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“Tracker,” one of TV’s most-watched shows, is uprooting its Canadian production and moving to Los Angeles.

The action drama, produced by Disney’s 20th Television, is among a slate of new and recurring series benefiting from California’s improved $750 million tax incentive program. The show’s fourth season, set to begin shooting this summer, will receive the state’s largest tax credit , at $48 million, according to the California Film Commission.

The production will film for 176 days in California, with 250 crew members and 275 actors on board. The tax credit is based on the show’s projected spending of over $129 million. Deadline first reported the news of the show’s relocation.

The show stars actor Justin Hartley and follows his character as he tracks down people for reward money. Ever since its 2024 premiere, the show has resonated with audiences. Its third season is currently airing and was the fourth most-watched program on linear TV as of late April, according to Nielsen.

“Tracker” is primarily set in the wilderness, making the move to California a fresh opportunity for the production to explore diverse landscapes as its backdrop. Due to the rural setting, the show is also eligible to earn an extra 5% tax credit bonus, in addition to the 35% base credit, on qualified expenditures incurred outside the designated 30-mile zone of the Greater Los Angeles area.

Before “Tracker” secured the highest TV show tax credit, season 3 of Amazon’s “Fallout,” which relocated from New York to Los Angeles, received a $42M incentive. Dan Fogelman’s new NFL drama “The Land” received $42.8M. Other productions that have benefited from the tax program include medical drama “The Pitt,” Disney’s new animated movie “Phineas and Ferb” and Netflix’s upcoming reboot of “13 Going on 30.”

More than 100 productions have received tax credits since the program was expanded last year in response to the continued migration of productions to other countries like Ireland, U.K. and Canada.

But film industry advocates say these efforts aren’t enough to fully revitalize U.S.-based productions and local film economies.

To that end, , U.S. Sen. Adam Schiff (D-Calif.) announced in March he is working on a bipartisan federal film incentive proposal that would be globally competitive.

“State programs cannot simply substitute for the kind of global, federal and competitive tax incentives that are needed to bring production back to American soil and stop its offshoring,” Schiff said.

Morocco believe their successful appeal against their 1-0 defeat by Senegal means the case of the AFCON crown is closed.

Senegal may still possess the Africa Cup of Nations (AFCON) trophy and have launched a legal battle against the decision to strip them of it, but as far as new champions Morocco are concerned, the case is closed.

Although the Atlas Lions lost 1-0 in the January final, the Confederation of African Football awarded them a 3-0 victory last week because of several Senegal players leaving the pitch in protest at the award of a penalty.

Morocco drew 1-1 against Ecuador on Friday in a friendly in Madrid, in their first match since the final and the controversial decision to punish Senegal.

It was new coach Mohamed Ouahbi’s first game at the helm, just three months out from the 2026 World Cup.

After becoming the first African side to reach the final four in Qatar in 2022, expectations are high for Morocco, and they are looking to the future, despite Senegal’s outrage.

“We’re focused on what’s to come and not getting into that [topic],” Morocco goalkeeper Yassine Bounou told reporters.

“The answer from us [about whether the decision was fair] would be what our federation said, and that’s all … we’re looking forwards.”

Thousands of Morocco fans, many draped in their country’s flag and tooting vuvuzelas, are convinced justice was served.

“If someone says there are regulations, you have to follow them,” said Yassine el-Aouak, 35, a Morocco supporter who travelled to the game from Italy.

“I think we will bring the trophy home [eventually] – we know that we deserve it.”

Before being awarded victory against Senegal, Morocco had won the Africa Cup of Nations only once, in 1976.

“The rules are the rules … they are so clear, you go outside the pitch without any reason, you lose 3-0,” said another Morocco supporter, Taha El Hadiguy, 22.

“It’s very different to winning on the night of the final, to win two months later, but a win is a win. We have one more star on our shirt.”

Like the players, the Moroccan media was more concerned with the upcoming World Cup and Ouahbi’s tactical approach than whether Senegal are right to feel aggrieved.

Ecuador’s coach Sebastian Beccacece said his were satisfied with a draw against the “African champions”.

Ouahbi’s team are now technically unbeaten in 25 matches, despite falling 1-0 on a dramatic night in Rabat against Senegal in the AFCON final.

They lacked precision in attack against Ecuador, but Ouahbi, who led Moroccan youngsters to Under-20 World Cup glory last year, highlighted the strength of his team.

“I don’t talk in terms of weaknesses. They’re not weaknesses. We are a top-level team – the Ecuadorian coach reminded us of that,” Ouhabi told reporters.

“If you are a top-level team, ranked eighth in the world and World Cup semifinalists, you don’t have weaknesses.

“You only have strengths, and then any qualities we’re missing, areas where we’re not performing, we have to make up for collectively.”

Morocco will face record five-time World Cup winners Brazil in their first game at the tournament this summer on June 13, one of the most intriguing match-ups of the group phase.

Before then, the Moroccan Federation’s lawyers may have to defend their status as African champions against Senegal’s case, but Ouahbi and his players are only looking forward to the summer, when they have a chance to win another trophy, this time on the pitch.