He introduced Bowen to wheelchair racing, in which she immediately won medals, before she found a passion for throwing.
“I had just started shot put, discus and javelin when Covid happened. I went back after and was thrown into a competition and I won best performer,” she said.
“So I was like, ‘oh, I’m okay at it’ and then I just kept going and fell in love with it.”
It is hard to imagine there will be many spectators at Glasgow’s Scotstoun Stadium more proud than Bowen’s parents who still regard themselves “lucky” to have her.
“We nearly lost her at 13 months old, but she’s here and doing amazing,” said her mother Anne.
“Growing up, she wanted to be like her siblings and would say, ‘they can ride a bike, why can’t I ride a bike?’ So she did.”
Bowen’s determination is only matched by the efforts of her parents to make sure their daughter can achieve her potential in the sport.
Her father Martin built a specially adapted bicycle so she could ride with her family, then moved onto bigger things when he built a campervan to ensure his daughter could to travel to athletics competitions.
“She has just come on so well. Nothing has ever been an obstacle for her,” said Martin.
“Whatever you put ahead of her, she’ll try and do it and if she can’t do it, she’ll get around it.”
Now Bowen hopes she can make her parents proud when they cheer her on in Glasgow.
“It’s the biggest competition I’ve ever done and I’m just happy to be there,” she said.
“It would mean the world to me to win a medal but just being there, I’m so thankful.”
Abidjan, Ivory Coast – For decades, many of Ivory Coast’s biggest consumer markets were built around international companies with established brands, global supply chains and deep financial resources.
But a number of Ivorian businesses are now finding room to grow.
From petroleum distribution and digital banking to cosmetics manufacturing, these companies are entering sectors where foreign firms have long been dominant, building customer bases at home and looking beyond Ivory Coast’s borders.
Their rise does not signal the retreat of multinational companies, which remain major players across the economy. Instead, the experiences of Petro Ivoire, Djamo and Kaira Holding show how some domestic firms are competing by moving quickly, understanding their markets and investing in production.
Fuel challenge
When Petro Ivoire entered Ivory Coast’s petroleum sector in 1994, international oil companies controlled much of the market.
Today, the company says it is the country’s largest locally owned fuel distributor and ranks third overall behind TotalEnergies and Shell.
Sebastien Kadio-Morokro, Petro Ivoire’s chief executive, said the company’s founders believed a domestic business could compete by combining knowledge of the market with international standards.
“In the 1990s, the market was managed exclusively by multinationals,” Kadio-Morokro told Al Jazeera. “My late father’s idea was that, given the local expertise we had acquired in this industry, it was important to offer something authentic to the local market while strictly adhering to international standards.”
A Petro Ivoire petrol station in Abidjan. The company is among a group of Ivorian firms challenging established international brands [AbdulHadi Heriba/Al Jazeera]
The company says it now holds about 15 percent of Ivory Coast’s fuel market. Kadio-Morokro said being locally owned allows the company to make decisions faster than larger international rivals.
“When a strategic decision needs to be made, we can convene our board immediately and move forward,” he said. “We don’t have to navigate a long chain of decision-making through headquarters overseas.”
That approach helped Petro Ivoire move into the butane gas market in 2007, a sector the company says it now leads. It is also investing in electric-vehicle charging infrastructure as Ivory Coast prepares for changes in transport and energy use.
For Kadio-Morokro, the company’s experience reflects a broader challenge facing African businesses: building confidence that companies created on the continent can compete at scale.
“Africans must trust their countries, themselves and their continent,” he said. “There is no reason why we cannot succeed at home.”
Digital banking
In West Africa’s financial sector, another company is challenging traditional ways of accessing banking services.
Djamo launched in Ivory Coast in 2020, offering accounts, savings and investment products through a mobile application. The company says it now serves more than two million customers and 10,000 small and medium-sized enterprises.
For cofounder Hassan Bourgi, one of the biggest obstacles was convincing investors that francophone West Africa could produce a technology company capable of scaling.
Djamo cofounders Adis Labi, left, and Hassan Bourgi are building a digital banking platform aimed at changing how consumers access financial services in francophone West Africa [AbdulHadi Heriba/Al Jazeera]
“The biggest hurdle we encountered was that our region was completely off the radar for global venture capital investors,” Bourgi told Al Jazeera. “Historically, tech investment flowed almost exclusively into four main hubs: Nigeria, Kenya, South Africa and Egypt.”
