conversation

Tom Junod has devoted his long and distinguished career to writing about other people. He won two National Magazine Awards as a star feature writer for Esquire, GQ and ESPN: The Magazine, covering everything from athletes and movie stars to the victims of 9/11 with his elegant prose style. However, it took Junod years before he could tackle the toughest subject of all: His father, Lou, a decorated World War II veteran who fashioned himself as a kind of suburban Sinatra.

He was a hard-drinking philanderer who carried with him a complicated legacy that Junod untangles in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.” I spoke with Junod about fathers and sons, and the difficulty of excavating his family’s fraught history.

✍️ Author Chat

You pondered this book for years. Was there a moment when you finally said, “Right, time to write this now”?

There was definitely a moment, when my brother Michael had lunch with a woman named Muntu Law, who was one of my father’s lovers. It was the late summer of 2015. She told him, “Of course, you know your Dad and I had an affair for 11 years.” And he didn’t know that. He called me immediately after and asked me if I knew about the affair and I said yes. He asked me why I hadn’t told him, and I responded that I both knew and didn’t know. I knew it the moment Muntu stood up at my father’s funeral.

You intuited it?

Yes. There was a split there that I needed to reconcile and explore. There was too much unresolved stuff.

Your father’s story is shot through with a lot of tragedy. What is the writing process like for you? Was it an unburdening, a catharsis or something else?

When you unburden yourself, what you wind up doing is taking up much heavier burdens, which is what the book was. But it’s very interesting, because now I’m talking about my father with people in my family, and some of these discussions are difficult, but at least I’m talking about him with them. It was mostly pain, writing the book. Exposing your secrets isn’t particularly a relief, but it allows you to carry on your life without the necessity of being silent.

Tom Junod untangles his father’s complicated legacy in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.”

(Lee Crum)

Your Dad is emblematic of this kind of postwar American male that served in the war and came home flush with triumph and a kind of male privilege. Would you agree?

To the absolute max. My dad was an extreme character, and I think what the war did for a lot of men was it allowed them to reinvent themselves and create themselves. I look at my dad as a completely self-created phenomenon.

He clearly carried himself like a star.

There’s a line in the book where I say that Dad was the only celebrity I’ve ever known.

What’s remarkable is that you broke the cycle. You write about your marriage to your wife, Janet, in the book, whom you met in college. You have been together for over 40 years.

I think a lot of people are surprised by that when they read the book. People just thought I had it, you know — that I was successful and I was able to handle difficult situations. Back in the summer, I gave a copy to my friend, Lisa Hanselman, who I worked with at Esquire and GQ for a long time. And she called me up one morning and just said, “I didn’t know.” And that meant a lot to me. In my mind, it’s one of those things that justifies the effort it took to write the book.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

In “AlphaPussy,” Gina Gershon’s real-life stories deal with “themes of manipulation, survival, and moving around and being able to stand on your own two feet.”

(Evelyn Freja / For The Times)

Mark Athitakis is agog over Lauren Groff’s new story collection “Brawler,” a book that “blends the depth of the long view and the drama of the pivotal moment.”

Acclaimed nonfiction writer Daniel Okrent has written “Stephen Sondheim: Art Isn’t Easy,” a short, sharp biography of Stephen Sondheim for Yale’s “Jewish Lives” series, and Julia M. Klein approves. “[Okrent] seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements,” she writes.

Actor Gina Gershon has written a freewheeling memoir called “AlphaPussy,” which looks back on her San Fernando Valley childhood as a proving ground for dealing with male toxicity as a woman in Hollywood. “I’m not that tough,” Gershon tells Cat Woods. “But I’d learned how to maneuver a lot just from growing up in the Valley, and it was a crazy time to be living there. So I thought about the stories that led me to be able to steer myself through toxicity.”

Finally, Yvonne Villarreal sat with Christina Applegate to discuss her new memoir, “You With the Sad Eyes.” “This book is not cathartic for me — let’s just go there,” Applegate says. “I just needed to dump this s— out somewhere.”

📖 Bookstore Faves

Casita Bookstore in Long Beach prioritizes stories from unrepresented and marginalized voices, says owner Antonette Franceschi-Chavez.

