Colbert

President Trump has said many things about “Saturday Night Live” over the years. Few of them are favorable, highlighting his disdain for the late-night sketch comedy show, though his previous stints as host would suggest otherwise.

The president hosted the show in 2004 and in 2015, shortly after announcing his first run for president. The decision to have him host “SNL” in 2015 was controversial at the time, but NBC’s top brass defended the move, citing his front-runner status among Republicans and the high ratings it produced. “At the end of the day, he was on the show for 11 minutes and … it wasn’t like the Earth fell off its axis,” said then-NBC Entertainment Chairman Robert Greenblatt during the Television Critics Assn. press tour in 2016. He would later call Trump “toxic” and “demented.”

Trump, meanwhile, has repeatedly said he believes the show is unfunny, lacks talent and is “just a political ad for the Dems” nowadays. The sentiment echoes comments he’s made about late-night talk show hosts Stephen Colbert and Jimmy Kimmel and their respective shows, each known for skewering Trump. With Season 51 of “Saturday Night Live” set to begin Saturday, and recent settlements with media outlets and tech companies making headlines — YouTube settled a Trump lawsuit for nearly $25 million Monday over the suspension of his account — a renewed focus will be on the show and how it spoofs the president and his policies.

Colbert’s series was canceled by CBS in July and will conclude its 10-year run next year in May. While CBS cited financial reasons for its decision to end Colbert’s show, the host was a vocal critic of both Trump and CBS’ parent company, Paramount, which had recently settled a lawsuit with Trump just before the Federal Communications Commission approved its merger with Skydance Media (Colbert called the settlement “a big fat bribe”).

Kimmel was benched by ABC in September after the head of the FCC, a Trump appointee, threatened the network over the host’s comments about Charlie Kirk’s suspected killer. Kimmel has since returned to the air, and used his first episode back to defend free speech. Colbert and Kimmel also appeared as guests on each other’s shows Tuesday, expressing mutual support and cracking jokes at Trump’s expense. Trump has also called for NBC to ax its late-night hosts Seth Meyers and Jimmy Fallon, both of whom are “SNL” alums.

Now, “SNL” could be the next target of the administration’s scrutiny. Trump’s posts on social media have previously aired his disapproval for how the series mocks and satirizes him and his administration, and he has suggested investigating NBC as result.

“Nothing funny about tired Saturday Night Live on Fake News NBC!,” Trump tweeted in February 2019, during his first term in office. “Question is, how do the Networks get away with these total Republican hit jobs without retribution? Likewise for many other shows? Very unfair and should be looked into. This is the real Collusion!”

Donald Trump in 2015, the year NBC cut ties after he made comments about undocumented Mexican immigrants.

(Andrew H. Walker / Getty Images)

Over the years, Trump has had a contentious relationship with the network that once aired “The Apprentice,” the show that made him a reality TV star, and his Miss Universe pageant. In 2015, NBC cut ties with Trump over comments he made about undocumented Mexican immigrants.

“Saturday Night Live,” which celebrated its 50th anniversary earlier this year with multiple specials, has been churning out political parodies for decades, and its comedy has targeted leaders from all political backgrounds.

The first time Trump was portrayed on “SNL” was in 1988 by then-cast member Phil Hartman. Since then, a host of actors and cast members have cycled through with their Trump impressions, with one of the most memorable being Alec Baldwin, who took over from Darrell Hammond in 2016 ahead of the presidential election.

Trump disliked Baldwin’s portrayal, and wrote in 2018 that Baldwin’s “dying mediocre career was saved by his terrible impersonation.” Baldwin won an Emmy for supporting actor in 2017 for playing the president.

The “30 Rock” actor’s stint as Trump on “SNL” lasted through 2020, and he made appearances as Trump even when the show was filming remotely during the early stages of the COVID-19 pandemic. Some of his most memorable moments impersonating the president were in cold opens that mocked the debates between Trump and Hillary Clinton.

Alec Baldwin in 2017 as President-elect Donald J. Trump during a “Saturday Night Live” cold open sketch.

(Will Heath / NBC)

In March 2019, Trump wrote that “SNL” continues “knocking the same person (me), over & over, without so much of a mention of ‘the other side.’” The episode that aired the weekend he wrote that tweet was a rerun. “Like an advertisement without consequences,” he went on.

According to reports from the Daily Beast, Trump took a step beyond airing his grievances over Twitter that time. He reportedly asked advisors and lawyers in early 2019 about what the FCC, the court system, and even the Department of Justice could do to look into “SNL” and other late-night comedy figures who had mocked him. That inquiry did not amount to any actions, according to the outlet.

In 2022, Trump said the show’s ratings were “HUUUGE!” when he hosted, but that they’ve since tapered off. The most recent season of “SNL” was the most-watched in three years, with a season average of more than 8 million viewers.

He went on to write that creator and executive producer Lorne Michaels is “angry and exhausted, the show even more so. It was once good, never great, but now, like the Late Night Losers who have lost their audience but have no idea why, it is over for SNL — A great thing for America!”

Michaels, who rarely gives interviews, reflected on the cancellation of Colbert’s show and what it means for late-night television in an August conversation with Puck News. Michaels said he was “stunned” by CBS’ cancellation of “The Late Show,” but added, “I don’t think any of us are going to ever know” if the decision was political.

“Whatever crimes Trump is committing, he’s doing it in broad daylight,” Michaels went on to say. “There is absolutely nothing that the people who vote for him — or me — don’t know.” He also called Trump a “really powerful media figure” who “knows how to hold an audience.”

“His politics are obviously not my politics, but denouncing [him] doesn’t work,” he added.

While many cold opens and “Weekend Update” segments have been dedicated to skewering the president, often making him the butt of jokes, the cold open in the episode immediately following the 2024 election had a different approach. Trump’s opponent, then-Vice President Kamala Harris, had appeared on an episode just days before the election, but after Trump’s victory, the cast promised they had “been with [him] all along,” adding that they all voted for him and supported him.

“If you’re keeping some sort of list of your enemies, then we should not be on that list,” they said before debuting their new Trump impression, “Hot jacked Trump,” which featured impressionist James Austin Johnson in a muscle tee and a headband.

Johnson began portraying the president on the series in 2021, and Michaels said he will continue in the role for Season 51. His portrayal mirror’s Trump’s speech patterns and his tendency to veer into tangents about pop culture. Since Trump’s inauguration in January, the cold opens have zeroed in on Trump, focusing on his relationship with Elon Musk and his policies.

The “Weekend Update” segment, hosted by Colin Jost and Michael Che, tends to take sharper jabs the president’s policies and comments, as well as other administration officials.

In the Puck interview, Michaels implied the show wasn’t going to back down, and when he was asked whether political comedy will be tougher in the current climate, Michaels said no.

“I don’t think anybody knows what Michael Che’s politics are,” he said, “but they do think he’s funny.”

Brendan Carr, the chairman of the FCC who has been in the headlines for his role in Kimmel’s benching, wrote in 2020 that political satire is one of the “oldest and most important forms of free speech.”

“From Internet memes to late-night comedians, from cartoons to the plays and poems as old as organized government itself — Political Satire circumvents traditional gatekeepers & helps hold those in power accountable,” he continued. “Not surprising that it’s long been targeted for censorship.”

The late night circuit got its version of a unique crossover event Tuesday night as Jimmy Kimmel and Stephen Colbert appeared as guests on each other’s shows.

It was a fitting stunt considering both talk show hosts have been at the center of noteworthy professional situations shrouded in political and national significance, and both orbit in the same universe of President Trump’s contempt. The two hosts, who have vocally supported each other through the respective ordeals on their shows, were now able to continue the mutual backing in full force, face-to-face.

In the wake of the fallout of Kimmel’s suspension earlier this month over comments he made related to the death of conservative pundit Charlie Kirk, the recently reinstated host charged ahead with moving his L.A.-based show to Brooklyn for a week as planned, with Colbert among the star-studded list of guests. Colbert was effusive in his support of Kimmel after ABC pre-empted his talk show, criticizing the decision as “blatant censorship.”

