SYDNEY Sweeney gave a cheeky flash of her thong as she modelled her glam new lingerie collection.
The Housemaid actress, 28, proved the perfect face for her latest SYRN range, which saw her sport a trendy monochrome two piece that showcased her abs.
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Sydney Sweeney sizzled in a new lingerie drop for her brand SYRNCredit: SYRNShe flashed her derriere as she showcased a black thong from the rearCredit: @syrn / instagramThe Housemaid actress, 28, revealed her new business venture earlier this yearCredit: SYRN
Sydney, who unveiled her SYRN rangewith a raunchy campaign earlier this year, continued with her sexy promo shots for her The Do What Makes You Naked drop.
After giving a glimpse of her black and white bra with matching knickers, both emblazoned with the brand logo, she stripped to a dark thong.
The Euphoria screen star posed with her rear to the camera as she modelled the new garment, which she wore with a pair of semi sheer black tights.
She perched on a chair and held some additional lingerie up to the sky for the image, before posting a close-up version.
The second image captured her blonde hair in the perfect bouncy blow dry style, flowing over her shoulders,
On her Instagram page for her business, which features the strapline “Born to be a SYRN”, she uploaded the snaps.
Sydney added the words: “The Do What Makes You Naked collection is made from our Seamless Stretch fabric that’s soft, stretchy and made to move without thinking about it”.
One fan was quick to comment on the new snaps and put: “She’s fabuloaasss!!”
A second posted: “Stop Bae”.
When opening up on the reason for her new business venture, Sydney previously revealed she was a 32DD at 12.
Taking to Instagram to reveal her “secret” business, Sydney previously revealed she was launching Syrn with a slew of sexy snaps.
In the caption, she penned, “The secret is finally out… say hello to @syrn. This is lingerie you wear for YOU, no explanation, no apology.
“SYRN is coming for you on 1.28 sign up now for early access at SYRN.com there’s soo much more I can’t wait to show you.”
Sydney said she wants to ‘make bras that stay with women’Credit: Instagram/sydney_sweeneyShe has proved the perfect model for her new rangeCredit: SYRN By Sydney SweeneySYRN is the actress’ new side hustle away from the screenCredit: Getty
WASHINGTON — President Trump, his Treasury secretary and his choice to lead the Federal Reserve believe they can coax the U.S. economy back to a boom reminiscent of the 1990s.
They are putting their faith in artificial intelligence to duplicate what happened when another technology arrived during the Clinton era: the internet. Back then, the American economy surged as businesses became more productive, unemployment tumbled and inflation remained in check.
Trump expresses confidence that his nominee to become Fed chair, Kevin Warsh, can unleash an economic bonanza by jettisoning what the president sees as the central bank’s hidebound reluctance to slash interest rates.
Many economists are skeptical.
The world looks a lot different today than it did when the Spice Girls ruled radio and “Titanic’’ dominated the box office. And the story the Trump team is telling — that a visionary Fed chair, Alan Greenspan, fueled the 1990s boom by keeping interest rates low — is incomplete at best.
“The administration is offering a rather distorted version of what actually happened in the 1990s,’’ economist Dario Perkins of TS Lombard said in a commentary.
Nonetheless, the Trump administration believes history can repeat itself. All that’s been missing, Trump says, is a Fed chair with Greenspan’s foresightedness.
AI’s influence over interest rates
Trump has repeatedly attacked current Fed chief Jerome H. Powell, whose term as chair ends in May, for his caution in lowering rates while inflation hovers above the central bank’s 2% target. Treasury Secretary Scott Bessent said on social media in January that the president sought to replace Powell with someone with “an open, Greenspan-like mind.”
“Our nation can see productivity boom like we did in the ’90s when we are not encumbered by a Federal Reserve which throws the brakes on,’’ Bessent wrote.
On Jan. 30, Trump said he was picking Warsh.
In speeches and writings, Warsh has argued that AI-driven improvements in productivity could justify lower interest rates.
These views align with Trump’s desires for Fed rate cuts but mark a break with Warsh’s past as an inflation hawk.
In the aftermath of the 2007-09 Great Recession, Warsh — then a Fed governor — objected to some of the central bank’s efforts to help the struggling economy by pushing down rates even though unemployment exceeded 9%. He warned then, wrongly, that inflation would soon accelerate.
At issue now are gains in productivity and the possibility that AI will make them bigger — much bigger.
To economists, productivity improvements are almost magical. When companies roll out new machines or technology, their workers can become more efficient and produce more stuff per hour. That enables firms to earn more and to raise employees’ pay without raising prices. In short: Surging productivity can drive economic growth without spurring inflation.