(Antonette Franceschi-Chavez)

An inviting literary haven in Long Beach, Casita Bookstore prioritizes stories from underrepresented and marginalized voices from the BIPOC, immigrant, LGBTQ+ communities and what store owner Antonette Franceschi‑Chavez calls “other historically silenced communities.” I spoke with Franceschi‑Chavez about what readers are excited about now.

What kind of clientele do you get in the store, typically?

Our clientele is wonderfully diverse, but they share a common desire for stories, knowledge and community that center voices often underrepresented in mainstream spaces. We see a strong mix of local community members, educators, families and young readers, along with writers, activists and creatives who are drawn to our focus on books by [underrepresented and marginalized writers].

What’s selling right now?

That’s a difficult question, because we get a wide range of reader personalities. I can say that one of the top-selling trends in adult reading right now is dystopian fiction. Some of the top sellers in our bookstore are “Parable of the Sower” by Octavia Butler, “Chicano Frankenstein” by Daniel Olivas and Agustina Bazterrica’s “Tender Is the Flesh.”

Is there still a place for bookstores as community builders?

Of course! Indie bookstores are vital community hubs. Even in the digital age, bookstores provide physical spaces for connection, conversation and shared experience. You can’t replicate that type of connection online. We’re also living in a time when voices are being silenced or punished for speaking out about social justice, oppressive actions and, overall, what’s right. Bookstores are here to lend their spaces, share those stories and bring attention to needed causes. I’ve seen many bookstores, including ours, function as fundraising and donation hubs, protest art spaces, open-mic venues to allow for communities to unite in shared social causes.

Casita Bookstore in Long Beach is located at 272 Redondo Ave.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

PHOENIX — Unable to ramp up through the first month of spring training because of lingering shoulder soreness, Dodgers left-hander Blake Snell took a step toward readiness Thursday, throwing his first bullpen session.

Two hours before Thursday night’s Cactus League game, Snell threw off the mound in front of a group of reporters and fans at Camelback Ranch. Snell threw 15 pitches — all fastballs — sitting between 87 to 89 mph.

“I feel good,” Snell said after his bullpen. “I was very excited to throw off the mound again and pitch. I’ve been looking forward to this for a while. This being like the first one where I actually could have the catcher down. I was still limited to what I could throw. I was throwing 87 to 89 [mph]. It felt effortless, easy, could command the ball, so [I’m] happy with that. [I’m] just happy to continue to grow and get better.”

The two-time Cy Young Award winner says he’s targeting an April return, and that he’s hoping to get back faster than initially expected.

“I want to pitch in April,” Snell said. “That’s my goal. So, I’ve kind of been the one pushing it, and they’re being more cautious. I think we’re just talking a little back and forth, but I think them seeing me throw a pen today, hopefully that just gives them more confidence to keep it going. I think we won’t really know until I throw a live [batting practice], I think that’s when we’ll really know. How do I recover from that? How do I feel? And then that will be like, ‘OK, let’s get him into games.’ That’s what I would envision. I’m not the front office or Dave, but that’s what I would think.”

Dodgers manager Dave Roberts, however, isn’t ready to give a timetable for Snell’s return.

“I think honestly, to think about when he’s going to come back, we’re just a ways away from even really having that conversation,” Roberts said, noting that six weeks is “the floor” when you also account for a potential rehab assignment.

Thanks to the depth of their pitching staff, the Dodgers can afford to be patient with building up Snell. Right-handers Emmet Sheehan and River Ryan, along with left-hander Justin Wrobleski, are all possibilities for starting assignments early in the season.

“We still need him to pitch, and I know he understands that,” Roberts said of Snell. “But we do have the luxury of trying to err on the side of caution. … We are certainly better when he’s pitching for us, when he’s active.”

Snell, for his part, is thankful to be throwing again without shoulder pain.

“The whole offseason, I mean, every throw kind of hurt,” Snell said. “It was just every throw, I could feel my shoulder. It was just cranky and I couldn’t get it going. And I thought I was doing everything I needed to, and I believe I was, and ultimately, I’m feeling better.”

For decades, Iranian novelist and memoirist Shahrnush Parsipur wrote under the threat of her country’s oppressive laws. Parsipur was imprisoned for her work four separate times: once under the shah, who ruled Iran before the Islamic Revolution of 1979, and three times under the regime that took power that year.

