coffin

These days, a night at one of SoCal’s most popular haunted attractions usually begins with attendants scanning digital tickets at a clearly marked entrance.

At Coffin Creek, things were a little different.

Those who made the journey to Corona’s annual haunt entered an eerie scene the moment they veered off the 71 Freeway and down the desolate roads to Riverview Recreation Park, where Coffin Creek made its home. In the parking area, the dust kicked up by the vehicles created its own layer of fog, and sounds could be heard in the darkness — faint screams, the echo of chain saws and the nervous chatter of the hauntgoers. There was always a sense of mystery and excitement: With its independent, grassroots vibe, Coffin Creek — one of the longest-running Halloween attractions in Southern California — was the little haunt that could.

Coffin Creek has had its final run. Its founder and operator, Gary Shireman, passed away last month at the age of 74. But its legend lives on in the community of Halloween enthusiasts.

Coffin Creek, situated at Riverview Recreation Park, had a rustic feel, which added to the spookiness.

(Warren So)

While Coffin Creek, which at times went by the name Crossroads Haunted Village, was essentially a destination populated by several independently owned and operated haunted mazes, Shireman was the head of the operation. An electrician by trade and a longtime horror fan, Shireman launched the enterprise in 2007 after spending years searching for a location. He landed upon 180 acres of a park in Corona near the Santa Ana River. And as he soon discovered, it was already haunted, perhaps.

The backstory of the Coffin Creek locale — at least as it’s told through a newspaper story on the haunt’s website — is that in 1938, a massive flood hit Southern California, unearthing 13 coffins in Corona from an abandoned cemetery. Only some of the human remains from those coffins were recovered, and soon people in the area began seeing and hearing strange things at night.

Local artists and volunteers worked all year to open Coffin Creek, which was never a production as flashy or refined as Universal’s Halloween Horror Nights, Knott’s Scary Farm or any of SoCal’s well-established haunted maze destinations — but that was part of the allure. The darkness of the woods and muddy terrain was just as effective scenery as any of the bedsheet drapery or wooden flats that had been set up. While a discerning guest may have noticed that some of the haunted set pieces were missing a little paint or not lighted all that well, the cackling heard from the dark spaces in between reminded folks that it was all about the final thrill. One could never tell when a chain-saw-wielding madman was about to jump out from behind a wall.

The sign for the Coffin Creek Manor maze.

(Scott Feinblatt)

“Gary’s mazes were very old-school and very low-tech, and he was a big proponent of that,” said Warren So, a contributor for Hollywood Gothique, an online guide to all things horror in L.A. “He felt that all we need is a good old-school scare. As long as people scream, then it’s successful.”

In one 2011 interview, Shireman said he would work all year for that “first scream of the season.” Some attendees would take one step through the front door and come right back out.

The mazes at Coffin Creek had names like Chambers of the Mausoleum, Labyrinth of Lost Relics, Bog of the Abyss, the Dark Realm and Coffin Creek Manor, the legend’s namesake. One of the most endearing aspects of the destination was that several of the mazes took residence in the permanent structures that composed the medieval-inspired village of the Koroneburg Renaissance Festival on the park’s grounds.

A scare actor ready for his next victim.

(Scott Feinblatt)

Actors played all types of ghoulish creatures, including orcs and vampires. Uncle Zed’s Zombie Safari, which was one of several haunted hayride-style attractions that appeared over the years, even featured something of a community-sourced collection of monsters, all of which originated from independent contributions to the Secure, Contain, Protect (SCP) horror subgenre. Guests of this Coffin Creek attraction were carted along from one breached containment scenario to the next, with roving monsters periodically surprising them in the darkness between the scantily lighted vignettes.

Steve Biodrowski, the owner and operator of Hollywood Gothique, said Shireman worked tirelessly behind the scenes, dealing not only with the haunt’s creation but also with all the red tape that came with operating at the Corona park. Biodrowski recalled Shireman telling him about the complex nature of its ownership. “There were like four different owners,” Biodrowsky explained. “One was federal, and I believe it had something to do with the Army; then there were state and local departments involved. Getting everybody to sign on to a deal or agree to allow the haunted village to operate was just near impossible.”

Clowns haunted the premises — and visitors’ dreams.

(Scott Feinblatt)

Over the years of Coffin Creek’s various incarnations, a number of ancillary attractions complemented the mazes: a magic show, horror merchandise vendors and food stands. Some of the haunts included higher production value effects — Chambers of the Mausoleum, for instance, featured inventive animatronics from its principal operator, Figment Foundry. Even by the mid-2010s during a proliferation of local haunted attractions, the village downsized but the mazes never lost their charm. By continually utilizing veneers and components from past maze builds, the distinctive landscape and the talents of passionate, volunteers, Shireman continued to conjure an entertaining enterprise.

