chef

When San Juan native Rafael Rodriguez opened Señor Big Ed in Cypress in the mid-90s, there were few Puerto Rican restaurants in Southern California.

“A lot of customers were driving long ways to come to eat at Señor Big Ed,” said restaurant manager Veronica Coronado. “They would get very emotional when they would eat the food, because it reminded them so much of their childhood.”

While cities like New York and Miami have come to be veritable hubs for Puerto Rican cuisine, the food community here in Los Angeles — more than 3,000 miles away from the island — still remains relatively small.

And yet, demand for Boricua cuisine is on the rise locally, due in part to a growing Puerto Rican population — about 47,000 residents, according to the Los Angeles Almanac — and rapper Bad Bunny’s recent Super Bowl halftime show that paid homage to his homeland and made history as the most-watched Super Bowl halftime performance of all time, with more than 4 billion views globally.

“His whole movement and everything that he’s been doing for the island … has really been this big boost for global awareness of the Puerto Rican identity and culture,” said Carmen DeLeon, the actor and chef behind Capicu, a Puerto Rican pop-up in L.A.

While longstanding restaurants like Señor Big Ed have anchored communities for decades, newer spots like Taínos in Woodland Hills and La Casa de Iris in Long Beach are expanding the Boricua food landscape in L.A.

“Everyone comes to look for this food because this is like gold,” said Edwin Torres, chef at Taínos in Woodland Hills.

In addition to traditional guisados, mofongo (mashed green plantains) and banana-leaf-wrapped pasteles, Taínos shares Puerto Rican dishes rarely seen outside of home kitchens. Soon, co-owner Odessa Rodriguez plans to add guanimes con bacalao, boiled flour dumplings with salted cod, a Taíno dish that traces back centuries.

“We’re not trying to reinvent the wheel. We are just trying to bring back essential plates that our ancestors ate,” Rodriguez said.

DeLeon, known as the Not Starving Artist on Instagram, started her pop-up in 2023 with her sister Anabel, serving small bites at bars, farmers markets and local events. The siblings grew up in Arizona cooking Puerto Rican food with their island-born parents, and DeLeon said she’s passionate about making the cuisine accessible to others.

“I want to attract people first, and then I can talk about where these dishes derive from and where the inspiration comes from,” she said.

The current menu features pizza empanadillas, vegan arroz con gandules (rice with pigeon peas), vegan tostones and gazpacho, and mini sandwiches with ham, cheese and sweet pimiento peppers.

DeLeon hopes more people will grow excited about Puerto Rican food as they discover the culture and meaning behind the cuisine.

“There’s so much history and structure and love behind this group of people, this environment, this culture, this food, this identity,” she said. “I hope that when people eat this food … I want your belly to feel full, I want you to feel as if you’re sitting at my house with my family.”

Similarly, Rodriguez hopes Taínos will become a cultural hub for Boricuas in L.A.

“It fulfills me to feel that I am providing a sense of comfort, nostalgia, home,” she said. “It’s bigger than food.”

Whether you’re craving nostalgic flavors from home or looking to experience L.A.’s small but growing Puerto Rican food scene, here are four restaurants serving up a taste of the Isla del Encanto. — Angela Osorio

For more than 40 years, Barry Walters has been closely watching the dance floors of New York and San Francisco, chronicling the ways in which LGBTQ+ culture has influenced mainstream culture. As a writer for the Village Voice, the Advocate and Spin, among others, Walters became one of music journalism’s most eloquent and crucial voices, championing artists like the Pet Shop Boys and Madonna during their formative years.

Walters’ new book, “Mighty Real,” draws on his deep firsthand knowledge, offering a comprehensive history of LGBTQ+ music from 1969 to 2000. I recently spoke with Walters about Babs, Madge and Bowie.

✍️ Author Chat

In the book, you make a distinction between pre-Stonewall LGBTQ music and post-Stonewall LGBTQ music.

Gay culture before Stonewall really had to be hidden, or at least secretive. I think of Barbra Streisand as a quintessential pre-Stonewall figure. Judy Garland, as well. These women are tough, and even though they sing songs written by men, it’s not in a submissive way. They are singing like they are the champions, even when they are suffering through what men do to women through the torch songs they perform.

What can you say about the encoded nature of certain songs that spoke to gay culture in a way that flew under the radar of hetero listeners in the pre-Stonewall era?