Kimmel, meanwhile, appeared on “The Late Show,” alongside pop star Sam Smith. Earlier this year, CBS announced it was canceling “The Late Show” and would end after the season wraps in May 2026 — marking not only the end of Colbert’s run at the helm, but also bringing the late night institution to a close after a 30-year run. The decision, the company said, was due to financial reasons and not — as many have speculated — because of Colbert’s criticism of a deal between the Trump administration and Paramount, the parent company of CBS, the network that airs “The Late Show,” over.a 2024 “60 Minutes” interview with former Vice President Kamala Harris. Kimmel was one of the many who expressed disdain over the decision, even campaigning for Colbert to win an Emmy though Kimmel was on the same ballot. (Colbert ultimately won.)

Ahead of Kimmel’s appearance on “The Late Show,” Colbert hosted another late-night host, Conan O’Brien, who appeared as a guest Monday, opening the conversation with, “Stephen, how’s late night? What’s going on? I’ve been out of it for a little bit — catch me up on what’s happening.”

“I’ll send you the obituary,” Colbert replied.

Here are five standout moments from the night of shared grievances.

Stephen Colbert, left, and Jimmy Kimmel backstage at “The Late Show.”

(Scott Kowalchyk/CBS)

Colbert says he ‘sweat through his shirt’ the day he told his staff ’The Late Show’ was canceled

In his first sit-down interview since the “The Late Show” was canceled, Colbert walked Kimmel through the timeline of his show’s cancellation. He said he received the news from their mutual manager, James Dixon, after the taping of his show on July 16. He got home to his wife, Evie McGee-Colbert, two and a half hours later. As he walked into the apartment, according to Colbert, his wife said, “What happened? You get canceled?”

Dixon knew for a week but had been hesitant to relay the news to Colbert, who was on vacation. Once he learned the show’s fate, Colbert said he was unsure about when he should break the news to his staff, debating whether to wait until after the summer break or in September. His wife, though, said he would tell them the following day.

“We get into the building,” he said, “I go up the elevator, I walk through the offices. By time I get to my offices, I have sweat through my shirt because I didn’t want to know anything my staff didn’t know. And I said, ‘I’m going to tell my staff today,’ but then we couldn’t do a show if I told them because everybody would be bummed out and I would be bummed out.”

He only told executive producer Tom Purcell at first. He got through the whole show. And then he asked the audience and staff to stick around for one more act so he could record the announcement.

“My stage manager goes, ‘Oh no, we’re done, Steve, we’re done.’ And I said, ‘nope, there’s one more act of the show. Please don’t let the audience leave.’ And he goes, ‘No, boss, no. Boss. I got that. I got the thing here. We’ve done everything.’ And I said, ‘I’m aware of that. And I’m here to tell you there’s one more act of the show,’” he explained. “So I went backstage, I said, ‘Everybody, get on Zoom.’ I told everybody as briefly as I could so they wouldn’t find out about it on air. And then I went back out on stage to tell everybody. And I was so nervous about doing it right — because there was nothing in the prompter, I was just speaking off the cuff — that I f— up twice. And I had to restart and the audience thought it was a bit and they started going, ‘Steve, you can do it.’ Because I always messed up on the sentence that told them what was happening. And then I got to the sentence that actually told them was happening, and they didn’t laugh.”

Kimmel, in turn, shared that he found out about “The Late Show’s” cancellation while attending a No Kings protest march.

Kimmel says he took the call from ABC about his suspension from the bathroom

Jimmy Kimmel on “The Late Show with Stephen Colbert” Tuesday.

(Scott Kowalchyk/CBS)

Like Colbert, Tuesday marked the first time Kimmel had been interviewed since his suspension earlier this month, and he detailed the day he got the news he was being pulled from the air.

Kimmel’s office is busy — there’s roughly five other people working in there with him at all times, he told Colbert. So when ABC executives wanted to speak with him less than two hours before he was set to tape that night’s episode, Kimmel resorted to the bathroom to take the call in private.

“I’m on the phone with the ABC executives, and they say, ‘Listen, we want to take the temperature down. We’re concerned about what you’re gonna say tonight, and we decided that the best route is to take the show off the air,’” Kimmel said before the audience interjected with boos.

“There was a vote, and I lost the vote, and so I put my pants back on and I walked out to my office,” before telling some of his producing team the news, he said. “My wife said I was whiter than Jim Gaffigan when I came out.”

The decision on Kimmel’s suspension came so late in the day that the audience was already in their seats and had to be sent home, Kimmel told Colbert.

A sign of the times?

While touting the crossover event in his monologue (“We thought it might be a fun way to drive the President nuts so…”), Kimmel took time to stress the groundswell of support Colbert has both in New York, where he does his show, and in Kimmel’s homebase of L.A. To prove it, the camera cut to a photo showing signs that were displayed over the 101 freeway in L.A. when Kimmel went back on the air following his suspension. They read: “Public pressure works — Kimmel is back!”

“And this is the sign that is up now,” Kimmel continued, cutting to video of more recent signage over the freeway. “It says, “Now do Colbert.”

Gavin Newsom traveled to Brooklyn. Or did he?

Seth Meyers, left, Josh Meyers as California Gov. Gavin Newsom and Jimmy Kimmel on “Jimmy Kimmel Live!”

(Randy Holmes/ABC)

The California governor — who also moonlights (by proxy of his social media team) as the unofficial No. 1 Trump troll — made the cross-country trip to Brooklyn to surprise Kimmel on stage. Or did he? As the host mentioned the politician’s latest jab at Trump during his monologue, Newsom barreled onto the stage on a bike before finding his place next to Kimmel for a roughly six-minute spiel, delivered in his best California bro speak, on his mission to bring people together.

“L.A and N.Y.C., we’re not so different,” Newsom said. “I mean, we both just want to be free to smoke weed while riding our electric scooters to a drag queen brunch.”

As Kimmel pressed how exactly they can succeed in coming together, a blustering Newsom responded: “We already started, dog. These people get it. They have their own great late night hosts here in NYC, but tonight they chose my homie from L.A. They could be partying with my dude, J-Fall and The Roots crew — they’re a rap band … because you did look confused. Anyway, these Brooklyn-istas came to see you instead of checking out the political commentary of John Oliver or J-Stew or pay their respects to Colbert before he shipped off to Guantanamo Gay, or they could have gone and watched whatever that little creep Seth Meyers is doing … dude dresses like a substitute Montessori teacher. I mean, do you know why he sits down for his jokes? Same reason yo’ mama sits down to pee.”

Cue a special appearance from Seth Meyers, Kimmel’s friend and fellow late night host to rein in … his brother? For the non-late night connoisseurs reading this: Meyers’ brother, Josh, played the “Covid bro” version of Newsom during the pandemic in sketches that aired on NBC’s “Late Night with Seth Meyers.” Newsom took the gag further on Tuesday, impersonating Josh impersonating himself on Kimmel’s stage.

“We’re bros, but no, we’re not,” Newsom as Josh said. “Look, I get this all the time, probably because we’re both so hot.”

Meanwhile, keeping the planned awkwardness going, Kimmel took the opportunity to mention to Meyers that he was in town if he wanted to get dinner. Meyers responded: “What happened with your show? I thought this whole thing was, you know … “

“We’re back on the air,” Kimmel said. “We’re back on now.”

It should also be noted that Kimmel, Colbert and Meyers later posed for a photo onstage and uploaded it to their respective social media accounts with the caption, “Hi Donald!”

Guillermo brings the fun (and the tequila)

Guillermo Rodriguez, left, Jimmy Kimmel and Stephen Colbert taking a round of shots on “The Late Show.”

