advertisements, he constantly links his opponent with the unpopular former president.

So do his surrogates, including Biden.

“I ran against Donald Trump. And Terry is running against an acolyte of Donald Trump,” Biden said Tuesday during a campaign rally with McAuliffe in northern Virginia.

Former President Obama, Georgia’s Stacey Abrams and other leading Democrats who have come into the state to campaign have stressed the same point.

Trump, in his usual way, has not been able to resist the urge to get involved. On Wednesday, his spokesperson put out a statement saying that Trump “and his MAGA movement will be delivering a major victory to Trump-endorsed businessman Glenn Youngkin.”

McAuliffe’s campaign went into overdrive to ensure the statement was widely seen.

With the contest appearing so close — tight enough that the winner might not be known until final ballots are counted late next week — there’s one forecast that’s clear: Whichever candidate wins probably can thank Donald Trump.

A ‘framework’ if not a bill

Biden, before heading to Europe, where he will participate in the G20 economic summit and an international conference on climate change, traveled to Capitol Hill on Thursday to announce that he and party leaders had negotiated the “framework” of a bill to cover his major budget priorities.

As Jennifer Haberkorn and Nolan McCaskill reported, the measure, the subject of negotiations for months, would spend roughly $1.75 trillion over the next 10 years on a host of Democratic priorities, including universal preschool for 3- and 4-year-olds, subsidies for childcare and continuation of the expanded child tax credit.

On healthcare, the bill would expand subsidies under the Affordable Care Act and close the hole in Obamacare that excludes low-income people in the dozen states, mostly in the South, that have refused to expand Medicaid. Both expansions would last through 2025. Medicare would grow to include hearing coverage.

The bill would also include about $500 billion to combat climate change.

McCaskill prepared this summary of what’s in the framework.

Biden and House Speaker Nancy Pelosi hope that agreement on the framework will allow the House to pass the separate $1 trillion infrastructure bill that cleared the Senate in early August. But a large number of progressive House Democrats are continuing to hold out. They want more concrete assurances that Sens. Joe Manchin of West Virginia and Kyrsten Sinema of Arizona, who have been the main impediments to Biden’s budget plan in the Senate, will vote for the framework before they’ll vote to approve the infrastructure bill, which the two more-conservative senators support.

Democratic leaders hope to bring both bills to a vote as early as next week.

Several Democratic priorities fell out of the bill as the White House negotiated with Manchin and Sinema to reduce its cost. As Haberkorn reported, a key element that dropped out was a program for paid family leave. Also gone is a plan to allow Medicare to negotiate drug prices.

As Chris Megerian wrote, Biden has been pressing to get agreement on his domestic priorities before heading overseas for the summit meetings.

Friday morning, Biden began his European events with a private meeting with Pope Francis. As Megerian wrote, the meeting comes at a time when some conservative U.S. bishops have talked of denying Biden communion because of his support for abortion rights. The pope’s decision to host Biden “sends a message to the American bishops that denying communion is not something that he approves of,” said John K. White, professor of politics at the Catholic University of America in Washington.

Oil industry on the hot seat

In advance of the climate summit, a House committee has been grilling oil industry leaders about their decades-long record of downplaying the role that fossil fuels play in causing global warming. As Anna Phillips and Erin Logan reported, the hearing marked the first time that members of Congress have directly questioned oil and gas executives under oath about reported efforts to mislead the public about climate change.

The latest from California

Gov. Newsom and Transportation Secretary Pete Buttigieg announced $5 billion in loans to help modernize California’s seaports. The money probably won’t come in time to help clear out current snarls that have backlogged shipments, but it should help prevent future logistical nightmares, Megerian and Russ Mitchell reported.

In Sacramento, lawmakers called for changes following the oil spill off the coast of Orange County, but, as Phil Willon reported, they largely conceded that the state has little ability to ban offshore drilling, most of which occurs in federal waters.

The field of candidates for mayor of Los Angeles got another entry this week as Ramit Varma, an entrepreneur from Encino, announced his candidacy. As Dakota Smith reported, another businessman waits in the wings. Rick Caruso, the prominent developer, has been discussing a race with strategists, including Bearstar Strategies, the firm whose partners Ace Smith and Sean Clegg devised campaigns for former Gov. Jerry Brown and Vice President Kamala Harris.