His passion for haunted attractions did not end at Coffin Creek. In 2022, Shireman partnered with haunt producer Jason Thompson to host the Haunt X convention at the Fairplex in Pomona. The event provided independent haunt owners and artisans an opportunity to network, learn trade techniques and showcase their enterprises and goods with one another and with their fans.

“He wasn’t just into haunted houses,” So said of Shireman. “He was always bouncing ideas about other Halloween stuff that was family-friendly — not scary — for the kids.” Additionally, So said that Shireman was generous with the community. “He loved talking to you about your haunt and his haunt and sharing ideas. I think everybody would agree that he was always willing to help. Another buddy of mine was building his haunted house, and even though it had nothing to do with Gary, he was down to help out and build out in the heat, in the desert. And Gary did not benefit one single cent. That’s just the guy he was — he doesn’t ask for anything and just wants to make a friend and help make a good haunt.”

The legend of the Coffin Creek location is that a flood hit Southern California, unearthing 13 coffins from an abandoned cemetery.

(Scott Feinblatt)

Shortly before his death, Shireman expressed enthusiasm about Coffin Creek’s future. He had announced that the haunt would be moving to a new Riverside location, the Lake Perris Fairgrounds, where it would operate in tandem with the Perris Pumpkin Patch. That couldn’t happen, but the Perris Pumpkin Patch has been operational this season and remains a family-friendly destination.

And while the haunt may have ended, like with any good maze, there may always be something more lurking ahead.

Thousands of mourners gathered at a stadium in Kenya for a state funeral for opposition leader and former prime minister, Raila Odinga. His flag-draped coffin was carried by uniformed officers ahead of the service, which was attended by President William Ruto.

DANA WHITE has all but ruled out the prospect of Jon Jones headlining the UFC’s White House card next year.

The former light-heavy and heavyweight champion ended his retirement after just TWO WEEKS in July after learning of the promotion’s plans to stage a fight card at Donald Trump‘s residence.

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White was initially open to having ‘Bones’ top the bill, but has since performed a public U-turn.

The veteran promoter claimed he couldn’t “trust” Jones enough to give him the honour of headlining the historic card after he pulled the plug on fighting Brit Tom Aspinall.

And he brutally doubled down on his claim during the UFC 319 post-fight press conference on Sunday morning.

He asked a reporter: “What do you think Jon would do in the next couple of months that would make me trust putting him on the White House card?”

“I already said I don’t trust him, and you’re asking me, ‘What could he do for me to trust him in the next three months?’

“You don’t trust him!

“I haven’t talked to him at all. I would not bet on it.

“If I have to make odds, it’s a BILLION TO ONE [that] I put Jon Jones on the White House card.”

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Jones, 38, was set to unify the heavyweight belts against interim titleholder Aspinall in a historic showdown at Madison Square Garden in November.

But despite the UFC brass meeting his demands to be paid “f**k you money“, he opted NOT to go through with the fight.

The former pound-for-pound king insisted a bout with Wigan warrior Aspinall did nothing for his legacy.

But he believes a fight at 1600 Pennsylvania Avenue will add to it.

He said: “In a recent interview, I shared that the opportunity to fight at the White House gave me something deeper to fight for, a ‘why’ that goes beyond paychecks or belts.

If I have to make odds, it’s a billion to one I put Jon Jones on the White House card.”

Dana White on Jon Jones fighting at the White House

“Fighting for my country gives me a greater purpose!

“The silver lining in all this is knowing the fans see my heart.

“They see, I am ready and willing to take on anyone, to represent my country on a historic stage.

“For me, it’s never been just about the opponent. I’m chasing legacy, something timeless, something bigger than the moment.

“So for now, I’ll keep grinding, stay patient, and stay faithful. I’m ready to fight on July 4th.”

Kolkata, India — For the past several years, the United States has been a major market for Aditya Garodia to export more than 100 items of steel derivatives like fasteners from his factory in West Bengal state in eastern India.

But ever since US President Donald Trump took office and unleashed a range of tariffs – 25 percent on steel and aluminium initially, as well as standalone country tariffs – global markets have been on edge, creating significant uncertainty for businesses across sectors.

Garodia, director of Corona Steel Industry Pvt Ltd, told Al Jazeera that as a result of the tariffs, clients have slowed picking up their orders, delaying payments by a month on average, while business in general has slowed as customers adopted a wait-and-watch policy.