(Scott Kowalchyk/CBS)

Looking ahead at the remaining months Colbert will be on the air, Kimmel asked the host when he was going to “go nuts,” and suggested he lose his glasses and “maybe do some ayahuasca on set.” Kimmel then gifted him a bong with a Statue of Liberty design, which he called a “chemistry set.”

Colbert started playing along by unbuttoning his blazer and saying “f— that” to a signal that he only had a minute left in the segment. (“What are they gonna do, cancel me?” Colbert asked). Then, as if right on cue, Guillermo Rodriguez, Kimmel’s friend and sidekick on his show, came onto the stage with tequila (and three shot glasses) in hand.

On the first round of Don Julio, Colbert made a toast: “To good friends, great jobs and late-night TV.”

Colbert then poured another round and Kimmel pulled out the bong he had gifted the host. The group then took one more shot together and Kimmel toasted to Colbert.

Guillermo, who got a round of hearty cheers from the crowd, is known for giving out shots and toasting with A-Listers at awards shows and other Hollywood events.

While Thursday’s “Jimmy Kimmel Live!” was preempted by a rerun of “Celebrity Family Feud,” continuing ABC’s indefinite suspension of the talk show, some of Kimmel’s late-night colleagues used their platform to sound off.

On “The Daily Show,” which airs on Paramount-owned Comedy Central and has rotating hosts, Jon Stewart suited up for emceeing duties outside his usual Monday slot. Desi Lydic had been hosting this week, but the comedian had something to say about the issues surrounding his friend Kimmel.

Stewart leaned heavy into irony from the start of the show, saying it is now the “all new, government-approved” version, and was introduced as the evening’s “patriotically obedient host.” Stewart frequently scolded the audience for laughing at his sarcastic pandering to the Trump administration. He said the show was being taped in the “crime-ridden cesspool that is New York City” and notes that “someone’s National Guard should invade this place, am I right?”

“I don’t know who this ‘Johnny Drimmel Live’ ABC character is, but the point is, our great administration has laid out very clear rules on free speech,” Stewart said. “Some naysayers may argue that this administration’s speech concerns are merely a cynical ploy, a thin gruel of a ruse, a smoke screen to obscure an unprecedented consolidation of power and unitary intimidation, principleless and coldly antithetical to any experiment in a constitutional republic governance. Some people would say that. Not me, though, I think it’s great.”

Stewart and the correspondents then serenaded the president with an off-key tune filled with compliments and praises.

Meanwhile, Jimmy Fallon, host of NBC’s “The Tonight Show,” briefly addressed the situation in his monologue Thursday night saying, “To be honest with you all, I don’t know what’s going on — no one does. But I do know Jimmy Kimmel, and he is a decent, funny and loving guy. And I hope he comes back.”

Fallon said he would continue his monologue “just like I normally would,” but the punchline of his jokes about Trump came with an announcer interrupting any possible slights with flattery.

Earlier in the day, the host had canceled a scheduled appearance at Fast Company’s Innovation Festival in New York City, where he was set to join a panel titled “Staying on Brand”; organizers did not respond to a request for comment about the cancellation of his appearance.

Seth Meyers, host of NBC’s “Late Night,” also didn’t avoid the topic. He opened his segment “A Closer Look” on Thursday by cracking jokes about how anything negative he’s said about the president is an AI-generated deepfake. “I’ve always believed he was a visionary, an innovator, a great president and even better golfer,” he joked.

He proceeded to show clips from Trump’s recent trip to the U.K., poking fun at the president’s comments and protesters who rallied against his visit. But later in the segment, Meyers’ began to show clips of Trump touting his efforts to “stop all government censorship” and bring back free speech, before cutting to news clips about Kimmel’s suspension.

“Trump promised to end government censorship and bring back free speech, and he’s doing the opposite, and it has experts worried that we’re rapidly devolving into an oppressive autocracy in the style of Russia or Hungary, much faster than anyone could have predicted,” Meyers continued.

The host also commented on his personal relationship with Kimmel, saying it’s a “privilege and an honor” to be his friend, in the same way he feels privileged to host his own show. “I wake up every day, I count my blessings that I live in a country that at least purports to value freedom of speech, and we’re going to keep doing our show the way we’ve always done it, with enthusiasm and integrity,” he said.

“The Late Show With Stephen Colbert” added David Remnick, the editor in chief of the New Yorker, to its lineup Thursday, which already included CNN journalist Jake Tapper. Colbert’s show generated its own headlines this summer when CBS announced the late-night talk show would be canceled after the season wraps in May 2026 — effectively ending the franchise after 33 years on the air. The decision, the company said, was due to financial reasons rather than a response to Colbert’s criticism of a deal between the Trump administration and Paramount, the parent company of CBS, the network that airs “The Late Show,” as many have speculated.

Colbert used his vocal talents Thursday to sing a tune about the situation, presenting a short song as a message from ABC and its parent company, Walt Disney. The song was to the tune of “Be Our Guest,” the “Beauty and The Beast” classic — except the repeating refrain is “shut your trap.”

Colbert sings as an animated clip of the candlestick character Lumière from the movie plays, but he’s donning a red MAGA hat here. “Shut your trap, we’re warning you to cut the crap. Our dear leader’s skin is thinner than a sheet of plastic wrap,” he sings.”Mum’s the word, have you heard, kissing a— is what’s preferred. Don’t insult our great dictator or he’ll hit you with this turd,” the song continues as a photo of FCC Chairman Brendan Carr appears on screen.

“The new rule at ABC: Don’t make fun of Donny T,” he sings. “So don’t you make a scene or mention Jeff Epstein, or your show will be scrapped — shut your trap.”

Colbert also spoke about the suspension in a monologue, reading a social media post from Carr that said “While this may be an unprecedented decision, it is important for broadcasters to push back on Disney programming that they determine falls short of community values.”

“You know what my community values are, buster?” Colbert asked. “Freedom of speech.”

Colbert discussed Kimmel’s situation with Tapper, who brought up the Department of Justice’s review of Disney’s deal to take a controlling stake in streaming company FuboTV, which brings up potential antitrust issues. Tapper questioned what Bob Iger, Disney’s chief executive, would do about Kimmel given that he has business before the Justice Department. “Is he going to poke the bear, Donald Trump, or is he going to ignore this great tradition we have in this country, of not acquiescing — of media, newspapers, comedians, television — not acquiescing to power?”

Democratic Arizona Sen. Mark Kelly is also scheduled to appear in an episode of “The Late Show” airing Monday; Kelly last appeared on the show last year ahead of the November 2024 presidential election, discussing border security and gun reform.

Earlier on Thursday, while taking part in a panel conversation moderated by the Atlantic’s Jeffrey Goldberg, late-night veteran David Letterman, who once helmed “The Late Show” on CBS, described this week’s turn of events as “misery.”

“In the world of somebody who’s an authoritarian, maybe a dictatorship, sooner or later, everyone is going to be touched,” Letterman said. He first addressed what transpired with Colbert and the cancellation of “The Late Show,” alluding to political pressure as the real culprit, before addressing the decision to yank Kimmel’s show.

“I just feel bad about this because we all see where this is going, correct?” he said. “It’s managed media. And it’s no good. It’s silly. It’s ridiculous. And you can’t go around firing somebody because you’re fearful or trying to suck up to an authoritarian — a criminal — administration in the Oval Office. That’s just not how this works.”

With three decades in the late-night circuit, Letterman never shied from mocking presidents: “Beating up on these people,” he said, “rightly or wrongly, accurately or perhaps inaccurately, in the name of comedy — not once were we squeezed by anyone from any government agency, let alone the dreaded FCC.”

ABC carried out the decision to take Kimmel off the air Wednesday after the comedian and host made comments about conservative activist Charlie Kirk’s death during his opening monologue on Monday night.

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it,” Kimmel said.

Kimmel has not yet commented publicly on the matter. But his show’s suspension quickly ignited fierce debate, with critics accusing ABC and its parent company, Disney, of capitulating to political pressure. Brendan Carr, the chairman of the Federal Communications Commission, said Wednesday that his agency might take action against ABC because of Kimmel’s comments.

