Chase

The victory marks one of the biggest wins in the show’s 17-year history, leaving host Bradley Walsh beaming

The Chase has delivered one of its most unforgettable episodes, with four contestants securing a jaw-dropping prize.

Earlier this week, The Chase returned to ITV with a brand-new series, with returning host Bradley Walsh at the helm, and it was Friday’s episode (September 11) that left viewers on the edge of their seats.

The four contestants competing for a cash prize were Tom, Beth, Rohit, and Chloe, all up against quiz master Paul Sinha, nicknamed The Sinnerman on the show.

Paul, a seasoned quizzer with a background as both a doctor and comedian, gave the game his all but fell short in the final moments.

The contestants began with a 19-point lead after correctly answering a broad range of questions, including naming Laurel and Hardy as the subjects of the film Stan & Ollie, and identifying “running” as the sport associated with the Shaftesbury Barnet Harriers.

Paul was tasked with answering more than 19 questions in two minutes, with the team successfully gaining four out of five pushbacks. The Chaser was eliminated after answering 16 questions before the timer ran out.

As the buzzer sounded, Tom, Beth, Rohit, and Chloe were declared the winners of the £80,000 pot, with each contestant walking away with £20,000.

The team hugged one another as one player could be heard saying, “I can’t believe it,” as Bradley congratulated them. “Well played, £20,000 each, congratulations”, the host added.

Chloe shared her wishes to spend her winnings on equipment for dogs at her local park, while Beth wants to share her cash with her grandparents on “lots of trips”.

Other huge wins on The Chase

Tom, Beth, Rohit, and Chloe’s win now stands as one of the largest in the show’s history. Last year, contestants Karen and Ian won an equal split of £100,000 after Paul failed to catch the players in the final chase.

The Chase saw another record-breaking moment when three contestants split £120,000, each taking home £40,000 after defeating Mark Labbett, also known as The Beast.

In 2018, another memorable wins, including a £100,000 victory in 2018 shared by a team of four consisting of Gayna, Tim, Luca, and Diane.

Meanwhile, Eden, a 20-year-old contestant, holds the record for the largest single-player win, having taken home £75,000 in 2021.

The Chase airs weekdays at 5pm on ITV and ITVX

From the moment they arrive at school, Dos Pueblos High seniors Ruby Streatfeild and Brooklyn Hedricks are practically inseparable.

Whether in class, at lunch or in practice, the two spend so much of their time together they can finish each other’s sentences, and that synergy is one reason the Chargers are in the hunt for a CIF flag football championship. Their competitiveness is another.

“Me and Brooklyn are besties,” Streatfeild said. ”The biggest thing we have in common is we both want to win.”

Streatfeild began the season as a receiver but transitioned to quarterback when Ava Taiji sustained a tricep strain at the Chargers Invitational. She has flourished in her new role, passing for 823 yards and 18 touchdowns.

“It’s a lot harder, but I like it,” said Streatfeild, who has also rushed for 248 yards and five touchdowns. “I like getting the ball every play and being able to make more plays. It’s taught me to be a leader. It’s not just about being vocal, it’s about the energy you bring to the field and not letting a loss bring you down.”

The Chargers are 10-2 and have shut out five opponents. Their only defeats came within hours of each other at the Chargers Invitational, to reigning Southern Section Division I champion JSerra and Bonita Vista, the second-ranked team in the San Diego Section. They have won seven straight, giving up only 25 points in the process.

Naturally, Hedricks is Streatfeild’s favorite target.

“Brooklyn has the best hands and really good speed,” Streatfeild said. “If I throw her the ball, it’ll be caught.”

Hedricks, a receiver on offense and a linebacker on defense, has mutual trust in her quarterback. She already has 27 receptions for 355 yards and eight touchdowns.

“I know when Ruby throws it, it’s going to get there,” she said.

Both grew up playing soccer and their AYSO teams were once matched against each other at a tournament in Bakersfield when they were 12, although neither knew it at the time.

Dos Pueblos quarterback Ruby Streatfeild throws on the run during a 31-0 win over Santa Barbara.

(Steve Galluzzo / For The Times)

“My family figured it out later,” said Streatfeild, who ended the first drive of last week’s nonleague game at Santa Barbara by rolling to her left and zipping a perfect pass to Hedricks in the corner of the end zone. Hedricks later scored on a 40-yard interception return in the team’s 31-0 victory.

“Ruby and Brooklyn have been with us since Day 1, they’re both three-sport athletes and both have sisters who also play,” said Dos Pueblos coach Doug Caines, who started the program in 2023. “It’s incredible for Ruby to be clicking this fast at a new position. As for Brooklyn, she’s so gifted at reading the quarterback. She had two pick-sixes at the Ventura Showcase.”

In the winter, the two play on the varsity soccer team (Hedricks plays forward; Streatfeild left back) under the guidance of Hedricks’ father George, who is also the head baseball coach.

“I don’t think we’ve ever assisted each other in soccer,” said Hedricks, who tallied six goals and three assists last season.

Asked which is more exhilarating — scoring a goal or a touchdown — the two looked at each other and said in unison: “A touchdown!”

Hedricks plays outfield in softball and will move from right field to center in the spring.

“I got a promotion,” she joked.