Sign up for our California Politics newsletter to get the best of The Times’ state politics reporting.

As someone who’s lived in and visited family throughout the Inland Empire for years, I have seen firsthand the rapid growth that has changed the region.

When I travel to Yucaipa nowadays, the orange groves of my youthful weekend visits have long since been replaced by housing developments as the town has nearly doubled in 30 years.

My colleague Terry Castleman has been analyzing the demographic changes taking place in California but he recently took a deep dive into the explosive growth of income in the Inland Empire, in particular the south desert portion of Riverside County.

Castleman, a data reporter, noted that two of the top three communities that saw the greatest growth in average income in the state between 2017 and 2022 were in the Coachella Valley, perhaps best known for hellish summer temperatures, Palm Springs and the Coachella Valley Music & Arts Festival.

For this analysis, The Times considered only communities with more than 3,000 tax returns. I’ll address the cities with fewer returns shortly.

Thousand Palms saw average incomes rise more than 3.5 times over that span, from $12,700 in 2017 to nearly $45,000 three years later. In nearby Indian Wells, incomes nearly doubled, from $139,000 to $256,000.

Castleman analyzed what was happening in his full article. Let’s look at some of those findings.

The Coachella Valley is experiencing a desert bloom

Income levels in Thousand Palms were far lower than in Indian Wells — but each is getting richer from a regionwide perspective, said Kyle Garman, an agent for Keller Williams who has sold real estate in the Coachella Valley for eight years.

Part of the story is attributable to remote work, he said, but the valley has also undergone a shift from being primarily a tourist destination to a place to settle down.

“It’s not just Palm Springs, it’s not just people coming for the festivals, it’s the whole valley,” Garman said.

Before the COVID-19 pandemic, home prices were much lower and only about 35% to 40% of residents stayed for the hottest months of the year, he said. As more attractions and infrastructure have become available to residents, though, “people are sticking around more.”

So, who is moving in?

The average California household has a net worth between three and six times their adjusted gross income, meaning that the average Indian Wells resident probably became a millionaire between 2017 and 2022 as average household income skyrocketed to $256,000 from $139,000.

In the Coachella Valley, “the money’s coming from all over,” Garman observed. When the housing market was most competitive, around 2022 and 2023, cash buyers flooded in.

Now, they’re high earners who have relocated to towns that were formerly less tony. “This is the new norm,” he said.

Garman pointed to a number of new Coachella Valley attractions that were drawing families — the Firebirds professional ice hockey team and Disney’s Cotino housing development.

Thousand Palms is unincorporated, drawing homeowners because, as one businessperson there put it: “Taxes are more reasonable, you have fewer regulations when you want to build.”

Notes that didn’t make Castleman’s cut

When Castleman looked at the income changes in smaller towns, he found some intriguing data.

He discovered staggering income jumps in towns like Helm, an unincorporated Fresno County village that has about 200 residents.

Between the 2017-2022 period, Helm saw incomes grow by 10 times, reaching near $200,000.

Castleman said many smaller towns throughout the state are disproportionately impacted by the moves of one or a handful of “big fish.”

“The experts told me that there was likely a big farm owner who reported huge losses one year and then huge gains the next year,” he said. “So, these towns can have wild fluctuations.”

For more, check out Castleman’s full story.

The week’s biggest stories

Crime, courts and policing

Trump policies and reactions

Entertainment and television news

More big stories

This week’s must-reads

More great reads

For your weekend

(Stephanie Breijo / Los Angeles Times)

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Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Kevinisha Walker, multiplatform editor
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Hugo Martín, assistant editor
Karim Doumar, head of newsletters
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How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

It’s the city that’s proved irresistible for Chappell Roan and marked the finish line for fictional character Forrest Gump.

Santa Monica easily sits among the pantheon of iconic Southern California communities due to its combination of weather, beach backdrop, energy and friendliness.

Yet, that lore has been chipped away by sexual scandal, stagnation and, more recently, by another bubbling calamity.

My colleagues Salvador Hernandez and Richard Winton documented last week that Santa Monica is on the brink of financial crisis, with hundreds of millions of dollars in sex abuse settlements draining the city.

How Santa Monica fell into this predicament and the measures it may take, including cutbacks, to remedy this situation are the focal points of their article.

Let’s take a look at their reporting.