Djamo sought to challenge that perception by showing investors that companies from francophone markets could grow beyond their borders.
“We showed investors that it was possible to build a large company here,” Bourgi said. “We highlighted the stability of our economy and the CFA franc, which created a strong environment for us to build and expand.”
The company focused heavily on younger consumers, designing a platform around the habits of a generation already familiar with digital services.
“Generation Z was the cornerstone upon which we built our product,” Bourgi said. “We wanted to provide an experience that matched what people encountered every day on international platforms.”
Scaling up
The growth of companies such as Petro Ivoire and Djamo comes as Ivory Coast seeks to strengthen its domestic private sector and help businesses move beyond the national market.
The International Finance Corporation (IFC) and Ivory Coast’s employers’ association, CGECI, have launched programmes aimed at helping promising companies improve access to finance, strengthen management and prepare for regional expansion.
For many entrepreneurs, the challenge is not only building a successful business at home but creating companies large enough to compete across borders.
Few stories capture that journey more clearly than Kaira Holding.
From cot to cosmetics
In 2009, Fode Kaira Yatabare launched his cosmetics company from a two-room apartment in Abidjan.
The apartment served as both home and office. Each night, he slept on a folding military cot that had to be packed away each morning to make space for work.
Today, Kaira Holding exports beauty and personal care products to 32 countries across Africa, Europe and the Middle East.
Products from Kaira Holding, an Ivory Coast-based cosmetics manufacturer, have expanded from a small apartment operation into an export venture serving 32 countries [AbdulHadi Heriba/Al Jazeera]
“I belong to a new generation of African entrepreneurs who passionately believe in local manufacturing and value addition,” Yatabare told Al Jazeera.
“When we started, capital constraints were immense. We launched from a tiny two-room flat. We only managed to scrape together four million CFA francs [about $7,000] to start producing soap.”
The company has since invested in its own packaging, printing and manufacturing processes, reducing its dependence on imported inputs.
“Many people fail to realise that manufacturing costs in Africa can actually be lower than in China if you fully integrate your value chain,” Yatabare said. “This vertical integration has made us more competitive.”
Kaira Holding is now expanding its research capacity and preparing to enter new markets, including China.
The experiences of Petro Ivoire, Djamo and Kaira Holding do not represent the end of multinational influence in Ivory Coast. But they show how some African businesses are building an advantage by staying close to consumers, making decisions quickly and investing in their own capacity.
For Yatabare, that ambition reflects a changing mindset among entrepreneurs on the continent.
“Africa has changed,” he told Al Jazeera. “We are moving forward guided by a singular ambition: from Côte d’Ivoire to the world.”
The full line-up for Celebrity Hunted on Channel 4 has been released, with stars from Strictly Come Dancing, EastEnders, Love Island and more battling the Hunters.
Brian Conley is going on the run(Image: Hoda Davaine/Dave Benett/Getty I)
Celebrity Hunted is officially returning to our screens, with a fresh batch of stars going on the run to help raise money for Stand Up To Cancer.
More than a decade after the first series of Hunted aired on Channel 4, the hit show will be returning to our screens very soon – as a string of famous faces will become fugitives in August.
EastEnders icon Brian Conley will be competing with his daughter Lucy, while Strictly Come Dancing stars Amy Dowden and Carlos Gu are also hoping to go unnoticed by Ray Howard and his “elite team of Hunters”.
Love Islanders Chris Taylor and Toby Aromolaran will be taking part, beside JJ Chalmers and Sophie Morgan, and presenters and siblings Scarlette and Stuart Douglas. Comedians Jen Brister and Laura Smythe also make up the line-up.
The celebrity pairs will have to “vanish into mainland Britain, cutting themselves off from the lives – and the fame – they’ve always relied upon. For 14 relentless days they must stay hidden, think fast and trust no one because the moment they leave a trail, the hunt is on.
“In a world where almost every movement leaves a footprint, can these celebrity fugitives escape the glare of the spotlight and remain under the radar, or will the Hunters bring every fugitive into custody before the 14 days are up?”
While Hunted first aired in 2015, the celebrity version began two years later – The Wanted singers Jay McGuinness and Siva Kaneswaran outwitted the Hunters to take home the crown in 2017.
The most recent season aired at the beginning of last year, with Christine McGuinness and Duncan James defeating the Hunters.
Shedding light on the upcoming season of Celebrity Hunted, which will begin filming next month, Factual Entertainment Commissioning Editor for Channel 4 Ian Dunkley said: ”When celebrities go on the run and are forced to engage the help of us mere mortals, chaos and comedy inevitably ensue.
