Carlos Alcaraz has withdrawn from the Cincinnati Open as he continues to recover from a wrist injury.
The world number two has not played since he pulled out of the Barcelona Open in April, missing Wimbledon and the chance to defend his French Open title.
After winning the event in 2025, Spain’s Alcaraz was due to return at the Cincinnati Open as part of preparations for his defence of the US Open, which begins on 30 August.
Instead, the organisers of the Ohio event – which starts on 11 August – said that “an ongoing wrist injury” will prevent the 23-year-old from taking part.
“We know Carlos is doing everything he can to get back to playing tournaments as soon as possible,” said tournament director Bob Moran.
“We wish him the best with his recovery and look forward to welcoming him back to Cincinnati in the future.”
GENEVA — Pressure on FIFA President Gianni Infantino and his divisive plan to sell World Cup profits to private equity grew Friday as his senior adviser who sat on a White House panel resigned and Asia’s soccer body joined Europe and North America in opposing it.
An expanding crisis for soccer’s governing body reached into Infantino’s longtime inner circle when his pick to represent FIFA on the White House Task Force for the World Cup walked away calling the Joshua Kushner-backed $20 billion commercial subsidiary plan “a bad deal for football.”
Carlos Cordeiro is a former Goldman Sachs banker and officially is Infantino’s senior adviser yet revealed he said he was not involved in the secretive investment plan that has rocked the sport since media reports revealed it Tuesday.
Cordeiro’s exit — and call for other senior staff to speak out — intensified scrutiny on Infantino one day after European soccer body UEFA threatened to boycott all FIFA games and events until the plan is dropped. North America’s CONCACAF also rejected Infantino’s offer of one-off $20 million payments to each member federation by a mid-September deadline.
Cordeiro often joined Infantino on working visits to meet U.S. President Donald Trump at the White House in recent years, and took part in meetings of the administration’s World Cup task force led by Andrew Guiliani.
“Let me be clear. I had no involvement in this proposal, and I oppose it unequivocally,” said Cordeiro, the former U.S. Soccer Federation president.
Asia joins Europe and North America
On another seismic day in soccer politics, Asia’s soccer body that has been a key ally in Infantino’s 11-year presidency opposed the investor plan and said FIFA must urgently review its management style
The Asian Football Confederation said it “stands in solidarity” with UEFA and CONCACAF, the first two continental bodies to oppose Infantino whose combined 90 FIFA member countries near a majority of the 211 global total.
“Football should never have been placed in such a position,” said the Asian soccer body, which counts 46 of FIFA’s 211 members
Infantino has proposed spinning off FIFA’s commercial businesses — including World Cups and Club World Cups for men and women — into a $20 billion subsidiary with 20% owned by private investors.
The “anchor investor,” described by FIFA, is a New York-based investment firm created by Joshua Kushner, the younger brother of Trump’s son-in-law Jared Kushner.
“[T]he proposed [FIFA Forward Enterprise] cannot realistically achieve the necessary broad consensus and unity required to move forward” and must be reconsidered, the AFC said.
The statement did not name Infantino yet criticized FIFA for problems beyond the content of the private equity plan plus failing to consult about the secretive proposal.
“Rather, it has exposed fundamental weaknesses in FIFA’s consultation and decision-making processes that must now be addressed,” said the AFC, whose longtime president Sheikh Salman bin Ibrahim Al Khalifa narrowly lost the FIFA presidential election to Infantino in 2016.
“Accordingly, the AFC calls upon FIFA to undertake an urgent review of its governance and decision-making framework,” said the organization based in Kuala Lumpur, Malaysia.
Infantino’s job at risk?
Infantino had seemed — 11 days ago after the World Cup final in East Rutherford, N.J. — to have a clear path to being reelected unopposed for a fourth and final term in office through 2031.
FIFA had briefed during the tournament that Infantino had letters of support from about 200 members, despite a furor over letting U.S. forward Folarin Balogun play against Belgium even though he received a red card in his previous game. Trump acknowledged asking Infantino to review Balogun’s mandatory one-game ban.
FIFA has set a Nov. 18 deadline for potential candidates to declare in a presidential vote of the 211 members scheduled next March in Rabat, Morocco.
The Asian statement came hours after FIFA blamed the media and doubled down on pursuing the project which now seems to have a majority of the 211 in opposition.
“Our planned consultation process was disrupted by incorrect media reports,” FIFA said in a statement early Friday. “We will proceed with this consultation process to ensure that each [member] has the ability to express its vote based on facts.”