One man’s rampage

The city still faces 180 claims of sexual abuse by a former Santa Monica police dispatcher, a scandal that has already cost $229 million in settlement payouts.

Eric Uller, the former city dispatcher, preyed on children mostly in predominantly Latino neighborhoods of the city, often traveling in an unmarked police vehicle, or his personal SUV.

Uller had been hired and continued to work with children despite a 1991 background check that revealed he had been arrested as a teen for molesting a toddler he baby-sat, according to a report reviewed by The Times.

It wasn’t until 2018 that he would be arrested and charged. He died by suicide in November 2018.

On Tuesday, the city declared that it is in fiscal distress, a move that raised concerns among city workers that cuts, and perhaps layoffs, were coming.

“The financial situation the city is dealing with is certainly serious,” City Manager Oliver Chi said during Tuesday’s City Council meeting.

The worries among city workers reached such a peak that before Tuesday’s meeting Chi sent out an email to all city employees, trying to reassure them no layoffs were being planned.

Santa Monica’s recently approved budget for 2025-26 expects $473.5 million in revenue, but $484.3 million in costs, and city officials worry that the sexual abuse scandal could continue to put a drain on city coffers that are already reeling from an economic downturn.

More than just sex scandals

Current and former officials said the current financial woes were taking shape years ago.

“Santa Monica has failed to reign in unnecessary spending for a number of years, and we’ve known this financial crisis has been looming for a while,” said former Santa Monica Mayor Phil Brock, who lost his seat in the November election.

The city has faced a steep downturn in tourism and retail revenues, Brock said, along with several businesses that have left downtown and the promenade.

“You might have to right-side services, and look at areas where [the city] might be overstaffed,” he said. “I recommend we go back to basics.”

Staving off a panic

Santa Monica officials had initially been set to consider a “fiscal emergency,” a move that would have triggered certain measures by the city to address it, such as cuts and dipping into reserves.

But the declaration voted on Tuesday instead called for a declaration of “fiscal distress,” which Chi said was meant more for the city to communicate its financial situation with other agencies, get help in seeking grants and other funding, and as a tool to work on a “realignment of city operations.”

One city official, who asked not to be named because they weren’t cleared to speak on the record, said employees remained skeptical of what steps the city would take, and whether it could mean cuts to their pay or benefits.

What steps exactly the city is set to take remain unclear.

Whatever happens next in Santa Monica, our reporters will be there to document. As for now, check out the full article.

The week’s biggest stories

(Julie Leopo/Julie Leopo / For The Times)

Trump administration policies and their reactions

Jimmy Kimmel suspension and protest

Crime, courts and policing

Infrastructure needs and upgrades

More big stories

This week’s must-reads

More great reads

For your weekend

(Illustrations by Lindsey Made This; photograph by Saul Lopez)

Going out

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Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Andrew J. Campa, reporter
Kevinisha Walker, multiplatform editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

The Ellison era of Paramount was barely a month old when another major potential Hollywood merger appeared on the horizon.

Last week the share prices of Paramount and Warner Bros. Discovery surged following reports that the former was preparing a bid to take over the latter with a mostly cash offer backed by the Larry Ellison family. This would come a remarkably short time after Skydance Media, the production company founded by Larry’s movie producer son David, combined with Paramount in an $8-billion deal.

A merger of Paramount and Warner Bros. Discovery would have profound ramifications for the media and entertainment industry.

It would consolidate two of Hollywood’s oldest studios, Paramount and Warner Bros., in the most significant movie business merger since Walt Disney Co. devoured the entertainment assets of 21st Century Fox in 2019. The film industry has still not recovered from having the 20th Century Fox studio effectively taken off the board.

Additionally, a merger would put two mass-market streaming services, Paramount+ and HBO Max, under the same roof, probably leading to the eventual melding of the two. The Ellison clan’s move would also bring Warner Bros. Discovery’s linear TV networks, including CNN, HGTV, Food Network and TNT, together with Paramount’s Comedy Central, MTV and BET.

All of this would lead to substantial “synergies,” meaning cuts and layoffs, at a time when the job market in entertainment and corporate media is already fraught as the industry reconfigures itself. Paramount is currently bracing for thousands of layoffs as the new owners seek $2 billion in cost savings.

That’s not to mention the changes that would likely come if CNN came under the control of Ellison.

