burst

Taylor Swift fans ‘screamed’ on Sunday evening’s results show after learning that Vicky Pattison will be dancing next week to the pop star’s latest single – The Fate of Ophelia

After finding out that she was safe from the dreaded dance off, reality star Vicky Pattison was told what her dance and song choice would be for next week. Taylor Swift fans couldn’t contain their excitement on Sunday evening’s Strictly Come Dancing results show after learning that Vicky, 37, will be dancing next week to Taylor Swift’s latest single – The Fate of Ophelia.

Professional partner Kai Widdrington started dancing as a small clip of the song played and sent Swifties into a frenzy online. One person took to X, formally known as Twitter, and wrote: “Arrgghhh not @VickyPattison dancing to The Fate of Ophelia, I screamed Strictly…doing Taylor Swift…and it’s a race weekend, I may just burst with excitement”.

Another fan penned: “Omg Vicky and Kai are dancing to Ophelia next week. My life for a month has been dominated by life and of a Showgirl”, while a third chimed in: “As a Swiftie. I’m Super excited to see that Vicky and Kai are dancing to The Fate of Ophelia next week!! Let’s see this be an iconic performance”.

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The track The Fate of Ophelia is the lead single off the album The Life Of A Showgirl which was released last month and features multiple references to her relationship with Travis Kelce.

She references a “megaphone”, a hint at the fact he reached out to her by screaming it out into the world on his podcast, rather than going through the usual ways.

Speaking about the new album, she said: “One thing about this album that I think is really exciting is that oftentimes when I make a record there’s like a lag time between when I made it and when it enters the world.

“Like for example, my last album, Tortured Post Department, by the time that album came out, I was in a completely different point in my life. With this one I would say that this album is a complete and total snapshot of what my life looks like right now.”

It comes after Vicky burst into tears on Saturday night’s Strictly after she performed the American Smooth with professional partner Kai. The dance, which was set to Bonnie Tyler’s Total Eclipse of the Heart, saw Vicky dressed as a white witch on theme for Halloween Week.

The dance went well and she received praise across the board from judges Craig Revel Horwood, Anton Du Beke, Motsi Mabuse and Shirley Ballas, eventually scoring 31 for her efforts and even a standing ovation.

Not only was Vicky pleased her hard work was paying off but she was left in utter shock when Motsi predicted that she will make the final.

Motsi said: “A few weeks ago, I couldn’t believe that you’d open our show. I loved the character play in the beginning, you did it so, so well. So for me, you are a contender for the final. Honestly. And I just want you to finish everything, make everything nice and clean.”

Motsi’s comment was met with cheers from the audience, and Vicky promptly broke down in tears of joy. Rushing over to be interviewed by Claudia Winkleman, her tears continued as she said: “I hated going first! Honestly, I loved this dance this week because for once I had a foundation to build on. I wasn’t just starting from scratch and feeling so inadequate. I was just desperate to prove that I have improved.”

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Grantchester star Robson Green has said he ‘burst into tears’ as he shared details of the final days of filming the last ever series of the ITV crime drama

Grantchester favourite Robson Green has revealed there are just five days of filming remaining on the final ever series of the beloved ITV drama.

The announcement came over the summer that the crime series would be drawing to a close after its 11th run.

The popular ITV programme features Robson, 60, as Detective Inspector Geordie Keating, whose character teams up with vicar Alphy Kottaram, portrayed by Rishi Nair, to crack cases in the Cambridgeshire village.

The series draws inspiration from James Runcie’s literary works.

During Tuesday’s This Morning appearance, Robson, who has been busy with another venture exploring the globe’s finest walking routes, spoke about Grantchester’s conclusion, reports Wales Online.

The performer, who has starred in the programme since its 2014 debut, revealed to presenters Alison Hammond and Dermot O’Leary: “We’re filming the final series, I’ve got five days left, I finish next Tuesday!”

Speaking about his Grantchester colleagues both past and present, he continued: “That’s the saddest thing about it all, I’m going to miss that family of wonderful people, I’ve got so many wonderful memories.

“If you watch Grantchester, I play a character Inspector Keating, and I wear this one suit. A brown suit. In every scene, in every episode, and every series and I hung it up for the last time on Friday.”

Discussing the poignant moment, Robson confessed: “I burst into tears!”

It comes as Robson, reflecting on the show’s conclusion, said during the summer: “From the very beginning, I have had the incredible fortune to be part of this extraordinary team of talented, passionate, and dedicated individuals who have become more than colleagues. They have become family.

“I have made friendships forged through shared laughter, challenges, and triumphs.

“The bonds we’ve formed extend far beyond the camera lens, and I know that they will endure long after the final scene within the Grantchester world has been filmed.

“Thank you to everyone who has been part of this incredible journey.

“Emma Kingsman Lloyd and Daisy Coulam…. from that very first day you gave me the extraordinary opportunity to be part of this experience..