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1. Dos Pueblos receiver Brooklyn Hedricks catches a pass. 2. Dos Pueblos quarterback Ruby Streatfeild runs with the ball. (Steve Galluzzo / For The Times)

Hedricks had 30 hits, 23 RBIs and 20 runs with 26 putouts in 26 chances last season as Dos Pueblos advanced to the Division 3 semifinals.

Streatfeild’s spring activity is track and field, where she competes in the 100-meter dash, long jump and both relays. She ran the anchor leg as the Chargers set a school record in the 4×100 meters with a time of 48.66 seconds at the Division 2 prelims last year.

However, both consider flag football their primary sport and have received offers to play in college.

“My dad encouraged me to try out and I loved it from the start,” said Hedricks, who is the school’s all-time leader in interceptions with 45. “I’ve never struggled learning plays.”

Hedricks’ sister Reagan is a freshman linebacker and punter on the junior varsity team.

Streatfeild’s inspiration was her sister Sterling, who was a tailback and free safety and now attends Vanderbilt. Last June, the sisters helped the Conquer Chargers’ U17 team win the inaugural Roma Bowl in Italy after Sterling’s graduation. Ruby was named the tournament MVP.

“She was in ninth grade and came to watch her older sister try out and after that first day she said ‘I want to do that,’” Caines said of Ruby, who caught a team-best 104 passes for 1,101 yards and 18 touchdowns last fall.

Ruby Streatfeild has thrown for 823 yards and 18 touchdowns since switching from receiver to quarterback early in the season.

(Steve Galluzzo / For The Times)

Streatfeild and Hedricks’ bond grew even stronger as teammates on the Conquer Chargers, which won the high school girls division at the NFL Flag championships in July in Westfield, Ind. That roster also featured Kacey Hurley, who quarterbacked Dos Pueblos to the Southern Section semifinals last fall and is now a freshman at Cal Poly San Luis Obispo.

“We tried out in November and were with the team for eight months prior to nationals,” Hedricks said. “We trained once or twice a week in Camarillo and some days we carpooled.”

“It was fun experience but that was five-on-five not seven-on-seven, which is a whole different format,” added Streatfeild, who was thrilled to learn the next morning that a play she made — diving to catch the ball before it hit the ground — was No. 1 on the ESPN “SportsCenter Top 10.” She also made the list for her 60-yard touchdown catch in the playoffs last season against Edison.

“That just shows what a game-changer Ruby is,” Caines said. “I mean, to make an ESPN highlight not once but twice? Amazing!”

While they do not socialize much off campus, the hours they spend together on it have forged a close friendship.

“It’s harder to hang out after school because of where we both live,” said Hedricks, who has a 45-minute commute from Lompoc to Goleta. “Not a big deal — I’m used to it by now.”

Caines is grateful for the attention his stars have brought to Dos Pueblos, located in the foothills across the 101 Freeway from UC Santa Barbara.

Dos Pueblos’ Brooklyn Hedricks, left, celebrates with teammate Kindah Ahmad-Reda after returning an interception for a touchdown against Santa Barbara.

(Steve Galluzzo / For The Times)

“We’re not in Orange County or San Diego, we’re the northernmost school in the Southern Section and we don’t get as much exposure but we’re fighting for relevancy,” he said. “It was so cool seeing 805 [area code] girls beat more established club teams from Texas and Florida. It shows we have good teams up here.”

Dos Pueblos finished 24-3 last season and played even with JSerra for almost three quarters before losing 20-0 in the Division 1 semifinals. This year’s goal is to make it to the finals.

“We’ve had a different quarterback every season, so this is nothing new,” Streatfeild said. “We’re still progressing but beating Westlake was huge. We have the best coach, so I think we can make the top division. We’re going to give it our all.”

Monday’s The Chase saw contestants Victor, Sadie, James and Amy attempt to beat Anne Hegerty

The Chase viewers had the same observation over the latest episode.

On Monday, 7 September, ITV viewers were delighted to see a new episode of the quiz show favourite hosted by Bradley Walsh. It comes as a The Chase star has confirmed there’s the ‘best episode we’ve ever had’ in the new series.

The contestants included Victor, 50, a photographer from Great Yarmouth, Sadie, 26, a pharmacy assistant from Stockport, James, 41, a copywriter from Coventry, and Amy, 38, a barrister originally from Hereford.

As part of the show, the Cash Builder round saw Victor earn £7,000 and he managed to beat Chaser, Anne Hegerty, bringing the money back to his team.

Next up it was Sadie, who revealed she had previously got to the semi-final of Mastermind last year. Sadie had an incredible Cash Builder round, where she secured £9,000.

However, Sadie unfortunately didn’t manage to beat Anne, 68, and was subsequently eliminated. Host Bradley, 66, said: “Wow, gutted! You are seriously a good player and that is a big loss for the team, seat number two.

“Sadie, so sorry to see you go, good luck with the Lego, however, you have been caught and The Chase is over!”, adding she was a “massive loss” to the team.

Anne also said that Sadie was “very, very good” and admitted she had done herself a “huge favour” by eliminating her on the show.

Taking to Twitter, now X, viewers were gutted to see Sadie go after an incredible Cash Builder round and complained that her questions seemed particularly hard.