“This is a very, very serious issue right now for Disney,” Carr said on the Benny Johnson podcast. “We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel or there is going to be additional work for the FCC ahead.”

President Trump lauded Kimmel’s suspension in a post he wrote on his Truth Social media site: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED.” (The show has not been canceled, but remains on hold.)

It’s also worth noting Kimmel’s outspoken daytime counterparts were mum on the issue. “The View’s” panelists did not address the Kimmel situation during Thursday’s episode. (“Good Morning America,” which is produced by ABC News, did mention the news of the Kimmel hiatus without additional commentary.)

Meanwhile, Kimmel’s fictional late-night competitor, Deborah Vance, has an opinion on the ordeal — or rather, actor Jean Smart does. She may only play a late-night television host on TV, but the “Hacks” actress was quick to share her thoughts on the decision to pull Kimmel from the air: “What Jimmy said was FREE speech, not hate speech,” Smart shared in an Instagram post. “People seem to only want to protect free speech when its suits THEIR agenda.” (Kimmel made a cameo in the recent season of “Hacks.”)

She went on to write: “Thought I didn’t agree at ALL with Charlie Kirk; his shooting death sickened me; and should have sickened any decent human being. What is happening to our country?”

Jimmy Kimmel’s show is gone. So is Stephen Colbert’s. And if President Trump has his way, Seth Meyers and Jimmy Fallon will be next.

In the MAGA establishment’s ongoing censorship campaign against Trump’s critics, “Jimmy Kimmel Live!” became its latest victim when ABC announced Wednesday that it was pulling the show “indefinitely.” The network’s abrupt announcement followed an outcry from Trump’s supporters that the show’s host — a longtime critic of the president — had inaccurately described the political motivations of Tyler Robinson, the suspect in last week’s killing of right-wing activist Charlie Kirk.

The network’s announcement came hours after Brendan Carr, the Trump-nominated chairman of the Federal Communications Commission, targeted Kimmel on a right-wing podcast and suggested the FCC could take action against ABC because of remarks made by the host. He said Kimmel’s remarks were part of a “concerted effort to lie to the American people,” and that the FCC was “going to have remedies that we can look at.”

“Frankly, when you see stuff like this — I mean, we can do this the easy way or the hard way,” he told the podcast’s host, Benny Johnson. “These companies can find ways to change conduct and take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.”

The alleged “lies” cited by Kimmel in his Monday night monologue? That MAGA was trying to paint Robinson as “anything other than one of them.”

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it,” Kimmel said. “In between the finger-pointing, there was, uh, grieving on Friday — the White House flew the flags at half-staff, which got some criticism, but on a human level, you can see how hard the president is taking this.”

Kimmel then cut to a clip showing Trump taking questions from reporters, and when the president was asked how he was holding up, he said, “I think very good, and by the way, right there where you see all the trucks, they just started construction of the new ballroom for the White House.” Trump went on to discuss the plans for the ballroom and said the results will “be a beauty.”

It wasn’t Kimmel’s best work, but it certainly wasn’t a bombshell, either. Yet in today’s environment, it was enough to spook ABC into pulling a late-night franchise that’s endured for decades.

The FCC unsurprisingly did not apply the same standards to an outburst Monday by Greg Gutfeld, Fox News’ conservative answer to network television’s thinning herd of late-night hosts. Gutfeld cursed on air, demeaned the loss of life from another assassination earlier this year and cited information that was incorrect to back his tirade.

On Fox’s show “The Five,” Gutfeld asserted that political violence in the U.S. was only going one way — from left to right — during a conversation with co-host Jessica Tarlov. When she pushed back on his argument by bringing up the June assassination of the Democratic speaker of the Minnesota House of Representatives, Melissa Hortman, and her husband, Mark, Gutfeld exploded.

“What is interesting here is, why is only this happening on the left and not the right?” he asked. “That’s all we need to know.”

“You wanna talk about Melissa Hortman?” he shouted at her. “Did you know her name before it happened? None of us did. None of us were spending every single day talking about Mrs. Hortman — I never heard of her until after she died.”

“So, it doesn’t matter?” Tarlov asked.

“Don’t play that bulls— with me!” Gutfeld shouted. “You know what I’m talking … What I’m saying is there was no demonization, amplification about that woman before she died. It was a specific crime against her by somebody who knew her.”

No evidence has been publicly presented that the alleged killer of the Hortmans, Vance Boelter, knew the couple. According to the U.S. Department of Justice, Boelter “had a list of possible targets,” and investigators have suggested that the suspect’s right-wing political views played a role in the attacks.

Carr’s assail of Kimmel is the latest attack against the media by Trump and his administration. Trump sued ABC last year in a case that the network paid $15 million to settle. On Monday, the president filed a $15-billion defamation lawsuit against the New York Times and four of its reporters.

In July, CBS also canceled storied network franchise “The Late Show With Stephen Colbert,” claiming that the cancellation was a financial decision, but the timing also suggests it was done to placate Trump while Paramount was awaiting the FCC’s approval of a major merger between CBS’ owner Paramount and Skydance Media. A few weeks after CBS agreed to pay $16 million to settle Trump’s lawsuit against CBS News’ “60 Minutes,” the merger was approved.

Ratings for late-night television have been slipping over the last decade due to a number of factors, including the decline of linear TV as a whole and changing viewing habits with the advent of streaming and online engagement. In the 1990s, for example, Johnny Carson’s final episode in 1992 drew 50 million viewers. Letterman averaged around 7.8 million viewers in the same year. In the second quarter of 2025, “The Late Show With Stephen Colbert” topped the 11:35 p.m. hour with an average of 2.417 million viewers. “Jimmy Kimmel Live!” came in second with an average of 1.772 million viewers. NBC’s “The Tonight Show Starring Jimmy Fallon” finished third with an average of 1.188 million viewers.

On Wednesday, Trump posted a celebratory comment about Kimmel’s show being pulled: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED. Congratulations to ABC for finally having the courage to do what had to be done,” Trump wrote. “Kimmel has ZERO talent, and worse ratings than even Colbert, if that’s possible. That leaves Jimmy and Seth, two total losers, on Fake News NBC. Their ratings are also horrible. Do it NBC!!! President DJT”

But the true loser here isn’t Trump’s critics or his enemy, the left. It’s freedom of speech.

The Emmys ceremony was about more than just glamour and excellence in television. The current heated political climate and the attack on cultural institutions on and off screen was also a flash point, even though much of it was bleeped for viewers.

During her acceptance speech after winning supporting actress in a comedy series, Hannah Einbinder of “Hacks” proclaimed, “F— ICE” at the end of her speech, denouncing the crackdown on immigrants across the country by the federal government.

Einbinder also mentioned Palestine in her speech and was among several actors, filmmakers and others who wore pins calling for a ceasefire in Gaza. Megan Stalter, another “Hacks” cast member, carried a bag pinned with a note that said “Cease Fire.”

When the writing staff for HBO’s “Last Week Tonight With John Oliver” took the stage after winning for writing for a variety series, senior writer Daniel O’Brien said he and his colleagues were happy to be in the company of writers of late-night comedy “while it’s still the type of show that is allowed to exist.”

Television Academy President Cris Abrego paid tribute to the Corp. for Public Broadcasting, which was presented with the Governors Award last week during the Creative Arts Emmys. When he noted that CPB’s federal funding had been shut down by Congress and that CPB would shut its doors, the comment elicited a loud “boo” from the audience.

Hannah Einbinder, who won an Emmy for supporting actress in a comedy series, in the trophy room at the Peacock Theater in Los Angeles. She referenced ICE and Palestine in her acceptance speech.