Greenspan and the internet
In the mid-1990s, Greenspan was contending with a strange set of economic circumstances: Wages were rising but inflation wasn’t heating up.
Big productivity gains might have explained things, but government data showed no sign of them. Other Fed policymakers worried that surging wages and tame inflation couldn’t coexist and that higher prices were coming. They wanted to raise interest rates.
But Greenspan suspected that the official productivity numbers were missing something. For one thing, they didn’t jibe with the amazing tales of efficiency improvements the Fed was hearing from companies investing in computers and turning to the internet.
So he ordered his lieutenants to dig through decades of productivity numbers. The official statistics they assembled told an implausible story: Services firms — including retailers and legal practices — had supposedly seen productivity fall over the years, despite intense competitive pressure and massive investments in technology.
Greenspan didn’t believe it. He persuaded his Fed colleagues that the government’s numbers were wrong and were understating productivity. They agreed in September 1996 to hold off on raising rates.
The economy took flight.
Tardily, productivity advances began to show up in the official data. Overall, American economic growth surpassed 4% every year from 1997 through 2000, something it would do again only once in the next quarter century. The unemployment rate plunged to 3.8% in April 2000, the lowest in three decades. Inflation stayed in its cage, coming in below 2% — later the Fed’s official target — for 17 straight months in 1997-99.
History repeats itself … maybe?
American productivity looked strong in the second and third quarters of 2025, and some economists attribute the improvements to the early adoption of AI; they see bigger gains and stronger economic growth ahead.
Others aren’t so sure.
Joe Brusuelas, chief economist at consulting firm RSM, wrote that the 2025 productivity improvements “are not because of artificial intelligence’’ but reflect investments in automation that companies made when they couldn’t find enough workers during the COVID-19 pandemic. “Those investments are starting to pay off,’’ Brusuelas wrote.
Economist Martin Baily, senior fellow emeritus at the Brookings Institution, believes it will take time for AI to have a big effect on the way companies do business and on the nation’s productivity.
“Companies don’t change that fast,” said Baily, chair of President Clinton’s Council of Economic Advisors during the boom era. “It’s expensive to change. It’s risky to change. The managers don’t necessarily understand the new technology that well. So they have to learn how to use it. They have to train their staff. All that stuff takes a long time.’’
A productivity boom can raise the economy’s speed limit — how fast it can grow without pushing prices higher. But it might not justify lower interest rates, Fed Gov. Michael Barr said in a speech last month.
Businesses will borrow to invest in AI, putting upward pressure on interest rates. Likewise, American workers and their families probably would save less and borrow more in anticipation of higher wages, the payoff for being more productive; that would put still more pressure on rates to rise.
Bottom line, Barr said: “The AI boom is unlikely to be a reason for lowering policy rates.’’
Even Greenspan’s Fed eventually came to the same conclusion, reversing course and starting to raise its benchmark rate in mid-1999, taking it from 4.75% to 6.5% in less than a year. (The rate Trump complains about now is around 3.6%.)
“Warsh and Bessent talk only about the dovish 1995/96 version of Greenspan; they overlook the hawkish 1999/2000 variant,’’ Perkins wrote.
Then and now
Many of Warsh’s potential future colleagues on the Fed’s interest-rate setting committee see the late-1990s experience differently than he does, setting up what could be a clash at the central bank if the Senate confirms Warsh as chair.
Austan Goolsbee, president of the Federal Reserve Bank of Chicago, said last week that “the analogy to the late ‘90s is a little harder for me to understand.” Greenspan’s insight was that productivity gains meant the Fed could hold off on raising rates, not that it should slash them, Goolsbee noted.
“It wasn’t, ‘Should we cut rates because productivity growth is higher?’” he said.
The economic backdrop that awaits Warsh is also far less friendly than the one Greenspan enjoyed.
Greenspan was avoiding rate hikes at a time when the usually profligate U.S. government was running rare budget surpluses and didn’t need to borrow so desperately. Now, after a series of spending hikes and tax cuts, deficits are piling up year after year, and the Congressional Budget Office expects federal debt to hit a historic high of 120% of America’s gross domestic product by 2035.
Nor was productivity the only thing controlling inflation in the 1990s. Countries were lowering tariffs and dismantling trade barriers. Immigration was surging.
Now, due largely to Trump’s policies, notably his sweeping taxes on imports and his crackdown on immigration, the world is much different. “Trade barriers are going up,’’ Perkins wrote. “Globalization has given way to de-globalization.’’
“That benign era is clearly behind us,’’ said Michael Pearce, chief U.S. economist at Oxford Economics.
Wiseman writes for the Associated Press. AP writer Christopher Rugaber contributed to this report.