One person said: “Sadie was robbed. #thechase”, a different account put: “Ahhhhh Sadie what a shaaame #TheChase” while another viewer added: “Tough questions Sadie #thechase”.

Elsewhere, a different viewer wrote: “Aww those questions were mean #thechase”, another wrote: “Tough questions to be fair #TheChase” while a different show watcher added: “Unlucky with those questions #thechase.”

Meanwhile, another fan wrote: “Wow. £9K is actually very good, Sadie. #TheChase” to which a different viewer added: “Sadie, good player. #thechase.”

However, it was bad news for the rest of the players too as later on the show, they were caught by Anne with just six seconds remaining.

The Chase continues on weeknights at 5pm on ITV and ITV X.

In the heat of rural Leicestershire, the Samba Stars are chasing their dream.

Head coach Freddie Okyere has just finished a shooting exercise and allows the squad to catch their breath.

The teenagers from the Ghanaian academy, which is backed by former West Ham and Nottingham Forest forward Michail Antonio, have spent two and a half months in England with one goal – impressing clubs and earning a contract.

While scouts do visit west Africa, it is rare for academies to travel to the UK to put their players directly in front of professional clubs.

“The talent the lads have is incredible,” said Antonio.

“We created Samba Stars Academy to give young players in Ghana access to elite coaching, shape them as players and create real avenues into the pro game and show how much talent Ghana has.”

Based in Kumasi while building a new facility in Bompata, just over 100 miles north of Ghana’s capital Accra, the Samba Stars’ tactic has paid off.

Bournemouth, Everton, Manchester City, Charlton, Preston, Barnsley and Peterborough have all taken players on trial this summer.

“The first two or three weeks it hadn’t sunk in, but then they saw the facilities we’d be [using] and the teams we were playing,” said Okyere.

“They want to go and show what they can do. They are hungry, they really want it. I’m hoping there will be so much interest because we have so much talent here.

“With the facilities we will have in Ghana we feel we will be top two, top three [academies]. We hope we can bring the best of Ghana to Europe.”

There are other success stories, with midfielder Listowell Lord Hinneh joining Middlesbrough in February after a trial., external

The 18-year-old has trained with the first team after swapping west Africa for England’s north east.

“When I came in January, it was so cold. Experiencing something like that for the first time was tough,” he told BBC Sport.

“Moving was a big milestone. It just makes me feel the dreams I’ve been having, thinking of trying to find myself in Europe to become a professional footballer.

“I feel the kind of dreams that I want, I’m on the verge. I’m on the way [to] becoming who I wanted to become.”

Hinneh – whose sister Groovy lives in Leeds – met with the Samba Stars squad on their trip, offering advice.

“[I told them] what you’ve been dreaming about the future, it starts from here,” he said.

“Don’t just try, be so passionate. You need to play and enjoy it because you can have the success in whatever you’re doing. You have to just put your heart in it.”

Abuja, Nigeria – Khamila Sani Ibrahim remembers growing up in Kano State in northern Nigeria, where opportunities for girls to play organised sport were limited and seeing girls on the basketball court was uncommon.

When visiting her grandparents during school holidays, she had to find ways to fit basketball around family expectations.

“It is very hard for me to train in basketball,” Ibrahim said. “I only go out to play when they are not around, or I tell them that I’m going to visit my friends, and from there I go to the court.”

Across northern Nigerian communities, sports such as basketball and football have historically been viewed as male-dominated spaces. For girls who want to play, the obstacles can include limited access to courts and equipment, a shortage of coaching and funding, and fewer chances to compete.

Finding a place on the court

Now, through Grassroots To Greatness (G2G), an initiative dedicated to female empowerment in sports, girls are finding opportunities to train, compete and develop their skills.

Jawahir Bello, a youth sports advocate, founded the initiative after seeing how few opportunities were available to girls in the region.

At tournaments, players wear custom hijabs, long sports vests and athletic tights.

“Our core value is about participating in sports without doing anything that goes against our cultural values or our identity as Muslims,” Bello told Al Jazeera. “Whether you put on a hijab or innerwear under your jersey, modesty is key. You come out modest, decent and fully covered.”

Although she anticipated resistance from some communities when launching female-only tournaments and community training sessions, Bello said she has been encouraged by community stakeholders who have welcomed the initiative.

To mobilise participants, G2G partners directly with local grassroots coaches who already run community teams on the ground.

A tournament of their own

When Ibrahim represented Kano State in a multi-state G2G tournament featuring female players from up to nine different states, she found herself in an environment unlike the male-dominated local teams she had previously played with, where girls were often underestimated.

“What G2G did for us was incredible,” Ibrahim said. “They provided jerseys, custom hijabs, basketballs, cover for our transport and even financial stipends for all the teams, regardless of who won or lost. It made us feel seen and valued.”

Fatima Diouf, another young player based in Abuja, started playing basketball at her school when she was 11. She joined the G2G programme to test her skills against tougher competition. Though her team fell short of the finals, she left with lessons she says will stay with her.

“I have learned a lot beyond just basketball. I learned teamwork, confidence, discipline and how to keep improving,” Fatima told Al Jazeera.

The struggle beyond the court

For Ibrahim, getting time on the court is still not always easy. She has had to push past self-doubt and the dismissive attitude of male peers who assumed girls could not compete at the same level. She also struggles to balance intense training with domestic chores and schoolwork.