(Jason Armond / Los Angeles Times)

“CPB has been the backbone of American public media, giving us everything from ‘Sesame Steet’ to ‘Mr. Rogers’ Neighborhood’ to ‘Finding Your Roots,’” he said. “In many small towns, those stations were not just a cultural lifeline to small towns across the nation, but an emergency alert system that families could count on.”

He continued, “When division dominates the headlines, storytelling still has the power to unite us. Television and the artists who make it do more than address society — they shape our culture. At times of cultural regression, they remind us of what’s at stake.”

Before presenting the award for talk show, Bryan Cranston took a swipe at West Point’s recent cancellation of the Sylvanus Thayer Award to Tom Hanks, who has been a frequent critic of President Trump. Although a reason for the cancellation was not given, the move was seen by pundits to be politically motivated.

Cranston said in his remarks that the hallmark of an exceptional talk show was to have intelligent conversations with a variety of guests, “from the learned and inspirational Neil deGrasse Tyson, to the degenerate and woke Tom Hanks.”

The award went to “Late Night With Stephen Colbert,” which CBS is ending next year at the conclusion of its season. Although the cancellation was attributed to financial considerations, Colbert’s harsh criticism of Trump has also been blamed for the termination.

During his acceptance speech, Colbert said the show had initially been about love, but had evolved into a show about loss: “Sometimes you only know how much you love something when you get a sense you might be losing it.”

He also said he hoped the show’s end would not bring an end to the late-night talk show tradition.

At a recent news conference, President Trump touched on questions about tariffs, Gaza and vaccines before zeroing in on one of his favorite subjects: TV and radio ratings. A journalist, referring to an unconfirmed report that Howard Stern’s SiriusXM radio show was being canceled, handed Trump a sugar-coated softball: “Is the Hate Trump business model going out of business because it’s not popular with the American people?”

The president was primed and ready to take a swipe at late-night television, namely Paramount’s recent cancellation of “The Late Show With Stephen Colbert” and other types of hosted programs he perceives as The Enemy. Anything to distract from his broken promises around IVF funding, a tepid jobs report and his failure in producing the Epstein files.

“Colbert has no talent,” said the president. “I mean, I could take anybody here. I could go outside in the beautiful streets and pick a couple of people that do just as well or better. They’d get higher ratings than he did. He’s got no talent. Fallon has no talent. Kimmel has no talent. They’re next. They’re going to be going. I hear they’re going to be going. I don’t know, but I would imagine because they’d get — you know, Colbert has better ratings than Kimmel or Fallon.”

Ratings are important to Trump. It’s data he’s fond of weaponizing. Just ask his “Celebrity Apprentice” successor Arnold Schwarzenegger. But what about the president’s ratings?

According to a Gallup poll, six months into Trump’s second term, his job approval rating has dipped to 37%, the lowest of this term and just slightly higher than his all-time worst rating of 34% at the end of his first term.

In comparison to other two-term presidents at the same point in their presidency, he’s well below the 59% average, second-quarter rating set by all post-World War II presidents elected from 1952 to 2020. Bill Clinton (44%) came the closest as the only other president to have a sub-majority approval rating during his second quarter.

So Trump and Clinton do have something in common other than their association with the late sex trafficker Jeffery Epstein. Which brings us to polling numbers about Trump’s handling of those files.

A recent YouGov poll shows 46% of Americans think Trump was involved in crimes allegedly committed by Epstein. A whooping 82% of Americans — including 91% of Democrats and 76% of Republicans — believe that the government should release all documents it has on the Epstein case. And only 4% of those polled are in favor of Trump pardoning Epstein’s co-conspirator, Ghislaine Maxwell.

There are no major polls yet on how folks feel about Maxwell being quietly moved from a Florida prison to a minimum-security federal prison camp in Texas where the majority of inmates are serving time for nonviolent offenses and white-collar crimes. Maxwell’s role in a violent crime — the recruiting and trafficking of minors for sex — led to her 20-year sentence.

Trump’s public obsession with ratings date back to his time hosting the television reality competition “The Apprentice.” It was a genuine hit in that first season, rounding out the year 2004 as the seventh-most-watched TV show of the year.

But its ratings declined steadily each year after that, according to the Chicago Tribune, from 11th place overall in its second season, to 15th, then 38th. By its sixth season, it finished as the 75th-most-watched show. If Trump’s presidency were a reality TV show, he’d be headed into his sixth season.

Enough about TV shows. Let’s look at a quantifiable way to apply television ratings to the presidency: inaugurations. According to Nielsen, Trump’s first swearing-in ceremony drew 30.6 million total viewers — 19% less than Barack Obama’s in 2009, when 37.8 million tuned in.

Trump’s 2025 swearing-in ceremony had 6 million fewer U.S. viewers than his first-term inauguration. Even worse, that’s 9 million fewer viewers than Biden attracted for his big day in 2021.

Here’s where the art of distraction comes in handy. Focus on other people’s faults to cover your own. Enter the Clintons, again. At Wednesday’s news conference, Trump said that shock jock Stern’s ratings “went down when he endorsed Hillary Clinton [in 2016].” What’s Trump’s excuse?

In her first interview since losing the election to President Trump and leaving office, former Vice President Kamala Harris told Stephen Colbert on “The Late Show” that her decision not to run for California governor was more “basic” than saving herself for a “different office” — which is to say, another run for president in 2028.

After years of being a “devout public servant,” Harris said in the interview, set to air Thursday night, she just doesn’t want to be “in the system” right now.

“Recently I made the decision that I just — for now — I don’t want to go back in the system,” she said. “I think it’s broken.”

She said that was not to take away from the important work being done every day by “so many good people who are public servants,” such as teachers, firefighters, police officers and scientists.

“It’s not about them,” she said. “But you know, I believe, and I always believed, that as fragile as our democracy is, our systems would be strong enough to defend our most fundamental principles. And I think right now that they’re not as strong as they need to be.”

She said she instead wants to travel the country and talk to Americans in a setting that isn’t “transactional, where I’m asking for their vote.”

Colbert said to hear Harris — whom he called “very qualified for the presidency” — say that the American system is broken was “harrowing.”

“Well, but it’s also evident, isn’t it?” Harris replied, to applause from the studio audience.

The interview came on the heels of Harris’ announcements this week that she is not running for California governor and is releasing a memoir about her short, whirlwind presidential campaign following President Biden’s decision to drop from the race, and it was a big get for Colbert in what appears to be his final chapter on late-night TV.

CBS, blaming financial concerns across late night, announced July 17 that the 2025-2026 season of “The Late Show” would be its last.

The announcement followed Colbert sharply criticizing Paramount Global’s $16-million settlement with Trump over a CBS News “60 Minutes” interview with Harris during the presidential campaign, which Trump accused the venerable news show of manipulating to make her look better.

Paramount Global was at the time seeking a major merger with Skydance Media and needed the Trump administration’s approval, which it ultimately got. Just days before the announcement that his show would be ending, Colbert described the “60 Minutes” settlement as a bribe to get the merger deal done.

All that caused many observers and allies of Colbert to speculate that the cancellation of the show was political in nature. The Writers Guild of America, for example, said the company appeared to be “sacrificing free speech to curry favor with the Trump Administration.”

Trump said it was “not true” that he was “solely responsible for the firing of Stephen Colbert,” and that the “reason he was fired was a pure lack of TALENT” and that Colbert’s show was losing Paramount millions of dollars a year.

“And it was only going to get WORSE!” Trump wrote on his Truth Social platform.

Paramount has said the decision was “not related in any way to the show’s performance, content or other matters happening at Paramount,” though some polling has suggested many Americans don’t believe the company.

It’s unclear whether Harris considered any of that in granting Colbert her first interview since leaving office. However, it would almost certainly not have been her only reason.

Colbert is liberal and seen as a friendly interviewer by Democrats.

During Thursday’s interview, the late-night host heaped praise on Harris. After saying it was “harrowing” to hear she feels the system is broken, he asked whether she was giving up fighting.

Harris said she was not.

“I am always going to be part of the fight,” Harris said. “That is not going to change.”