“Hunted down by a motivated team of police and security professionals, this series reveals what it takes to remain hidden when everybody knows what you look like.’’
Matt Bennett, Director of Programmes for Shine TV, added: “Celebrity Hunted is the only TV series – alongside its cousin, Hunted – which continues to remind us of the powers of the state in an entertaining and engaging way.
“This is our most ambitious series yet, beginning with a breathtaking aerial launch amongst the skyscrapers of London, then a daring escape at the end of the run for any who evade capture… with a great deal of entertaining mischief in between.”
Professional visual artists hate generative AI. This should come as no surprise, but a new survey released last month by a trio of researchers at Carnegie Mellon University breaks down just how much: 99% of respondents out of a pool of 378 verified professional visual artists noted their dislike for the technology, with 92% categorizing it as “strong dislike.”
Even more jarring, the survey found that 80% of respondents believe that they’re in competition with the technology. The artists expressed deep concerns about the impact AI is having on their careers, with 54% saying it has diminished their income, 75% their job and clientele security, and 90% their income opportunities. Another 77% said it had negatively impacted their career growth, 61% the future of their career, and 74% their career sustainability.
The jobs most heavily affected include commercial artists, graphic designers and concept artists in entertainment whose work is sometimes entirely replaced — or largely commandeered — by images generated using tools like Midjourney, Adobe Fireplay or DALL-E; but fine artists working in traditional media are also experiencing a devaluation of their work and a shrinking pool of employers.
“I’m working on getting out of the field and planning to get my PhD in something non-art related because I can’t see my current work as being sustainable when I see them actively replacing me [with] chatGPT,” a costume designer and illustrator said in the survey, which notes, “Demoralization, disempowerment, disrespect, stress, and fear are also commonly expressed, not only regarding individual careers but also extending towards the field at large.”
“It’s been pretty demoralizing at times seeing a lot of younger artists giving up because they don’t see a future in art. That they’re abandoning their creative passions because of AI,” another illustrator said. A comic artist, writer and painter noted that AI underscores that art is not important to the general public. “It has been demoralizing largely because generated AI images look like crap but there is a segment of the population who seem to not care,” the artist said.
Then there is the unnervingly meta task of artists trying to prove they are human, or that they did not generate their work using AI.
“I find users online to be more critical, looking at art less to enjoy it and more so to figure out if it’s AI generated or not. There’s a lot of pressure and anxiety in proving you are a real person now,” one illustrator and designer said. Another artist and sculptor said, “I have seen false accusations for use of AI in work from other artists who do not use AI and I am fearful of being accused of this as well, I now record the creation process of most things so that I have proof AI was not utilized.”
In that column, Merchant discusses the “good enough” principle of AI-generated art, noting, “Creative workers aren’t typically worried that AI systems are so good they’ll be rendered obsolete as artists, or that AI-generated work will be better than theirs. Their fear is that clients, managers, and even consumers will deem AI art ‘good enough’ as the companies that produce it push down their wages and corrode their ability to earn a living.”
An idea highlighted in the following letter published by Merchant from an anonymous source:
“I’ve been out of work for a while now. I made children’s book illustrations, stock art, and took various art commissions.
Now I have several maxed out credit cards and use a donation bin for food. I haven’t had a steady contract in over a year. two weeks ago, when a client who has switched to AI found out about this he gave me $50 out of ‘a sense of guilt.’ Basically pity for the fact that Illustrator, as a job, does not exist anymore.”
One thing Merchant is exceedingly good at is reminding readers that there is a surge of dissent swelling from the proletariat — and that after you’re done feeling the necessary despair, you can join the anti-AI resistance. For visual artists that can be as simple as utilizing a growing number of defensive tools when it comes to protecting art, most notably Glaze and Nightshade. The former adds the smallest pixel-sized changes to your artwork, which serves to confuse AI so it can’t train on your style; the latter — as the name implies — acts more like a poison that corrupts AI training data so it can’t scrape from a protected image.
I’m Arts editor — and proud Luddite — Jessica Gelt. This is your arts and culture news for the week.
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The week ahead: A curated calendar
FRIDAY
Celeste Butler-Clayton as Coretta Scott King in “Experiencing the Dream: The MLK Musical.”