Larry Ellison, the Oracle Corp. billionaire who, depending on the day, is one of the world’s two wealthiest people alongside Elon Musk, is known to be Trump-friendly. The effects of the Ellison reign are already being felt at Paramount’s CBS News, where a former conservative think tank leader was recently appointed as ombudsman and where center-right and staunchly pro-Israel journalist Bari Weiss is expected to have an influential role after Ellison buys her digital media startup the Free Press.

So why is all this happening now, and why so quickly?

After all, the Wall Street Journal first reported Ellison’s interest in Warner Bros. Discovery on Sept. 11, just weeks after the Paramount-Skydance combo closed on Aug. 7.

In a sense, this scenario is unsurprising. Wall Street has been practically begging for another wave of consolidation in the media business, as the audience for theatrical movies shrinks, cord-cutting guts TV profits and more of viewers’ attention turns to YouTube, Netflix and TikTok. Most of the legacy entertainment companies don’t have the streaming firepower to compete. They need to combine to measure up.

But the timing is unexpected, and the unavoidable political considerations are particularly interesting.

With Trump in the White House, the political winds are clearly blowing in the Ellisons’ direction, after the Skydance and RedBird Capital team that bid for Paramount placated federal regulators with promises to eliminate diversity, equity and inclusion initiatives and to make CBS News more balanced, at least in eyes of Trump-appointed FCC Chairman Brendan Carr.

Paramount paid $16 million to settle Trump’s lawsuit over a “60 Minutes” Kamala Harris interview. Ellison and his team want to make a Warner Bros. deal happen when a friendly administration is in power.

Paramount has lately upped its spending, acquiring the rights to UFC (run by Trump friend Dana White), locking down “South Park” for Paramount+ and announcing a deal with Activision to make a “Call of Duty” movie.

Also of note is that Ellison’s group is coming in with an offer for the whole company even as Warner Bros. Discovery Chief Executive David Zaslav prepares to split the media giant into two firms: one with the studios, HBO and streaming businesses, and the other with the TV networks. Putting in a bid now could dissuade other potential buyers that might be interested in just one part.

Apple and Amazon have long been seen as potential bidders for Warner Bros. (Amazon already owns MGM), but it’s unlikely they would want a bunch of TV channels that are on the brink of being orphaned. Analysts have speculated that one reason for the proposed split was to make the studio and streaming assets more attractive to buyers by uncoupling them from the challenged pay-TV business. That split is expected to take place sometime in mid-2026.

Paramount’s bid could also preempt those that may want to do a deal, but are firmly on the Trump administration’s bad side. NBCUniversal owner Comcast Corp.’s CEO Brian Roberts has been the subject of disparaging Trump missives. Comcast is liberal network MSNBC’s parent company (for now). A regulatory review involving a perceived Trump enemy would likely not go well.

Of course, competitive bids could emerge anyway, for example, if a private equity player such as Apollo Global decided to get into the mix after previously expressing interest in Paramount through an unsuccessful team-up with Sony.

Big mergers in media and entertainment often fail, and they’re always disruptive.

Warner Bros. itself was involved in some of the most disastrous deals ever: AT&T’s purchase of Time Warner, and before that, the media company’s ill-fated marriage with AOL. Warner Bros. is now on a box-office hot streak, but that has come after years of Zaslav taking heat for killing projects such as “Batgirl.”

Such deals result in mass layoffs. Movie theater owners will most likely see darker days ahead as they’ll be minus yet another big supplier of blockbusters. Journalist Richard Rushfield, of the Ankler newsletter, demanded that somebody do something to stop it. We’ll see.

An Oracle scion buying two studios one after the other probably wasn’t the tech takeover of Hollywood that many people envisioned. Analysts long assumed that Apple would be the one to buy an entertainment powerhouse — maybe even Disney — despite having not shown any particular inclination for doing so. But though it’s not the Silicon Valley roll-up people anticipated, it may be the one they’re going to get.

Stuff we wrote

Numbers of the week

An anime film slayed its Hollywood competition at the box office over the weekend.

“Demon Slayer: Kimetsu no Yaiba Infinity Castle,” already a big hit in Japan, was the highest-grossing movie domestically, beating new films “Downton Abbey: The Grand Finale,” “The Long Walk” and “Spinal Tap II: The End Continues.”