WASHINGTON — In another era, the scene would have been unremarkable. But in President Trump’s Washington, it’s become increasingly rare.
Sitting side by side on stage were Oklahoma Gov. Kevin Stitt, a Republican, and Maryland Gov. Wes Moore, a Democrat. They traded jokes and compliments instead of insults and accusations, a brief interlude of cordiality in a cacophony of conflict.
Stitt and Moore are the leaders of the National Governors Association, one of a vanishing few bipartisan institutions left in American politics. But it may be hard for the organization, which is holding its annual conference this week, to maintain its reputation as a refuge from polarization.
Trump has broken with custom by declining to invite all governors to the traditional White House meeting and dinner. He has called Stitt, the NGA’s chair, a “RINO,” short for Republican in name only, and continued to feud with Moore, the group’s vice chair, by blaming him for a sewage spill involving a federally regulated pipeline.
The break with tradition reflects Trump’s broader approach to his second term. He has taken a confrontational stance toward some states, withholding federal funds or deploying troops over the objections of local officials.
With the Republican-controlled Congress unwilling to limit Trump’s ambitions, several governors have increasingly cast themselves as a counterweight to the White House.
“Presidents aren’t supposed to do this stuff,” Utah Gov. Spencer Cox said about the expansion of executive power in recent administrations. “Congress needs to get their act together. And stop performing for TikTok and actually start doing stuff. That’s the flaw we’re dealing with right now.”
Cox, a Republican, said “it is up to the states to hold the line.”
Moore echoed that sentiment in an interview with The Associated Press.
“People are paying attention to how governors are moving, because I think governors have a unique way to move in this moment that other people just don’t,” he said.
Still, governors struck an optimistic tone in panels and interviews Wednesday. Stitt said the conference is “bigger than one dinner at the White House.” Moore predicted “this is going to be a very productive three days for the governors.”
“Here’s a Republican and Democrat governor from different states that literally agree on probably 80% of the things. And the things we disagree on we can have honest conversations on,” Stitt said while sitting beside Moore.
Tensions over the guest list for White House events underscored the uncertainty surrounding the week. During the back-and-forth, Trump feuded with Stitt and said Moore and Colorado Gov. Jared Polis were not invited because they “are not worthy of being there.”
Whether the bipartisan tone struck Wednesday evening can endure through the week — and beyond — remains an open question.
“We can have disagreements. In business, I always want people around me arguing with me and pushing me because that’s where the best ideas come from,” said Stitt. “We need to all have these exchange of ideas.”
Cappelletti and Sloan write for the Associated Press.
The chair of Kick It Out, Sanjay Bhandari, says the lack of support from Benfica and the response of their manager Jose Mourinho has “set the tone” in the racism row between the Portuguese club and Real Madrid, after Vinicius Junior alleged he had been racially abused by midfielder Gianluca Prestianni.
At the opening of the 39th summit of the African Union, the Chairman of the Commission Mahmoud Ali Youssouf said the “extermination” of the Palestinian people must end.
RAPPING legend Cardi B has fallen off a chair during her live Valentines Day weekend concert in Las Vegas.
Dressed in racy red lingerie, Cardi, 33,was performing a rendition of Thotiana but continued singing while lying on the ground.
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Cardi B fell backwards out of a chair during her strip Valentines Day weekend concert in Las Vegas.Credit: megamedia_The rap star continued singing while lying on the ground before eventually pulling herself back up.Credit: megamedia_
Megamedia shared the moment on social media and captioned it: “That was the Government.”
Most of Diggs’ children were born within a few months of each other in 2025, fuelling intense speculation and online debate.
An insider told The U.S. Sun that she was fully aware of Diggs’ reputation from the start — and believes he has changed.
“Cardi has known since day one that Stefon had a reputation as a womanizer and had seen multiple women in the past, but her love for him is above all of that,” the source said.
“She knows he has been faithful since they made things official and that he’s been transparent about his previous relationships, only seeing her since they committed to each other.”
The insider added that while Cardi “hates all the drama,” she admires Diggs’ role as a father.
“She loves that he’s not a deadbeat dad,” the source said. “She believes he’s a present, loving, and supportive father.”
Cardi’s fans took to social media to praise the star for her sense of humourCredit: megamedia_She recently sparked rumours of a split from her baby daddy Stefon DiggsCredit: BackGrid
When the Justice Department released an additional 3 million pages of documents related to convicted sex trafficker Jeffrey Epstein at the end of January, ARTnews unearthed and published excerpts from dozens of emails between Epstein and David A. Ross, a former director of the Whitney Museum of American Art who started his career in the 1970s as deputy director and curator of video art at the Long Beach Museum of Art.