Despite this Damoclean sword hanging over her, she managed in 1989 to publish “Touba and the Meaning of Night,” a sweeping historical novel that lays bare Iran’s crushing patriarchal culture. In 1990, she wrote “Women Without Men,” a book of connected stories that trace the lives of five women, including a sex worker and schoolteacher, in search of liberation and self-actualization.

Shortly after the book’s publication, the Iranian government threw Parsipur in prison for a fourth time, where she remained for over four years.

Flash forward 36 years, and an English translation of “Women Without Men” has published in the U.K. for the first time. (The first U.S. English translation was published by Feminist Press in 2011.)

Now, the U.K. book has been nominated for this year’s International Booker Prize. In an email exchange, Parsipur, who presently lives in exile in Northern California, expounded on her career, Iran and the recent developments there.

✍️ Author Chat

(The L.A. Times may earn a commission from bookshop.org links.)

Women Without Men was longlisted for the 2026 International Booker Prize

(The Feminist Press)

What is your feeling about the U.S. air attack against Iran?

I am very sorry for my country. People suffer and the country becomes ruined. I will never forgive Israel and the U.S. I am an American also and as an American I want to stop the war. I do not think that Americans and Israelis can bring liberty to Iran. The people of Iran must try for themselves.

The government threw you in prison shortly after you published “Women Without Men.”

I was never a political activist and they did not torture me. But one time they put me in a grave for two months in Ghezel Hesar Prison. There, we always had to sit without speaking and our eyes were closed by a cover and we listened to Islamic slogans.

So it was solitary confinement?

We were sitting in a space the size of a grave and there was a wooden wall between every grave, so you could not see anything except your grave.

Did you write in prison?

Yes, I began to write my novel “Touba and the Meaning of Night.” I wrote half of it and suddenly they took it and after one year the men of Ayatollah Montazeri came to prison and they gave me the novel. They had destroyed two pages that were about the killing of a girl. I thought the virginity of my book was ruined. So I burned it. I wrote my memoirs when I came to the U.S.

So you burned the book and then rewrote it?

When my prison term finished I wrote “Touba” again.

Do you still have family in Iran?

Yes, I have some family in Iran and I cannot contact them. The internet does not work and mobiles are silent.

Do you think change in Iran will come soon? Will the U.S. help to liberalize the country?

The Islamic laws must change and a country like Israel cannot do that. So, the Iranian must change the situation. All my books are banned in Iran, except ones that they change themselves. But “Women Without Men” is published in more than 30 countries. The Booker International Prize is an English prize and if they give it to me there is no relation with banning the book in Iran. I am not surprised about the situation.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Julia M. Klein is fascinated by Loubna Mrie’s memoir “Defiance,” which, she writes, “offers a prism on Syria’s authoritarian society before the 2011 uprising and subsequent civil war, and vivid snapshots of the devastation that the war unleashed.”

Mark Athitakis considers two books that tackle the old “New Hollywood” of the late ’60s and early ’70s: Paul Fischer’s “The Last Kings of Hollywood,” which spotlights the Coppola, Lucas and Spielberg pantheon, and Kirk Ellis’ “They Kill People,” about the making of “Bonnie and Clyde.” Athitakis calls Ellis’ history “a meaty yet accessible book that captures the lightning-in-a-bottle nature of the generation’s ur-text,” while Fischer’s book “has a gift for highlighting the ways that moments that we now accept as inevitable were often the product of dumb luck.”

Diane Garrett has a chat with Elizabeth Arnott about her novel “The Secret Lives of Murderers’ Wives,” which she calls “an empathetic and at times bracing mystery tale about unlikely crime solvers circa 1966.”

Finally, Costa Beavin Pappas considers Brian Raftery’s curiously titled “Hannibal Lecter: A Life,” which is really a biography of Lecter’s creator, author Thomas Harris. “For fans of true crime, Raftery has written a fascinating biography and origin story about one of pop culture’s most emblematic serial killers, and his lasting bite on society,” writes Pappas.

📖 Bookstore Faves

Taschen Beverly Hills sells eye-catching artistic works

(TASCHEN)

Taschen Beverly Hills may well be the most gorgeous bookstore in Los Angeles, all gleaming, polished wood and ambient light illuminating the store’s lavishly illustrated art and design books. The shop opened over two decades ago as a showcase for the German publisher’s catalog, and it remains a popular destination for tourists and Taschen cultists who collect the company’s highly collectible titles. I spoke with Taschen Executive Director Creed Poulson about what’s selling right now.

