Former “The Ring” and “Lilo & Stitch” child star Daveigh Chase, who died while homeless in June after years of battling drug addiction, leaves an estate worth nearly half a million dollars.
Probate documents filed July 8 in Los Angeles County Superior Court say Chase — legal name Daveigh Elizabeth Schwallier — left behind about $400,000 in personal property. The late actor’s mother, Cathy Chase, submitted the documents and filed a petition to become the administrator of her daughter’s estate.
The court filings also note that Daveigh Chase died without a will, is only survived by her parents, and confirm that she was homeless at the time of her death. The last known address for Chase appears to be a home in Chatsworth.
Chase died June 16 in a hospital at age 35. In initial reports, her father, John David Schwallier, and her boyfriend said the actor died of complications from bacterial meningitis and a blood infection. But the medical examiner’s report disclosed that Chase died of AIDS, which is caused by HIV, as the primary cause of death. The report also listed chronic polysubstance use — using more than one drug or substance at the same time or within a short period — as a “significant condition.”
Chase started her acting career in the late 1990s with minor roles in popular TV series, including “Sabrina the Teenage Witch,” “Charmed” and “ER,” and starred in multiple beloved movies at the turn of the century. In 2001 cult classic “Donnie Darko,” she was Samantha, the younger sister of Jake Gyllenhaal’s troubled Donnie Darko. She would reprise the role eight years later for the sequel, “S. Darko: A Donnie Darko Tale.”
In the same year as “Donnie Darko,” Chase lent her voice to the American dub of Hayao Miyazaki’s tender “Spirited Away,” voicing its protagonist Chihiro. The film won the animated feature prize at the 2003 Academy Awards.
Chase was known for her versatility, demonstrated by her roles in “Lilo & Stitch” and “The Ring” in the same year. In the latter, she played ghost girl Samara Morgan.
In the aughts, Chase also appeared in more than 20 episodes of the Fox sitcom “Oliver Beene” and more than 30 episodes of HBO’s Emmy-nominated Mormon family drama “Big Love” as cunning teenager Rhonda Volmer. After the hit series, Chase’s career slowed and she appeared in lower-profile projects. Her final credit was a voice-acting role in the 2016 video game “Let It Die.”
A hearing for Chase’s probate case is set for Aug. 12.
Times editorial library director Cary Schneider and staff writer Hannah Fry contributed to this report.
Delta Air Lines Inc. Chief Executive Ed Bastian said travelers care more about their seat than extras like lounge access or limousine shuttles often thrown into costly tickets, as he defended a stripped-down premium product that has irked some customers.
“Consumers want different value decisions to take,” Bastian said in a Bloomberg Television interview on Monday. “If you can give people the opportunity to sit in first class, they may not want different elements and they may not need to go in the lounge.”
Delta is bringing the basic-economy playbook to Delta First, Delta Premium Select and Delta One, offering passengers the same onboard seats, meals and service at a lower price in exchange for fewer benefits. Depending on the product, restrictions can include reduced mileage earnings, lower checked-bag allowances, fees for changes or cancellations and limits on lounge access and advance seat selection.
“What consumers care more about than anything is the seat,” Bastian said. “All the other things are nice, but it’s the seat and the comfort of the seat that’s most important.”
Bastian’s comments contrast Delta’s recent investments in its ground amenities. The airline has spent years opening and expanding swanky Sky Clubs and Delta One lounges, which remain in such high demand that crowding and lines have prompted tighter access rules.
Delta last month opened the first phase of a second Delta One Lounge at Los Angeles International Airport, a 4,000-square-foot space with table-service dining, showers and a premium bar. By 2028, Delta plans to operate four lounges at LAX spanning 60,000 square feet and seating more than 1,000 guests, part of a global network that now includes five Delta One Lounges and more than 50 Sky Clubs.
“One of the things we’re disappointed about is the continued segmentation of the fare structure,” Jefferies analyst Sheila Kahyaoglu said in an interview with Bloomberg Television, referring to how Delta has refined its premium offering into different, sometimes hard-to-follow groups. “You could accidentally get locked out of a lounge if you don’t pick that main business fare.”
Delta last week reported second-quarter earnings that beat Wall Street expectations despite recording the highest quarterly fuel expense in its history. The airline earned an adjusted $1.56 a share, topping analysts’ estimate of $1.51, while revenue rose 14% from a year earlier and capacity increased just 1%. Delta also reaffirmed its full-year profit guidance.
Bastian said strong demand for premium, corporate and international travel helped offset the surge in fuel prices caused by fighting in the Middle East. Although fuel costs eased as the war in Iran appeared to be winding down, renewed US military strikes have raised the risk of another escalation and kept energy markets volatile.
The CEO reiterated that Delta would continue pricing tickets to recover those higher costs and did not expect airfares to decline. The new basic premium fares give the airline another way to appeal to price-conscious travelers without broadly discounting its most valuable seats.
