cannes film festival

ACTRESS Demi Moore wraps up the Cannes Film Festival in her 16th outfit of the gala.

The US star was on the jury so became a red carpet fixture over two weeks.

For Saturday’s closing ceremony, Demi, 63, enveloped herself in a green Balenciaga gown with huge blue sleeves.

Across the fortnight, she dazzled in an array of outfits.

She kicked things off with two Jacquemus designs, including a crystal-embellished gown and a polka-dot dress.

But her designer of choice was Gucci, with four custom-designed gowns.

MOORE STYLE

Demi Moore, 63, looks sensational in violet gown on red carpet at Cannes

SHOW ME MAUR

Maura Higgins, Demi Moore & Heidi Klum dazzle on red carpet at Cannes

They included a mermaid-inspired sheer lilac outfit she wore in 2003 for the Matrix Reloaded premiere.

Her judging stint came 29 years after her Cannes debut.

Back in 1997 she joined then-husband Bruce Willis for festival opener The Fifth Element.

Mother-of-three Demi’s fellow jurors included Hamnet director Chloe Zhao.

Demi said: “We had the opportunity to truly appreciate contemporary cinema every day.

“There was a lot of kindness — both between us and in the way we felt about the films.”

Actress Demi was joined on the red carpet by stars including Gillian Anderson and Ruth Negga.

Demi was last at Cannes in 2024, promoting her film The Substance, which won her a Golden Globe for Best Actress.

Just months ago, Demi capped off a stellar career comeback by being named Glamour’s Woman of the Year.

She was interviewed by her Substance co-star Margaret Qualley for the mag and said: “With everything I’ve been through, which has been a lot, I wouldn’t trade where I am today.”

FOUR of the world’s biggest stars dazzled on the Cannes red carpet last night.

Julianne Moore, Cate Blanchett, Bella Hadid and Carla Bruni-Sarkozy starred before the screening of new film Garance at the 79th annual Cannes Film Festival.

Hadid wore a custom Prada powder pink sheath dress, with a matching stole and beaded detailing.

She was flanked by Moore in a strapless red gown and diamond jewellery.

Former First Lady of France Carla wore a white-tiger ballgown signed by Roberto Cavalli while Cate Blanchett stunned in a shiny Givenchy floral look.

Garance is a film about a gifted young actress living in a small Parisian apartment.

Hollywood icon John Travolta turned heads at the 79th annual Cannes Film Festival, debuting a dramatic new look.

The 72-year-old Grease pin-up arrived on the red carpet looking preened-to-perfection as he posed with his stunning daughter, Ella Bleu.

CANNES, France — Greeting from the Croisette, where the 79th Cannes Film Festival is underway — and where the Envelope has its inaugural Cannes issue.

I’ve been hard at work since before the Oscars assigning and editing stories about the global film industry and this storied event’s role in it, albeit with an L.A. twist. And with this special edition of the newsletter, you too can be a part of the “Entourage,” at least vicariously. Read on for more highlights from the issue, and be sure to check out Amy Nicholson and Joshua Rothkopf’s conversation about the Cannes films they’re most excited to see before you block out your schedule.

Cover: Almodóvar, uncensored

(Shayan Asgharnia / For The Times)

You know you have a juicy interview on your hands when you wake up to it being aggregated by the trades, and I can’t really blame them: Columnist Glenn Whipp’s cover profile of Spanish auteur Pedro Almodóvar, in competition here with his new film “Bitter Christmas,” is chock full of pungent quotations.

At 76, the filmmaker is unafraid to speak his mind, whether it be about the apolitical Oscars or the decline of American democracy. But his metafictional treat, in which an acclaimed filmmaker falls out with an old friend over pilfering real life for inspiration, shows that he’s equally willing to turn that critical lens inward. It’s the film, he says, “where I’ve been cruelest with myself.”

Digital cover: Cannes kid Diego Calva

(Ian Spanier / For The Times)

In one of those serendipitous intersections editors dream off, it’s Almodovar that our digital cover star is most amped to meet during the fortnight: “If Almodóvar shakes my hand, I can die in peace,” Diego Calva tells contributor Carlos Aguilar.

With two films at the festival — Jordan Firstman’s “Club Kid,” playing in Un Certain Regard, and Nicolas Winding Refn’s highly anticipated out-of-competition title “Her Private Hell” — Calva, who appeared earlier this year in “The Night Manager” Season 2, may be hard for Almodóvar to miss. But the actor isn’t letting the auspicious moment go to his head. “My friends don’t care whether I have seven Golden Globes or if I’m not working at all,” he says. “To them, I’m just Diego.”

What’s next for Nollywood

(Photo illustration by Stephanie Jones / For The Times; photos courtesy of Anthill Studios, African International Film Festival)

I admit I didn’t know much about the Nigerian film industry beyond the term “Nollywood” before reading Daron James’ deep dive on how the West African country is charting a new course after its recent streaming boom went bust. Now I’m eager to see if its embrace of theatrical exhibition — including, gasp, building more cinemas — can rub off on its American namesake.

Nollywood may produce “the second most movies globally after India,” as James writes, but “creative hustle… is still as important as ever.”

More coverage of the 2026 Cannes Film Festival