When Trump announced that he was doubling tariffs on steel and aluminium to 50 percent from June 4, it was “like a nail in a coffin”, Garodia said, as nearly 30 percent of orders were cancelled. “It is difficult for the market to absorb such high tariffs.”

Demand in the domestic market has also been low because of competition from cheaper Chinese products, he said, adding their future depends on India negotiating a lower tariff for its exports to the US than its competitors.

Last year, India exported $4.56bn worth of iron, steel and aluminium products to the US.

Tariffs ‘play well in politics’

During his first term, Trump in 2018 imposed tariffs of 25 percent on steel and 10 percent on aluminium under Section 232 of the Trade Expansion Act of 1962, citing national security concerns. But certain businesses had managed to escape, as there were no tariffs on finished products.

But on February 10, 2025, he announced 25 percent tariffs on steel and aluminium, including derivatives – or finished products – and removed all exemptions.

Ajay Srivastava, founder of Global Trade Research Initiative (GTRI), a trade research group, told Al Jazeera that higher tariffs imposed in 2018 have so far failed to revive the US steel industry.

“Since the tariffs were first implemented in 2018, [US] steel imports have increased,” rising from $98.6bn to $114bn in 2024, he said, and they “haven’t cut imports or boosted production, but they’ve mostly stuck around because they play well in politics”.

As a result, prices in the US are far higher than in Europe or China, “making cars, buildings, and machines more expensive to produce. India now needs a clear strategy to protect its trade interests, push for fair deals and strengthen domestic manufacturing,” Srivastava said.

Foundries also affected

In the so-called reciprocal tariffs that President Trump announced on April 2, he set a rate of 26 percent for goods from India. He put that on hold on April 9 for 90 days and introduced a 10 percent base tariff on all countries for the interim, giving them breathing room to strike individual trade deals with the US.

While the 10 percent is hard enough on the businesses, foundries – where metals are melted to cast into shape – say 26 percent is too high for any business to absorb.

India has approximately 5,000 foundries, of which 400 cater to both domestic and international markets and a further 100 are exclusively for exports. Several Micro, Small and Medium Enterprises (MSMEs), in turn, supply pig iron, scrap and other items to the exporters.

Indian foundries export products worth about $4bn globally, out of which the US market is $1.2bn, Ravi Sehgal, chairman of National Centre for Export Promotion (NCEP), said. In the US, they compete not only with local foundries but also with Chinese and Turkish suppliers.

The latest set of tariffs will be a considerable blow to Indian foundries. More than 65 percent of these, and their suppliers of raw materials, are MSMEs that will “face the brunt of tariffs due to lower orders”, Sehgal said. Tariffs beyond 10-14 percent “would [make it] difficult for us to survive,” he added.

Pradeep Kumar Madhogaria, partner in Yashi Castings, which makes moulding boxes and pallet cars for foundries, said that several foundry projects have been either deferred or shelved, particularly those aligned to export-driven demand, due to the uncertainty in the US market.

Smaller units badly hit

Sumit Agarwal, 44, a Kolkata-based manufacturer of clamps, brackets and other items used in industrial goods, told Al Jazeera that his business has been hit hard by the tariffs and he is thinking of laying off some of his 15 employees.

“We are a small unit. The orders have practically dried up after the introduction of tariffs, which has made it difficult for us to continue with our existing staff. I am thinking about cutting at least 30-40 percent of my manpower. Business from the domestic market is just average, and the drop in the export market has added to our woes.”

Shyam Kumar Poddar, 70, who runs a small unit of sheet metal fabrication in Kolkata, recently invested about 800,000 rupees ($9,400) to buy a hydraulic press with an aim to expand his business. But the drop in orders has affected him badly.

“I bought the machine just four months ago to expand my business, but there have been absolutely no orders for the past two months.”

“We depend on exporters for our business as there is already an intense competition in the domestic market, but the present scenario is harming small entrepreneurs like us.”

Pankaj Chadha, chairman of Engineering Export Promotion Council of India (EEPC), an industry body, told Al Jazeera that diversification to countries like Peru and Chile, who would then export their finished products to the US, is the only way for survival as it was “not possible to do business with such high tariffs”.

Even as the 90-day pause on tariffs is set to expire soon, it’s not clear yet what the final number will be as India and the US are yet to finalise a deal. On Friday, Piyush Goyal, India’s minister of trade and industry, told reporters that while India was ready to make a trade deal, “National interest will always be supreme“, and it would not be driven by any deadlines.

For now, Garodia is hoping a solution will be found fast. “No industry can survive in isolation,” he said, listing US problems, including a manpower shortage as well as higher production and raw material costs. “India offers them a good substitute with cheap labour and low cost of production,” he said.