David Ellison’s Skydance Media pledged to abandon all diversity, equity and inclusion programs at Paramount Global in an attempt to win government approval for its $8-billion merger.

Paramount already had scaled back diversity programs earlier this year. In a Tuesday letter to Federal Communications Commission Chair Brendan Carr, Skydance said it would go further to cancel diversity efforts.

“Paramount no longer will maintain an Office of Global Inclusion and will not have any teams or individual roles focused on DEI,” Stephanie Kyoko McKinnon, Skydance general counsel, wrote in the three-page letter to Carr. The appointee of President Trump, in one of his first moves as chair, dismantled the agency’s diversity programs and called on companies to do the same.

Kyoko McKinnon said Paramount will remove “references to DEI in its public messaging, including on its websites and social media,” along with culling DEI language in “internal messaging and training materials.”

Last week, Ellison met with Carr to press his case that Skydance and its backer RedBird Capital Partners would be strong stewards of Paramount, which includes CBS, Comedy Central, MTV, BET and the Melrose Avenue movie studio, Paramount Pictures. Skydance needs Carr’s approval for the merger and the transfer of the CBS television station licenses to the Ellison family.

Skydance separately tackled persistent complaints by conservatives about alleged news bias at “60 Minutes” and other programs.

Ellison’s firm pledged to “promote transparency and increased accountability” at CBS News. The company said it would install an ombudsman, reporting to the president of Paramount, “to receive and evaluate any complaints of bias or other concerns involving CBS” for at least two years.

Trump’s ire over edits of a “60 Minutes” Kamala Harris interview last fall nearly derailed Skydance’s takeover of Paramount. Carr opened an inquiry into alleged news distortion after Trump sued CBS in federal court in Texas.

Earlier this month, Paramount reached a $16-million settlement with Trump to resolve the dispute that caused deep divisions within Paramount and prompted high-level CBS departures. Trump boasted Tuesday on Truth Social that he anticipates receiving an additional $20 million worth of advertising and PSA time from the new owners.

During his July 15 meeting with Carr, Ellison underscored “Skydance’s commitment to unbiased journalism and its embrace of diverse viewpoints, principles that will ensure CBS’s editorial decision-making reflects the varied ideological perspectives of American viewers,” according to an FCC filing.

Skydance’s Kyoko McKinnon added: “We further reaffirm that, after consummation of the proposed transaction, New Paramount’s new management will ensure that the company’s array of news and entertainment programming embodies a diversity of viewpoints across the political and ideological spectrum, consistent with the varying perspectives of the viewing audience.”

Ellison recently met with prominent journalist Bari Weiss, reportedly to discuss Skydance acquiring her center-right online publication, the Free Press, as an alternative to traditional news sites. She started the outlet, which is often critical of DEI, after quitting her job as a New York Times opinion writer, citing intolerance of her and her more conservative viewpoints.

Also last week, late-night host Stephen Colbert learned his CBS talk show would be canceled in May. CBS has said Colbert’s cancellation, which will take place in May, was “strictly financial” and not related to the merger approval. Still, conservatives and liberals have widely questioned whether Colbert’s frequent criticisms of Trump played into the decision.

Skydance has said it didn’t have a role in the Colbert decision.

Skydance isn’t the only company under pressure to ditch diversity programs to win FCC approval for a deal.

Two months ago, telecommunications giant Verizon pledged to drop diversity efforts to gain Carr’s blessing for the company’s $20-billion takeover of Frontier Communications.

Carr separately launched probes into Walt Disney Co. and Comcast Corp.’s workplace diversity efforts.

After George Floyd’s 2020 murder in Minneapolis, Paramount and other Hollywood companies vowed to hire more people of color. Such moves were cheered by many, including those cognizant of Hollywood’s troubled history with diversity.

Paramount encouraged executives to make diverse hires and promotions, and progress toward the corporate goals was one of many factors considered when calculating bonuses. That program was dismantled last year.

For years, CBS struggled to shake its prime-time sitcom formula to build shows around white men, a la “King of Queens,” “Everybody Loves Raymond” and “Two and a Half Men.”

The network broke the pattern in 2018 with “The Neighborhood,” starring Cedric the Entertainer, and procedural drama “FBI,” starring Zeeko Zaki.

CBS also championed mentorship programs for writers and directors to build a more diverse pipeline of creators. That initiative dated to 2004.

FCC Chairman Brendan Carr has made a priority of abolishing DEI programs.

(Bloomberg via Getty Images)

Skydance promised not to set numerical goals related to race, ethnicity or gender of job applicants.

“The company is committed to ensuring that its storytelling reflects the many audiences and communities it serves in a manner that complies with non-discrimination requirements and other applicable laws,” Kyoko McKinnon wrote.

“I am very encouraged by today’s announcements,” said Daniel Suhr, president of the conservative Center for American Rights, which filed an FCC complaint about “60 Minutes” and suggested a CBS News ombudsman. “These are important steps towards better broadcasting that serves all consumers.”

President Trump is celebrating the cancellation of Stephen Colbert’s “The Late Show” on CBS — and calling for even more late-night hosts to be axed.

“I absolutely love that Colbert got fired. His talent was even less than his ratings,” Trump wrote Friday morning on Truth Social. “I hear Jimmy Kimmel is next. Has even less talent than Colbert!”

He added that Greg Gutfeld, who has a late-night show and co-hosts “The Five” on Fox News, “is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show,” referring to Jimmy Fallon.

Although “Late Night” is the top-rated late-night broadcast show, “Gutfeld!” draws a bigger audience.

Colbert, 61, has hosted the show for a decade and shared the news of its cancellation Thursday night, noting that he was made aware of the decision only the night before. “The Late Show” will end in May.

“It’s not just the end of our show, but it’s the end of ‘The Late Show’ on CBS,” Colbert said. “I’m not being replaced. This is all just going away.”

CBS said the decision was “purely financial.” The cancellation comes after Colbert criticized the network’s parent company, Paramount Global, for settling a lawsuit filed by Trump last year over the editing of a “60 Minutes” interview with Kamala Harris. Colbert called the $16-million settlement a “big fat bribe” Monday night, noting that Paramount is awaiting federal approval for its $8-billion merger with Skydance Media.

Both branches of the Writers Guild called on New York Atty. Gen. Letitia James to investigate Paramount.

“Cancelations are part of the business, but a corporation terminating a show in bad faith due to explicit or implicit political pressure is dangerous and unacceptable in a democratic society,” read a statement released Friday by the union.

Fellow late-night hosts have since criticized the show’s cancellation.

“Love you Stephen. F— you and all your Sheldons CBS,” Kimmel wrote in an Instagram story, referencing the network hits “The Big Bang Theory” and “Young Sheldon.”

“I’m just as shocked as everyone. Stephen is one of the sharpest, funniest hosts to ever do it. I really thought I’d ride this out with him for years to come,” Jimmy Fallon posted in an Instagram story. “I’m sad that my family and friends will need a new show to watch every night at 11:30. But honestly, he’s really been a gentleman and a true friend over the years — going back to The Colbert Report, and I’m sure whatever he does next will be just as brilliant.”

Sen. Elizabeth Warren (D-Mass.), who called for an investigation into the Paramount settlement this month, suggested that the move was politically motivated.

“CBS canceled Colbert’s show just THREE DAYS after Colbert called out CBS parent company Paramount for its $16M settlement with Trump — a deal that looks like bribery,” she wrote Thursday night on X. “America deserves to know if his show was canceled for political reasons.”

“If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better,” said Sen. Adam Schiff (D-Calif.), who was a guest on the show Thursday night.

Trump had called for Colbert’s termination in September.

“I briefly watched an interview of Stephen Colbert on highly government subsidized PBS, and found it fascinating for only one reason — Why would they be wasting time and the public’s money on this complete and total loser?” he wrote on Truth Social. “He is not funny, which he gets paid far too much to be, he is not wise, he is VERY BORING, and his show is dying from a complete lack of viewers.