Ross, who served as the chair of the MFA art practice program at New York’s School of Visual Arts since 2009, promptly resigned.
If the emails had been less damning, the revelation of Ross’ connection to Epstein might have played out differently, but that was not the case. In one letter, dated Oct. 1, 2009, Epstein wrote to Ross that Roman Polanski’s attorney was coming to see him and that he was considering funding an exhibit titled, “Statutory.”
“Girls and boys ages 14 – 25, where they look nothing like their true ages,” Epstein wrote. “Juvenile mug shots, photo shop, make up. Some people go to prison because they can’t tell true age. Controversial. Fun. Maybe it should be a web page with hits, tallied.”
“You are incredible,” Ross wrote back. “This would be a very [sic] owerful and freaky book. Do you know that total porno commercial kiddie picture of Brooke Sheilds that Richard Prince appropriated for an exhibition in the early 1980’s?”
Epstein replied in the affirmative to Ross’ reference to a Prince photo titled, “Spiritual America,” which appropriated a 1976 photo of a naked, 10-year-old Shields taken by commercial photographer Gary Gross.
“They closed it off in the London show,” Epstein noted.
Ross also expressed sympathy for Epstein’s legal travails in 2009 following a 13-month sentence he served in Florida after pleading guilty to reduced state charges of procuring a minor for prostitution.
“Glad the nightmare is over, Jeffrey,” Ross wrote. “It was an undeserved punishment foisted upon you by jealous creeps.”
In an email to ARTnews, Ross expressed remorse that he “fell for” Epstein’s lies.
“Like many he supported with arts and education patronage, I profoundly regret that I was taken in by his story,” Ross wrote. “I continue to be appalled by his crimes and remain deeply concerned for its many victims.”
Ross noted that he first met Epstein when he was director of the Whitney in the mid-1990s. Ross also served as director of the San Francisco Museum of Modern Art and the Institute of Contemporary Art in Boston.
“I knew him as a wealthy patron and a collector, and it was part of my job to befriend people who had the capacity and interest in supporting the museum,” Ross wrote, adding that when Epstein was jailed in 2008, he told Ross that it was a political “frame-up” resulting from his support for former President Bill Clinton. Ross said he believed him.
It seems lots of men believed Epstein. Meanwhile, behind all the power lunches, private plane rides and callous late-night emails, far too many women and girls suffered.
I’m Arts editor Jessica Gelt with your arts and culture news for the week.
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On our radar
Michael Feinstein and the Carnegie Hall Ensemble will perform Valentine’s Day at Segerstrom Hall in Costa Mesa.
(Segerstrom Center for the Arts)
Michael Feinstein: A Broadway Valentine The singer, musician, conductor and stalwart proponent of the Great American Songbook celebrates the holiday of the heart with the Carnegie Hall Ensemble. Timeless love songs and lush orchestrations seem like a perfect way to spend the evening. 7:30 p.m. Saturday, Segerstrom Center for the Arts, Segerstrom Hall, 300 Town Center Drive, Costa Mesa. scfta.org
A detail of miniature “sportraits” from Lyndon J. Barrois, Sr.’s exhibit, “Fútbol Is Life,” at LACMA.
(Allen J. Schaben / Los Angeles Times)
Fútbol Is Life: Animated Sportraits GOOOOOOOOAAAAAAAL! Ahead of this summer’s World Cup, with L.A. as one of 16 host cities across the U.S., Canada and Mexico, arrives this unique exhibition celebrating the beautiful game. Portraying transcendent moments in men’s and women’s soccer, award‑winning animator and visual effects artist Lyndon J. Barrois, Sr. fashions engrossing scenes in miniature from gum wrappers, glue, paint and other materials. The handmade sculptures and stop-motion animations on display bring together the visual and emotional elements that make it the world’s most popular sport. Jasmine Mendez spoke to Barrois about his process and Times photographer Allen J. Schaben provides more marvelous images. Sunday through July 12. LACMA Resnick Pavilion, 5905 Wilshire Blvd. lacma.org
The Academy Museum’s exhibition “Studio Ghibli’s Ponyo” opens Saturday.