The music that spoke to gay culture, by necessity, had to be encoded. “Secret Love” by Doris Day is a good example. It’s about struggling to have something that’s otherwise forbidden. Sinead O’Connor covered that song. There was a song I loved as a young child called “Have I The Right?” by the Honeycombs, which was written by two British gay men at a time when homosexuality was illegal in England. You know, have I the right to be with whomever I want to be with?

What, in your view, was the big bang of post-Stonewall LGBTQ music?

David Bowie to a large degree. Right around the time that “Hunky Dory” was being released in 1971, he told the Evening Standard newspaper that he was gay, flat out just said it. And it was such a strange thing to say that many people doubted his sincerity.

Barry Walters, a writer for the Village Voice, the Advocate and Spin, among others, wrote a new book about the history of LGBTQ+ music.

(Kelly Lawrence for Walters)

I remember seeing Bowie wearing that dress on the cover of “The Man Who Sold The World,” thinking that was the most transgressive act any rock star had ever committed.

And then he performed “Starman” on Top of the Pops in 1972 and he put his arm around his guitarist Mick Ronson, who also looked gorgeous. They were displaying a familiarity men aren’t supposed to have.

I thought I knew everything about pop music, but you have uncovered so many fascinating stories. Tell me about Olivia Records.

Olivia Records was an independent record label in the Bay Area owned and controlled by lesbians for female artists. This is years before punk or indie rock, when so many small labels cropped up. They pioneered so much. They would recruit fans in different cities to man the merchandise and to help get their records in stores. The idea of a merch table was something new at the time. They also created the forerunner of Burning Man. They would go find a farm somewhere and create an impromptu village, with food, sanitation and the rest.

You have given the most space in your book to Madonna, whom you have written about extensively over the years. Why is Madonna such a huge figure in the history of LGBTQ music?

Her art is so queer. I feel like she is one of us. She’s very much like Grace Jones, in that her sensibility is so aligned with gay culture. I related to Madonna on multiple levels. In the early ‘80s, I would see her around town, dancing at the same New York clubs I was frequenting, like Danceteria. She was steeped in gay culture, and then she brought all of this into the mainstream, and that was profound. I also feel like she was misunderstood in many ways. When straight men called her a slut, things like that. That is so far from the truth. She is such a complex artist. If you are making that claim, you don’t know anything about her.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Javier Pérez / For The Times)

Pulitzer prize winner Elizabeth Strout has a new novel called “The Things We Never Say,” and Julia M. Klein approves. “[Strout] reprises her familiar themes: the mysteries of human personality, the perils of solitude, the occasional possibility of grace … in deceptively simple, occasionally mannered prose that draws readers in and immerses them in her fictional worlds,” Klein writes.

They’re on a boat! Paula L. Woods climbed aboard a 130-foot yacht in Marina del Rey to soak in the vibes of the Yacht Girls Book Club. “I wanted conversations with like-minded women that were intellectual but fun,” club founder Aloni Ford told Woods. “And talking about books seemed to be the ideal way to achieve that.”

“PEN15” co-creator Anna Konkle has written a memoir called “The Sane One,” and Rachel Brodsky talked to her about it. “In some ways, ‘PEN15’ was a reaction to loving memoirs,” she tells Brodsky. “Raw memory has always been very exciting to me.”

Finally, our Times critics take the measure of this summer’s hottest beach reads.

📖 Bookstore Faves

Kinokuniya bookstores sell Japanese manga, stationery and literature.

(Courtesy of Kinokuniya)

When Kinokuniya opened its first L.A. shop in 1977, it was primarily to provide Japanese expats with imported books and magazines to read in their native tongue. Forty years later, the store has become a locus of Japanese printed matter for Angelenos eager to scoop up Japanese literature and manga in Japanese and English, as well an expansive selection of imported stationery products that, in L.A., can only be found in Kinokuniya’s three stores. I spoke with Sakura Yamaguchi, who manages two of Kinokuniya’s stores downtown (the third is in Mar Vista) about its many-splendored pleasures.

How did the store travel from Japan to Los Angeles?

Books Kinokuniya was founded by Moichi Tanabe in 1927. Located in the Shinjuku district of Tokyo in a two-story wooden building, the first Kinokuniya started with five employees, including Mr. Tanabe himself. In 1969, Kinokuniya opened its first overseas bookstore in San Francisco. The first Los Angeles store opened in 1977.

Who are your customers?

We first started as a store for Japanese customers, so we imported Japanese books and magazines and sold them, mainly. But in the past 10 years, Japanese manga/anime, stationery and literature has been quite popular in the U.S. Therefore our customers are a mix of Japanese-speaking customers and non-Japanese speakers who are interested in Japanese culture.