The film, distributed by Sony Pictures and Crunchyroll, opened with a better-than-expected $70 million in ticket sales from the U.S. and Canada, according to studio estimates, making it the biggest anime opening ever. It’s also the highest-grossing domestic debut of the year so far for an animated film.

Its global weekend for Sony, which owns the Crunchyroll anime brand and streaming service, totaled $132.1 million, which includes 49 international markets.

Including grosses from Japan, the movie’s worldwide tally has surpassed $450 million, according to Comscore.

The success of “Demon Slayer,” part of a long-running popular franchise and not to be confused with Netflix’s hit “KPop Demon Hunters,” is a relief to theater owners at a time when other genres are struggling, including superheroes, comedies and original animation. It’s the latest evidence of anime’s growing global clout.

Comedian Nate Bargatze didn’t shortchange the Boys & Girls Clubs of America, nor did he kill the Emmys telecast’s ratings on Sunday night.

The 77th Emmy Awards ceremony from the Peacock Theater in Los Angeles delivered an average of 7.42 million viewers on CBS, up 8% from last year’s audience for ABC.

Once among the most-watched live awards shows on television, the Emmy Awards audience declined dramatically over the last decade as most of the series celebrated no longer have the broad reach they did when traditional TV still dominated the culture, reports Stephen Battaglio.

But the audience level appears to have stabilized. Nielsen data shows that ratings for the Emmy Awards grew for the second consecutive year. The figure is the highest since 2021, when the telecast also aired on CBS.

HBO Max’s “The Pitt,” Apple TV+’s “The Studio” and Netflix’s “Adolescence” were big winners.

Film shoots

Finally …

Listen: The music of Le Tigre, just because it rocks. I just started the audiobook of Le Tigre and Bikini Kill frontwoman Kathleen Hanna’s memoir, “Rebel Girl.” Essential for punk rock fans.

When the thought of truly delicious pancakes bubbles up, various trips and experiences flood my mind and activate my hunger receptors.

I’m transported back aboard the Amtrak booze train heading to San Diego for a Chargers game, where I have to make time for Richard Walker’s Pancake House. Their famed, often still sizzling and flaky, gigantic baked apple pancake is the embodiment of flapjack largesse.

There’s the homespun goodness of a sweet cream pancake volcano at the Black Bear Diner, a common haunt when I visit family in the Inland Empire. And can you visit The Grove for breakfast without trying Du-Par’s heavenly and buttery pancakes?

Pancakes own a special place in many of our hearts, partly because they are comforting, filling and customizable.

Food writer Khushbu Shah created a list of 11 pancake spots throughout Los Angeles that includes classics and some new spots.

We’ll dip into that grouping and pull out some favorites where new memories can be created.

Breakfast by Salt’s Cure (Santa Monica)

The oatmeal griddle cakes from Breakfast by Salt’s Cure.

(Andrea D’Agosto)

I almost hesitate to call these pancakes, and in fact, the official name on the menu is “Oatmeal Griddle Cakes.”

Made from a base of oat flour and cinnamon sugar, these thin-yet-hearty griddle cakes taste like a deeply gooey, slightly underbaked oatmeal cookie. There is absolutely no maple syrup or syrup of any kind available, but you won’t need any if you are careful to get the scoops of cinnamon molasses butter into every nook and cranny.

Café Telegrama (Hollywood)

(Stephanie Breijo / Los Angeles Times)

What sets the pancakes at Café Telegrama apart from the rest of the pancakes in Los Angeles are their iconic crispy edges.

Perfectly caramelized, they are the result of cooking the pancakes for at least seven minutes in a generous pool of nutty brown butter. The edges are in sharp contrast to the rest of the pancake, which is quite tender thanks to the ricotta in the batter.

They arrive stacked two to a plate, swimming in maple syrup, and topped with a generous amount of house-made blueberry compote.

The Griddle Cafe (Hollywood Hills West)

Bigger isn’t always better, but it’s impossible not to be delighted by the truly massive, dinner plate-sized pancakes that show up either two or three to a stack at this legendary Sunset Boulevard breakfast spot.

While the classic buttermilk pancakes are solid, this is not the place to hold back — you might as well really go for it with one of the diner’s over-the-top novelty options.

The best?