What is the store’s clientele?

At the risk of sounding like a marketing manager, we have something for everyone, because our price points range from $10 up to thousands of dollars. Which allows us to have a mixed clientele in the store.

I know there is a kind of Taschen cult, folks who will buy your books because of your reputation.

That comes from our owner Benedikt Taschen, who is a collector and understands the mindset of a collector. Our books become collectible, regardless of the cost.

What is selling right now?

“Ferrari” by Pino Allievi, who is one of Formula One’s best known correspondents. “The James Bond Archives,” which is edited by Paul Duncan, and “Ultimate Collector Watches” by Charlotte and Peter Fiell.

Lately, there has been a turn among Gen Z into all things analog. Have you seen younger customers come into the store?

Yes, absolutely. I’m seeing a lot of the younger generation coming, especially during our annual sales — fans that are migrating away from just looking at images online, into book collecting. They want a tactile object they can hold and feel, and they want something they can enjoy as an object.

Israel, Iran, ICE, dyslexia, single moms and a pet otter named Potter were among the subjects discussed Tuesday evening at California Gov. Gavin Newsom’s tour stop in Los Angeles to promote his new book, “Young Man in a Hurry: A Memoir of Discovery.”

Speaking to a sold-out crowd of around 1,300 at L.A.’s historic Wilshire Ebell Theatre, the hourlong Q&A hosted by Writers Bloc and moderated by “Pod Save America” hosts John Favreau and Tommy Vietor was equal parts a get-to-know-the-man-behind-the-mask chat and a timely discussion about challenges facing the country.

The engaging discussion was clearly geared toward dispelling the image of Newsom as “that slick guy” (his own words), by covering his journey from an insecure, cocky young man trying to impress those around him to an adult who, through his successes and follies, has become comfortable in his own skin.

Gov. Gavin Newsom and moderators Jon Favreau and Tommy Vietor promoting Newsom’s new book, “Young Man in a Hurry.”

(Ronaldo Bolanos / Los Angeles Times)

He described his young, pre-politician self as posing in a suit: “I was thinking I was Pierce Brosnan in ‘Remington Steele.’ I just discovered hair gel,” Newsom joked. He said in those early years he was often overcompensating for his own feelings of inadequacy as the son of a single mom who struggled to pay the rent. As a kid with learning differences, whose undiagnosed dyslexia put him behind in school. Whose “broke and broken” father neglected his family while hobnobbing with wealthy San Francisco families, including the heirs of the Getty oil fortune.

A chatty, relaxed and sometimes free-associating Newsom rarely needed prompting from the moderators when speaking about his childhood, his family’s strange choice of pet (the aforementioned otter) or far more serious matters. He said that Democrats need to “fight fire with fire” and be more “ruthless” in their fight to win back the country.

Newsom’s politician-speak was evident in some of his more rehearsed efforts to convince the crowd that he’s a regular guy (he may not have changed many diapers with his first daughter, but he got better at his dad duties with his next three kids). But those instances were matched by unvarnished comments that appeared genuine, and risked alienating some of his base.

One such instance came early in the conversation, when Newsom was asked about where he stood on President Trump’s new Iran war, and the administration’s changing rationales on why it launched the military operation without consulting Congress.

“[The Trump administration’s] first rationale was we’ve got to make sure that they’re not armed with nuclear [weapons]. But I thought that was resolved, that we had completely ‘obliterated’ it,” Newsom said, using Trump’s claims against him. “Then maybe that wasn’t the case, so now it’s about their missiles, and they can perhaps hit the United States, and then it’s wait, that’s a decade plus away. So that’s BS. Then it’s about their militias, it’s about their proxy. Then it’s no, it’s about their navy. And then no, it’s a response to the likelihood that Israel was going to [go in] so we had to go in ourselves. God help us … this is Keystone Cops.”

Newsom was then asked if the United States should perhaps consider rethinking its military support for Israel, and he said that would be reasonable.

