COMIC Michael McIntyre has admitted turning to fat jabs after his doctor told him he was obese.
The 5ft 5ins star said wife Kitty ordered him to start after the medic ticked him off for being 100kg (15st 10lbs).
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Michael McIntyre, pictured in May, has admitted turning to fat jabs after his doctor told him he was obeseCredit: GettyThe comedian looked thinner this monthCredit: Splash
McIntyre, 49, said he first used Ozempic before switching to Mounjaro and the weight dropped off in only three weeks of injections.
The dad of two, who has long struggled with his weight, made the admission to an audience in London.
He joked: “Have you noticed how tiny I am? I have lost weight.
“Don’t applaud it because there is a little bit of cheating that has gone on.”
McIntyre who once lost 7kg (14lbs) at a £2,000-a-week clinic, confessed that he did not want to use appetite suppressants but Kitty insisted.
He also blamed his problem on eating his kids’ leftovers.
On his trip to the GP, he told fans: “The doctor told me I weighed 100kg.
“He told me I was ‘obese’. How rude. He said, ‘It’s a medical term’.”
McIntyre, whose new series of The Wheel started last night on BBC One, also declared that his weight-loss success will “fall apart” if he ever eats something sweet again.
Comedian Becky Robinson’s life has turned into the most insanely fun reality show. One minute she’s screaming into a closet mirror, feeling defeated back in her parents’ house, and a few viral moments later, she’s on The Members Only tour, zipping around country clubs in Oakleys with her tricked-out Streetrod Golf Cart, “sauvi B,” and a sun visor clamped on her blond bob like it’s couture. Her bestie Trish is one call away, her kids Macabee and Dashiell are wrecking the house, her husband Scott isn’t listening (shocker), but her fans-turned-friends, the “Gieurlz,” are. Welcome to the world of the Entitled Housewife. No fancy membership required here because none of it is real, but it’s all so real.
Every story, and character, has a beginning and before she was taking rides on custom carts, she was riding an emotional roller coaster during the pandemic. “So during the pandemic I was with my sister, and she was working at an ER,” says Robinson. “She was in the trenches trying to help people and coming home and you know, might die, and I was terrified because she was coming home from work every day and — who knows? I grew up around Portland, so I had packed up my wigs to go there in case I was going to have a proper ‘Menty-B’ [mental breakdown]. Then even she was like, why don’t you go to mom and dad’s and try to find some form of happiness. So many people were depressed during that time, but I didn’t realize how much I needed to perform.”
While she was stuck at a low point, her parents were somehow in peak vacation mode. “My dad was like, ‘Golf is all we have! You know, we’re golfing all day,’” Becky says, impersonating her father. “He was wearing a golf glove on both hands, kind of like COVID protection, and he’s like, ‘Yeah, I’m doing my part, you know, I’m not wearing a mask, but I got a golf glove on both hands!’”
Becky Robinson takes the stage as the Entitled Housewife
(Megan Rego)
Her mom shared the same sentiment — not for double-fisting gloves — but she too needed to live. “My mom has kind of been through it health-wise, and so she was like, ‘I don’t want to be locked down. I want to go to happy hour with the gieurlz.’ I just sat there and watched them like, you guys are out of your f— minds. Then one day they left the house, and I just felt inspired. So I put a wig on.”
Robinson went into her parents’ closet and dressed herself in a polo, a skort and a visor. “I put on the Oakleys and the Air Pods and the second I looked in the mirror, I just started improvising. She was like, SCOTT! DASHIELL! MACABEE! [My character] had this element of, she could get frustrated very fast.”
That day, in her parents’ closet, Robinson turned lemons into hard lemonade, and with a visor high on her head like a regal crown, a new version of herself emerged — an entitled one. “I improvised for, like, five hours in character. It might have been a manic episode, I don’t know, but I just remember when the whole thing was assembled that day and I started filming, it was making me laugh and I was like, maybe it’ll make someone else laugh too.”
Initially, she hadn’t planned on posting videos of her in character on TikTok but considering how much she was making herself laugh, it was only a matter of time.
“When I made the first , I was like, ‘I can’t post this. It’s dark times and I’m going to look like such a fool for trying to be funny.’ But then I took an edible and showed my sister to see if it made her laugh because I figured she’s experiencing it every day, in the middle of it, and she told me to post it.”
The debut video of Entitled Housewife got millions of views on social media. As it would turn out, other people needed to laugh at the exact same time. “All these celebrities started messaging me and then Chris Pratt DM’d me and is like, ‘If you make a movie with these characters, I have to be Scott!’”
Robinson’s parents weren’t quite as enthusiastic when she showed them her content for the first time. “I think my dad walked out and my mom was like, ‘You know, Beck, this hits a little close to home.’ She was actually pissed at first because I used the real name of my dad’s country club, and it was so vulgar, so she was worried about him getting kicked out.”
Fast forward to now, and many of these types of golf clubs have booked her for shows and actually pay for her to be vulgar. “So they love it now!,” Robinson said. “People come up to my dad in the store like, ‘Are you Entitled’s dad?!’ He definitely loves the perks because he’s a huge golfer.”
“Some people really think I’m this 50-year-old golf lady with kids, and I think a lot of people think that I started when my character started,” Robinson said.
(Megan Rego)
With her family on board and fans worldwide cheering her on, she’s taking off the wig and going back to her stand-up, but with a touch of Entitlement. Shot at the Wilbur Theatre in Boston, her debut comedy special, “Becky Robinson: Entitled,” comes out Friday exclusively on her website and shines a massive spotlight on the fact that Robinson has never needed to lean on props to be funny.
“We’re definitely excited to be releasing on our own platform with entire creative control. The team I work with is so bad ass and they’re really the reason it was all brought to life. I wanted something to give to the fans, and I wanted them to be able to watch it without ads. I want them to see how much they lift me up, so I’m excited to get to release this exactly the way we want it. You know, it’s a little longer than an hour, which streamers don’t like, but the Gieurlz will.”
Robinson has been doing stand-up for 13 years, and that experience shows the second she hits any stage (or bar top). In “Entitled,” you see her stand-up carries the same raw, fearless charge that made her Entitled Housewife sketches a phenomenon. Similar, yet clearly distinct, the two share a flair for the dramatic and an energy that feels almost superhuman. “People are always asking, is it drugs? IS IT?,” Robinson laughs. “In the last couple of years, I got this trainer who is like, ‘You gotta treat this like you’re a professional athlete, OK, because that’s what you’re doing up there!’ For a while, I never listened because we were having fun and it’s just stand-up! And for the first couple of years of touring I would have some drinks and stuff, but now, we’re playing at a level where there are acrobatics involved and cues and high kicks and all these things where injury is very possible. Still, though, when I go out there, I just can’t give them anything less than 200%. Then when I get home, I sleep for 24 hours and then, I’m a person again.”
