chart

Major record labels propose guidelines for AI music on the charts

As the threat of artificial intelligence continues to creep into the music industry, major record labels are proposing new guidelines for how music generated by artificial intelligence should be treated on the charts.

The coalition of labels, which includes the industry’s biggest players like Sony Music, Universal Music Group and Warner Music Group, as well as some smaller independent labels like BMG and Concord, is trying to establish a new framework for official charts that better separates human creativity from purely synthetic and unauthorized AI creations.

The proposed guidelines unveiled Wednesday say that AI music would qualify for the charts if the AI service used to create it is “properly authorized and lawful” and if it doesn’t violate any copyright laws. The track also has to be “substantially human-made,” and it shouldn’t raise concerns about stream or chart manipulation.

“The principles are intended to provide a unified roadmap for the consideration of official chart compilers, industry bodies and affiliated stakeholders worldwide,” wrote the coalition. “Together, the organizations proposing these principles stand ready to work with charts and industry bodies around the world to discuss these principles and support implementation of these important safeguards for human creativity by charts and industry bodies.”

The labels are hoping that official charts can both “accommodate appropriate use of AI” and maintain “an authentic celebration of human artistry.”

AI-generated tracks are becoming increasingly prevalent on streaming platforms.

Recently, Spotify added a verification badge to distinguish human artists from AI, and Tidal banned AI-generated music from receiving royalties on its platform. Deezer, a French streaming platform, was the first to detect, tag and exclude AI-generated music from algorithmic recommendations.

The company recently disclosed that up to 90,000 AI tracks are being uploaded to the platform daily, representing more than 50% of its new music uploads.

Despite the coalition’s effort to introduce AI guardrails, some labels involved have already inked partnerships with AI companies such as Suno, Udio and Nvidia. Several music advocacy groups have previously raised concerns about artists facing “non-negotiable AI usage clauses.”

Source link

Two Parliaments and the Trump Administration Chart the Course Toward Transition

This July 14th appears to be one of the key days in the political process that Venezuela has been experiencing since January 3rd. Early in the morning, the 2015 National Assembly announced a joint work agenda starting August 1st “as a roadmap to promote stability, democracy, and national recovery.”

The announcement was retweeted by Marco Rubio from his personal account on X. Then, Jorge Rodríguez, president of the 2026 National Assembly, announced the start of “a joint roadmap with former members of the 2015-2020 National Assembly.”

At the time of writing, there has been no statement from María Corina Machado.

As we stated just over a week ago, if the Trump administration does not want Machado to lead the process toward free elections, and the last clear signal it sent was to involve the 2015 National Assembly, perhaps that is the path to follow.

It is now clear that this is the Trump administration’s preferred route.

But, as we also pointed out, this does not mean that Machado cannot be a candidate. What we can infer from these recent events is that the Trump administration prefers that the institutional path be built between the 2015 National Assembly and the 2026 National Assembly.

The election of a new CNE is urgent, and the process of selecting TSJ justices must be resumed. It is also necessary to restore control of political parties to their legitimate leaders.

From a legal standpoint, it is difficult to argue that the 2015 National Assembly is the current National Assembly of Venezuela. Yes, it was the last legitimately elected National Assembly, held under minimal conditions of electoral integrity, and it is the last state institution explicitly recognized by the US until January 3, 2026. On March 11, the Department of Justice filed a letter with the Southern District Court of New York, along with a letter from the State Department, stating that “the United States recognizes Delcy Rodríguez as the sole Head of State, empowered to act on behalf of Venezuela.”

Therefore, the value of the 2015 National Assembly lies in this: it was the last parliament elected in a minimally competitive election and has the political backing of the Trump administration to advance the institutional path toward transition.

The discussion about the institutional path is urgent because reaching elections will take time. First, minimum conditions of integrity must be created to hold an acceptable election. Second, the return of Machado and the other political exiles must take place. Third, the campaign must take place in an environment acceptable to the president, without any way of measuring what the president might understand as an acceptable environment for elections. This is especially true after the earthquakes.