(Triple T Photography)
Experiencing the Dream: MLK the Musical The show’s 26 songs will be recorded live with an orchestra of 27 musicians under the direction of Leon Lacy, with orchestrations by Felipe Paccagnella, vocal arrangements by Tony Jones and musical direction by arranger/producer William Taylor. The cast includes Eric Dawkins, Bishop Jonathan Mason, Yolanda Gibbons, Patricia Jackson, James Singleton, Melvin Crispell, Pam Blackmon Kendle and Celeste Butler-Clayton. Written by Kesha L. Ealy and Marcus S. Mason. Mason also composed the music. 7 p.m. Greater Emmanuel Temple, 3740 E. Imperial Hwy., Lynwood. MLKthemusical.com
Riverdance 30 — The New Generation The Irish music and dance phenomenon marks its three decades with a special anniversary tour. 7:30 p.m. Friday; 2 and 7:30 p.m. Saturday; 1 and 6:30 p.m. Sunday. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org
SATURDAY
Ryuichi Sakamoto, left; Bang on a Can All-Stars.
(The Wallis)
Ryuichi Sakamoto Contemporary music sextet Bang on a Can All-Stars pay tribute to the Japanese composer with works from his album “1996,” which included pieces from his film scores, including “Merry Christmas, Mr. Lawrence” (1983), “The Last Emperor” (1987), for which he won an Academy Award, “The Sheltering Sky” (1990) and “Little Buddha” (1993). 7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
Vijay Iyer and Wadada Leo Smith The longtime collaborators perform music from their 2025 album “Defiant Life” which Iyer noted “was shaped by our ongoing sorrow and outrage over the past year’s cruelties, but also by our faith in human possibility.” 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Radiance + Reverie Los Angeles Chamber Orchestra music director Jaime Martín leads the group in Mozart’s “Haffner” Symphony, “Selah,” a world premiere of a new Double Concerto by Christopher Cerrone performed by violinist Anthony Marwood and cellist Coleman Itzkoff, and Tchaikovsky’s “Mozartiana.” 7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org
Mads Mikkelsen and Zlatko Burić in ‘Pusher II: With Blood on My Hands.”
(Jens Juncker-Jensen / NWR / Magnolia Pictures )
Pusher trilogy Danish filmmaker Nicolas Winding Refn’s gritty triptych takes us through the violent criminal underworld of Copenhagen in three interconnected films, each with a different protagonist: “Pusher” (1996), starring Kim Bodnia; “Pusher II: With Blood On My Hands” (2004), starring Mads Mikkelsen; “Pusher III: I’m The Angel Of Death,” starring Zlatko Burić. 5 p.m. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com
Jodi Siegel The singer-songwriter and guitarist is joined by guitarist Greg Porée and percussionist Justin Porée for an evening of blues, R&B, soul and jazz. 8 p.m. Sierra Madre Playhouse, Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org
SUNDAY Celebrating Photography The Getty has a series of events inspired by the exhibition “Photography and the Black Arts Movement, 1955–1985” (which continues through June 14). It begins Sunday with a free, daylong Family Festival featuring live music, dance, storytelling and interactive workshops. On Wednesday evening, moderator Karen Grigsby Bates and authors Dr. Karin L. Stanford and Mark Speltz discuss the new book “Marching West: The Los Angeles Civil Rights Movement in Photographs.” Thursday morning, the panel “Backstage: An Unfurling of the JPC: Black Photography & Visual Culture” examines how the Johnson Publishing Company and its photographers impacted Black visual culture and the larger field of photography. Finally, on June 7, authors Jeanne Moutoussamy-Ashe (“Viewfinders: Black Women Photographers”) and Deborah Willis (“Black Photographers, 1840 to 1940: An Illustrated Bio-Bibliography”) discuss their work as artists and historians. Family Festival, 10 a.m.-5 p.m. Sunday; “Backstage: An Unfurling of the JPC,” 10 a.m. Thursday (also online); “Marching West,” 7 p.m. Wednesday (also online); “Viewfinders,” 4 p.m. June 7 (also online). Getty Center, 1200 Getty Center Drive, L.A. getty.edu
F For Fake A 35 mm screening of Orson Welles’ 1973 enigmatic docudrama profiles professional art forger Elmyr de Hory as a starting point for examining authenticity and authorship. 6 p.m. Brain-Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com
Philip Glass and the Poets The first major Philip Glass 90th birthday celebration (he was born Jan. 31, 1927) features Timo Andres on piano and spoken word performance by Taylor Mac, with special guest appearances by Lucinda Childs and the San Francisco Girls Chorus and their artistic director Valérie Sainte-Agathe. 7 p.m. UC Santa Barbara, Campbell Hall. artsandlectures.ucsb.edu
TUESDAY
Gustavo Dudamel will lead the L.A. Phil in Wagner’s “Die Walküre” in three parts, Tuessday-Sunday at Disney Concert Hall.