What percentage of your clientele buys Japanese–language products?

Forty percent Japanese-language products versus 60% English books.

What specific titles are selling for you right now?

“Witch Hat Atelier Grimoire Edition, Volume 1,” “JoJo’s Bizarre Adventure: Purple Smoke Distortion” and the “Strange Houses” series.

Are you seeing more young people turning to printed matter? It seems like there is an analog revival at the moment.

We have been trying to make exclusive editions that come with freebies to make the printed manga more attractive, but without that our English manga sales have been increasing and our main target for the manga is young people. There are many titles that are published exclusively in e-book format, but we frequently hear from customers asking when they will be released in print form. Also, recently there has been a growing number of cases where titles that were originally available only in digital format have later been published as physical books.

Kinokuniya at the Bloc in Los Angeles is located at 700 W 7th St.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Free agent NFL receiver Stefon Diggs has been found not guilty of felony strangulation and not guilty of misdemeanor assault and battery in connection with an alleged dispute with his private chef over money she said he owed her for her services.

Diggs remained stoic in the courtroom as the verdicts were announced, following less that two hours of deliberation by the jury.

Diggs was charged Dec. 30 and pleaded not guilty during his arraignment at Massachusetts’ Dedham District Court on Feb. 13, five days after playing in Super Bowl LX with the New England Patriots.

Diggs did not take the stand during the trial, which started Monday in Norfolk County District Court in Dedham, Mass.

His accuser, Jamila Adams, told the jury that the 11-year NFL veteran “smacked me with an open hand” and wrapped his arm around her neck during an incident that is alleged to have occurred at Diggs’ house on Dec. 2.

“When I went up to block him, he took his arms and came around my neck and he began to choke me,” said Adams, who became emotional during her testimony.

Defense attorney Andrew Kettlewell told jurors there was no evidence of an assault, with no one in the house reporting anything of the kind and no medical records, photos or video that documented any injuries.

Adams said she did not take any photos or video that showed any marks on her body that could be used as evidence because she “was in shock.”

According to Adams, her employment dynamic with Diggs was “complicated.” The two of them have known each other for more than four years, she said, and had previously been in a sexual relationship, although they were not at the time of the alleged assault. As Diggs’ private chef, she lived in his home and prepared him meals and snacks, she said.

In reporting the alleged incident to police Dec. 16, Adams said she and Diggs had a dispute over payment she thought she was owed. Kettlewell told jurors that Adams had sought money from Diggs after reporting the alleged incident, in amounts that increased over time and culminated in her attorney seeking $5.5 million.

“She was furious and she wanted Mr. Diggs to pay in every sense of that word,” Kettlewell said.

Asked Tuesday about the $5.5-million claim, Adams answered at various points, “I can’t speak on that,” “I don’t understand the question” and “I don’t know how to answer the question.”

At times during the trial, Judge Jeanmarie Carroll instructed jurors to disregard parts of Adams’ testimony that the judge said went beyond the scope of the questions.

The Associated Press contributed to this report.

We are living in an era of dissent, but what does that mean in 2026? According to writer Gal Beckerman, to be a dissident is as much a way of being as it is an act of resistance. In his new book “How to Be a Dissident,” Beckerman, a staff writer for the Atlantic, unpacks dissent as a kind of rough art. His book is both an instruction guide and a primer.

In nine short, potent chapters, Beckerman lays out the essential traits of an effective dissident — loyalty, recklessness and watchfulness, among them — to illustrate how communities of resistance are built from the ground up. I recently chatted with Beckerman about playwright and former president of the Czech Republic Václav Havel, President Trump and AI.

✍️ Author Chat

You have written three books that deal with dissent — political, cultural and societal. It’s clearly a big issue with you.

I don’t think of myself as an activist; I don’t approach these topics with an activist’s fervor. I’m genuinely curious about how change happens in society. All four of my grandparents survived the Holocaust, and I think the notion of a society that can change that quickly and turn on you was always very shocking and interesting to me.

In reading your book, it’s really inspiring and extraordinary to read about individuals putting their lives on the line to make change happen.

They genuinely fascinate me as these bizarre human beings who are able to act in ways that I find really mysterious. There’s a mystery as to how people’s minds actually change, and how society can change.

You write about making moral choices, and doing something bold because of some strongly held belief. This is not the same thing as joining the crowd, which can be the path of least resistance.