“CBS should terminate his contract and pick almost anyone, right off the street, who would do better, and for FAR LESS MONEY,” he continued. “Or I could recommend someone, much more talented, and smarter, who would do it for FREE! The good news for Stephen is that the two DOPES on NBC & ABC are not much better than him!”

In a Variety interview published Wednesday, Kimmel shared his concerns about the Trump administration targeting him and his competitors.

“Well, you’d have to be naive not to worry a little bit. But that can’t change what you’re doing,” the ABC late-night host told the outlet. “And maybe it is naive, but I have the hope that if and when the day comes that he does start coming after comedians, that even my colleagues on the right will support my right to say what I like. Now, I could be kidding myself, and hopefully we’ll never find out. But if we do, I would hope that the outrage is significant.”

We seem to be in an era of endings. The end of ethical norms, of the rule of law, of science, of democracy, of Marc Maron’s “WTF” podcast, possibly the world and the just-announced end of “The Late Show With Stephen Colbert,” when the host’s contract runs out in 10 months — which may presage the end of late-night television, at least on CBS, which says it has no plans to replace him or keep the show.

“This is all just going away,” Colbert said in a statement taped Thursday.

Coincidentally, or not, Paramount Global, which owns CBS, is seeking regulatory approval from the Trump administration to sell itself to the Hollywood studio Skydance Media. (I’d never heard of it either.) An official statement, claiming that the “Late Show” cancellation represents “a purely financial decision against a challenging backdrop in late night … not related in any way to the show’s performance, content or other matters happening at Paramount” (italics mine) is — however true it might be — just the sort of thing to make one say, “Pull the other one.”

“Other matters” would seem to refer to the merger and to Paramount’s recent payment of $16 million to settle a frivolous Trump lawsuit over the perfectly routine editing of a “60 Minutes” Kamala Harris interview that was somehow supposed to give Harris an unfair advantage in the 2024 election and to have caused her opponent “mental anguish” — a payment Colbert characterized in a monologue just a few days ago as a “big fat bribe”: “As someone who has always been a proud employee of this network, I am offended. And I don’t know if anything will ever repair my trust in this company. But just taking a stab at it, I’d say $16 million would help.”

Though he responded to his studio audience’s supportive boos saying, “Yeah, I share your feelings,” he was only kind to the network: “I do want to say that the folks at CBS have been great partners,” Colbert said. “I’m so grateful to the Tiffany network for giving me this chair and this beautiful theater to call home.”

But there have been plenty of surrogates to draw connections, provide context and bite harder, especially in light of the departure of “60 Minutes” executive producer Bill Owens and CBS News President Wendy McMahon. “Love you Stephen,” ABC host Jimmy Kimmel, posted on Instagram, “adding “F— you CBS and all your Sheldons.” (In January, ABC also settled a Trump suit for $16 million, over George Stephanopoulos erroneously saying that Trump had been found civilly liable of “rape.”)

Of the remaining late-night hosts, we may say that each is special in their own way. Colbert, 61, who has been at “The Late Show” for 10 years, is the most mature, professorial and philosophical — gentle, a gentleman, and at times a mock-gentleman, addressing his audience as “My fellow Americans,” or echoing Walter Winchell, “Mr. and Mrs. America and All the Ships at Sea,” or as “Ladies and Gentlemen.” He slaps himself in the face twice before every show to “be in the moment … [to] only do this for the next hour.” Though he may still kick up his heels during a monologue, as an interviewer he is composed and thoughtful and curious — and funny, to be sure — to the degree each conversation demands. A committed (liberal) Catholic, he co-narrated the English-language audiobook of Pope Francis’ “Life: My Story Through History,” with Franciscan Father John Quigley, at the same time, he’s a first-generation Dungeons & Dragons devotee, a lifelong reader of science fiction and a man of whom director Peter Jackson said, “I have never met a bigger Tolkien geek in my life.” (Jackson cast him as “Laketown spy” in “The Hobbit: The Desolation of Smaug.”) He’s a person who will quote Gandalf in a conversation on grief and loss with Anderson Cooper, or, on “The Friendship Onion” podcast with Dominic Monaghan and Billy Boyd, a.k.a. Merry and Pippin, declare that after reading “The Lord of the Rings” after college, “I realized that Aragorn is the Apollonian model of manhood … The Hobbits are us. And we should love life as much as they do.”

And he knows a thing or two about Ronnie James Dio. And grew up on Mad magazine, where young minds were taught to recognize the deceptions and hypocrisies of politics, business and media.

Comedy Central’s “The Colbert Report,” which he hosted from 2005 through 2014, had a huge cultural effect beyond the reach of any late-night host now, Colbert included. Because it ran on basic cable and not network television, and because Colbert hid within the character of a pompous conservative pundit, the show could take wild swings; to the extent it looked respectable, it was only a matter of irony. Colbert and Jon Stewart, on whose “The Daily Show,” where Colbert had earlier worked, staged a “Rally to Restore Sanity and/or Fear” on the National Mall in Washington, which drew a crowd of more than 200,000; he ran for president twice and created a PAC, Americans for a Better Tomorrow, Tomorrow, “100 percent legal and at least 10 percent ethical.”

During its run, he (or his writers) gave the world “truthiness,” named 2006’s Word of the Year by Merriam-Webster, which defined it as “a truthful or seemingly truthful quality that is claimed for something not because of supporting facts or evidence but because of a feeling that it is true or a desire for it to be true.” Colbert was twice named one of Time’s 100 Most Influential People. Ben & Jerry’s created an ice cream flavor, Stephen Colbert’s AmeriCone Dream, in his honor, and NASA dubbed a piece of exercise equipment for use on the International Space Station the “Combined Operational Load-Bearing External Resistance Treadmill,” or COLBERT.

Testifying in character in 2010, before a House Judiciary subcommittee on legal status for immigrant farmworkers, he said, as if looking into 2025, “This is America,” he said, “I don’t want my tomato picked by a Mexican. I want it picked by an American, then sliced by a Guatemalan and served by a Venezuelan in a spa where a Chilean gives me a Brazilian … My great grandfather did not travel over 4,000 miles of the Atlantic Ocean to see the country overrun by immigrants. He did it because he killed a man back in Ireland. That’s the rumor, I don’t know if that’s true. I’d like to have that stricken from the record.”

The signature segment of “The Late Show” is the “Colbert Questionert” in which the host poses 15 questions “ergonomically designed to penetrate straight to the soul of one of my guests and reveal their true being to the world.” (It’s “a scientifically verified survey; I’ve asked several scientists and they assured me — yeah, it’s a survey.”) Designed to create comic and/or sincere responses, they range from “What’s the best sandwich?” (Will Ferrell: “Salami and grapefruit on rye, with a light sheen of mayonnaise.”) to “Apples or oranges?” (Colbert considers apples the correct answer, because you can put peanut butter on them.) to “The rest of your life in five words.” (Tom Hanks: “A magnificent cavalcade of color.”) Cate Blanchett took it lying on Colbert’s desk, as if in therapy. “What do you think happens when we die?” he asked. “You turn into a soup,” she replied. “A human soup.”

But it’s Colbert’s extended interviews and discussions, from “The Late Show” and elsewhere, posted online, that dig the deepest and reveal the most about him in the bargain: a much circulated conversation with Nick Cave from last year; a long talk with Anderson Cooper, after the death of his mother, both about grief and gratitude; an episode of “The Spiritual Life With Fr. James Martin, S.J.,” from a couple of weeks ago. (Colbert describes himself as “publicly Catholic,” not “a public Catholic.”) Such discussions perhaps point the way to a post-”Late Show” practice for Colbert, much as it became one for David Letterman, who passed the seat on to him. (He’s only the second host since the show’s premiere in 1993.)