(Etienne Laurent / For The Times)
Die Walküre Conductor Gustavo Dudamel and the L.A. Phil, along with director Alberto Arvelo, tackle the second installment in Wagner’s epic Ring Cycle in three stand-alone parts with opera stars Jamez McCorkle, Jessica Faselt, Christine Goerke and Ryan Speedo Green, and scenic designs by Frank Gehry. Act I, 8 p.m. Tuesday and Friday; Act II, 8 p.m. Wednesday and Saturday; Act II, 8 p.m. Thursday and 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
WEDNESDAY Being There Peter Sellers received an Oscar nomination for his portrayal of a simple gardener catapulted into the media spotlight and presidential politics in Hal Ashby’s prescient 1979 satire. Shirley MacLaine, Jack Warden and Melvyn Douglas co-star. Screening in 35 mm with an appearance by cinematographer Caleb Deschanel. 7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
Life of Mozart The Pasadena Choral Society presents the composer’s unfinished “Requiem” within a dramatic framework using Mozart’s own words. Milo Brody plays Mozart, accompanied by pianist Tali Tadmor, with solos by soprano Erika Boychenko, alto Ali Frazzini, tenor Eric Wernerand bass Chris Tickner. 7:30 p.m. San Marino Community Church, 1750 Virginia Rd #0412. givebutter.com/lifeofmozart
Primary Trust Times theater critic Charles McNulty described Eboni Booth’s 2024 Pulitzer Prize-winning play as “a quirky, small-scale, quietly reflective work that’s as tenderhearted as it is spryly comic and as poignant as it is ultimately uplifting,” when it had its West Coast premiere at La Jolla Playhouse. Once again directed by Knud Adams, it arrives in Los Angeles with a cast that includes Ugo Chukwu, Rebecca S’manga Frank, Petey McGee and James Urbaniak, with music by Luke Wygodny. Through June 28 Mark Taper Forum, 135 N. Grand Ave., downtown L.A. centertheatregroup.org
Studio installation view from “A Palace in Time” at the Skirball beginning May 20.
(Courtesy of Robert Russell and Lisa Edelstein.)
Skirball Spring Exhibitions The Skirball Cultural Center launches three new exhibitions next week: “Inventing America: The Comic Book Revolution”; “Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976–1986”; and “Robert Russell and Lisa Edelstein: A Palace in Time.” All three open May 20, Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. skirball.org
THURSDAY
Ain’t Misbehavin’ Grammy Award-winning artist Ledisi headlines this Ebony Repertory Theatre production, in association with Fig Street Films, of the Tony Award-winning revue, a tribute to the music of Fats Waller. Directed by Wren T. Brown, with choreography by Dominique Kelley and music direction by William Foster McDaniel. Chester Gregory, Connie Jackson, Marty Austin Lamar and Natalie Wachen co-star. May 21 through June 8. Nate Holden Performing Arts Center, 4718 W. Washington Blvd. L.A. ebony rep.org.
Arts anywhere
New and recent releases of arts-related media.
Shaina Taub, Jenna Bainbridge and the cast of “Suffs” during the 77th Annual Tony Awards in 2024.
(Theo Wargo / Getty Images for Tony Awards Productions)
Suffs When the national tour of Shaina Taub’s musical about the suffragette movement marched through the Hollywood Pantages last fall, Times theater critic Charles McNulty wrote that it “is as informative as it is uplifting. It is above all a moving testament to the power of sisterhood. The struggle for equality continues to face crushing setbacks today, but Taub wants us to remember what can happen when people stand united for a just cause.” Captured on Broadway in December 2024, “Suffs,” starring Taub, who also wrote the book, music and lyrics for the show, debuted on PBS’ “Great Performances” earlier this month and is streaming online until the end of July. pbs.org
— Kevin Crust
Culture news and the SoCal scene
Johnie’s Coffee Shop in Los Angeles May 8.
(Ariana Drehsler / For The Times)
Artist Gary Baseman staged his first hometown show in more than a decade at the long-shuttered, but still iconic Johnie’s Coffee Shop along Miracle Mile on Wilshire Blvd. The Googie-style structure opened its doors for the exhibit, which featured a variety of Baseman’s drawings on menus from L.A.-area restaurants.