Mansur Abdullahi, assistant coach of Nigeria’s U-20 women’s national football team, the Falconets, says grassroots coaches and organisations can help create opportunities for young athletes that larger sports structures may not reach.

“Official sports bodies have big structures, but local groups provide the actual trust and cultural understanding,” he said. “So it’s only through community-led initiatives that more professional teams will understand what’s acceptable for girls and boys and how to frame sports so it fits the existing values instead of clashing with them.”

Dreaming of the next level

For many participants, the tournaments are a chance to test themselves against new opponents and think about what could come next.

Before joining G2G, Ibrahim’s father had reservations about whether competitive sports would compromise family standards. But once he attended her games and saw the athletic wear and the structured environment of the initiative, he became one of her biggest supporters.

“I want to secure a college sports scholarship in the United States and eventually turn professional. More than that, I want other Muslim girls across northern Nigeria to see that sports build your health, strength, and confidence, and that nothing should hold you back from chasing your dreams,” Ibrahim told Al Jazeera.

Seeing the network of coaches, stakeholders and organisers at the tournament also broadened Diouf’s perspective and allowed her to imagine playing across Africa.

For G2G, the ambition goes beyond organising female-only tournaments. Bello wants the programme to show girls there is a place for them in sport and that they can compete without feeling that they have to give up who they are.

“You can keep your identity, stay covered and still achieve something in life,” Bello said.

In this week’s episode of The Envelope podcast, Chase Infiniti discusses her meteroic rise, her Emmy nomination for “The Testaments” and nurturing the ambition to become an actor since age 10.

Kelvin Washington: Hello, everyone, and welcome to this week’s episode of The Envelope. You have myself, Kelvin Washington, alongside my usual suspects, Yvonne Villarreal, Mark Olsen as well. It’s been a week, so I’m trusting everybody’s good. Yvonne, we’re coming to you here because you’re going to help us break this down. Don’t bug the eyes. Yes, we’re coming to you. The [TV] Academy, they’re making some changes when it comes to the live broadcast, and it can be a little bit confusing. That’s why we got you here. Tell us more.

Yvonne Villarreal: They announced that they will be moving five categories that are usually handed out during the ceremony, the Primetime [Emmys] ceremony, to a week prior and handing them out during the Creative Arts Emmys’ weekend. They say the decision is sort of to make space to innovate the live show and incorporate new things. You know, viewership is always something that they’re after. But it’s causing a stir in Hollywood because we’re losing some mainstays of the show, and that’s writing for a variety series, but also taking a big hit is the limited series or movie categories. We’re losing supporting actor, supporting actress, but also writing and directing. And people have a lot of thoughts. Mark, I want your thoughts. Kelvin, I want your thoughts.

Mark Olsen: I feel like there’s a disconnect between the people who watch award shows and the people who make and produce award shows, where I feel like those of us who watch them, we just want more sort of genuine moments from the talent, from the nominees. I want more speeches! And so taking away five categories, there’s going to be that much fewer speeches. I just can’t help but think of like Linda Cardellini, who’s one of the people nominated, she was on our roundtable earlier this year and just like a great presence, a stalwart TV actor, and to have to take away that chance for her to potentially get up onstage be really genuine, why would you not want that as part of your show instead having these kind of like canned comedy bits or, you know, hacky reunions plus canned comedy bits that nobody particularly wants.

Villarreal: It’s an awards show.

Washington: True, but maybe I’m Nobody in this case. We were talking about this a little bit earlier, you guys were making fun of the 1990s reunions there. I enjoyed it. I enjoyed seeing, I think it was maybe two years ago, when they had “Martin” up there and they had never been invited; they were kind of joking, “Oh, we never got invited” or “We never won an Emmy.” And so I think it’s been pretty cool. And I will say that this is the challenge for productions, when you’re trying to appease everyone. Is it about the awards? It is about the length of time — just speed this thing up? Is it about having the magical moments? And then you see the Grammys try to get these things right as well. You’re never gonna be able to please everyone. So I think it’s always a difficult balance. So we’ll see how it works out this year. But I’m looking at you, Mark, some people might enjoy those. And you too, those nerdy little reunion shows.

Villarreal: But in a time when it’s already hard to get a show visibility in this marketplace, and so many people don’t know what’s nominated anymore, when you’re taking away an access point for them to discover something or not tell them about a show, it’s a short-sighted change I think.

Washington: The only response I would add to that is that’s kind of where we are. Even if you keep up with television, movies and music, it seems to be a lot more word of mouth than historically where things are plastered everywhere. And even if you didn’t care about the particular thing, you saw it, you heard it. Now it’s like word of a mouth and just watercooler or just the algorithm telling you what to like.

With that being said, somebody who’s having a great run right now, Chase Infiniti. I know you had a chance to speak with her. Of course, “Handmaid’s Tale” did so well. Then there’s the spinoff, “The Testaments.” Tell me a little bit more about your chat with her.