(Nibariki-GNDHDDT)
Studio Ghibli’s Ponyo A deep dive into Hayao Miyazaki’s 2008 animated film about a goldfish who longs to be human honors the traditional hand-drawn animation processes used by its creators. The exhibition includes more than a hundred items handpicked by Studio Ghibli: art boards, posters, a Studio Ghibli animation desk and original hand drawings by Miyazaki and others. “Because writer-director Miyazaki very much follows his own star when it comes to story, narratives like ‘Ponyo’ remind you of no one else’s tales,” wrote Times film critic Kenneth Turan upon the film’s U.S. release. “Not only do they offer up fantastical images, like Ponyo running on the crests of waves, they make deep connections to our emotions without following conventional paths, using the logic of dreams to excellent effect.” Screening 2:30 p.m. Saturday; exhibition, Saturday through Jan. 10. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
The week ahead: A curated calendar
FRIDAY Nitrate Festival The American Cinematheque’s annual tribute to the beautiful, if highly volatile, film format that was used from the 1890s until the 1950s, offers audiences the rare opportunity to see this work on the big screen. The festival opens with the 1947 noir “Dead Reckoning,” starring Humphrey Bogart and directed by John Cromwell, and continues with William Wyler’s “The Good Fairy” (1935), Gregory La Cava’s “My Man Godfrey” (1936), William Wellman’s “Nothing Sacred” (1937), Mikio Naruse’s “Wife! Be Like A Rose!” (1935), David Lean’s “Blithe Spirit” (1945) and Cecil B. DeMille’s “Samson and Delilah” (1949). 7 p.m. Friday, through Feb. 22. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com
Foursome Matthew Scott Montgomery, Adrián Javier, Jimin Moon and Calvin Seabrooks star in Montgomery’s comedy about a quartet of queer friends who reunite for an emotionally fraught, desire-filled weekend at a cabin. Directed by Tom DeTrinis. Through March 23. Atwater Village Theatre, 3269 Casitas Ave. iamatheatre.com
Guards at the Taj Two sentries at the Taj Mahal have their friendship, faith and sense of duty challenged in Rajiv Joseph’s play set centuries in the past with contemporary resonance. Behzad Dabu and Kausar Mohammed star. Directed by Behzad Dabu. 8 p.m. Friday and Saturday; 2 and 7 p.m. Sundays, through Feb. 22 El Portal Theatre, 5269 Lankershim Blvd., North Hollywood elportaltheatre.com
Alfredo Rodriguez, left, and Pedrito Martinez will perform Friday at the Nimoy.
(Anna Webber)
Alfredo Rodriguez and Pedrito Martinez Pianist Rodriguez and percussionist-vocalist Martinez perform traditional Cuban songs, original compositions and some surprises. 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Incitation To The Dance A young man upends an older gay couple’s relationship in the world premiere of writer-director Michael Van Duzer’s dark comedy. Through March 15. Theatre West, 3333 Cahuenga Blvd. https://theatrewest.org/on-stage/incitation-to-the-dance
Roksana Pirouzmand The Iranian-born, L.A.-based multidisciplinary artist’s solo exhibition “everything was once something else” explores the contrasting properties forged by earth and fire through clay and metal works. Through April 11. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu
SATURDAY Attune 1.0 A free public light- and sound-art experience happens simultaneously across L.A. County locations presented by NXT Art Foundations with community support. 4:30-7:30 p.m. Barnsdall Park, East Hollywood; Sycamore Grove Park, Northeast Los Angeles ; Jessie Brewer Jr. Park, Exposition Park; Jane and Bert Boeckmann Park, Porter Ranch; Hansen Dam, Lake View Terrace; Leimert Park, South Los Angeles; Wende Museum, Culver City; Promenade Square Park, Long Beach; Tongva Park, Santa Monica and Loma Alta Park, Altadena. nowartpublic.com
Desert Dreams and Coastal Currents The exhibition tracks the concurrent emergent of artistic hubs in Southern California and the Southwest, featuring work by artists in areas such as Laguna Beach, and Taos and Santa Fe, N.M. The Autry, 4700 Western Heritage Way, Griffith Park. theautry.org
Wally Hedrick “Sex Politics Religion” is a two-venue retrospective of the Pasadena-born artist, who established himself in the burgeoning post-war San Francisco art scene. Hedrick eschewed “style” in favor of pursuing a vision including welded assemblage junk sculptures, Bauhausian abstraction, black monochromes, gestural figuration, graphic signage, pictographic diagrams and near-photorealism. Through April 4. Parker Gallery, 6700 Melrose Ave.; The Box 805 Traction Ave., downtown L.A. parkergallery.com
Honour The Ruskin’s grand opening on the Kaplan Stage features Joanna Murray-Smith’s drama on the precariousness of marriage, directed by Max Mayer and starring Marcia Cross, Matt Letscher, Ariana Afradi and Jude Mayer. 8 p.m. Thursdays-Saturdays; 2 p.m. Sundays, through March 22. Ruskin Group Theatre, 2800 Airport Ave., Santa Monica.
Artist Takashi Murakami.