Either the Golden Ticket, pancakes stuffed with brown sugar-baked bananas, caramel, walnuts and streusel; or the Black Magic, a stack of pancakes brimming with crispy yet soft crushed Oreo cookies and a mountain of whipped cream. Just be ready to nap afterward.

Yang’s Kitchen (Alhambra)

(Myung J. Chun / Los Angeles Times)

It’s worth braving the weekend brunch lines at this beloved Alhambra institution for the giant cornmeal pancakes.

The team at Yang’s whips together cornmeal from Grist & Toll with mochiko rice flour from Koda Farms to create a pancake that is gently chewy with deep savory notes from the cornmeal.

There is no maple syrup: Instead, they come topped with fresh whipped cream, seasonal fruit and condensed milk for drizzling. They might not be traditional by any means, but it’s always worth ordering a stack for the table.

For more, check out the full story.

The week’s biggest stories

(Richard Shotwell / Invision / AP)

Emmys and entertainment news

Charlie Kirk slaying

Children and education

Sports programs looking to reboot

More big stories

This week’s must-reads

More great reads

For your weekend

(Illustrations by Lindsey Made This; photograph by Chris Pizzello / Invision / AP)

Going out

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L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Andrew J. Campa, reporter
Kevinisha Walker, multiplatform editor
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

“The Conjuring: Last Rites” gave movie theaters a needed jolt over the weekend with a much better than expected domestic opening of $84 million and a global take of $194 million, a franchise best and the latest success for Warner Bros. and its New Line Cinema banner.

But it will take more than supernatural scares to ease Hollywood’s jitters after a weak summer movie season that exposed more challenges facing the traditional film industry.

Ticket sales fell slightly from last year’s summer season, which for the movie business spans from the first weekend of May through Labor Day. Movies grossed $3.67 billion in the U.S. and Canada this summer, down 0.2% from the same period in 2024, according to data from Comscore. More importantly, it’s still down from the pre-pandemic norm of about $4 billion, a disappointing result given that summer typically accounts for about 40% of annual grosses.

If you account for inflation, it’s even worse. Adjusting for today’s dollars, summer revenue was down 34% from 2019, meaning theater attendance was weaker than the topline revenue stats suggest. With actual attendance still impaired compared with the days before COVID-19, there’s a growing sense that the industry’s fears have come true: Audience habits have changed, and they’re not going back.

The problem wasn’t a lack of movies compared with last year. The effects of the 2023 writers’ and actors’ strikes have dissipated by now.

Rather, the issue was a shortage of big studio movies that audiences really wanted to see. The biggest release was Disney’s “Lilo & Stitch” remake, which collected $424 million domestically. There was nothing like last summer’s “Inside Out 2” or “Deadpool & Wolverine,” which both generated more than $600 million in North America.

The problem of the shrinking overall audience could be due to multiple factors.

In particular, theater owners blame the shrinking of the theatrical window — the period of time a new movie is held back from home video after its big screen debut — to roughly 45 days from the previously standard 90 days. Audiences know they don’t have to wait long before a new movie becomes available in their living room. That encourages them to save their money for only the biggest, Imax-worthy spectacles. The growing influence of Imax and premium large format screening may exacerbate that trend, as audiences choose between paying extra for a better “experience,” or just waiting to see “F1 The Movie” on their couch.

There were plenty of sequels and reboots, but those often performed worse than prior installments, indicating that audiences were less enthusiastic about seeing another Marvel movie or rampaging dino feature. “Jurassic World: Rebirth” made $861 million globally, which was big, but still the series’ smallest outing since 2001’s “Jurassic Park III.” Warner Bros.’ “Superman” collected a healthy $614 million, but that was still less than 2013’s “Man of Steel” ($670 million).

Superheroes didn’t come flying to the rescue. Marvel’s “Thunderbolts” put up a modest $382 million while “The Fantastic Four: First Steps” opened strong but collapsed in subsequent weeks for a total of $511 million worldwide, a middling outcome for the Disney-owned comic book universe. No wonder studios are increasingly looking at video games as a source of intellectual property for movie adaptations, as my colleague Sam Masunaga recently wrote. After all, Generation Alpha’s list of favorite franchises is dominated by video game-related titles, according to a recent National Research Group report.

Another threat emerged as international audiences appeared to sour on some U.S. blockbusters. “Superman” and “Fantastic Four” grossed less abroad than they did at home, which is an unusual result for big-budget action flicks.