Should there still be any confusion about Robinson versus Entitled Housewife, in addition to her special, she also released a 30-minute documentary that goes behind the scenes of “Becky Robinson: Entitled.” Also available on her website, Robinson couldn’t be more grateful for her Gieurlz who make this world of hers possible, even if some of them think she’s a bit “seasoned.”
“It took me a while to realize that people see videos and just buy tickets, and that they didn’t even know I was this person who’s done stand-up for 13 years,” says Robinson. “Some people really think I’m this 50-year-old golf lady with kids, and I think a lot of people think that I started when my character started. I feel my funniest when I’m doing characters, and I love that people come out dressed like Entitled, but now more and more people are saying they came for the character, and now they like my stand-up too. You love to hear that so that’s been really great!”
“I wanted something to give to the fans,” Robinson said about her new special. “I want them to see how much they lift me up, so I’m excited to get to release this exactly the way we want it.”
(Tara Johnson)
In no way does that signal the end of the fun with Entitled. This fall, Robinson is taking her skort-wearing alter ego global with her very own golf tournament. From Nov. 6 to Nov. 9, “She Gone Golfing: The Entitled Housewife Tulum Classic” hits the PGA Riviera Maya, Mexico’s No.1-ranked course, with PXG backing the madness. It’s a full-blown Gieurlz escape with golf by day, and karaoke-fueled chaos by night in Mexico’s Riviera Maya.
“This trip is probably gonna take years off my life, but we’re gonna turn it up in Mexico, baby! Let’s get international! We’re gonna get that tequila flowing!” Though the idea of being a golfer may have started out as a joke for Robinson, she’s now become fully addicted to the sport.
“It’s such a fun game and it can relax you when you’re just out there waxing those balls! I really want to introduce more people to it so this will be a fun way to do that. The only reason I’m able to do all of these things is because of the fans coming to see the show, buying the merch, and showing up in the visors. They really are the best!”
So Jimmy Kimmel is coming back, fast enough that there are still folks out there who didn’t know he was gone.
Hallelujah? Praise be to ABC? Free speech triumphs?
It all depends on Tuesday night, when we see if Kimmel returns undaunted, or if he has been subdued. Of all the consequential, crazy, frightening events that have taken place in recent days, Kimmel’s return should be a moment we all watch — a real-time, late-night look at how successful our president is at forcing us to censor ourselves through fear.
Please, Jimmy, don’t back down.
If Kimmel tempers his comedy now, pulls his punches on making fun of power, he sends the message that we should all be afraid, that we should all bend. Maybe he didn’t sign up for this, but here he is — a person in a position of influence being forced to make a risky choice between safety and country.
That sounds terribly dramatic, I know, but self-censorship is the heart of authoritarianism. When people of power are too scared to even crack a joke, what does that mean for the average person?
If Kimmel, with his celebrity, clout and wealth, cannot stand up to this president, what chance do the rest of us have?
Patriotism used to be a simple thing. A bit of apple pie, a flag on the Fourth of July, maybe even a twinge of pride when the national anthem plays and all the words pop into your mind even though you can’t find your car keys or remember what day it is.
It’s just something there, running in the background — an unspoken acknowledgment that being American is a pretty terrific thing to be.
Now, of course, patriotism is the most loaded of words. It’s been masticated and barfed out by the MAGA movement into a specific gruel — a white, Western-centric dogma that demands a narrow and angry Christianity dominate civic life.
The one that put a knot in my stomach was the speech by Stephen Miller, Trump’s immigration czar, speaking, without humor, at the memorial for Charlie Kirk.
That’s disturbing, but actually mild compared with what he said next, a now-familiar Christian nationalist rant.
“Our lineage and our legacy hails back to Athens, to Rome, to Philadelphia, to Monticello,” Miller said. “Our ancestors built the cities they produced, the art and architecture they built. The industry.”
Who’s going to tell him about Sally Hemings? But he continued with an attack on the “yous” who don’t agree with this worldview, the “yous,” like Kimmel, one presumes (though Kimmel’s name did not come up) who oppose this cruel version of America.
“You are wickedness, you are jealousy, you are envy, you are hatred, you are nothing,” Miller said. “You can build nothing. You can produce nothing. You can create nothing.”
Humor, of course, ain’t nothing, which is why this administration can’t stand it.
Humor builds camaraderie. It produces dopamine and serotonin, the glue of human bonding. It drains away fear, and creates hope.
Which is why autocrats always go after comedians pretty early on. It’s not thin skin, though Trump seems to have that. It’s effective management of dissent.
Nazi propaganda minister Joseph Goebbels knew it. In 1939, after his party had set up a Chamber of Culture that required all performers to adhere to certain rules, he banned five German comedians — Werner Finck, Peter Sachse, Helmuth Buth, Wilhelm Meissner and Manfred Dlugi — for making political jokes that didn’t support the regime. He basically ended their careers for daring satire against Nazi leaders, claiming people didn’t find it funny.
“(I)n their public appearances they displayed a lack of any positive attitude toward National Socialism and therewith caused grave annoyance in public and especially to party comrades,” the New York Times reported the German government claiming at the time.
Sounds familiar.
Kimmel, of course, is not the only comedian speaking out. Jon Stewart has hit back on “The Daily Show,” pretending to be scared into submission, perhaps a hat tip to Finck, who famously joked, “I am not saying anything. And even that I am not saying.”
And there are plenty of others pushing back. Gov. Gavin Newsom has taken to all-caps rebuttals. Illinois Gov. JB Pritzker, whom Trump called “nothing,” is also vocal in his opposition, especially of National Guard troops in Chicago.
The collective power of the powerful is no joke. It means something.
But all the sober talk in the world can’t rival one spot-on dig when it comes to kicking the clay feet of would-be dictators. Mark Twain said it best: Against the assault of laughter nothing can stand. Which is what makes Kimmel so relevant in this moment.
Can he come back with a laugh — proving we have nothing to fear but fear itself — or are we seriously in trouble?
The abrupt suspension of comedian Jimmy Kimmel’s late-night show on ABC might seem like the least of our worries amid the shuttering of government agencies, the collapse of congressional checks on executive power and bands of ICE agents detaining people on the basis of race or language. But humor matters.
While the news media is sometimes referred to as the fourth estate, alongside the executive, legislative and judicial branches of government, few think of stand-up comedy as a pillar of democracy. But jokes allow a society to mock itself, spotlight uncomfortable truths, bridge differences and say what cannot otherwise be said. Humor is a crucial bulwark of a free society. To play that role, comedians need the leeway to embarrass, provoke and take risks, sometimes crossing the line into offense.
In the wake of Kimmel’s suspension it is hard to imagine any mass market humorist poking fun with abandon that biting satire demands. One of the most powerful salves for people under stress, and a particular lifeline during the Trump era, is the ability to laugh at the ridiculous or unfathomable. Lowering a curtain on comedy will not only dim one of our country’s most treasured cultural forms, but also accelerate the dark turn of American democracy.