(Shin Suzuki)
Takashi Murakami The new solo exhibition “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis” features 24 paintings by the Japanese artist. 4-7 p.m. opening, free and open to the public; exhibition continues through March 14. Perrotin, 5036. W Pico Blvd. perrotin.com
Mythical Creatures: The Stories We Carry Immigrant narratives and pan-Asian mythology infuse this immersive exhibition featuring contemporary artists including Dinh Q. Lê, Dominique Fung, Lily Honglei, Greg Ito, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora and Lauren YS. Conceived by L.A.-based Korean American artist and muralist Dave Young Kim. Through Sept. 6. USC Pacific Asia Museum, 46 N. Los Robles Ave. Pasadena. pacificasiamuseum.usc.edu
PASSION + MYSTERY Los Angeles Chamber Orchestra, led by conductor Jaime Martín, celebrate Valentine’s Day weekend with Fauré’s “Pelléas et Mélisande” and Gernot Wolfgang‘s “Desert Wind,” and are joined by pianist Fazıl Say for Beethoven’s “Piano Concerto No. 3.” 7:30 p.m. Saturday. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday, The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org
Red Harlem Four Black actors in 1932 Harlem are recruited by the Communist Party to make a film in the Soviet Union in Kimba Henderson’s drama based on true events. Directed by Bernadette Speakes. Through March 15. Company of Angels, 1350 San Pablo St. companyofangels.org
Retro Romantics: An Academy Film Archive Trailer Show in 35mm Vintage cinematic love stories unspool in their original abridged glory, seductively beckoning you to the movies. 7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
SUNDAY Black History Month at The Ebell Soprano Gertrude Bradley performs a tribute to Joel Graham, accompanied by pianist Greg Schreiner in an African Americans for LA Opera recital; and Inner City Youth Orchestra of Los Angeles (ICYOLA) salutes the 250th anniversary of the Declaration of Independence in “I, Too, Sing America,” a nod to the Langston Hughes poem. AALAO Recital, 12:30 p.m. Sunday; LA Voices: ICYOLA, 4:30 p.m. Sunday. Ebell of Los Angeles, 743 S. Lucerne Blvd. https://www.ebellofla.org/
Isidore String Quartet The group performs “Brahms: the Admirer,” an exploration of the composer’s work alongside complementary pieces by Bach and Beethoven. 3:30 p.m. Caltech Beckman Auditorium, 332 S. Michigan Ave. Pasadena. colemanchambermusic.org
What Happened to Flamenco Clap your hands as dancer and choreographer Fanny Ara brings the folkloric tradition to life. 7 p.m. Fountain Theatre, 5060 Fountain Ave. fountaintheatre.com
TUESDAY Seth MacFarlane The erstwhile animator, writer, producer, director, actor and comedian picks up the mic, backed by an orchestra, for a program dedicated to the music of Frank Sinatra. 8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com/events
WEDNESDAY I Love You, You’re Perfect, Now Change Barry Pearl directs the long-running off-Broadway musical comedy revue on modern love, featuring book and lyrics by Joe DiPietro and music by Jimmy Roberts to open ICT’s 41st season. Through March 8. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org
Patti LuPone The Broadway star marks the 25th anniversary of her “Matters of the Heart,” which ran on Broadway and London’s West End and toured the globe. 8 p.m. Segerstrom Center for the Arts, Segerstrom Hall, 300 Town Center Drive, Costa Mesa. scfta.org
Preservation Hall Jazz Band Can’t get to New Orleans for Mardi Gras? The Soraya brings it to the Valley via the deep roots of this legendary French Quarter ensemble. 8 p.m. The Saroya, 18111 Nordhoff Street, Northridge. thesoraya.org
Emma Elizabeth Smith as Catherine of Aragon in The North American touring company of “Six.”
(Segerstrom Center for the Arts)
Six The national tour of the Broadway musical by Toby Marlow and Lucy Moss, a modern pop take on the sextet of women who were the wives of Henry VIII. Through March 9. Hollywood Pantages Theatre, 6233 Hollywood Blvd.; March 10-15. Segerstrom Center for the Arts, 300 Town Center Dr., Costa Mesa. sixonbroadway.com
THURSDAY Compagnie Hervé Koubi: Sol Invictus The French-Algerian choreographer’s dance troupe performs “Sol Invictus,” with a score featuring music by Swedish composer Mikael Karlsson, minimalist composer Steve Reich and digital composer Maxime Bodson. 7:30 p.m. Friday and Saturday; 2 p.m. Sunday. February 19 – 21, 2026 The Wallis, 9390 N. Santa Monica Blvd. Beverly Hills. thewallis.org
Culture news and the SoCal scene
The cast of “Brassroots District” performs on Sunday.