I had this feeling during the first few months of the current Trump term (and I share this sentiment with a lot of people) that we were just bowled over by the degree to which people in elite places were acquiescing to the exercise of executive power and being willing to bend the knee in ways that felt shocking to me. This prompted me to wonder, what would I do in that situation? Would I say “no” and not succumb to the will of executive power? Would any of us do so? It’s a question we all have to ask ourselves.

You cite Iris Murdoch’s notion of “radical humanism” as a key trait of effective dissent.

Radical humanists are attuned to the messy and wonderful ways that beings just are. They are defending those conditions for human beings to have a normal life, whether that means being able to listen to whatever music you like, or to wear your hair in a certain way, or to take care of a neighbor that is being ill-treated. Václav Havel called it the “pre-political” way of thinking and acting. And we saw this recently in Minnesota, with people standing up to ICE, regardless of what their political affiliations might be. Something pre-political was going on.

Another important factor you cite is civic mindedness, which feels like a difficult goal given how our communities have been dissolved by our screen addictions.

The communication tools that we use are dehumanizing in many ways because they don’t allow us to really see each other. Instead we preconceive each other and just scream a lot. And we know this at a gut level even as we continue to use them. That’s why I do think it takes an almost dissident sort of energy to insist on thinking in a different way and scrambling the assumptions that our modes of communication have foisted upon us.

What about AI? It feels as if there is a lot of resistance to accepting AI into our lives just because technology companies are investing billions of dollars to make it so. You are seeing communities protesting against the construction of data farms in their neighborhoods, for example.

The money behind the ideology pushing AI is about letting us feel that the only way to have an efficient life is through AI. And I feel like the 20th century taught us that there are lots of ideologies that come around to promise this sort of thing. And so we need to learn from that. I think there are a lot of overwhelming powers that try to flatten us. But we have to take that wonderful human element, that radical humanism, to say no, maybe there’s a way to do it better.

📰 The Week(s) in Books

Monica Lewinsky as a saint offering solace to the lovelorn and abandoned? Julia Langbein’s wild conceit works beautifully in her novel “Dear Monica Lewinsky,” according to Julia M. Klein, who calls the book “smart, poignant and involving.”

Among the casualties of the Vietnam War were the Appalachian communities whose male populations were decimated on the frontlines. This is the subject of Pamela Steele’s “taut, lyrical” novel “In the Fields of Fatherless Children,” a book that delves into the “poverty, racism, environmental degradation and despair suffered in the Appalachian ‘holler’ during the Vietnam era,” writes Meredith Maran.

The Times’ Deputy Entertainment and Arts Editor Nate Jackson sat down with the rapper, actor and K-Town native Jonnie Park to discuss his memoir, “Spit: A Life in Battles.”

Finally, Maddie Connors answers the question, “why are novels getting shorter?” Welcome to the age of the Adderall novel.

📖 Bookstore Faves

The inside of Mystery Pier Books

(Mystery Pier Books)

Established in 1998, Mystery Pier Books is L.A.’s prime destination for rare books and signed editions across a wide range of genres and forms, including Shakespeare folios and vintage sci-fi paperbacks. Located right alongside its Sunset Strip neighbor Book Soup, Mystery Pier was established by character actor Harvey Jason and his son Louis, who continue to run the store together. I chatted with Harvey about the treasures to be found in his store.

What is the market like for rare books right now?

Very strong, in fact. We just sold a beautiful edition of J.R.R. Tolkien’s “Lord of the Rings” trilogy to a private collector for $55,000. And that is actually a reasonable price for those books. We have a long list of serious collectors all over the world that contact us for books, customers that have been coming to us for years. We also sold a first edition of “The Adventures of Huckleberry Finn” for $17,500.

Why should one own a rare book?

It’s a good investment. People who collect rare books are book lovers, first and foremost. And they are smart enough to know that the books they love can increase in value year by year. First editions never depreciate. They always become more valuable over time.

I’m interested in journalism books. Do you have any Tom Wolfe or Hunter Thompson in your store?

Hunter Thompson came in here years ago and signed all of his books, so, yes, we have his books signed by him.

Do you see young people looking to get into collecting books?

Yes. A lot of recent college graduates are building collections. It’s very heartening to see that. You can come into our store and find nice editions for $100. The front room of our store contains the first editions but our other rooms will have landmark titles for far less money. This is really a pursuit for everybody, not just wealthy collectors.

An estimated five million people travel from the UK to Italy on holiday each year – and chef Vincenzo Prosperi has named the one authentic city that should be on every traveller’s radar

An Italian chef has highlighted an “authentic” city worth visiting – and it’s not Milan, Venice or Florence. The recommendation comes as roughly five million Britons jet off to Italy for holidays each year.