The next FIFA event that would be targeted by the threatened European boycott is within weeks — the Women’s Under-20 World Cup hosted by Poland from Sept. 5. The four British federations comprise FIFA’s only bidder to host the 2035 Women’s World Cup. That decision is due Nov. 23.
American Trickster: The Hidden Lives of Carlos Castaneda
By Ru Marshall OR Books: 682 pages, $30
If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.
The 1970s were thick with New Age spiritual fads and movements, from the benign (crystals) to the unspeakably toxic and cultic (Jonestown). Somewhere in the middle of that woo-woo spectrum lies the work of Carlos Castaneda. A UCLA anthropology grad student turned self-appointed guru, Castaneda became a counterculture icon with the publication of his first book, “The Teachings of Don Juan: A Yaqui Way of Knowledge,” in 1968, purporting to find enlightenment via psychedelic mushrooms, peyote and the cryptic musings of Don Juan, an Indigenous spirit guide.
That book, and the stream of his that followed, seduced millions of readers, plenty of them no doubt hoping that with the proper dosage they, like Castaneda, might also transform into a crow and soar across the purple skies of the dusty Southwest. That Castaneda’s books were largely flimflam isn’t in dispute. But Ru Marshall’s hefty biography, “American Trickster,” reveals the depth of his deception — and, just as potently, how easily people can be taken in by it.
“He didn’t lie out of convenience or opportunism,” Marshall writes. “He lied because he loved to. Lying was, for him, an art, and he did it exceptionally well.” This is a 1970s story, but anybody in the present can relate.
Born in Peru (not Brazil, as he often claimed) in 1925 (not a decade later, as he often claimed), Castaneda demonstrated no particular intellectual promise. But in the mid-1950s, first at L.A. City College and later at UCLA, he developed an affection for writing, philosophy and history. While pursuing a graduate degree in anthropology in the ’60s, he grew enchanted with Buddhism, Theosophy, existentialism and Native American spirituality — all key elements of the spiritualist goulash he would eventually cook up for his books. His timing was impeccable: From Timothy Leary’s LSD experiments to transcendental meditation, non-Christian religion and drugs fueled the zeitgeist. And Castaneda’s manuscript of “The Teachings” spoke effervescently about both.
Author Ru Marshall
(Allen Frame)
It hardly seemed to matter that the book also demonstrated his ignorance of both: He had little understanding of psychoactive drugs (you don’t smoke shrooms, dude), and there was nothing meaningfully Yaqui about Don Juan. Still, the book — and their follow-ups “A Separate Reality” and “Journey to Ixtlan” — were massive bestsellers. Castaneda made it to the cover of Time magazine. His work provided George Lucas with more than a little inspiration for his master-and-student space opera, “Star Wars.” And he became a target for parodists, the surest sign of fame. Donald Barthelme satirized him in his story “The Teachings of Don B.: A Yankee Way of Knowledge.”
That the ’70s American psyche, brutalized by Watergate and Vietnam, found solace in Castaneda’s sophistry isn’t surprising. More shocking is that the academic establishment tolerated it too: UCLA awarded him a PhD in anthropology with “Ixtlan” serving as his dissertation. Castaneda, Marshall writes, made an end run around the department’s Yaqui expert, with the other committee members overly impressed by his au courant melange of fieldwork and gauzy ruminations, despite the fact that his timelines and grasp of mycology didn’t make sense. “If we stop telling ourselves that the world is so-and-so, the world will stop being so-and-so,” Don Juan mused. Perversely, Castaneda’s success proved him right.
“American Trickster,” at more than 600 pages, is at once more information about Castaneda than any reader needs, and not nearly enough. Marshall (who in 2006 published a novel, “A Separate Reality,” inspired by Castaneda), has gone to ground on every element of his subject’s life, from his upbringing in Peru to his celebrity (he’d find his way into the orbits of former Gov. Jerry Brown, Federico Fellini and Oliver Stone at various points), to the years before his death of liver cancer in 1998. By that point he’d focused his attention on Tensegrity, a modified martial arts practice demonstrated at pricey workshops, and gathered a host of followers, mostly women, who he played against each other and psychologically abused in various ways.
But who did this guy think he was? How did he come to invent such a strange spiritual system, and develop the nerve to sell it both to mainstream publishers and the academic establishment? Why did he keep a box of knives under his bed? “Carlos acted in the zone where the trickery of the cult leader and that of the literary hoaxer (and the anthropological hoaxer) overlap,” Marshall writes. But all the biographical detail brings us no closer to what made him such a successful triple threat of eyewash.
Perhaps a book that couched Castaneda’s story more deeply in the context of the ’70s counterculture and the nature of cults past and present would make his story clearer. But perhaps not — his tale is inevitably something to wonder at, evidence of humans’ capacity to spin a yarn that flatters our egos and urge to understand our spiritual selves, and to buy into what’s spun.