It’s not clear why, but some explanations have been floated. China is no longer the reliable source of revenue that it once was, as audiences increasingly favor local-language productions. Some speculate that America’s diminished standing abroad has contributed to audience fatigue. The quintessential Americanness of the Superman brand is also widely believed to be a factor in that film’s underperformance outside the U.S.

Original animation struggled, as Pixar fielded its worst opening weekend ever with “Elio.” To add insult to injury, Sony Pictures Animation’s “KPop Demon Hunters” became a cultural phenomenon, but only after first launching on Netflix.

The rest of the year has some major releases, but they’re not expected to bring the business back to full strength. September is usually a slow month for moviegoing, “Last Rites” notwithstanding. Disney’s “Zootopia 2,” Universal’s “Wicked: For Good” and James Cameron’s “Avatar: Fire and Ash” will probably do huge business. But while individual films can do well, the overall picture isn’t so rosy.

Stuff we wrote

Number of the week

Artificial intelligence company Anthropic agreed to pay $1.5 billion to authors and publishers to settle a lawsuit that accused the company of illegally using written work to train its chatbot Claude.

The topline figure is the largest known settlement for a copyright case, equating to $3,000 per work for an estimated 500,000 books, The Times’ Queenie Wong reported.

But the case was not an outright win for authors worried about AI being trained on their published material. Far from it.

U.S. District Judge William Alsup of San Francisco ruled in June that Anthropic’s use of the books to train the AI models constituted “fair use,” meaning it wasn’t illegal. Fair use is a doctrine that allows for the limited use of copyrighted materials without permission in certain cases, such as teaching, criticism and news reporting. It’s an essential part of AI companies’ defense against copyright infringement claims.

The real problem for Anthropic was that the startup had illegally downloaded millions of books through online libraries. So the piracy was the true sin in this case, not the training of AI on books without permission.

Anthropic pirated at least 7 million books from Books3, Library Genesis and Pirate Library Mirror, online libraries containing unauthorized copies of copyrighted books, to train its software, according to the judge. However, it also bought millions of print copies in bulk and scanned them into digital and machine-readable forms, which Alsup found to be in the bounds of fair use.

Film shoots

Finally …

Listen: Zach Top’s “Ain’t in It for My Health,” for throwback country goodness.

Read: Amy Nicholson’s review of “The Wizard of Oz” at Sphere in Las Vegas.

The security of former Vice President Kamala Harris, once the duty of the U.S. Secret Service, has been thrown into flux, again, days after President Trump canceled her federal protection.

My colleague Richard Winton broke the news Saturday morning that the Los Angeles Police Department, which was assisting the California Highway Patrol in providing security for Harris, has been pulled off the detail after internal criticism of the arrangement.

Let’s jump into what Winton wrote about this quickly-evolving story.

What happened to Harris’ Secret Service protection?

Former vice presidents usually get Secret Service protection for six months after leaving office, while former presidents are given protection for life.

But before his term ended in January, President Joe Biden signed an order to extend Harris’ protection to July 2026.

Aides to Harris had asked Biden for the extension. Without it, her security detail would have ended last month, according to sources.

Trump ended that arrangement as of Monday.

How did the CHP and LAPD get involved?

Winton wrote Aug. 29 that California officials planned to utilize the CHP as her security detail. Gov. Gavin Newsom, who was required to sign off on such CHP protection, would not confirm the arrangement. “Our office does not comment on security arrangements,” said Izzy Gordon, a spokesperson for Newsom. “The safety of our public officials should never be subject to erratic, vindictive political impulses.”

Fox 11 broke the story of the use of LAPD officers earlier this week and got footage of the security detail outside Harris’ Brentwood home from one of its news helicopters.

On Thursday, Winton verified that LAPD Metropolitan Division officers designated for crime suppression had joined the security detail.

The effort was described as “temporary” by Jennifer Forkish, L.A. police communications director.

Roughly a dozen or more officers have begun working to protect Harris.

Sources not authorized to discuss the details of the plan said the city would fund the security while Harris was hiring her own security in the near future.

Controversy ensued

The Los Angeles Police Protective League, the union that represents rank-and-file LAPD officers, lambasted the move.