Dating back to pre-revolutionary times, political satire has been a mainstay of American culture. Rebellious colonists skewered British taxation policies, military blunders and parliamentary pomposities through plays, songs and cartoons that rallied others to the cause of independence and made mass mobilization fun. Benjamin Franklin’s 1773 “Rules by Which a Great Empire May Be Reduced to a Small One” used irony to lampoon British policy, undermining authority while avoiding direct flouting of the era’s harsh sedition laws. The juxtaposition of a lighthearted format with a pointed commentary has marked America’s comedic tradition ever since, encompassing literary humorists such as Mark Twain and Edgar Allan Poe, satirical magazines like Puck and MAD, political cartooning, vaudeville, radio satire, stand-up and the late-night juggernauts of variety shows, talk shows and, since 1975, “Saturday Night Live.”
While our 1st Amendment tradition has mostly protected satire over the years, it hasn’t prevented heavy-handed politicians from occasionally trying to silence their comedic critics. When Thomas Nast, known as the father of American political cartooning, took on New York City’s Boss Tweed and his Tammany Hall political machine in the 1870s, Tweed reportedly said: “Let’s stop those damned pictures. I don’t care so much what the papers write about me — my constituents can’t read, but damn it, they can see pictures.” But Nast kept up a furious pace of cartooning, hastening Tweed’s downfall on corruption charges.
Charlie Chaplin’s satire of capitalism and authoritarianism in films including “Modern Times” and “The Great Dictator,” alongside his outspoken politics and alleged communist ties, drew FBI surveillance. In 1952 his re-entry permit to the U.S. was revoked, effectively exiling him for nearly 20 years.
Around the world, autocrats have recognized the power of comedians to puncture preferred narratives, undermine authority and stoke dissent. The Nazi regime’s Reichskulturkammer, or chamber of culture, tightly censored cabaret and comedy. Cabaret performer Werner Finck opened a club in 1929 and dared Gestapo members in the audience to write down his every word. Propaganda Minister Joseph Goebbels ordered the venue shuttered in 1935 and sent Finck and his colleagues to a six-week stint in a concentration camp. In the Soviet Union, jokes about Joseph Stalin or the Communist Party were treated as serious crimes against the state, warranting time in the gulag.
In the age of international television and social media the potency, and the perceived threat, of comedy has only grown. Ukrainian President Volodymyr Zelensky built national stature as a television satirist playing a fictional president. His predecessor’s government, which did all it could to derail its political opponents, did not see Zelensky coming; until it happened, few imagined his leap from sound stage to presidential podium. In 2013 the Cairo government issued an arrest warrant for television comic Bassem Youssef, known as the Jon Stewart of Egypt, for jokes about President Mohamed Morsi and Islam. He was hounded into exile and has lived in the U.S. for the last decade.
In an increasingly polarized America, the place of comedy has been under attack from all sides. A decade ago Jerry Seinfeld said he would no longer do shows on college campuses because of ferocious politically correct backlash against his jokes. In 2019 the New York Times announced it would no longer publish political cartoons after apologizing for an antisemitic caricature of Israeli Prime Minister Benjamin Netanyahu. This year the White House Correspondents’ Dinner canceled a planned appearance by comedian Amber Ruffin, the latest in a series of kerfuffles over controversial emcees of that event. The rising cost of reprisals, in the form of offended constituencies, online outrage and direct threats, is increasingly rendering humor too hot to handle.
The public threats issued by Federal Communications Commission Chair Brendan Carr against Kimmel and ABC, based upon comments by the comedian that were neither incendiary nor menacing, marks a sharp escalation in the battle against humor. The immediate capitulation of Disney, one of America’s largest and most revered corporations, is a shocking sign of just how quickly private, independent institutions are melting down under heated threat by a vindictive administration. If a comedian as mainstream as Jimmy Kimmel is not safe from silencing, it is hard to imagine who is.
In helping audiences understand what is happening around them and reckon with their fears, comedy is both a collective coping mechanism and a catalyst for unfettered, clear-eyed thought. Autocrats around the world understand this.
Suzanne Nossel is a senior fellow for U.S. foreign policy and international order at the Chicago Council on Global Affairs and the author of “Dare to Speak: Defending Free Speech for All.”
From the outside, it appears that Ralph Barbosa has it all.
Aside from A-list comedian status hanging with superstars like Dave Chappelle, he’s known to show off his garage full of his favorite cars (even a few that actually run, he says), and he has a brand new comedy special on Hulu, “Planet Bosa,” that premiered earlier this month.
But following the release of his new hour, Barbosa claims he’s “broke.”
For comedians, specials aren’t just a celebration of your success, they’re also a funeral for your best material. Though he’s dubbed his latest trek across the country the Bean Without a Cause Tour, he’s also back to square one — a comic without new material, or at least not much of it. “I’ve got about 10 minutes [worth of jokes] to my name, I’m broke — comedy-wise, I’m broke,” he says with a sly grin. “It’s the funnest place to be.”
It’s a feeling most comics can relate to, though few in the last couple years have been on the ride Barbosa’s been on. Coming out of relative obscurity from the Dallas comedy scene, he garnered viral fame by being dissed and then apologized to by comedy legend George Lopez, who didn’t know who he was at the time despite Barbosa being at the forefront of the next wave of Latin comics, thanks in large part to a breakout set on Don’t Tell Comedy. Garnering nationwide buzz since his debut Netflix special “Cowabunga,” his latest hour on Hulu finds the 28-year-old reaching the top of his game.
Aside from getting more comfortable on stage, the spark of energy in this new phase of his career is a welcome surprise from a guy whose schedule barely leaves time for sleep. Yet somehow he’s still managed to squeeze in a second side career working on cars on his YouTube Channel Formula Bean. Recently, Barbosa spoke with The Times about finding his comfort zone in comedy and touring in honor of friend and fellow comedian Ken Flores, who was set to tour alongside Barbosa and comedian Rene Vaca before his tragic death earlier this year. He also discusses one of his more important challenges, writing cleverly authentic jokes about the shocking ICE raids that have led to widespread detention and deportation of immigrants. But it wasn’t just a laughing matter for Barbosa, who also helped people affected by the raids for a period of time by donating money to people who reached out to him directly through social media.
“I don’t like that people are getting separated from their families when they’re hardworking people,” the comedian said. “They’re people who go to a whole new country to learn the language and a whole new environment, in search of a better life, and it’s considered illegal.”
Usually when we do these interviews about comedy specials, they happen before the special is released. Now that “Planet Bosa” has been out on Hulu for almost two weeks, what’s it been like seeing the reaction to it and did it match what you were hoping for?
A lot of my fans have been watching it. There’s been a few people that reached out to me saying that they found me through [watching it], which feels really good — it’s what you want from a special. I feel like Spider-Man on “Spider-Man 3” when everybody’s cheering his name and he’s like, “They love me!” It feels good.