The strategy also allows Delta to widen the pool of passengers who can afford premium cabins while still charging more to corporate travelers and frequent fliers who value flexibility, loyalty benefits and lounge access. It reflects how airlines are increasingly selling each component of the travel experience separately.
But it risks alienating premium and loyalty travelers by introducing complexity or making it seem harder to get the same level of access.
“Delta’s change to its premium-seating offerings suggests competition is weighing on pricing at the front of the cabin, a negative for earnings,” Bloomberg Intelligence analyst George Ferguson said.
Every morning, Harvard-Westlake tennis player Chase Klugo’s house shakes like it’s in the middle of a small earthquake. His alarm clock, a big and bulky machine that’s Bluetooth-connected to the house’s fire alarm, rattles his room until he finally shuts it off.
Klugo’s moderate-to-severe hearing loss requires hearing aids to navigate life, a daily reminder that he isn’t like his teammates. Instead of forgetting his sneakers or a racket at home, Klugo might mistakenly leave without his hearing aid’s batteries.
In Sacramento, Gov. Gavin Newsom is negotiating with the legislature to pass the 2026-27 budget by a June 15 deadline. Klugo wants to add language to the budget to include hearing aid coverage — an idea that, despite bipartisan support, has stalled on Newsom’s desk multiple times.
“It’s been instilled in me since I was young that it’s important for not only yourself to thrive, but your community to thrive,” Klugo said, sitting in his family’s house in the San Fernando Valley. “I find it insane how someone can be denied one of their five senses, and not only one of their five senses, but one of the most important senses that you could possibly have.”
Off the court, Klugo is quieter, more reserved. His coach at Harvard-Westlake, Robert “Bo” Hardt, described him as a 45-year-old man trapped in a 17-year-old’s body. Hardt reminds Klugo to go to parties and enjoy his high school experience, but it’s the furthest thing from Klugo’s mind.
Instead, he does community outreach for the about 20,000 deaf or hard-of-hearing children in the state whose hearing aids are not covered by their insurance. He works with Michelle Marciniak, the founder of Let California Kids Hear, to share his story.
California’s current $30 million plan, the Hearing Aid Coverage for Children program, had just 314 active participants as of April. The $6,000 out-of-pocket cost every three years of hearing aids can force some parents into debt or to delay or skip treatment, Marciniak said.
An insurance mandate would decrease the taxpayer money spent on the HACCP, reducing the number of children who need the program’s assistance. Instead, more private insurance companies would cover costs associated with hearing aids for children and young adults under 21-years-old, she said.
Harvard-Westlake tennis coach Robert “Bo” Hardt described Chase Klugo as a 45-year-old man trapped in a 17-year-old’s body.
(Courtesy of Harvard-Westlake)
Newsom has cited concerns about the precedent of adding requirements to California’s affordable care act insurance and raising prices for those who don’t need the hearing aid coverage, favoring expanding the state-funded program instead, according to Cal Matters.
Let California Kids Hear and Klugo have been steadfast in their response that insurance costs would be minimal and the state program falls far short of fulfilling needs throughout the state. Thirty-five other states require coverage of children’s hearing aids — through a state mandate for all insurers, their affordable care act insurance or both.
Klugo is persistent for a reason. Those most affected by any legislation can’t knock on state representatives’ doors or write letters to Newsom, he said. Deaf and hard-of-hearing children are more likely to achieve a high quality of life personally and professionally when hearing concerns are identified and intervened with before they’re 6 months old, according to the World Health Organization.
Children who don’t receive treatment for hearing loss are more likely to be at risk for developmental issues in speech perception, language, cognitive and social skills, according to the World Health Organization’s 2021 world report on hearing.
“These babies, they can’t tell their stories about what’s actually happening. I’m sure the parents are obviously furious and they can advocate, but they don’t have that experience of what it’s like to actually firsthand experience it,” Klugo said. “So I think it’s my job to do that.”
Marciniak has worked with hard-of-hearing teenagers like Klugo to spread awareness for nearly a decade.
“It’s a really heavy weight,” Marciniak said. “Every single person, every single year has supported this. It’s not a red, it’s not a blue issue. This is about a child’s ability to hear, and it shouldn’t be dependent on their zip code or their family’s income.”
“It haunts me.”
Tennis has been Klugo’s outlet to release the weight he feels on his shoulders sometimes, he said. An overflowing duffle bag of tennis balls sat by the front door, the only chaos in a tidy house. Klugo’s parents — Karen, a former tennis player in high school, and his father, a Penn State swimmer — each carried the genes that could lead to hearing loss. Neither, though, was affected.
Karen first found out about hearing loss when Klugo’s older sister failed a routine newborn auditory test. Klugo did, too. The family adapted to its new normal, and Klugo and his sister enrolled in athletic programs.
Still, Klugo’s hearing loss couldn’t be brushed away. In fourth grade, he was reading a book and had turned off his hearing aids. He only realized something was wrong when he looked at his teacher, whose face was drained. He looked around. All his classmates had pushed in their chairs, and he was the only one left in the classroom in the middle of a fire drill.