Villarreal: Talk about, like, a breakout nomination this year. Chase has really been a star on the rise. She made her debut in Apple TV’s adaptation of the legal thriller, “Presumed Innocent” playing Jake Gyllenhaal’s daughter. And in recent projects, she’s played this young revolutionary, both in Paul Thomas Anderson’s “One Battle After Another” and now in “The Testaments,” which takes place after the events of “The Handmaid’s Tale.” She’s the daughter of a high-ranking commander, but she’s also the biological daughter of June, who’s Elisabeth Moss’ character. And this show is really about seeing the rebellion of young teenage girls and how they are sort of key to the inside resistance of toppling this regime. And so we talked a little bit about that.

Washington: All right, well, you got me a little nervous. You’re talking about the rebellion of teenage girls. You know, I’ve got a 9, a 7, and a 5-year-old, so that could be my future.

Villarreal: Let’s hope it is. They’re the future.

Washington: You’re right, you’re right. Yvonne and Chase, here they are now.

Chase Infiniti, photographed in late March ahead of “The Testaments” premiere.

(Jason Armond / Los Angeles Times)

Yvonne Villarreal: Chase, thanks so much for being here. Congratulations on your Emmy nomination. What do you want to remember about this moment, this feeling?

Chase Infiniti: Oh. I don’t know. I’m trying to take little pictures in my brain of everything and remember all of the influx of emotions that I felt that entire time, but also throughout the whole journey of making Season 1 of “The Testaments.” There’s so many things about it that I’m like — I just never want to lose that feeling. There’s a lot of [memorable] moments I had on set and also during the press tour and then even finding out about the Emmy nomination, which feels very crazy to say. But even finding out about that, there’s so many little things that I’m like, “I never want to lose that feeling. I want to keep it in my brain forever.”

Villarreal: Is it as thrilling as what you remember feeling when you booked that first role in a local production of “Hairspray,” when you were 10?

Infiniti: It definitely does. I also feel very grateful that with my job and with everything I get to do, I really try to keep intact how much I love the work and how much I love creating. That’s what helps it keep that same energy as me finding out I’m playing Crystal in “Hairspray” versus me finding out that I have an Emmy nomination.

Villarreal: Were you on Cloud 9 getting the news of Crystal?

Infiniti: Oh, yeah. I was so happy because I was it was the first time I ever had a name in a musical. And I remember when I was a kid, I watched the movie version of it every night for six months. Not a lie. Me and my sister would turn it on religiously after school and we would start singing “Good Morning, Baltimore.” It got to the point where we knew almost every line in the movie.

Villarreal: I feel old asking which version of “Hairspray”… Zac Efron? What was it about it?

Infiniti: It’s just catchy — everything about it. It just makes me happy, When I hear “Run and Tell That,” I just want to do twirls in my room. I love musicals so much and they make me so happy. If I’m ever down or need a little pick-me-up, I’ll literally just blast that soundtrack. I blast the soundtrack to “Pippin” or … “Shrek: The Musical.” I remember being in the production and it kind of brings me back to those happy memories I had ,or productions that I saw that I was like, “Oh, my gosh, this really makes me want to work towards being in something like that.” I love musicals.

Villarreal: It was just two years ago where the general public was starting to learn your name with your debut in Apple TV’s “Presumed Innocent.” Since then, you’ve navigated the film award season with “One Battle After Another,” and now the TV awards season with “The Testaments.” How do you make sense of what this moment is? Are there still things you’re getting used to? What have you enjoyed about this part of the job?

Infiniti: There’s a lot of things I’m still getting used to. Especially with “One Battle,” I think the biggest adjustment I had was people knowing me before I walked up to them — people that I’m massive fans of. I met Angela Bassett at something, and she came up to me and said my name, and I was like, “You’re Angela Bassett, and you know who I am?” That was like an “Oh, my gosh” [moment]. I’m still really adjusting to that. I feel like there’s a disconnect in my brain between like what I think people know of me versus what reality actually is. And my friends bring it up all the time and they’re like, “Chase, these people know who you are.” But I can’t wrap my head around that. It’s very strange, especially going from like a 0 to 100 situation. That’s something that I’m still trying to find an adjustment on in my brain.

[What have I] enjoyed about it? I’ve gotten to meet all of my superheroes, in a way. All the people that I’ve grown up watching on the screen and on the stage, [I’ve encountered at] all of these different events and in passing, and everyone could not be kinder and just getting to meet them and just pour into them how much they’ve shaped my life and shaped the creative work I want to do. Another adjustment thing is hearing them pour back into me too. That’s something that I’ve been getting used to. But meeting the superheroes of it all in my brain has been something I’ve really loved. Also getting to meet people who’ve watched “The Testaments”; like younger girls who’ve watched it and then really found a connection point with it, and it’s had an impact on them and their friends. That’s something I really cherish about getting to do what I get to do. I had it with “One Battle.” It’s really cool to see it happening again with “The Testaments.” That’s a very wonderful gift.

VIllarreal: Before we delve further into “The Testaments,” I do want point out this moment onstage at the Academy Awards. When “One Battle After Another” won best picture, Paul Thomas Anderson singled you out, calling you “My American girl” and the “heart of this movie.” Place me in that moment as Chase.