“The issue of Bibi [Israeli Prime Minister Benjamin Netanyahu] is interesting because he’s got his own domestic issues,” Newsom said. “He’s trying to stay out of jail. He’s got an election coming up. I mean, to say this is in America’s interest, at a time when affordability is at crisis levels, where you had an administration who literally got elected saying this is exactly the opposite of what they would ever consider doing. The fact that we are in this now, regional war.…”

He also said Netanyahu was “potentially on the ropes. He’s got folks, the hard line, that want to annex the West Bank.” Newsom suggested that some critics have “appropriately” described Israel as sort of an “apartheid state.” His comments caused a stir Wednesday from pro-Israel advocates who felt Newsom was turning on their interests.

But most of the conversation was about the book, and domestic issues. Newsom has been a fierce critic of Trump and his policies, positioning himself as part of the resistance, one of the few high-profile leaders to hit back with policy (Proposition 50) and a strong media presence with his podcast, “This is Gavin Newsom,” and his Trump-trolling social media accounts.

“Nothing goes to the heart of who [Donald Trump] is than his press conference yesterday, where he was lamenting [that] four Americans had died,” Newsom said. “He mentioned them in passing. And then went on, in great detail, about the drapes and the Imperial Palace in the East Wing [of the White House] that he’s building. He talked about [it] with real passion and conviction. It says everything about Donald Trump, the uncertainty in the world, to the fact that we have allies under threat, UAE, we’ve got proxy war with, once again, with Hezbollah and Lebanon. We’ve got all the anxiety as relates to 20% of the world’s oil flow, issues related to oil prices and stocks.”

Though Newsom was speaking to an auditorium of blue state supporters, his tour kicked off last week in the South, with stops in Georgia, Tennessee and South Carolina. His efforts to relate to his audience were seized upon when, during a conversation with Atlanta Mayor Andre Dickens, he addressed the audience, saying, “I’m like you,” before bringing up his low SAT scores. He was called out for his comment, which was labeled as racist by critics, particularly those from right leaning media outlets.

In Los Angeles on Tuesday, he was asked how he felt about the California Democratic Party chair’s recent suggestion that some party candidates drop out of the governor’s race, to avoid a Republican potentially winning. “I confess. I agree. With all the promise and peril that marks this moment in California, the most un-Trump state in America,” we can’t risk a Republican winning, he said.

The California Highway Patrol and a private security firm deployed officers and agents around the venue for a tight security presence (no bags or purses allowed). On at least three occasions, one or more protesters interrupted the discussion with shouts from the balcony and floor seats, demanding Newsom do something about privatized prisons and the ICE sweeps of immigrants.

After they were removed by security, Newsom said he understood the “escalation of stress” over the last ten years or so, and defended his record, mentioning he signed the first bill banning private prisons and was a “fierce opponent” of what’s happening on American streets.

Attendees of the event applauded Newsom’s record, and just about everything else he said. They were, after all, folks who had paid up to $80 a seat to hear the conversation and receive a copy of his book. He walked into the crowd afterward and spent nearly a half hour chatting with audience members, posing for selfies and signing copies of his memoir. Newsom was not in a hurry.

Gov. Gavin Newsom on Monday sharply criticized “fake MAGA-manufactured outrage” over his comments about his low SAT score in Atlanta Sunday during his national book tour.

Conservative commentators, Trump loyalists and right-wing media outlets accused the California governor and potential 2028 presidential candidate of disparaging Black Americans when he was discussing his struggles with dyslexia.

“First MAGA mocked his dyslexia and now they’re calling him racist for talking about his low SAT scores,” said Izzy Gardon, a spokesperson for Newsom, in a statement. “The governor has said this publicly for years — including with [the late conservative commentator] Charlie Kirk and dozens of other audiences.”

During a conversation with Atlanta Mayor Andre Dickens, who is a Black politician, Newsom was asked what he wanted the audience and readers to know about him. The governor, in a long-winded response, said he wasn’t trying to impress anyone, but “press upon you I’m like you.”

“I’m no better than you,” Newsom said. “I’m a 960 SAT guy.”

The governor continued to discuss his dyslexia and struggle to read.

Right-wing personalities pounced.

President Trump’s political operation accused Newsom of calling “black people dumb.” Former Fox News personality Megyn Kelly declared that the comment would “haunt him forever,” and Republican Sens. Tim Scott of South Carolina and Rick Scott of Florida belittled the governor. Rapper Nicki Minaj, an outspoken Trump supporter, criticized him too.

“@GavinNewsom Thinks a 960 SAT Makes Him ‘Like’ Black Americans. Let That Sink In,” Fox News commentator Sean Hannity posted on the social media platform X.