Transparency Venezuela and the Andrés Bello Catholic University mapped out what is needed to achieve these conditions of electoral integrity. That work has already been done. Now, the setting of deadlines for these processes is yet to begin. The election of a new National Electoral Council (CNE) is urgent, and the process of selecting Supreme Court justices must be resumed. It is also necessary to restore control of political parties to their legitimate leaders.

Jorge Rodríguez said this week that reconstruction was the only priority and that it was immoral to focus on renewing the Supreme Court and the CNE, since what mattered now was attending to the survivors. But all of this is even more urgent due to the precarious constitutional situation of the presidency. Right now, the 30-day period within which elections must be held is running, given Nicolás Maduro’s absolute absence. It sets a very bad precedent for this process to begin with such a massive violation of the Constitution.

For all these reasons, we need to start talking to answer this question: what is the institutional path that will be followed for the Venezuelan transition?

Source link

Charli XCX breaks silence on Lorde ‘feud’ as she admits secret jealousy of chart rival

SHE’s a singer, songwriter and actress – but Charli XCX is yet to achieve her original life goal.

The Rock Music singer, whose new song Wink Wink is out now, said: “When I was younger, I thought it would be fun if my job was being a fairy or something.

Charli XCX is yet to achieve her original life goal Credit: Getty
Charli said: ‘I think I’ve said this to Lorde before, I was so jealous when I heard Royals for the first time’ Credit: Getty

“I had a pink princess dress, a puffed out sparkly kid’s dress that I just absolutely loved.

“It was probably some sort of Toys R Us situation, the peak of fashion, you know. And it came with these little lacy white gloves.

“I remember being really, really into that when I was younger and always wanting to wear it.”

That’s a far cry from the grungy aesthetic of her new album Music, Fashion, Film – which is out next month.

BRAT BEHAVIOUR

Mortified Charli XCX swears TWICE live on Radio 1 and can’t stop apologising


XCX rated

Charli XCX lathers up her boobs & flashes her bum in filthiest music video yet

In an interview with Bella Freud on her Fashion Neurosis podcast, Charli also opened up about the envy she has for other artists including Lorde, who she collaborated with on the 2024 song Girl, So Confusing.

Quizzed on whether she gets attacks of “competitive jealousy,” she said: “Of course. I think I’ve said this to Lorde before, I was so jealous when I heard Royals for the first time.

“I was like, ‘I’m so jealous. I wish that I could have written that song.’

“I thought it was so spectacular…it really defined a time, that song.”

SIR ROD’S BACK AT FULL GAS

Sir Rod Stewart headlined the Rock In Rio festival in Portugal – just days after he was seen needing oxygen during a US gig Credit: EPA

SIR ROD STEWART proved he’s back at the top of his game as he headlined the Rock In Rio festival in Portugal – just days after he was seen needing oxygen during a US gig.

For 100 minutes he barely paused for breath, belting out hit after hit while strutting across the stage – which marked his first Rock in Rio appearance in 18 years.

Sir Rod also used his set to make a political point, shouting “F**k Putin,” as he dedicated Rhythm Of My Heart to the people of Ukraine and their president Volodymyr Zelenskyy, much to the appreciation of the crowd.

Rod also had the Portuguese fans eating out of the palm of his hand as he asked: “Are Portugal going to win the World Cup?

“Fingers crossed, guys, fingers crossed.”

Sadly they’ve got a far better chance than his beloved Scotland, who are already heading home.


MILLIE BOBBY BROWN admits married life didn’t get off to the best start – she was stung by a bee as her husband said his vows.

The Stranger Things actress, who wed model Jake Bongiovi in 2024, explained: “As I was getting married, and my husband was saying his vows, there was a bee under my veil.

“I heard it and I was like, ‘Oh god.’ It started flapping under my veil.