Infiniti: Well, I didn’t hear him. I just heard him say my name. I remember he was going down the list and saying names of different people, and I thought that it was something like that. I was touched that he even mentioned me onstage. Obviously, that movie has quite literally changed my life and that entire cast. And I love Paul so much. So I didn’t hear him onstage, and it wasn’t until afterwards that my parents had sent me a screenshot of the [closed] captions from that night. They were like, “This is what Paul said about you.” I just remember feeling so honored that I got to be a part of something that changed my life, but [it was a film that] also really, I think, changed a lot of people’s lives as well; they connected with it. I can distinctively remember every single day on that job. I just remember feeling such a rush of emotions after reading [what he said] because I love that movie and I love Paul so much. I could not be more grateful for that opportunity and for the opportunity to play Willa, let alone get to be a part of the crazy world that is a Paul Thomas Anderson set. But I learned so much. There’s so much I could say about it.

Villarreal: How did playing Willa inform how you thought about Agnes, who’s also this young revolutionary in the making, as you were putting yourself on tape for “The Testaments”?

Infiniti: I signed on to it with one script in mind. Obviously, I had read the book beforehand, so I had an idea of what she was going to go through, but I didn’t necessarily know how it was going pan out onscreen. The biggest help Willa [provided] beforehand going into that is, I feel like I, by nature, have a little bit of a rebellious spirit, but I really had to turn it up with Willa. I think that being able to access that through Willa and then shape it differently for Agnes, given the circumstances of where she is, was the biggest key between the two. They do share the strong sense of rebellion. Granted, Agnes doesn’t know where it comes from. She doesn’t really know how to handle it, necessarily. But I think that that was a nice way into Agnes and creating her world mentally of where she is and also the inner turmoil of, “I know that there’s this thing happening inside me, but I don’t really understand it.” I think [that] was the biggest cheat code from Willa to Agnes.

Villarreal: What was it about “The Testaments” that spoke to you and made you want to tackle the material?

Infiniti: Just from that one script alone that I read before I signed on, it was hidden that it was “The Handmaid’s Tale,” but you can get a sense of what the world is based off of that initial script. I just fell in love with how detailed it was. It didn’t feel like there were any question marks in the world, and I think that diving into something [like] that felt very interesting because it’s not otherworldly but it feels otherworldy in the sense of the way that they speak and the way Gilead itself looks on paper versus on the screen. That was something that I found to be very interesting. But I think with Agnes specifically, I really love the amount of love that she has for her friends, because that’s something that I feel very strongly about. My friends and my family, but especially my friends, are the people I cherish most in my life. My loved ones are near and dear to my heart, and I will do anything for them. That’s something that I really loved about Agnes. That makes me very happy to see, that even in a world that’s so dark and so dim — even if she doesn’t view it as that, it is dark and it is dim for a young girl in Gilead —she still has so much love and so much hope for her friends. And I found that to be very inspiring.

Villarreal: Did you have any hesitation about the heaviness of this fictional world?

Infiniti: I don’t think that that necessarily terrified me, because I think that I have this very privileged ability to step into this world that seems like it’s so far outside of what we are, I guess, used to — but it’s really not. Nothing that Margaret Atwood writes is fiction. It is all based off of history or things that are happening at the time that she’s written it. I knew that it was going to be very relevant. I’m in this very privileged position where this isn’t my reality, but this is the reality of so many women around the world. And I thought when I read this script that this was a way for people to not, I guess, become desensitized to seeing these things, because I think that we’re in a world where it’s so easy to just turn off your phone, scroll past something, and just ignore what’s actually really happening. With “The Testaments” and with the things that these girls go through, I truly feel heartbroken. But if this in any way can wake people up, can help people continue to ask questions and really question their own environments, that was something that I wasn’t scared of. And I really felt empowered to join something that was doing that. And I am also grateful that on that set, it never felt like the material was too heavy for a day because our entire cast and our entire crew kept the energy on set very light. And if there was ever a point where a day was extra heavy, I knew that I could turn to Lucy [Halliday, who plays Daisy] and she would always be there for me. I know that I can turn to one of the directors and they would always be there, or even one of the [production assistants]. Everybody on set was very forthcoming with kindness and always very open. That was something that helped to keep the heaviness of the subject matter [from] going home with us.

Villarreal: Agnes has only known obedience and repression. She’s very controlled with her emotions. As somebody with roots in musical theater, did you have to curtail some of those instincts that you might’ve had to be a little more expressive? How was it settling into Agnes?

Infiniti: It was honestly pretty easy because you get into the space, you get into the world, and you instantly are transported and you get little context clues based off of the things that you see in Agnes’ room versus the things that you’ve seen in the school — or the absence of things. The absence of things really helped to start to put me in a box in a way — not the negative connotation of that — like putting the costume on. It really helped for me to feel the restriction of the world to understand what Agnes’ mind is, and getting to see that from the outside and then getting to step into it. It wasn’t that hard to shut off that part of my musical theater brain, but I think part of that is also I’ve learned how to maneuver through that just based off of “Presumed Innocent” and “One Battle,” because both of those parts are also very, very much so not musical theater-y at all. So I think that was also something that I had the privilege of learning on both of those sets.

Villarreal: Something that stands out with Agnes is we’re witnessing her awakening. Gilead is all she’s ever known. And she’s very dutiful to the practices of that society. But she’s grappling with coming into her identity and feeling this gap of her internal thoughts and feelings and what society tells her to be. What was important to you in having those two realities live side by side?