(Gabriella Angotti-Jones/For The Times)
Features columnist Todd Martens checked out “Brassroots District: LA ’74,” a piece of immersive theater he describes as “part concert, part participatory theater and part experiment, attempting to intermix an evening of dancing and jubilation with high-stakes drama. How it plays out is up to each audience member. Follow the cast, and uncover war tales and visions of how the underground music scene became a refuge for the LGBTQ+ community. Watch the band, and witness a concert almost torn apart as a group on the verge of releasing its debut album weighs community versus cold commerce. Or ignore it all to play dress-up and get a groove on to the music that never stops.”
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The UCLA Hammer Museum has announced the winner of the $100,000 Mohn Award.
(Eric Staudenmaier)
Artist Ali Eyal, who grew up in Baghdad in the late 1990s and early 2000s during U.S. military operations in Iraq, is the recipient of the $100,000 Mohn Award, which honors artistic excellence, in conjunction with the Hammer Museum’s Made in L.A. 2025. In addition to the award money, the Hammer will produce a publication for Eyal. The Hammer also announced that sculptor Carl Cheng has been given the $25,000 Career Achievement Award; and that painter Greg Breda won the $25,000 Public Recognition Award.
The news out of the Kennedy Center continues to be grim. This week, Trump-appointed center president Richard Grenell sent an email to staffers informing them that significant cuts would be implemented when the center closes for renovations, beginning July 4. “Over the next few months, department heads and I will be evaluating the needs and making the decisions as to what these skeletal teams left in place during the facility closure and construction phase will look like,” Grenell wrote in the email obtained by The Times.
PALM BEACH, Fla. — As Major League Baseball closes in on an agreement for its players to participate in the 2028 Olympics, Commissioner Rob Manfred said the controversy surrounding LA28 chief Casey Wasserman would not impact the league’s final decision.
“Our dealings are not with Casey,” Manfred said Thursday at the MLB owners’ meetings. “Our dealings are with the institution of the Olympics.”
In recently released emails, Wasserman was linked to Jeffrey Epstein and his associate, Ghislaine Maxwell. The board retained a law firm to investigate, the statement said, and the review did not uncover any behavior beyond what was already known: a “single interaction with Epstein” on a plane flight for a humanitarian mission and raunchy emails with Maxwell, both two decades ago, before the “deplorable crimes” of both became public.
“Based on these facts, as well as the strong leadership he has exhibited over the past ten years, Mr. Wasserman should continue to lead LA28 and deliver a safe and successful Games,” the committee statement said.
Epstein died by suicide after his indictment on sex trafficking charges in 2019. Maxwell was convicted of sex trafficking in 2021.
Manfred declined to say whether he was concerned that an association with Wasserman could be detrimental for baseball.
“I’m going to pass on that one,” Manfred said. “People much closer to that situation are better to opine on that.”
Mark Attanasio, the Los Angeles-based owner of the Milwaukee Brewers, is a member of the LA28 executive committee. Attanasio said he would let the statement speak for itself.
While baseball is not new to the Olympics, the participation of major leaguers would be. In past Olympics, MLB declined to interrupt its season so its players could travel halfway around the world, and Team USA featured minor leaguers and college players.
MLB players already travel to Los Angeles every summer, and Wasserman has pitched Manfred and MLB owners in a variety of meetings on the benefit of using major leaguers at a time the league is focused on broadening its international appeal.
“What an incredible opportunity to elevate the sport in a city where you have one of the great cathedrals of the sport,” Wasserman told The Times last year. “There is no better chance to tell the global story of baseball than from the Olympics in Los Angeles.
“They understand that. We could have another Dream Team, or two, depending on the countries. That is a vehicle to tell the story of baseball around the world, and that is really powerful.”
MLB and LA28 officials have worked out a tentative timeline under which the All-Star Game would be played in its usual mid-July spot in 2028, most likely in San Francisco, followed by a six-day, six-team Olympic baseball tournament at Dodger Stadium.
“I think people have come to appreciate that the Olympics on U.S. soil is a unique marketing opportunity for the game,” Manfred said Thursday. “We’ve got a lot of players interested in doing it, and I feel pretty good about the idea we’ll get there.”
Are the Dodgers good for baseball?
Outfielder Kyle Tucker adjusts his Dodgers cap during his introductory news conference at Dodger Stadium on Jan. 21.
“I think great teams are always good for baseball,” Manfred said. “I think, with respect to this particular great team, it added to what we have been hearing from fans in a lot of markets for a long time about the competitiveness of the game. But great teams are always good for baseball.”