McNulty also weighed in with a review of a revival of Eugène Ionesco’s “Exit the King,” directed by Michael Michetti at A Noise Within. Ionesco, a Romanian-born French playwright, is one of the pillars of the Theatre of the Absurd, McNulty writes, adding, “The existential philosophy of Camus and Sartre, self-evident truths for these absurdist writers, is conveyed less through the content than through the style of their plays. Language is no longer a means of communication but a mark of the unbridgeable distance between human beings.”
People play a satirical video game installation titled “Operation Epic Furious Strait to Hell,” created by guerrilla art group Secret Handshake.
(Heather Diehl / Getty Images)
You can order a Diet Coke, or bomb Iran in a new video game about the Iran war called “Operation Epic Furious: Strait to Hell,” which was installed near the National Mall in Washington, D.C. by the anonymous arts activist group Secret Handshake. For the past year and a half the group has secured permits to erect an ongoing series of satirical public sculptures — mostly about President Trump’s alleged ties to convicted sex trafficker Jeffrey Epstein — on and around the National Mall. This is the group’s first foray into video games.
Times classical music critic Mark Swed devoted a recent column to the genius of the American theater director, playwright and performer Robert Wilson, who died last year at the age of 83. “So far this year, there have been, or will be through the end of June, major Wilson opera and theater productions in Moscow; Paris; Ljubljana, Slovenia; Düsseldorf, Germany; Adelaide, Australia; Kaunas, Lithuania; Vienna; Rome; Tokyo; Luxembourg City, Luxembourg; Berlin; Riga, Latvia; and Sophia, Bulgaria. That is to say, pretty much Wilson business as usual,” Swed writes, before examining two new performances of Wilson’s work in Brooklyn and Houston.
Artist Todd Gray stands in front of his work inside the Wilshire/La Cienega Metro Station on May 1 in Los Angeles.
(Carlin Stiehl / For The Times)
Iris Kwok marked the opening of L.A. Metro’s new D Line extension by profiling four of the artists behind the public artwork in three new stations. Nine artists in total worked on site-specific installations: Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton and Mark Dean Veca.
Culver City’s Wende Museum of the Cold War announced it will build a $16-million expansion in Hawthorne. It plans to transform a newly purchased Midcentury Modern building into a research institute and interactive storage facility for its collections — “a ‘living archive,’ as it’s calling the facility,” writes Deborah Vankin. The opening is currently set for 2028.
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Alvin Ailey’s American Dance Theatre’s Chalvar Montei leaps for the stars. The troupe will perform as part of the Glorya Kaufman Presents Dance at the Music Center.
(Dario Calmese / Courtesy La Jolla Music Society )
The Music Center announced its lineup this week for the 2026–27 season of Glorya Kaufman Presents Dance at the Music Center. Highlights include the Joffrey Ballet’s West Coast premiere of “The Sleeping Beauty,” Compañía Nacional de Danza’s North American premiere of “Don Quixote,” and the Los Angeles premiere of a Jerome Robbins ballet festival curated by Tiler Peck. Alvin Ailey Dance Theater is also part of the lineup, and choreographer Sonya Tayeh will unveil an L.A. premiere set to the music of Sinéad O’Connor.
The Los Angeles Philharmonic has announced the 2026 summer season at the Ford. The open-air venue across from the Hollywood Bowl is now in its seventh season under LA Phil leadership, and shows are set to run through Oct. 31. Grab your picnic basket and select a date from a wide variety of shows including dance, music and film. Stand-out acts include Bilal and DJ Rashida, Matteo Bocelli, Jacob Collier, Judy Collins and Bruce Cockburn, Ani DiFranco and Valerie June, Helado Negro and Reyna Tropical, Joe Hisaishi, Iron & Wine, the L.A. Phil, and Punch Brothers.
The Institute of Latino Art has opened in Pomona, with a grand opening reception scheduled for June 13. Occupying the former Latino Art Museum space, the new gallery was founded by artist Oscar Magallanes. A news release notes, “ILA represents a new artist-led institution in the Inland Empire, working to connect regional communities with contemporary Latin American and Chicano art. The inaugural exhibition, ‘Reclamation: Art in Contested Spaces,’ features NSRGNTS, Lapiztola, and Rubén Ortiz-Torres.”