Inifiniti: The one thing I never wanted her to lose was her sense of love. She is a character who that is at the root of most of her decisions, especially when it comes to the final episodes with Becka [played by Mattea Conforti]. I think the love that Agnes has in this world is something baseline I never want to lose. I really tried to maintain that throughout.

There’s so much that you keep to yourself — your inner thoughts, your inner personality in a way — versus what you outwardly show the world. I just had to turn up the extremes when it came to Agnes, and really make sure to keep those things that she keeps close to her heart guarded. And put on this almost armor in a sense of what she views to be the most perfect version of herself for the outside world. And then watching that kind of crumble, those layers are peeled apart based off of what happens to her and what she sees happen to her friends. But also, there’s a point in everyone’s life where they realize, “Oh, what I had been raised under the belief of is actually not the reality. Whether it be something like that or whether it be an idea or an ideal that you have about the world or about yourself or your morals, just based off of what you’ve been raised with. I think that everybody has a point in their life where they have to face a version of reality that they’ve been told versus what actually is reality. There’s things that I’m still learning, and there’s still things that I’m questioning just based off of what I see in my personal life, and then also with my friends or what my family goes through.

Villarreal: A key character in the show is menarche and the menstrual cycle. We see how it’s weaponized, but we also see how it gives these young girls their power. What was it like to explore that?

Infinti: The thing I honestly really enjoyed about it is the openness of it. Like, you know when you go to the bathroom — and this is perfect podcast talk — and you’re taking your pad or your tampon to go change, but you’re hiding it because you’re like, “I don’t know if I want anybody to see it” [or hear] the crinkling of everything. But I think that the openness of everything in the show — granted, circumstances are completely different — but the openness that they have with it, I found to be very freeing and refreshing in a way. That was something, especially when we started shooting, that we all talked about, because we were like, “We’ve never been in a place where it didn’t feel like there was a stigma against it.” It felt like we were almost encouraged to talk about it. Getting to put this show out into the world and letting girls see that there isn’t something that they should be afraid of, but also letting them see that this is normal. This is not something that we should be scared of, let alone try to hide, because it’s a part of womanhood. It’s also a part of girlhood and a point of connection between younger girls. Getting to see it on the screen and see the way that these girls talk about it, ignoring the society of Gilead and the amount of pressure that the men put on them in this society, that connection that they have with those few things that span across culture, that is something that we were all very happy to kind of have that openness with something that we’ve felt so scared to talk about, especially at like 14 and 15.

Villarreal: Scared to experience too.

Infiniti: I remember when I got my period for the first time I was like, “What is happening? I don’t know what is going on.” The first person that you call, if it’s not your mom or another maternal figure in your life, is your friends. Because they’re normally the person closest to you in proximity if you’re at school or if you were at an after-school activity or something like that. Getting to have that openness felt very refreshing to have on set.

Villarreal: There was so much openness that there was a menarche playlist curated by director Mike Barker. Tell me the backstory on this.

Infiniti: We did. I’m trying to remember how we found out about this playlist. We were doing a camera test for the costumes, and I remember Mike just putting on this playlist and he’s like, “I like putting up these songs for everyone to listen to” because there was no dialogue in this little camera test between me, Mattea, Rowan [Blanchard], Lucy, Brad [Alexander], Amy [Seimetz] and Mabel [Li] — I can’t remember if I might be forgetting somebody else, and I’m so sorry if I am. But it was a bunch of the cast and then there was also some pinks in there just to see how everything looks on camera. And we were hearing all these different songs playing. We’re like, “Wow, this is great. Thanks for putting together a playlist, Mike.” At some point, Lucy went to grab his phone to look at what the song was and his playlist was open, and she’s like, “Why is the playlist called ‘The Menarche Playlist’? And after that, it just became us trying to get him to approve a song that we would suggest.

Villarreal: I remember you telling me Britney Spears’ ”… Baby One More Time” was on it. But I had wondered who else made the cut.

Infinti: “… Baby One More Time” was on it. I think that was the first song on it, but there would be points in lunch — we’d all eat lunch together — and we’d be like “OK, Mike, what about this one for the menarche playlist, or what about about this one?” We would all secretly hope that they would get added to the show.

Villarreal: Did one of your suggestions get added?

Infiniti: There are songs on there that I don’t even remember. So one of them probably did get added. I just don’t remember what it was.

Villarreal: Agnes is somebody that doesn’t really experience culture. We don’t know what kind of music she likes, what kind of TV or film she likes. And you’re someone that’s very much into culture, at least from what I’ve seen. Were you thinking about what she might like? How did you think about her backstory with that kind of absence?

Infiniti: I was really just relying on what you saw of her in “The Handmaid’s Tale,” and that was the extent of what I would let a part of her backstory be because she doesn’t remember much about her childhood. Once she becomes conscious, in a way, in Gilead, all I did was rely on the things that I knew that she liked and really try to remind myself, “She doesn’t know what a movie is. She knows what ‘Jaws’ is, but she doesn’t really have an understanding of what watching a movie is like. She doesn’t know what YouTube is, she doesn’t know what a phone is.” I had to keep reminding myself, especially at the beginning, to not put those things in the forefront of our minds, unless, of course, like you’re a Pearl girl who has prior knowledge of everything. A lot of it was just reminding myself, “You don’t know what this is, she doesn’t know what this is.” If I were to meet Agnes right now, she would probably think I was crazy because she just doesn’t understand a lot the things I’ve seen, and the things that we use in our day-to-day life, and I really tried to make sure to keep that intact, but also relying on the bits of information that I had from “The Handmaid’s Tale” going back to the show. And also, of course, we had Bruce Miller, so I could ask him anything.