Not every situation is life-threatening, but most that Klugo encountered in school required self-advocacy. Sure, teachers needed to talk louder, especially when they turned around and Klugo couldn’t read their lips. But he also needed his friends to be more patient. Sometimes it took one or two times to understand what they were saying.
When the family moved from Ohio after his freshman year, Klugo’s self-reliance helped elevate the tennis team. In return, Klugo joined a built-in support system.
“He’s intense, but he’s good, and they respect the way he works, and that rubbed off on a lot of the team, too. It’s like a pro in his practice habits and his work,” Hardt said. Take his doubles teammate Aaron Chung, for instance. Chung speaks in a low, hushed tone, but to accommodate Klugo, he becomes a bit louder — though not too loud to give away their attack plans to their opponents.
“I told him that you got to speak up, because I’m not gonna be able to hear if it’s super loud and you’re very quiet,” Klugo said. “He’s typically a pretty quiet person too on the court, which has been cool to see him transform a little bit. He’s been doing a great job helping me out.”
After Chung and Klugo huddle, they line up on the court like two halves of the same body, moving in tandem as the balls ricochet off rackets. It’s a flow of squeaking of tennis shoes and the pitter-patter of the ball hitting the concrete court until either Klugo or Chung scores. The same teenager who drafts op-eds to send to places like the Times plots his next battle attack.
When either of the two scores, Klugo releases a full-chested yell in celebration, and they slapped hands, a rhythm that repeats until the sets are over, until the game is over. From a distance, his mom watches in the shade on the benches. His dad paces in the background.
Every so often, the sun catches on the small, clear wires of Klugo’s hearing aids. Otherwise, they’re shielded from the sun under his white baseball cap and his curly hair.
Klugo’s teammates help out with more than winning sets. Klugo’s Bluetooth alarm clock isn’t portable, and the hotel alarms ring too softly for him to hear. He can’t sleep in his hearing aids. The device will completely block the ear canal and cause a low buzzing noise that makes drifting off hard. So, when Harvard-Westlake travels, one of his teammates wakes him.
Klugo wears his hearing aids while competing, but even then he might miss something. Karen has watched her son accidentally miss his opponents saying something as he turns to get a stray ball.
Nonetheless, Klugo’s leadership as a junior on the team makes him a leading team captain candidate next season, Hardt said.
On the court, the well-spoken, thoughtful Klugo sheds any semblance of the person who takes time to answer questions and lists off numbers about hearing loss.
But, tennis doesn’t change who Klugo is, Karen said. The sport only amplified his personality.
“It’s helped me be a better person off the court,” Klugo said. “On the tennis court, too. It’s a game of who’s going to be better on that day, and I feel like the person who wants the most and is advocating the most for themselves is going to end up winning.”
Alice Capsey hits 82 whilst Heather Knight finishes unbeaten on 70 as England chase down 181, the highest run-chase in women’s T20 history in England, to secure a six-wicket win against India, sealing an impressive 2-1 series win in Taunton.
“Tracker,” one of TV’s most-watched shows, is uprooting its Canadian production and moving to Los Angeles.
The action drama, produced by Disney’s 20th Television, is among a slate of new and recurring series benefiting from California’s improved $750 million tax incentive program. The show’s fourth season, set to begin shooting this summer, will receive the state’s largest tax credit , at $48 million, according to the California Film Commission.
The production will film for 176 days in California, with 250 crew members and 275 actors on board. The tax credit is based on the show’s projected spending of over $129 million. Deadline first reported the news of the show’s relocation.
The show stars actor Justin Hartley and follows his character as he tracks down people for reward money. Ever since its 2024 premiere, the show has resonated with audiences. Its third season is currently airing and was the fourth most-watched program on linear TV as of late April, according to Nielsen.
“Tracker” is primarily set in the wilderness, making the move to California a fresh opportunity for the production to explore diverse landscapes as its backdrop. Due to the rural setting, the show is also eligible to earn an extra 5% tax credit bonus, in addition to the 35% base credit, on qualified expenditures incurred outside the designated 30-mile zone of the Greater Los Angeles area.
Before “Tracker” secured the highest TV show tax credit, season 3 of Amazon’s “Fallout,” which relocated from New York to Los Angeles, received a $42M incentive. Dan Fogelman’s new NFL drama “The Land” received $42.8M. Other productions that have benefited from the tax program include medical drama “The Pitt,” Disney’s new animated movie “Phineas and Ferb” and Netflix’s upcoming reboot of “13 Going on 30.”
More than 100 productions have received tax credits since the program was expanded last year in response to the continued migration of productions to other countries like Ireland, U.K. and Canada.
But film industry advocates say these efforts aren’t enough to fully revitalize U.S.-based productions and local film economies.
To that end, , U.S. Sen. Adam Schiff (D-Calif.) announced in March he is working on a bipartisan federal film incentive proposal that would be globally competitive.
“State programs cannot simply substitute for the kind of global, federal and competitive tax incentives that are needed to bring production back to American soil and stop its offshoring,” Schiff said.