Newsom offered a profanity-laced retort to Hannity, accusing him of long ignoring President Trump’s racist remarks and social media posts, then feigning outrage at Newsom’s remarks.

“You didn’t give a shit about the President of the United States of America posting an ape video of President Obama or calling African nations shitholes — but you’re going to call me racist for talking about my lifelong struggle with dyslexia?” Newsom posted on X. “Spare me your fake fucking outrage, Sean.”

Gardon pointed out that Newsom was speaking to a mixed-race audience during the conversation with Dickens.

Dickens also rejected the allegations that Newsom was being racist.

“Take it from someone who was actually in the chair asking the questions: context matters more than a headline,” Dickens said on Instagram. “The conversation around his new book included him speaking about his own academic struggles, including not doing well on the SAT. That wasn’t an attack on anyone. It was a moment of vulnerability about his own journey.”

Sunday’s event wasn’t the first time Newsom has mentioned his SAT score. The governor has cited his performance on the test many times in conversations about his dyslexia and issues with self-esteem growing up, including during an interview with The Times about his new memoir “Young Man in a Hurry” earlier this month.

“Come on, I’m a 960 SAT guy, governor of the fourth largest economy in the world,” Newsom told The Times. “I’m a guy, you know, with sweaty hands as described in the book, you know, who can’t read a speech, and I’m governor. I’m talking to you. Come on, the whole thing is sort of fascinating.”

Newsom used the low score as an example of the grit and resilience he learned from his mother.

The governor is accustomed to sparring with Republicans on social media. Ring-wing furor over his remarks, whether justified or politically motivated, is likely to continue as he flirts with a 2028 presidential run.

“We’ve gotten so used to loud, chest-pounding politics that when someone speaks about shortcomings, people try to twist it into something else,” Dickens, said in his post on Instagram. “Let me be clear though. This is Atlanta. We don’t need anyone to tell us when to be offended. And history has shown… when we are, you’ll know.”

Our present podcast era has bred a new generation of interlocutors from the public sphere, veteran interviewees turned journalists. Harper Simon is among the many pro musicians who have taken on the role of insatiably curious interrogator. The singer-songwriter, who is the son of Paul Simon, has made four solo albums and toured the country both as a solo artist and sideman, but it wasn’t until he was tapped by music manager Michael Lustig in 2016 to host an internet series called “Talk Show” that Simon found his new avocation.

The cream of Simon’s interviews have now been collected in “Thinking Out Loud,” which is published by L..A. imprint Hat & Beard Press. I chatted with Simon about the art of the interview, Pink Floyd and Ed Snowden.

✍️ Author Chat

I have found that people who have been interviewed a lot are good at interviewing others. They know how to avoid the banal and obvious questions.

I’m not a trained journalist, so the conversations were closer to what Andy Warhol’s “Interview” magazine used to be. More of a casual back-and-forth, rather than me trying to ask questions or having someone promote their product. So the book is really a combination of folks that I’ve known my whole life and others that I just asked to interview.

Interviewing public figures can be a very stilted experience. And then you wind up not getting much of anything.

Interviews with journalists are a funny thing. There is always this weird, uncomfortable hierarchical relationship, where the journalist might feel superior, or the subject feels that way. It creates this strange imbalance. The journalist might feel the need to wrest some hot information from the subject, or find some aha moment and then the subject gets their guard up. I feel like the interviews in my book are very relaxed. You’re going to get some truth, even if it’s a modest truth. There were some interviews I left out of the book because the subjects seemed too media trained or too guarded.

Some of your interviewees, like Eric Idle and Buck Henry, are people you’ve known your entire life, having grown up with your dad in that kind of very stimulating artistic milieu. Does that help or hurt?

I think I might get better material from folks like that. There’s a warmth there, but I’m also a huge fan of their work, so I want to hear about Eric Idle’s work with Monty Python, or Buck Henry hosting “Saturday Night Live.” There are still plenty of stories that I’ve never heard.

Harper Simon, the artist and son of Paul Simon, has released three solo albums and toured the country. His latest project is a collection of interviews.

(Demme)

Someone like Pink Floyd’s David Gilmour has been interviewed hundreds of times in his career. What is there left to ask?