The union did not address Harris as a former vice president, nor as California senator or state attorney general, in its official rebuke.

“Pulling police officers from protecting everyday Angelenos to protect a failed presidential candidate who also happens to be a multi-millionaire, with multiple homes and who can easily afford to pay for her own security, is nuts,” its board of directors said.

The statement continued: Mayor Karen Bass “should tell Governor Newsom that if he wants to curry favor with Ms. Harris and her donor base, then he should open up his own wallet because LA taxpayers should not be footing the bill for this ridiculousness.”

What’s next?

The CHP has not indicated how the LAPD’s move would alter its arrangement with the former vice president or said how long it will continue.

The curtailing of Secret Service protection comes as Harris is going to begin a book tour next month for her memoir, “107 Days.” The tour has 15 stops, which include visits to London and Toronto. The book title references the short length of her presidential campaign.

For more info, check out the full story.

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In a couple of months, California voters will have the opportunity to reshape our state’s political map and, perhaps, tilt the balance of power nationally from red to blue.

Gov. Gavin Newsom, who gained recent national attention for his CAPS LOCK social media posturing, spearheaded a bold overhaul of California’s congressional map in response to Texas Republicans’ efforts to add five GOP seats to the House of Representatives.

The redistricting effort, presented at the ballot as Proposition 50, has been blasted by Republicans, but its ultimate fate will be decided by voters on Nov. 4

Times reporters and colleagues Hailey Wang, Vanessa Martínez and Sandhya Kambhampati dissected what the changes could mean.

Here’s some of their analysis.

Methodology behind the analysis

To get a sense of how the proposed maps might alter the balance of power in Congress, The Times used results from the 2024 presidential election to calculate the margin of victory between Democrats and Republicans in the redrawn districts.

In some cases, districts were split apart and stitched together with more liberal areas. In one area, lines have been redrawn with no overlap at all with their current boundary.

As a result, four formerly Republican-leaning swing districts would tilt slightly Democratic, and two others would shift more heavily toward the left. Four out of the five remaining Republican strongholds would become even darker red under the proposed map.

All told, the new maps could help Democrats earn six seats.

We’ll examine two Southern California districts from their list.

41st District: Rep. Ken Calvert (R-Corona)

Rep. Ken Calvert’s 41st District, long centered in the competitive western Inland Empire, would be eliminated and completely redrawn in Los Angeles County. The district would transform from a swinging GOP-leaning seat into one where Democrats would hold a 14-point advantage.

Parts of the new 41st would be carved out of the current 38th District, represented by Democrat Linda Sánchez. That change shifts some of Sánchez’s Democratic base into the new 41st district, making it more favorable to Democrats while leaving the 38th slightly less blue.

At the same time, the Latino share of the population would rise, further bolstering the Democrat‘s strength in the proposed district. The new 41st seat would become a majority-minority district. The redistricting proposal includes 16 majority-minority districts; the same number as the current map.

A section of the current 41st district would be added to Anaheim Hills’ Republican Young Kim’s 40th District. The reshaped 40th District would move 9.7 points to the right — the biggest rightward shift among Republican-held districts.

48th District: Rep. Darrell Issa (R-Bonsall)

In 2024, voters in the 48th District reelected Republican representative Darrel Issa by 19 points, while his district swung to Trump by 15 points.

But the proposed lines would shift Republican voters into a neighboring district in favor of bluer voters from the Coachella Valley, giving Democrats a new edge.

The district’s demographics would also change, with a larger share of Latino voters. As a result, a safe Republican seat would become a swing district, where Democrats would hold a narrow 3-point advantage.

The proposed 48th District includes Palm Springs, a liberal patch that was previously in the 41st District.

What the changes could mean

The analysis found the redistricting effort, which will go to voters on Nov. 4, could turn 41 Democratic-leaning congressional districts into 47.

Democrats currently hold 215 seats in the House, and Republicans have 220. The shift could be enough to threaten the GOP’s narrow majority.

For more on the analysis, check out the full article.

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(Evan Vucci / Associated Press)

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(Etienne Laurent/For The Times)

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Have a great weekend, from the Essential California team

Jim Rainey, staff writer
Kevinisha Walker, multiplatform editor
Andrew J. Campa, reporter
Karim Doumar, head of newsletters
Diamy Wang, homepage intern
Izzy Nunes, audience intern

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.