MLB officials have cited that fan concern repeatedly over the last year, prelude to an expected push for a salary cap. Manfred declined to discuss the owners’ labor strategy but said he expected negotiations on a new collective bargaining agreement to begin after Opening Day and said he would not talk about MLB proposals until they are presented to the players’ union.
The current agreement expires Dec. 1, and a lockout is widely expected.
Where can you watch the Angels?
Angels star Mike Trout celebrates after hitting a solo home run against the Houston Astros on Sept. 28 in Anaheim.
(Wally Skalij / Associated Press)
The Angels already are in spring training, and yet their fans have no idea where to watch their games on television this season.
The Angels have agreed that MLB will provide a streaming option, and a team official confirmed they are still deciding whether to let MLB sell their telecasts to cable and satellite distributors or reinvent what remains of the FanDuel Sports channel already part-owned by the team, with the Kings joining the Angels.
The Angels’ situation is not unique. Three years ago, MLB did not provide broadcast services to any team. Today, amid the collapse of the cable and satellite universe, MLB provides broadcast services to 14 of its 30 teams — 15, if the Angels go that way.
In 2028, Manfred would like to sell national streaming packages, in the hope that more bidders would mean more revenue, a particularly acute need for the teams losing revenue as guaranteed rights fees are cut or eliminated altogether. The challenge: how to convince the Dodgers and other big-market teams to sacrifice their still-lucrative local rights so MLB can sell a 30-team package.
“Ideally, I’d love to get there,” Manfred said. “I don’t need to get all the way there to accomplish most of what I am thinking about.”
On Thursday, Manfred cited one way he could get close enough: have rival owners vote to expand the number of games — for the Dodgers or anyone else — that would be classified as national rather than local.
“We can take as many games as we want from any club in a national package,” Manfred said, “with a majority vote of the clubs.”
WASHINGTON — Ever since a racist video was posted on President Trump’s social media account, the White House has offered shifting responses.
First it dismissed “fake outrage” by those denouncing it as racist, then it deleted the post and blamed a staff member.
Trump later told reporters Friday that “I didn’t make a mistake.” The Republican president claimed that before the video was posted, he did not see the part that depicted former President Obama and former First Lady Michelle Obama as apes.
The chair of the Congressional Black Caucus was unsparing in her criticism when she spoke to the Associated Press.
“It’s very clear that there was an intent to harm people, to hurt people, with this video,” Rep. Yvette Clarke (D-N.Y.) said.
The AP interviewed Clarke, who leads the group of more than 60 Black House and Senate members, hours after the video was deleted Friday.
Here is an interview transcript, edited for length and clarity.
What was your reaction when you saw that the post?
We’re dealing with a bigoted and racist regime. … Every week we are, as the American people, put in a position where we have to respond to something very cruel or something extremely off-putting that this administration does. It’s a part of their MO at this point.
Do you buy the White House explanation that this was an aide’s mistake?
They don’t tell the truth. If there wasn’t a climate, a toxic and racist climate within the White House, we wouldn’t see this type of behavior regardless of who it’s coming from…. Here we are, in the year 2026, celebrating the 250th anniversary of the United States of America, the 100th anniversary of the commemoration of Black history, and this is what comes out of the White House on a Friday morning. It’s beneath all of us.
Has there been any contact between the White House and the Congressional Black Caucus on this? Could there be any good-faith exchange?
There has been no outreach from the White House. We certainly didn’t expect there to be. The outreach has to happen prior to these type of juvenile antics.
Republican criticism built more quickly Friday than it has during previous Trump controversies. What do you make of that?
It’s not lost on them, our communities that we represent, that elections are coming up. So it’s not lost on my colleagues, either. If they want to align themselves with this type of really profane imagery, this type of bigoted and racist attack on a former sitting president and his wife, they are throwing their lot in with an individual who has shown himself to be a disgrace.
It’s not common for President Trump to retract anything. What does that indicate to you that he did?
I think it’s more of a political expediency than it is any moral compass. … As my mother would say, “Too late. Mercy’s gone.”
What more do you hope to see from the White House about this?
My hope is that we can contain the harm that they’re doing. There are Black children who are listening to their president … seeing what he’s posting on Truth Social, [and] it will have an impact on how they view leadership of their own country. … I think that this administration has an opportunity to change course. They always do. We leave room for that. But, unfortunately, Donald Trump is hardwired this way.
Is there anything else you’d like to add?
As a democracy, we have to stand up together against this type of racism, this type of bigotry, this kind of hatred that is coming from the president of the United States and those who surround him. … It’s very clear that there was an intent to harm people, to hurt people, with this video. Otherwise, it wouldn’t have stayed up for 12 hours.
Barrow and Zhang write for the Associated Press and reported from Atlanta and Washington, respectively.