“It stung me and then it got out and probably died

“After we walked down the aisle I was like, ‘Babe, babe, did you see this bumblebee?’ It stung my back and it hurt so bad.”

Speaking on the Jake’s Takes YouTube series, she added: “My acting skills really had to come into play because I had to pretend everything was OK.”


MILLIE: I WAS WIFE TO-BEE…

Bad Bunny had my beloved Tottenham Hotspur Stadium rocking to a pulsating Latin beat Credit: Getty

BAD BUNNY had my beloved Tottenham Hotspur Stadium rocking to a pulsating Latin beat on Saturday night on the first of two sold-out shows.

The star-studded crowd included Adele, Lola Young, Joe Jonas and former Dr Who star Ncuti Gatwa, while tennis legend Novak Djokovic introduced a song.

Newly single Maya Jama was also there, and got on stage to dance with him as part of the brilliant concert.

THE WEEK IN BIZNESS

TOMORROW: Reese Witherspoon attends the UK TV premiere of her Legally Blonde spin-off series Elle, ahead of its launch on Prime Video on Wednesday.

WEDNESDAY: Enola Holmes 3 hits Netflix with an all-star cast including Millie Bobby Brown, Henry Cavill and Helena Bonham Carter.

THURSDAY: Madonna will be in London for her Club Confessions launch event for her album Confessions II, before it’s released on Friday.

Source link

Tay Keith dead aged 29: Music producer behind Drake smash hit & holder of chart record for most No 1s this decade dies

GRAMMY-NOMINATED producer Tay Keith has been found dead in Nashville.

Brytavious Chambers, 29, better known as Tay Keith, was found dead in his apartment earlier today.

Tay Keith has been found dead in his apartment in Nashville Credit: Getty
Investigators say there was no suspicion of foul play Credit: Getty

Police said his body was discovered while officers were performing a welfare check at his home.

Investigators say there was no evidence of foul play, but the exact cause of death has yet to be determined.

In a post on social media, Metro Nashville PD wrote: “No foul play is suspected in the death of Brytavious Chambers, 29, also known as the Grammy nominated record producer Tay Keith.

“He was found dead in his Martin St apt this afternoon by officers performing a welfare check.

Read more in Entertainment

NOT LIKE US

Reason Drake turned down ‘chance for revenge in Bad Bunny Super Bowl show’

The producer’s cause of death remains unknown Credit: Getty
Keith currently holds the record for the most No.1s on the R&B / Hip-Hop chart Credit: WireImage

“His death is unclassified pending autopsy results.”

Throughout his career Keith worked with a wide range of music artists, including Beyoncé, Travis Scott and Drake.

The Memphis hitmaker enjoyed huge success on the Billboard Hot 100, earning 11 top 10 hits and four No.1 records.

He was also the mastermind behind Travis Scott’s “Sicko Mode” and Drake’s “First Person Shooter”.

Keith currently holds the record for the most No.1s on the Hot R&B / Hip-Hop songs chart this decade – with six.

His work even earned him a coveted Grammy nomination in 2019.

In the aftermath of his death, tributes for the producer have poured in.

Artist and childhood friend Blocboy JB shared photos of the pair as teenagers with the caption: “Damn Cuz You Just Hurt Me Bad.”

Keith was one of the mastermind’s behind Travis Scott’s ‘Sicko Mode’
The song – featuring Drake – has been streamed over 2.5bn times on Spotify

He also posted a video of their call history, writing: “We talked everyday yeen tell me you was leaving.”

Fellow Memphis producer Hitkidd also expressed his disbelief, posting a picture of the pair on Instagram.

The caption said: “I ain’t even got the words, we been doing this since 2010.”

Born on September 20, 1996, Keith stated making music when he 14.

He later received a bachelor’s degree from Middle Tennessee State University.

Signed to a publishing deal with Warner Chappell Music, he was also a member of BMI.

Source link