Maybe it’s unsurprising that one of the first people to publicly sound the alarm about Castaneda was a novelist. In 1972, Joyce Carol Oates wrote a letter to the New York Times Book Review questioning a credulous review of Castaneda’s books. (The New York Times had spiked a more skeptical one, Marshall reports.) “It is quite possible that Don Juan represents a ‘non-ordinary’ reality so strange to me that I cannot accept it, and must try to reason my way out of believing,” she wrote. “But I don’t think so… I’d be very interested in whether other readers share my bewilderment.” No doubt others did. But what if bewilderment was exactly what they were seeking?
In 2015, musician Roberto Carlos launched Boleros de Noche, an annual concert series held in Los Angeles that aimed at preserving and showcasing the Latin American bolero music genre.
This year, the event is celebrating its 10th anniversary with performances at the Ford on Aug. 1 by Puerto Rican singer and former Calle 13 member iLe and L.A.-based bolero trio Voz Bohemia
On Friday, the city of L.A. honored the series’ decade-long run and legacy of uplifting bolero music by declaring Aug.1 “Día del Bolero.”
Boleros are ballads noted for their slow tempo and romantic lyrics accompanied by a crooning vocal style. Though the genre originated in Cuba, it quickly gained popularity across Latin America, with each culture putting their own spin on it. In the early 20th century, the evolving sound of boleros was shaped by the Cuban group Trio Matamoros, Mexican composer Agustín Lara, Puerto Rican artist Rafael Hernández and Ecuadorian singer Julio Jaramillo.
The genre saw a resurgence in popularity in the 1980s and ‘90s when famed Mexican artists Juan Gabriel and Luis Miguel embraced the bolero sound. In recent years, the bolero movement has been modernized and electrified by artists such as Mon Laferte, Romeo Santos, Adrian Quesada and Kali Uchis. In the last five years, Quesada has released two bolero albums, “Boleros Psicodélicos” and “Boleros Psicodélicos II,” that mix the genre’s classic sounds with elements of psychedelic rock.
“Over the past decade, Boleros de Noche has presented numerous concerts featuring both local and international artists, has brought together thousands of people across the city to bask in the lush orchestration of this music,” said City Councilmember Nithya Raman, who presented Carlos with the honor. “For so many in the Latino community and beyond, this isn’t just music, it’s memory, it’s home, and perhaps most importantly, it’s heritage being carried forward.”
Raised in L.A. County by parents who immigrated from the Mexican state of Oaxaca, Carlos says he first fell in love with live performance and bolero music in his midteens, when he would frequent the now-defunct Teatro los Pinos in South Gate.
He yearned for that same level of comfort and awe at music and wanted to share that with a larger audience. The first iteration of Boleros de Noche took place in 2015 at an art gallery in Echo Park.
“Over the years, I have heard countless stories from audience members who tell me how this music reminds them of their parents, grandparents, first loves and family traditions,” Carlos said Friday at City Hall. “Ten years ago, bolero was rarely part of our city’s cultural conversation, and today bolero programming can be found across Los Angeles, and I’m honored that Boleros de Noche has been a driving force behind its growth.”
Boleros de Noche has sold out shows at the Ford over the last few years and has featured artists such as Gaby Moreno, Marisoul and the legendary trio Los Panchos. In 2025, the event made its debut at Chicago’s historic Symphony Center.
The bolero genre’s popularity and cultural significance has been spotlighted outside of L.A. in recent years as well.
On Dec. 5, 2023, UNESCO, the United Nation’s agency aimed at safeguarding social and cultural foundations, recognized the musical genre as an Intangible Cultural Heritage of Humanity.
As part of Friday’s ceremony, Carlos and his bolero group Los Rebeldes Románticos performed several tunes, including the Mexican bolero classic “Sabor a Mí.”
Last year, Carlos spoke with The Times about his ambitions for Boleros de Noche and the mentality that drives the event series.
“At Boleros de Noche, [I want] for us to speak in Spanish, to feel recognized, to do this music as a celebration for all these artists that unfortunately became background music for a lot of like weddings and quinceañeras,” he said. “How about if we celebrate them and give them recognition? How about if, through my events, I can take people back to the 1940s to my experience at Teatro los Pinos?”
Given recent attacks on Latinos on the local and national levels, Carlos said he hoped his events would create a safe and welcoming gathering place.
“It’s about bolero music. It’s about community. It’s about people. It’s about the musicians,” he said. “Many of the musicians were undocumented. They brought this music to L.A. through their hometowns.”