When I talked to you a couple years ago, it was right before your first special, “Cowabunga,” and I noticed with “Planet Bosa,” the energy just feels different. You’re more animated, you’re doing voices and stuff that I think people maybe weren’t used to seeing from you. How did you wanna change up your style or advance it this time around?
I think I just got more comfortable. When I did that first special with Netflix, I was really super nervous. I’d never shot a special before. Everything that’s been going on in my life, I feel like it came at me really fast. I feel I’m still very — especially compared to other comics — I’m very much like a rookie comic. Especially a rookie as in like a full-time comedian working in the industry. So like that first special, I was really nervous, I was very tense. I still had a lot of fun with it, don’t get me wrong, but I was really sticking to the script. By the time we taped this special, I’d been on the road so much, and my feet were a little more wet, so I was just more comfortable. So I think that one is me being myself more, this “Planet Bosa” is just like me being myself more.
What’s cool about what’s going on now in comedy with I feel is a very strong wave of Latin comedians like you, Rene Vaca, you had that obviously with the late comedian Ken Flores. What’s it like to be able to have that group around you of comedians?
I’ve always been a little introverted, though, especially with other comics, like I get kind of nervous. Rene helped me get out of that. Rene and Ken were always super close and they were always inviting me to stuff and I would always be too nervous to go. I used to be really intimidated by them. But once I met them and hung out with them a couple times, I realized that we’re a lot alike. Like we were the exact same age, the three of us. The three of us were all born in ‘96. I feel like we shared a lot of the same fears and anxieties, a lot the same stresses and family situations. I consider myself very lucky to be able to hang out with them. And I’m very lucky to still get to hang with Rene.That dude’s a fool, man — I love him.
“By the time we taped this special, I’d been on the road so much, and my feet were a little more wet, so I was just more comfortable,” Bosa says when talking about his latest hour on Hulu. “So I think that one is me being myself more, this ‘Planet Bosa’ is just like me being myself more.”
(Jason Armond / Los Angeles Times)
Obviously, it was rough going on that tour with Rene because of the loss of Ken who was going on the road with you as well. But given what you guys had to go through emotionally and sort of mentally to press on, was it like looking back on completing that tour and doing things the way that Ken would have wanted?
I felt like that was our way of letting Ken get his proper rest. We found out Ken passed away on the day we were supposed to sign the paperwork to finalize all the tour details, which was heartbreaking. He passes away right before we’re supposed to start this tour together, the three of us. And now as we’re dealing with that within those same few days, we had to make a decision. They were pressuring us to make the decision do we still wanna do the tour or not. And so you don’t even wanna talk about that stuff. But I think me and Rene both knew that Ken would have wanted us to do it. Ken would’ve probably been really ashamed of us if we got all sad and just didn’t do it. Also I think it helped out his family a lot because we still gave his cut to his family. So I think we needed to do that for Ken. And I mean, it was still a fun tour. It was bittersweet, because every time we’d have a really fun night and we’re all laughing, we’d all have a moment where we knew it would be that much better if Ken was also here. But I know he was there in spirit, you know what I mean? I think Ken is anywhere Rene is. I think those two are inseparable. So anytime we’re with Rene, I still feel like Ken’s there too.
Why do you feel like the perspective you’re bringing along with Rene as the next generation of Latin comedians is important to be heard at a time in this country with so much going on politically with immigration?
I don’t necessarily think it’s important to get my voice out there but I do like making jokes about [ICE and immigration] because that’s like the only way I know how to bring attention to it. I’m not a big political dude or anything like that, but yeah, I’ve made jokes about things like immigration stuff, ICE stuff. But I guess that is my way of getting attention on that issue. I would like people to get attention on it. I feel like there’s certain topics, certain subjects that you can’t avoid after a certain point. We should talk about it, or we should at least put it in the faces of the people who aren’t gonna talk about it. Like if you’re not gonna talk about it that’s fine too, but you at least gotta hear about it.
“It was bittersweet, because every time we’d have a really fun night [on tour] and we’re all laughing, we’d all have a moment where we knew it would be that much better if Ken was also here,” Bosa says about missing his late friend and fellow comedian Ken Flores. “But I know he was there in spirit.”
(Jason Armond / Los Angeles Times)
One thing you mentioned that you were doing for a period of time was to help people affected by have family members detained during ICE raids by donating money to people who contacted you on Instagram asking for help to pay their bills. What inspired you to do that?
What I ended up doing is just sending hot dogs from Five Guys to all the families in need. I sent out over 180 hot dogs — I’m kidding. No, I sent out money. I hope it helped people out. I hope I wasn’t just getting scammed the whole time. I’m sure I got scammed by a good number of people. But I let people know that if they were affected by the ICE raids in any way and were behind on rent or groceries or if maybe the main provider in someone’s house was taken away or just going through something like that just to let me know and I’ll send what I can. I didn’t think I’d get as many messages as I got — I got a lot. I got to as many as I could and I sent out a lot of money before it started getting a little dangerously low on my end. Like, what’s the point of having money and having fans if like other people can’t enjoy it too? So I’m sorry for those of you that I wasn’t able to get to, and I hope the ones that I did get to were helped, even if it was just a bit. I don’t like that people are getting separated from their families when they’re hardworking people, they’re people who go to a whole new country to learn the language and a whole new environment, in search of a better life, and it’s considered illegal. Like I said, I don’t know about laws and government. I’m sure someone’s watching this thinking I’m just an ignorant idiot, but I don’t know, man. It just seems f—ed up to me.
“I don’t like that people are getting separated from their families when they’re hardworking people, they’re people who go to a whole new country to learn the language and a whole new environment, in search of a better life, and it’s considered illegal,” Barbosa says in regard to the recent ICE raids across the country.
(Jason Armond / Los Angeles Times)
It’s also about being able to deal with the situation by laughing about it. And that even includes making jokes about not being considered “Mexican enough” by immigrants and getting fed up enough to say “Go home! Well, not to your home.”
I think I fall under that category, there’s a saying in Spanish — “ni de aquí, ni de allá.” It means “not from here or from there,” it’s like the middle ground… I feel like it’s given me perspective — I hope it has at least, I don’t know. Sometimes I don’t know when I’m being ignorant or not. That’s why I tell people don’t take me too serious, because I don’t really take myself too seriously.
I don’t know how you really can as a comedian. You gotta be able to laugh at yourself, right?
That’s what I’m saying. But people still get angry in my comments just cause I make stupid jokes — I don’t understand it.
Is there any key piece of advice you’ve gotten from a comedian that you’ve looked up to that has helped you in your career?
Yes and no. Because every comedian’s so different… So not everybody’s advice works. It could sometimes work for you. My favorite advice has probably been from [Dave] Chappelle, “You just gotta keep getting on stage. Just keep getting out on stage. Keep working on material.” You gotta get the reps. There’s no shortcuts to it.