Villarreal: What would you, Chase, expose her to? If she were to come to you, what she should be listening to or watching, what’s the guide you’d give her?

Infiniti: The crash course to being 14? I would show her One Direction. I’m sorry. That is something that is so quintessential to being a 14-year-old, especially me being 14. I would be like, “Agnes, I see the things that you love and you’re obsessed with. I’m going to show you the thing that I was in love and obsessed with when I was your age.” I would be very curious to see how she would react to hearing One Direction for the first time; hearing “What Makes You Beautiful,” that would be interesting to see. I would show her something that is representative of me being her age. I still am a fan. I’ve always been a fan my whole life, but especially One Direction, that’s probably something I would show her.

Villarreal: Who was Chase at 14? You talked earlier about having a little bit of that rebellion in you. And after playing these two characters back to back, what have you sort of learned yourself, about your power or finding your voice, especially in an industry like Hollywood?

Infiniti: Something that I realized when I was probably about 13 or 14 is, I used to be very upset when people would underestimate me. I found a way to, I guess, not make it my superpower … but use it as opposed to [letting it be] something that would defeat me. [I would] use it as something to continue to motivate me to work towards the goal that I already had because there’s always gonna be people that underestimate you. There’s always going to be people in the world that want to pour negativity into you when you’re truly just living your life, working towards the things that you want. That was something that I realized pretty young because I knew at 10 that I wanted to be an actor. And so at that point, I kind of made a shift in my mind where I was like, “OK, I need to start working towards the thing that I want to do.” At 13, people were like, “Why are you so motivated to do this? It’s a bit embarrassing that you want to be an actor. What makes you think you can do that?” And I was like, “Because I want to do it.” I never had a doubt in my mind that this would be the thing that I would get to do because that was something that my parents always told me. They were like, “Dream big because the dreams that you’re imagining can be your reality, especially if you work hard enough towards it.” And I feel very lucky that I get to do the thing I’ve always dreamed of doing.

Villarreal: How does that live side by side with also learning how to deal with rejection so young?

Infiniti: It’s a lot of tears, a lot of sad days, sad weeks, conversations with my friends, conversations with parents. But from being underestimated, I remember my dad being like, “You have to get comfortable with ‘no.’ And it’s not going to be fun. It’s not gonna be something that you’re excited to hear, because no one’s excited to hear that they didn’t get something that they really wanted.” Now I’m at a point where I’ve really learned how to process it and not let a no or a rejection affect my view of myself or affect my view of a performance or my abilities to do anything. It took a long time to learn, and I’m still nowhere near perfect, but I’m definitely at a place that’s better than when I was 13 because it is hard for somebody that young to get that amount of rejection. It’s also hard for somebody at my age to handle that level of rejection, especially when you get so close to something. I have to give that credit to processing those things to my parents because that is all them. I had many tear-filled nights when I was a kid because I was so sad that I didn’t get a solo in something, and they’re like, this doesn’t mean that you’re not talented. I’m also somebody who believes the right things will find you. And they’re [my parents] also the people that kind of instilled that in me too.

Villarreal: Does that reframing of no also give you the confidence to approach Leonardo DiCaprio and Benicio del Toro and say, “Will you make a TikTok with me?”

Infiniti: It honestly was like a lot easier than I thought it was going to be. I was very specific. I did lots of research because I also was like, “I want it to be something that they can look at and also laugh at.” They can enjoy it.

Villarreal: Do you think you’ll get there with Ann Dowd? A TikTok?

Infiniti: I would love to. I don’t know what it would be, but I would love to make a TikTok with Ann Dowd one day. If it could be like all the girls on set making a TikTok, I would be very happy. I do have some planned. So, we’ll see.

Villarreal: Margaret Atwood makes a cameo in the finale of Season 1. How do you even talk to Margaret Atwood when you meet her? What was that experience like for you?

Infiniti: The person who was probably the most shocked was Lucy because Lucy Halliday is the biggest Margaret Atwood fan I think I’ve ever met. I had the gift of getting to witness Lucy meeting Margaret for the first time. But meeting her — she’s so kind. [Producer] Warren Littlefield says this all the time where he’s like, “You can’t talk to Margaret Atwood and not learn something with every conversation.” I just remember being very quiet and listening to her talk and listening to her ask questions of me, ask questions of Lucy, but we would just pour into her and be like, “Thank you so much for your work because you truly have touched millions.” She’s also so funny and so witty and very charismatic. I remember being very nervous beforehand, but she made it very easy for our nerves to go away. The highlight was getting to see Lucy meet Margaret.

Villarreal: You’re about to head out to Canada to start production on Season 2. You’ve seen two scripts. What do you hope to see for Agnes in Season 2?

Infiniti: I hope Agnes is happy, and I hope that she can continue to push and find her happiness. I hope that she doesn’t lose her spark, and I hope that’s something that she continues to explore and understand why she is the way that she is. Those are two hopes that I have.