While countless holidaymakers head for coastal spots like Puglia or Rimini, the nation is equally renowned for its stunning city escapes. According to chef Vincenzo Prosperi, known as Vincenzo Plates online, there’s one particular city that offers a genuine taste of Italy.

Vincenzo champions Bari on the Adriatic Sea as an “old town where the nonnas make pasta on the sea”. In a YouTube video, he said: “A really wonderful city.

“It has really improved in the last 10 years. It is one of the best places to see in the south of Italy. This is authentic, this is great.”

Boasting just over 315,000 residents, Bari ranks amongst the most significant cities in southern Italy. It serves as both a breathtaking Mediterranean port and a thriving university hub, reports the Express.

Bari divides into separate districts. The old town, known as Bari Vecchia, comprises a maze of ancient streets housing the historic Basilica of Saint Nicholas, which originates from the 11th century.

The delightful Piazza del Ferrarese gazes out over the Augusto Imperatore waterfront while its palm-lined avenues provide the ideal fusion of historic town and contemporary seafront. Its name derives from a Ferrara merchant who resided there during the 1600s and maintained his warehouses on the square.

Remnants of a Roman road stretching back to the 2nd century lie cordoned off on the piazza. Nowadays tourists can savour a peaceful moment while observing the vibrant boats gently rocking in the harbour.

Meanwhile, the Murak Quarter, constructed under Joachim Murat, serves as the pulsating centre of contemporary Bari. It’s renowned for its orderly grid pattern of streets, thriving retail area, and lively café scene.

Its energetic character stands in stark contrast to the ancient old town. Travel authority Mark Wolters advises that anyone visiting Bari must head to Strada Arco Bass where residents prepare orecchiette pasta right on the street.

In a YouTube video, he said: “When you come here, you’re going to see there’s a street where all these grandmas, all these ladies, are making orecchiette, they’re making a special kind of pasta from here.”

He added: “We bought two bags for like five euros and it was so worth it. We got to see the lady and she was making them and they had them out there, it was a really cool thing.”

Mark also urges travellers to Bari to try the focaccia barese – a bread crafted from mashed potato and semolina flour. He said: “Focaccia is like a really fluffy, almost like a pizza-bread dough bread, and in it they put tomatoes and olives and it is fantastic, it’s a really special one from here.”

The expert advises that anyone keen on embarking on a road trip around the wider Puglia region should pick up a hire car at Bari airport before exploring the surrounding area. He explains that you “don’t want to drive” in the city itself, particularly around the old town.

Flights from the UK to Bari start at around £70 on Skyscanner. During the summer months, temperatures can soar to as high as 30C, with May typically seeing highs of around 23C.

This year’s festival will take place Saturday and Sunday at the USC campus, and it’s packed with a mind-boggling array of great participants and exhibitors. You can peruse the complete schedule, download the book festival app, and book your parking and panel reservations here.

I have warm fuzzy feelings about the festival, attending as a budding writer in the early aughts. As someone who aspired to “go long” but had no clue how to go about doing it, the event was an inspiration: all these hot-shot authors talking about their craft, and free admission no less.

Of course the event wasn’t the sprawling, magnificent behemoth it is now, with cooking demonstrations from the world’s greatest chefs, and bestselling children’s authors reading to tiny budding bibliophiles. The first festival in 1996 drew 75,000 book fans; last year, more than twice as many people showed up.

As the festival grew, so did the excitement. In 2007, I waited in line along with hundreds of other fans for the privilege of hearing Gore Vidal talk about his craft in UCLA’s Royce Hall. Gay Talese, one of my journalism heroes and a veteran of some of the very first festivals in the late ’90s, was always a pleasure. His stories about breaking into the New York Times conjured up a lost world that seems positively antediluvian now. “If you show up in a three-piece suit and a hat, and you look like you might have taken a bath recently, they don’t kick you out as fast,” Talese told a packed crowd in 2008.

By that time, much to my astonishment, I knew Talese personally. In 2004, I was working on a book about the New Journalism movement that he spearheaded. That year, he asked me to join him at the book festival as a guest. It was my first time in the “green room,” the backstage area where authors socialize over food and drinks. After ogling all the A-list talent in the room, I was asked by Talese to join him for lunch at a table along with novelists Jane Smiley and John Kaye, historian Doug Brinkley and social critic Naomi Wolf, all of whom were appearing at the festival. Reader, my mind was suitably blown. I just kept my mouth shut and listened.