Even though you’ve been doing it now so much, has there been a time on stage, more recently, where you’re nervous?
I’m always nervous, and I’m always messing up jokes. I don’t think the audience can always tell, but in my mind, I’m messing them up.
You’re very even keel on the surface, so the fact that you say that is also kind of surprising.
Nah, I’m up there freaking out, man. Well, in a good way, you know? It’s fun. I’m always nervous. But it’s part of what makes it fun.
And when you’re not on the road, I know you’re working a lot with cars. Can you talk about your YouTube channel Formula Bean that’s all about fixing up old cars?
Over a year ago, I started hanging out with an automotive content creator. His name’s Luis Cisneros, the dude’s crazy smart. He’s showing me how to work on my own cars and he would make car content about it. And I asked him if I could make content with him too. I feel like everybody’s a content creator nowadays. I feel content is key, whether it’s, whatever type it is. I have a lot of fun working on cars and recording us doing stupid things with cars. So we made a YouTube channel called the Formula Bean. And we named it that because Formula One is like the pinnacle of automotive racing, like top of the line cars, top of line drivers, top of the line engineers. But ours is more Formula Bean because it’s just a couple of Mexicans in a garage on some Facebook Marketplace projects. The stuff we do, I think it’s stuff that most people can watch and be like, “Oh, I can learn how to do that easy.” So I’m hoping that’s what is getting across.
Comedian Ralph Barbosa
(Jason Armond / Los Angeles Times)
Do you feel like cars and comedy have some sort of correlation, like in terms of just working on them, or do you keep it like totally separate?
Nah, I keep it totally separate. I need something different than comedy so that I could continue to enjoy comedy. I get tired of stuff fast, man. If I’m really into one thing — I can hyper-focus on it. I’ll zone in on this one subject for a while, but I can’t keep it long-term. I need to do cars and zone in on cars for like a good month and a half, and then I need to go back into just straight up comedy mindset.
Never a combo? I was thinking like a Jerry Seinfeld like “Comedians in Cars Getting Coffee” type of thing?
I mean maybe if a comedian wants to come hang out, but I’m not gonna talk a whole lot of shop …
No “Comedians in Cars Getting Frustrated”?
Nah. I need cars to completely distract me from comedy so that I can come back to comedy with fresh eyes.
You mentioned that you only get about an hour and a half of sleep a night. When do you rest?
Whenever I just crash out, like randomly — and people get mad. Cuz they don’t know I guess but like I’ll be falling asleep at random events. I’ve never been the type of person like I can just put on my pajamas and lay down in the bed. I feel unproductive. I feel I need to go until I’m done thinking or until my brain just goes kaput. So even though we’re working on stuff, I feel like my mind is always thinking about other stuff when it can. I don’t really knock out until my body’s just like, “alright f— this, bro, I’m done.”
You’re on your second special on a major platform, you are selling out all over the country. Is there more that you feel like you still want to do?
I need a new hour, that’s all I know right now. I need a new hour of jokes. I got like 10 minutes to my name. Comedy-wise, I am broke. This is the funnest place to be, square one.
Marc Maron is not interested in being just another podcaster in a sea of mediocrity.
In a new interview, the comic — who recently announced the end of his popular and long-lived podcast “WTF” — criticized the current podcast landscape as awash in meh.
“Things were better before everyone had a voice,” Maron told the Hollywood Reporter in an interview published Wednesday. “Now there’s just hundreds of groups of two or three white guys, sitting behind mics, talking about the last time they s— their pants as adults. We live in a world of mediocre afternoon drive-time radio.”
“A lot of yammering in makeshift studios. It’s lowering the bar for everything,” he added.
Maron started “WTF” in 2009 out of his garage, where he interviews guests. Through the years, he has talked to comedians, actors, musicians and even a sitting president. During an episode with comedian John Mulaney in June, he announced the show will come to an end “sometime in the fall.”
Distaste for mediocrity has been a theme for the comic in recent weeks. “The world has changed a bit and, you know, the sort of uniqueness of whatever the hell’s happening,” Maron said during his appearance last week on the “Howie Mandel Does Stuff” podcast. “There’s enough people yammering in the world.”
In his latest comedy special, Maron pokes fun at how certain podcast hosts are, in his eyes, pandering to the far right.
“If Hitler were alive today, I think he’d probably appear on Theo Von’s podcast,” the comedian jokes in “Panicked,” which premiered Aug. 1 on HBO.
In his podcast, Von explores various topics, including his struggles with drug abuse and mental health, with different guests — who include politicians as well as comedians.
Maron continues by playing out a scene in which the comedian host of “This Past Weekend With Theo Von” questions Hitler about the amount of meth the Nazis consumed. At one point, Maron impersonates Von blaming the hate Hitler had on the amount of drugs he did.
“WTF” continues with episodes coming out Mondays and Thursdays until it ends in the fall. Maron did not respond to a request for a comment before publication.
Kat Timpf wants fans of Fox News’ “Gutfeld!” to know why she will be missing from the show this time around — if only so the internet can’t develop nutty theories about where she might be hiding.
The comedian and co-host of Greg Gutfeld’s hit late-night show had a very dramatic start to maternity leave in February when she found out she had breast cancer and then 15 hours later went into labor with her son. She had a double mastectomy in March and returned to the show in the middle of June.
On Monday, she announced the upcoming break on the show. Tuesday on Instagram, she wrote, “I’ll be back on Gutfeld! in a few weeks! Huge thanks to those of you who have taken the time to offer me words of kindness and support. I love u all so much.”
She included a video clip from “Gutfeld!” in which she gave more details.
“When I came back, I said I still had some surgeries to go,” she said, referring to upcoming reconstructive work. The first one, she said, is next week.
“Even … the best case scenario of breast cancer can involve quite a road to feeling whole again,” Timpf said. “So this is the first step in that. Just so the internet can’t come up with theories about where I am, that’s where I am. Thank you everyone for all your support, vibes and prayers or however you show that. I really appreciate it and I can’t wait to come back soon.”
Fellow Fox News contributor Guy Benson, weekend “Fox & Friends” co-host Rachel Campos-Duffy and “The Five” contributor Kennedy — who earned praise for her work filling in for Timpf on “Gutfeld!” during maternity leave — all posted well wishes in comments on the post.
“Never been more impressed with Kat Timpf,” Campos-Duffy wrote. “The very definition of a strong mom!”
Some viewers earlier this year worried that the comedian’s double-mastectomy decision was rash, given that her cancer had been found early, at Stage 0.
“Every case of breast cancer is very different,” the “I Used to Like You Until…” author said upon her return to Fox News in June. “There are a lot of details of mine that I haven’t shared, but I just wanna say, you know, trust that I’m making the best decision for me and my family. I’m getting the best medical advice that I could possibly be getting.”
O’Donnell says the Republican US president hates her because she sees ‘him for who he is – a criminal con man’.