It’s kind of like my father, where the legacy is so familiar and well-known, what is there left to be said? What is there left to say about “Dark Side of The Moon”? But it turned out to be a really good interview. He had some great things to say about [Pink Floyd founder] Syd Barrett, how Gilmour felt like the other members had behaved callously towards him at times. He also speaks with great warmth about his own family.

Harry Dean Stanton is in the book, and I have to empathize. He was by far the most difficult interview subject I’ve ever had to deal with. A man of few words.

It’s funny, because I wound up doing some projects with Harry Dean, like this big tribute event to help raise money for Vidiots in Eagle Rock, but even after all of that, we didn’t get any closer. He was a very hard person to know.

You interviewed James Woolsey, and you guys were definitely not on the same page, but the tone remains civil. Don’t you think it’s important to have a reasoned discourse with someone you don’t agree with politically?

Absolutely, but that was one that definitely became contentious at times. James Woolsey had been the former head of the CIA under Clinton. So I came into the interview feeling very outgunned. I’m not a trained political journalist. But somehow I had gotten it in my head that I was Abbie Hoffman and he was J. Edgar Hoover or something. This was 10 years ago, and Edward Snowden was the big story in the news. So I led with that, and Jim Woolsey, being a good CIA man with very strong convictions, felt that Snowden was a traitor. But then he said he would like to see him hung by his neck, which felt aggressive. Then things really went off the rails when we somehow got locked into a discussion about Israel and Palestine. I remember him saying to me, “You’re just parroting the talking points of the Muslim Brotherhood.” Now I found those words echoing in my thoughts when I listen to some people discuss the current situation. I respected him and enjoyed the conversation but it was intense. I thought I held my own reasonably well but he was a tough guy to get in the ring with.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Meredith Maran thinks Anastasiia Fedorova’s book “Second Skin” does a great job of busting open the taboo of what is commonly regarded as deviant sexual desire. The book “advocates for a person’s right to like what they like and to get it consensually,” writes Maran.

Victoria Lancaster has a chat with Emily Nemens about her new novel “Clutch” and the challenges of writing about midlife among a clutch of close female friends. “I was cognizant of balance and understanding the lazy-Susan of it,” says Nemens. “Making sure I was spinning all the way around the table and touching each piece in each storyline.”

Two new novels about game-changing women in history — Janet Rich Edwards’ “Canticle” and Paula McLain’s “Skylark” — find favor with Bethanne Patrick. What these books “get right about their very different heroines and time periods is that change doesn’t happen overnight. … [But] change can and does happen, one determined woman at a time.”

Finally, on the occasion of the new screen adaptation of “Wuthering Heights,” six authors weigh in on their love of Emily Brontë’s enduring romance novel.

📖 Bookstore Faves

Skylight Books on Vermont is a staple of the Los Feliz literati.

(Joel Barhamand/For the Times)

Let us praise Skylight Books, which for over 30 years has remained a pillar of its Los Feliz community, with the main shop and the arts annex just a few doors away from each other on Vermont Boulevard. Store manager Mary Wiliams tells us what her customers are sweeping off the shelves right now.

What is selling right now?

“Vigil” by George Saunders is our biggest seller right now. Aside from that, it seems like great recent fiction in paperback is dominating the bestseller list — “Rejection” by Tony Tulathimutte, “The City and Its Uncertain Walls” by Haruki Murakami, “Martyr!” by Kaveh Akbar, and “All Fours” by Miranda July all are books that keep on selling really well for us, month after month.

Do you sell more fiction than nonfiction, or is it a tie?

We sell a good amount of both, but fiction is the bigger seller. Especially literary fiction, which is our bread and butter. On the nonfiction front, “Everything Now” by Rosecrans Baldwin is a perennial bestseller out of our Regional section — it’s a great collection of essays about Los Angeles. And everything Patti Smith touches turns to gold, so her book “Bread of Angels” is also a hit here.

Your arts annex is unlike anything else in L.A. I suppose there is still a market for cool periodicals and expensive art books that the internet hasn’t knocked out?

Our goal with the annex is for it to be a place of discoverability — where you can find the weird cool art book, comic or magazine you didn’t know you needed. We hope even our customers who are well-versed in art books find something new every visit. A fair amount of what we carry isn’t widely available online in the U.S., so when we put it on our website in our Annex Picks section and advertise it in our newsletter, we get orders from around the country.

Skylight Books in Los Angeles is located at 1818 North Vermont Ave.

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