As to the field he’ll be leaving next May, who can say? Taylor Tomlinson‘s “After Midnight” game show, which followed “The Late Show,” expired this week. Kimmel and Seth Meyers, who go as hard against Trump as does Colbert, and the milder Jimmy Fallon, seem for the moment safely fixed at their desks. Though new platforms and viewing habits have changed the way, and how much, it’s consumed, late-night television by its temporal nature remains a special province, out at the edge of things, where edgy things may be said and tried. (Don’t expect Colbert to go quietly into that goodnight.) Yet even as the No. 1 show in late night, “The Late Show” reportedly loses money. There’s something to that “financial decision,” I’m sure; it’s the “purely” that smells. We’ll see.

“I absolutely love that Colbert got fired,” Trump posted on his vanity social media site, going on to say that he “hears” that “Jimmy Kimmel is next. Has even less talent than Colbert.” Trump and Colbert could not be farther apart as humans. The president sells fear; he uses it as a club. But the TV host is sanguine.

“You can’t laugh and be afraid at the same time,” Colbert is fond of saying, sometimes adding, “and the Devil cannot stand mockery.”

CBS said it is canceling “The Late Show with Stephen Colbert” at the end of the upcoming television season in May, a casualty of industry changes that have dealt a crippling blow to advertising revenue.

Colbert announced the news to his audience Thursday during a show taping in New York. In a clip posted to Instagram, crowd members gasped, then started booing. Colbert said he only learned of the move on Wednesday.

“It’s not just the end of our show, but it’s the end of the late show on CBS,” Colbert said. “I’m not being replaced. This is all just going away.”

Colbert has hosted the show for a decade. After a rocky start, Colbert found his sea legs and eclipsed longtime late night leader NBC with his signature humor and sharp takes on political and cultural hot buttons. Colbert has long been a star within CBS’ parent company, Paramount Global, rising to fame on Comedy Central’s “The Daily Show with Jon Stewart.”

The decision to end a franchise that has helped shaped pop culture was stunning to some. CBS launched its late night block in 1993 with David Letterman.

“This is purely a financial decision against a challenging backdrop in late night,” CBS Chief Executive George Cheeks and other top executives said in a joint statement. “It is not related in any way to the show’s performance, content or other matters happening at Paramount.”

David Ellison’s Skydance Media is waiting for federal approval to buy Paramount, an $8 billion deal that is expected to usher in a new wave of cost-cutting.

“We consider Stephen Colbert irreplaceable,” said Cheeks, along with CBS Entertainment President Amy Reisenbach and CBS Studios President David Stapf. “We are proud that Stephen called CBS home. He and the broadcast will be remembered in the pantheon of greats that graced late night television.”

More than 200 people work on Colbert’s show and their fate, beyond next spring, is unclear.

“I do want to say that the folks at CBS have been great partners,” Colbert said. “I’m so grateful to the Tiffany network for giving me this chair and this beautiful theater to call home. And of course, I’m grateful to you, the audience, who have joined us every night.”

This is a developing story.

SAN ANSELMO, Calif. — It’s hard to miss Brian Colbert. It’s not just his burly 6-foot-4 frame, his clean-shaven head or the boldly patterned, brightly colored Hawaiian shirts he’s adopted as an unofficial uniform.

Colbert is one of just a small number of Black people who live in wealthy, woodsy and very white Marin County — and the first Black supervisor elected since the county’s founding more than 175 years ago.

He didn’t lean into race, or history, as he campaigned in the fall. He didn’t have to. “As a large Black man,” he said, his physicality and the barrier-breaking nature of his candidacy were self-evident.

Rather, Colbert won after knocking, by his count, on 20,000 doors, wearing out several pairs of size 15 shoes and putting parochial concerns, such as wildfire prevention, disaster preparedness and flood control, at the center of his campaign. He continues, during these early months in office, to focus on a garden variety of municipal issues: housing, traffic, making local government more accessible and responsive.

That’s not to say, however, that Colbert doesn’t have deeply felt thoughts on the precedent his election set, or the significance of the lived experience he brings to office — different from most in this privileged slice of the San Francisco Bay Area — at a time President Trump is turning his back on civil rights and his administration treats diversity, equity and inclusion as though they were four-letter words.

“I think of the challenges, the indignities that my grandparents suffered on a daily basis” living under Jim Crow, Colbert said over lunch recently in his hometown of San Anselmo. He carefully chose his words, at one point resting an index finger on his temple to signal a pause as he gathered his thoughts.

Colbert recalled visits to Savannah, Ga., where he attended Baptist church services with his mother’s parents.

“I remember looking at the faces,” Colbert said, “and to me they were the faces of African Americans waiting for death, because they were aware and knew of the opportunities that had been denied to them simply because of the color of their skin. But what gave them hope was the belief their kids and grandkids would have a better life. I am a product of that hope, in so many ways.”

Colbert, 57, grew up in Bethel, Conn., about 60 miles northeast of New York City. Residents tried to prevent his parents — an accountant and a stay-at-home mom — from moving into the overwhelmingly white community. Neighbors circulated a petition urging the owners to not sell their home to the Black couple. They did so anyway.

Colbert went on to earn degrees in political science and acting, public policy and law. He traveled the world with his wife, a Syrian American, practiced law on Wall Street, ran a chocolate company and a small tech firm. He lived for 3½ years in Turkey, where he taught international law and political science at a private university.

In 2007, when the couple returned to the U.S., they set their sights on the Bay Area, drawn by the weather, the natural beauty and the entrepreneurial spirit that drew countless opportunity seekers before them. (Colbert started wearing Hawaiian shirts on the Silicon Valley conference circuit, after being mistaken one too many times for a security guard.)

In 2013, Colbert, his wife and their daughter settled in San Anselmo, a charmy tree-lined community about 15 miles north of the Golden Gate Bridge. The relatively short commute to San Francisco, where he manages a medical concierge service, the quality schools and the vast open space were big attractions — though Colbert knew he and his family would stand out, just as he had in Bethel.

San Anselmo, with its rugged hillsides and red-brick downtown, has about 13,000 residents. The Black population is less than 2%. But Colbert’s extensive travels and life overseas convinced him that people “on a certain level [are] the same” everywhere — “warm, welcoming, kind, generous, helpful.”

He had an abiding interest in policy and public service, so in 2013 Colbert joined the city’s Economic Development Council. Four years later, he was elected to the Town Council. He served seven years, one in the rotating position of mayor, before running for the nonpartisan Board of Supervisors.

Inevitably, he encountered racism along the way. There were threatening phone calls and emails. He got the occasional side-eye as he canvassed door-to-door in all-white neighborhoods. For the most part, however, “people were incredibly pleasant” and campaigning “was no more challenging … than it would be [for] any candidate.”

On a recent sunny afternoon, Colbert was greeted heartily — “Hey, Brian!” “Hey, supervisor!” — as he strode past Town Hall to Imagination Park, a gift the city’s most famous resident, filmmaker George Lucas, bequeathed along with life-sized statues of Yoda and Indiana Jones.

These are fraught times. The reckoning that followed the murder of George Floyd has given way to a backlash and a president who disdains efforts at equality, complains of anti-white prejudice and purges powerful Black men and women in the name of a mythical colorblind society.

Given a chance to speak directly to Trump, what would Colbert — a Democrat — say?

“Mr. President, thank you for your service,” he began. “Being in public offices is hard and difficult.”

He paused. Several beats passed. A waiter cleared away dishes.

“I would encourage you to change your tone, certainly publicly, and broaden your perspective and embrace those who might have a different perspective than you,” Colbert went on. “Many people have come to this country and they’ve added value. They’ve made this country for the better.

“Remember those who don’t necessarily have easy access to power. Remember those who are struggling. Focus on those who are most vulnerable and are highly dependent on the government to help them through a short amount of time. I mean, the American experiment is incredible. Keep that in mind. A little empathy. Simple acts of kindness. Place yourself into someone else’s shoes.

“Thank you, Mr. President.”