United States President Donald Trump has said he might revoke talk-show host Rosie O’Donnell’s US citizenship after she criticised his administration’s handling of weather forecasting agencies in the wake of the deadly Texas floods.
Trump’s threats are the latest salvo in a years-long feud the two have waged over social media.
“Because of the fact that Rosie O’Donnell is not in the best interests of our Great Country, I am giving serious consideration to taking away her Citizenship,” the US president wrote on his Truth Social platform.
Trump has long called for the mass deportation of undocumented immigrants, but in recent weeks, he has suggested that he would remove US citizens that he disagrees with from the country.
“She is a Threat to Humanity, and should remain in the wonderful Country of Ireland, if they want her. GOD BLESS AMERICA!” Trump wrote.
Under the law, a president cannot revoke the citizenship of an American born in the US. O’Donnell was born in New York state.
Trump’s latest jab at O’Donnell seemed to be in response to a TikTok video she posted this month, mourning the 119 deaths in the July 4 floods in Texas and blaming Trump’s widespread cuts to environmental and science agencies involved in forecasting major natural disasters.
“What a horror story in Texas,” O’Donnell said in the video. “And you know, when the president guts all the early warning systems and the weathering forecast abilities of the government, these are the results that we’re gonna start to see on a daily basis.”
The Trump administration, as well as local and state officials, have faced mounting questions about whether more could have been done to protect and warn residents in advance of the Texas flooding, which killed at least 120 people earlier this month.
Trump, on Friday, visited Texas and defended the government’s response to the disaster, saying his agencies “did an incredible job under the circumstances.”
O’Donnell responded to Trump’s threat in two posts on her Instagram account, saying: “the president of the usa has always hated the fact that i see him for who he is – a criminal con man sexual abusing liar out to harm our nation to serve himself.”
She added that he opposes her because she “stands in direct opposition with all he represents”.
O’Donnell has been a longtime target of Trump’s insults and jabs.
In 2014, when she opened up about her weight loss journey, Trump said on X that “she felt ‘shame’ at being fat-not politically correct! She killed Star Jones for weight loss surgery, just had it!”
During Trump’s first presidency, O’Donnell told W magazine that she feared whether she would be able to “live through” his presidency.
Following Trump’s inauguration for his second presidential term in January this year, she moved to Ireland earlier this year with her 12-year-old son.
In a March TikTok video, she said that she would return to the US “when it is safe for all citizens to have equal rights there in America”.
Earlier this month, Trump said he may look at options to deport his former aide-turned-critic, Elon Musk, a naturalised US citizen.
And last month, the White House said allegations that Democratic nominee for New York City mayor Zohran Mamdani has supported “terrorism” in the past “should be investigated”, with the intent of revoking his citizenship.
SINCE Sky’s Soccer AM left our screens two years ago, its celebrity penalty shootout has been much missed.
But I can reveal the fan-favourite format has now inspired a copycat segment from Graham Norton‘s So Television.
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A copycat segment from Graham Norton’s So Television is set for our screensCredit: The Mega Agency
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Soccer AM’s celebrity penalty shootout has been much missedCredit: YouTube
Just like Sky’s original version, the new series will see a line-up of big names stepping up to the penalty spot to try to score.
But with comedian Chloe Petts in charge of proceedings, it will feature fellow comics only.
So far stars including Nish Kumar and Harriet Kemsley are on the team sheet.
A source said: “Penalties frequently provide some of the funniest moments in football, so adding comedians to that mix will bring about endless laughs.
“Soccer AM had big names like Stormzy, Ed Westwick and Louis Tomlinson desperate to be involved so everyone is very excited that this new spin-off could run and run.
“Chloe Petts is a genuine football fan and brings a wealth of knowledge, as well as humour. Filming begins this week in London and everyone can’t wait to see how it turns out.”
In an increasingly common move, the series is first heading to YouTube.
The source added: “This kind of content lends itself brilliantly to a short-form media and so will live online for now.”
Soccer AM ran for 29 years on Sky until it was shelved in May 2023 due to falling ratings.
As well as the penalty spot, other segments included the Nutmeg Files, Unbelievable Tekkers and the Crossbar Challenge.
Plenty of comedic inspiration there too, I’d say.
‘I cringe about that’ says Soccer AM legend as he admits regret over much-loved segment that ‘pushed the boundaries’
Beloved Los Angeles comedian Ken Flores died earlier this year, but not before giving audiences one final hearty laugh.
On June 6, Hulu released two episodes of Hartbeat’s stand-up series, “LOL Live,” featuring sets by Flores and Daphnique Springs. This is the first and last special ever taped by the budding comedian, who died in the midst of his headlining “Butterfly Effect” tour at age 28, following a history of congestive heart failure.
“Ken Flores was exactly the kind of authentic comedic voice we sought to champion through our ‘LOL Live’ series,” said Jeff Clanagan, president and chief distribution officer of Hartbeat, Kevin Hart’s entertainment company, which produced the program. “[The special] captured his unique ability to connect with audiences through genuine storytelling.”
Born in Chicago and raised in Aurora, Ill., Flores was intrinsically comical, deeply convinced that he was funnier than any of the booked comics he witnessed on stage.
Flores honed his comic chops at popular Chicago-area comedy clubs, including the Laugh Factory and Zanies, and rose to greater popularity on social media platforms like TikTok and Instagram, where he shared snippets of his sets— often filled with his impeccable crowd work and self-deprecating humor. The comic often made his lifestyle the punchline, mainly taking aim at his own weight and Mexican identity.
Gabriel Iglesias took notice of the rising star, tapping him to open for his 2023 “Don’t Worry Be Fluffy Tour” in Chicago.
“It was a highlight to have his family. His mom, dad and friends were there with him — and 15,000 people that night,” said Iglesias, who remembers Flores as “kind” and “respectful.” The young act also went on tour with established comedians Jo Koy and Felipe Esparza.
But it was after his move to Los Angeles in 2023 that Flores seemed to take flight, building a community across various comedy clubs including Hollywood‘s Laugh Factory, the Comedy Store, the HaHa and the Hollywood Improv.
“People did like him and that’s very telling,” said Iglesias.
Among those who loved and continue to mourn Flores are Rene Vaca and Ralph Barbosa — prominent Latino acts in the comedy world — who considered the late comedian a “brother.”
“The most memorable thing about him was how real he was,” said Barbosa. “[Ken] never kissed anybody’s ass, which made me respect him more, because that means everything that he got was through talent and hard work.”
Two distinct memories linger for the duo. The first took place at a restaurant in L.A., which marked the first time they all got together.
“It was one of those Chinese restaurants with those spinning tables,” said Vaca. “Ken was always trying to reach for the orange chicken, but every time he reached for it, [the table] kept spinning away from him.”
Then there’s their last reunion in L.A. when all three comedians got on stage to perform during Barbosa’s set at the Hollywood Improv on Jan. 21, just a week before Flores’ death.