I will be moderating a panel Sunday at 1:30 p.m. at the Ray Stark Family Theatre (plug) and I can’t wait. There is nothing like this festival; it is The Times’ annual gift to the Southland, and we should all be grateful we get to enjoy it.

Here are some of this weekend‘s festival highlights. All panels are an hour in duration.

📚 Ultimate Festival Guide

Saturday

Drawn to Life: A Conversation on Graphic Novels

Graphic novelists Henry Barajas, Eagle Valiant Brosi, Anders Brekhus Nilsen, Mimi Pond and Angie Wang discuss their latest graphic novels, each of which is based on true events or popular myths.

Where: Albert and Dana Broccoli Theatre
When: 10:30 a.m.

Robert Kirsch Award Winner Amy Tan in Conversation with Thomas Curwen

Acclaimed author Amy Tan is the recipient of the 2025 Robert Kirsch Award for lifetime achievement, which recognizes a writer with a substantial connection to the American West. Tan’s expansive body of work, including essays, memoirs and bestselling novels “The Joy Luck Club,” “The Kitchen God’s Wife” and “The Bonesetter’s Daughter,” is widely celebrated for its profound exploration of the immigrant experience, family bonds and the quest for individual identity. Join us for a conversation with Amy Tan and award-winning former Los Angeles Times writer Thomas Curwen.

Where: Bovard Auditorium
When: 10:30 am

Modern Family: Humor, Chaos, and the Absurdity of Contemporary Life in Fiction

Novelists Jade Chang, Kevin Wilson and Sarah Levin discuss their new novels, which are fresh examinations of family in contemporary life: the ones we’re born with, the ones we make, and the ways we reach out for connection in an increasingly isolated, chaotic, and lonely world.

Where: Hoffman Hall, Edison Auditorium
When: 11 a.m.

The Mirror Effect: When The Writer Becomes The Story

Lana Lin, Melissa Febos, Susan Orlean and Amanda Uhle have produced literary and artistic work that has shaped conversations, influenced culture and established them as leaders in their fields. Now, they turn the pen inward and become the story. Exploring their careers, relationships, sexuality and more, these writers offer a rare and intimate look at the vulnerability, creativity and humanity behind their work

Where: Town and Gown
When: 1:30 p.m.

Democracy, Fascism and America Today

Join California Atty. Gen. Rob Bonta, Steven J. Ross, Omer Aziz, Erwin Chemerinsky and Los Angeles Times reporter Seema Mehta for a conversation about the state of our freedoms today and what our current political atmosphere could mean for the future of our democracy.

Where: Hancock Foundation, Newman Recital Hall
When: 1:30 p.m.

Sunday

Raising Gen Alpha: Parenting Today

How do we raise children in an age of rapid technological change, political polarization and global uncertainty? Drawing from their new books and their experience as parents, Reza Aslan and Jessica Jackley will explore how to have honest, age-appropriate conversations with kids about complex and challenging topics, while psychologist Darby Saxbe shares groundbreaking research on the science of fatherhood.

Where: Wallis Annenberg Hall
When: 10:30 a.m.

The Mosaic of Us: Individual Memoirs and the Collective Truth of Black Life in America

Join Austin Channing Brown, Tre Johnson, Tamika D. Mallory and Carvell Wallace as they reflect on the moments that shaped their lives, work and perspectives. Through individual stories of resilience, love, purpose and self-discovery, their experiences weave together like a mosaic to form a deeper collective portrait of Black life and identity in America today.

Where: Hancock Foundation, Newman Recital Hall
When: 10:30 a.m.

Poetry, Power & Sovereignty

Panelists Matthew Cuban Hernandez, Karla Cordero, Sonia Guiñansaca and Yesika Salgado will dive into what it means to be autonomous, to be your own supreme authority, to belong to yourself, the land(s) and people you choose.

Where: De Los Stage
When: 12:50 p.m.

Lionel Ritchie in conversation with Mikel Wood

The legendary performer will discuss his new book “Truly” with the Times’ pop music critic.

Where: Bovard Auditorium
When: 2:30 p.m.

Looking Deeper: The Asian American Experience in Historical Fiction

Christine Bollow, Karen Tei Yamashita and Naomi Hirahara dive deep into the myriad Asian American experiences at turning points in American history, shedding light on untold stories and essential characters in our shared history.

Where: Hoffman Hall, Edison Auditorium
When: 3:30 p.m.