“We had some drinks in us, we had the piano, we were improvising songs … Rene fell on the ground trying to pants Ken,” said Barbosa. “It’s hard not to get teary eyed when I think about that day.”
“It was as if the universe gave us our opportunity to have that moment with Ken before he left us, you know?” said Vaca.
Vaca has already watched the Hulu special, marveling at Flores’ ability to land the jokes perfectly. “Like butter, man — it was beautiful,” he said. Barbosa, on the other hand, has only seen snippets. Choking up, he admits, “ I just don’t want it to be over, you know?”
The three had plans for a national tour this year, which Vaca and Barbosa continued in honor of their friend. They adopted his tour name, “The Butterfly Effect,” splitting the profit three ways to include Flores’ family. “None of us would do it unless it was like we split this evenly,” said Barbosa.
During every show, the pair play an unreleased 15-minute segment of Flores, who jokes about the fluttering impact of such majestic creatures. “He’s still killing it in the audience,” said Vaca.
British comedian Russell Brand remained firm this week in denying he sexually assaulted four women from 1999 to 2005.
The controversial “Get Him to the Greek” actor, 49, appeared in a London court on Friday and pleaded not guilty to two counts of rape, two counts of sexual assault and one count of indecent assault. Brand, who was charged in April, said “not guilty” after each count was read in Southwark Crown Court. A legal representative for Brand did not immediately respond to The Times’ request for comment on Friday.
Brand, who is best known for starring in raunchy comedies including “Forgetting Sarah Marshall,” “Rock of Ages” and “Arthur,” entered his not guilty plea months after U.K. authorities announced its counts against the comedian.
The charges stem from four separate alleged incidents involving different women. Prosecutors allege Brand raped a woman in the English seaside area of Bournemouth in 1999. He also allegedly indecently assaulted a second woman in 2001, orally raped and sexually assaulted a third woman in 2004 and sexually assaulted the fourth woman between 2004 to 2005. The final three allegations occurred in Westminster, according to U.K. officials.
At the time, Brand denied the allegations via social media.
“I was a fool before I lived in the light of the Lord. I was a drug addict, a sex addict and an imbecile. But what I never was was a rapist. I’ve never engaged in nonconsensual activities,” he said in a video shared to Instagram and X (formerly Twitter). “I pray you can tell that by looking in my eyes.”
Before he was charged, Brand faced previous allegations of rape and sexual assault in September 2023, when the Times of London published its joint investigation with “Dispatches,” a news program on Britain’s Channel 4. Several women came forward with allegations that Brand sexually assaulted them between 2006 and 2013. At the time, Brand refuted the “very, very serious criminal allegations” and claimed he was being targeted by the “mainstream media” because of his views. Since distancing himself from Hollywood, Brand in recent years has refashioned himself as an anti-establishment commentator and platformed conspiracy theories about vaccines and the 9/11 attacks.
In November 2023, the actor was sued for sexual assault in New York by a woman who said she worked as an extra in Brand’s 2011 film “Arthur.” That same month, the BBC said it received multiple complaints about the risqué comedian relating to his workplace conduct when he hosted radio programs from 2006 to 2008.
In recent years, Brand has also turned his focus to religion. In 2024, he doubled down on his commitment to Christianity and was baptized in the River Thames. At the time, he said it was “an opportunity to leave the past behind and be reborn in Christ’s name.”
As he arrived to court on Friday, Brand was seen clutching a copy of “The Valley of Vision,” a collection of Puritan prayers.
His trial is set to begin June 3, 2026, and is expected to last four to five weeks.
Times staff writer Meredith Blake and the Associated Press contributed to this report.
Ricky Gervais is living his best life right now. Even when he’s busy talking about death. On Saturday his new tour, Mortality, arrives at the Hollywood Bowl, where thousands will hear him tackle hilariously macabre commentary about life — and the end of it — through his signature blend of dark humor, empathy and razor-sharp commentary. His last appearance at the Bowl in 2023 with Armageddon earned him a Guinness World Record for the highest-grossing single stand-up performance — so, no pressure.
Gervais is also known for turning awkward pauses and brutal honesty into comedy gold, so it’s only fitting that after such a long career full of accolades that he would also finally earn a coveted spot on the Hollywood Walk of Fame on Friday. As Hollywood honors the man who’s roasted its elite with such precision, to be roasted for eternity by the Hollywood sun sounds fitting.
It’s not all about receiving: Giving back matters to Gervais and he’s doing that by helping spotlight the next wave of comedic talent through the Spirit of Comedy — a U.K. stand-up contest presented by Dutch Barn Vodka, which he happens to co-own. With a star on the Walk of Fame, a massive show at the Bowl, and a platform for rising comics, Gervais is fully owning his Hollywood moment. But he needs to be home by 6 p.m.
You’ve spent your career pushing comedy boundaries, has there ever been a moment where you thought, “Oh yeah, I’m going to have to defend this one?”
Oh no, it all comes and goes. It’s cyclic. People get nervous and that’s just always been there from day one. People get worried and then I say, well, this is why it’s OK. Sometimes it’s an executive producer or a broadcaster who just wants some ammunition to defend it. Because sometimes, they don’t know whether it’s OK or not, they just don’t want to get complaints. If I can go “listen, this is why it’s OK,” then they often trust me because I can defend it. It’s not me sitting in the room going, “what’s the most offensive thing I could say to get the BBC burned down?” There’s always a point to it. Offense often comes from people mistaking the subject of a joke with the actual target, and they’re not usually the same.
It sometimes feels like comedians, whose job it is to joke, are being held to a higher standard when it comes to what is “offensive.”
We’re human, so we react to buzzwords and we’re cautious of taboo subjects. That’s why they’re still taboo, because we’re cautious of them. I do that on purpose as well, particularly with my stand-up where I talk about contentious issues and taboo subjects because I do want to take the audience to a place they haven’t been before. I do want them to reflect on it, worry about it, think about it and then, I’ve got to misdirect them. It’s like I take them by the hand through a scary forest but it’s OK because they always laugh. If I were going out there and saying things that were really offensive, and no one was laughing, well, that would be odd. That’s what politicians do. Politicians say awful things and they mean it, and no one laughs. Comedians say things they don’t mean, everyone laughs and they get the same treatment.
But you have to have free speech, and there’s nothing you could say that someone somewhere won’t be offended by. It’s impossible so you shouldn’t even try. I don’t go out there and try to ruin the audience’s evening, I go out there and I make a joke and it’s crafted. We’re human though and we take things personally, but you shouldn’t because I think comedy is best as an intellectual pursuit.
“Comedy is best as an intellectual pursuit” sums you up because you’re not careless. There’s a formula to it all.
Exactly. You should go “well, that’s a bad subject and I don’t agree with the punchline, but does it work comedically?” It’s a magic trick. It is a formula. You can’t argue with chemistry. No one goes, well, I know I laughed, but I don’t agree with it. Well, it did what it does. That’s the joke and I’m not gonna change the joke or meaning. I think the only form of censorship, as an audience, is your right not to listen. You just don’t have to watch. You can leave, not buy my stuff, not buy my tickets, and that’s absolutely fine.
You can turn your own TV off, but what you can’t do is make other people turn their TV off. That’s the difference. And then, people will complain about something you’re doing in the privacy of your own home, even if they have to go up to their attic and stand on a stepladder and look through binoculars to see it. They will find it. People sometimes seek out the offense and that’s actually where people can get addicted to being offended. They like it, it makes them feel alive. The news even picks up Twitter! They say, “Oh, fans weren’t happy!” Three fans weren’t happy.
“I don’t go out there and try to ruin the audience’s evening, I go out there and I make a joke and it’s crafted,” Gervais said. “We’re human though and we take things personally, but you shouldn’t because I think comedy is best as an intellectual pursuit.”
(Andy Hollingworth)
Tweets making headlines is why we can’t have nice things. I wanted to ask about the Spirit of Comedy contest, where the winner gets to open for you at OVO Arena Wembley. How did all of this happen?
I know, it’s mad! I’ve never done anything like this before and I’ve turned down loads of things, but this co-ownership with [the show’s sponsor] Dutch Barn Vodka is different. When we met, we first bonded about the company being really ethical. It was sustainable, it was recyclable, they used British apples, they were vegan, they paid their workers really well—they were really trying to be good, and I like that. They said they wanted me to make it famous, make it a global brand, and that I could do the advertising, which really interested me. I do all of my own trailers, I write all my own stuff, so that was exciting creatively. What a great nut to crack.
The business side of it sort of came last, but it all made sense too. The main thing about it was I felt I could sleep at night, and I could still have fun. That’s all I really cared about. The contest was actually all Dutch Barn’s idea and when they were asked about the contest they said something like, “Well, we know Ricky’s not going to last forever.” Maybe they’re finding my replacement? How cruel and ironic would that be?
Well, at least you can go down knowing you broke a record at the Hollywood Bowl.
Yes! It was two years ago, and I just put out a tweet because it broke the record for a single gig. I don’t know why I’m doing it again. I did it once, it was frightening, I broke the world record and it was great. Why would I do it again?
Ricky Gervais speaks at the 77th Golden Globe Awards on Jan. 5, 2020, at the Beverly Hilton Hotel in Beverly Hills.
(Associated Press)
Because we love you in L.A. and it’s been too long. That’s why.
I haven’t been avoiding it, it’s just a long way so I try to do as much as I can while I’m there. I sort of work out of London now and also, it gets harder with jet lag. I’m 63! Jet lag lasts about a week now! Everything is worse, isn’t it? I’m offered really cool things every day, flying around the world and I just think, is it better than me sitting on the couch with my cat and my girlfriend watching Netflix? No. It has nothing to do with anything else other than how valuable your time is and how you wanna spend it.
Is that why you named your tour “Mortality”? Are you planning?
Sort of. There’s a joke in there where I sort of talk about getting old, looking back and all the things that are going wrong which are funny. The reason I started doing one word, sort of academic-style titles, was that I was sarcastically making fun of the pomposity of some comedians who think they’re doing lectures. That’s where it started when I was pricking that bubble of comedians who think they’re changing the world. I’ve kept up the one-word thing, but also, mortality, it’s a scary subject so already the audience is going, is Mortality gonna be funny? Yeah, it’s funny! I’m the one dying. Sit back and laugh.
From sitting to kneeling, it’s fitting — and a bit ironic — that someone who roasted Hollywood so memorably is now being cemented into its history with a star on the Walk of Fame.
Well, that’s funny because the first time they told me I got it I said, “Oh? Do I have to get down on all fours on the concrete? I’ll never get up! I’ve also got bad skin!” I had all of those thoughts, but I’m doing it the day before the Hollywood Bowl so I can kill two birds with one stone. It’s all about getting home on the couch by 6 p.m. This life, you know what I mean?
You started kind of late, but you did earn this comfortable life. And maybe 6 p.m. is the new midnight.
When I grew up, I was good at school, I went to college, then I was a failed pop star, and I never had money. Really, I never had any money. I think I was about 37 years old when I started doing this, and I just grabbed a hold of it. I thought, this is a really lucky second bite of the cherry. You better not screw this one up. So, I did work really hard, but in saying that, what does this sound like? “I work really hard in a room writing while drinking cappuccino.” Some people are hiding behind a wall getting shot at! My dad was a laborer for 60 years! It’s funny to say that, because now, I’m glad I was born poor. It’s not something that I talk about much, but I am sort of proud of myself. I didn’t have a penny, and no one gave me anything. It might be luck, but I still feel like I beat the system.
The Spice Girls’ Netflix biopic is reportedly back on track – with the streamer signing a huge name to write the script
Netflix’s Spice Girls drama ‘back on track’
Spice Girls fans will be over the moon to hear that the band’s Netflix biopic is back on track, according to reports. Not only that, the streamer has reportedly signed a huge comedian to write the plot.
Last year, it was reported that The Spice Girls were set to be the subject of a tell-all TV drama whether they are involved or not. It was revealed that a biopic was going to be made to mark 30 years since the release of their hit Wannabe. It’s expected to air sometime next year.
At the time, a source told the Sun: “Executives are keen to have all the group on board providing as much input as possible – after all they are pop royalty. But Netflix are the organisation who defied the wishes of real royalty and went ahead and made The Crown, so they aren’t afraid to go it alone when they have to.”
However, it was reported that things could be put on hold due to alleged rifts in the band. Now, it looks like the streamer has been granted the green light once again, with Channel 4 comedian Jack Rooke on script writing duties.
Netflix’s Spice Girls drama is reportedly back on track(Image: Corbis via Getty Images)
“Bagging Jack is a real coup for the project and might be the crucial element that drives the drama forward after its rocky start,” a source told the Sun.
The source then went on to say that Jack already has a great relationship with Mel C, as she’s a huge fan of his show Big Boys.
“Of course, Netflix has yet to confirm it has commissioned the show and there’s still a lot to play for. But there now seems to be a genuine will to make things happen,” the source continued.
The Spice Girls were together from 1994 – 2001(Image: Getty Images)
The girl group exploded onto the music scene in 1996 and went on to be one of the most successful British bands in the world. Geri Halliwell, 51, Victoria Beckham, 50, Mel B, 49, Mel C, 50, and Emma Bunton, 48, had worldwide success and went on to release two albums before Ginger Spice sensationally quit.
It isn’t the band’s first tie to the streaming service. In 2022, Emma and Mel B took part in The Circle USA where they were seen catfishing the other contestants pretending to be a man named Jared.
The duo admitted they are “massive fans” of the reality show, with Mel adding: “So when they asked us [to appear], no brainer.”