“It has been an honour to share in the magic of Grantchester, and I am forever grateful for the memories, the friendships, and the love that this journey has given me. I hope I made you proud.”

This Morning continues on weekdays at 10am on ITV and ITV X.

PARIS Fury has predicted her hubby Tyson will burst into tears when he walks their daughter Venezuela down the aisle.

The wife of ex-world heavyweight champion Tyson, 37, has opened up about the surprise family engagement, and revealed that 16-year-old Venezuela’s fiance boxer boyfriend Noah Price asked Gypsy King Tyson’s permission before popping the question. 

Paris said: “I think Tyson will get teary and emotional giving Venezuela away. He might be strong, but underneath he is softer than I am. 

“If he is feeling the love that day, he will be balling. She’s our daughter.”

She added: “Hopefully it’s not too close in the future though, we hope Venezuela has time to embrace her engagement. 

Recalling the proposal, which saw Noah get down on one knee in front of Venezuela’s family and friends last month, she said: “Noah asked for Tyson’s permission to propose to her at her 16th birthday shortly before he proposed.

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“I didn’t get involved, but I had an inkling it might happen. 

“It’s an old fashioned tradition, Tyson asked my dad for his permission to propose to me, we believe in that.”

She added: “But when it happened I was so nervous and my hands were shaking.”

Speaking at the launch of her new Eternal Collagen, held at the Grosvenor House Suites in London on Thursday (MUST REF) mum-of-seven Paris hopes her business venture inspires Venezuela to continue working as an influencer once she is married. 

She said: “I want to inspire my kids, you can be a mum, and a wife and have it all. 

“I know Venezuela is only 16, but she’s happy, we support her. I know in my heart this is the right thing for her. 

“In the traveller, gypsy community, traditionally we get married young, I was 17, but 50 years ago everyone in England got married young. 

“I’ve given Venezuela every option in life and this is what she has chosen, she has an independent woman and makes decisions for herself.”

Speaking about the secret to her long-lasting relationship with Tyson Paris said: “You can’t delude yourself that relationships are hard, there will always be ups and downs.

“But Tyson and I have just renewed our wedding vows and we are cringingly still in love, even after all these years.

“We’re still madly in love.

“As long as the good times outweigh the bad times. Don’t get me wrong, sometimes I look at Tyson and think, ‘you’re a pain in my the arse’ but most of the time I love him.

“You have to put the time in, especially when you’re juggling family and work. We’re being negligent at the minute, as we love to do date night, and we have had it enough.

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“My skin is glowing and clear, my hair is growing fast and I keep having to go to the hairdressers. I also feel really great, all my kids got ill recently, but I didn’t get it, that’s because it’s so good for your immune system.”

She added: “I would only endorse a product I believe in.”

We could hear the band before we saw it: a group of retirement home residents with trumpets and drums waiting to greet us as we approached. Others using wheelchairs waved homemade flags. As we swarmed into the building and up the staircase, a bottleneck formed. I slowed down as a nurse put a stamp on my sweaty arm, then I jogged off down the corridor.

Running through a retirement home is just one of the many surreal moments that participants signing up for the Nîmes Urban Trail (NUT) get to experience on this 24km race around the city, which takes place each February. Not only does the route give you a whistlestop sightseeing tour, taking you past the town’s impressive Roman monuments and landmarks, it also grants you access to places that would normally be off limits to outsiders.

Earlier in the day, I’d cantered through the lobby and bar of a five-star hotel, a Michelin-starred restaurant, the hôtel de ville (city hall), a barracks, a chapel and an olive grove. I even ran through a nightclub – easily the most wholesome sweat I’d ever worked up there. The school classrooms were particularly fascinating: I moved to France aged 28 so I’d never seen the inside of a French primary school. The retro maps pasted to the walls were the same pink as French toilet paper.

Crowds had gathered to cheer us on at various points along the route, but nowhere was the welcome more enthusiastic than at the retirement homes where the residents and carers had spent weeks preparing for our arrival. As I left the building, I realised my cheeks were damp – but not from sweat. This was the first time a running race had moved me to tears.

Running tourism has been gaining momentum for years. A third of participants in the Paris Marathon aren’t French, and in the Berlin Marathon, roughly two-thirds are from outside Germany. A recent survey found that 18% of Britons were planning to travel abroad for sports this year, many to take part in marathons, half-marathons and triathlons. Urban trail running, however, has really taken off in France, and 98% of NUT runners in 2025 were French.

Europe’s first organised urban trail run was in my home city, Lyon, in 2008. I’ve participated in the Lyon Urban Trail for the last three years, pounding up and down stairs, helter-skeltering down the muddy slope of the city’s former ski piste, la Sarra, and jogging through the grounds of old forts. It’s enormous fun, and now there are more than 100 urban trail runs in France, but none quite like Nîmes.

At the starting line I checked out my fellow competitors. I was sandwiched between Queen Elizabeth II and a couple of gladiators. Many of the fancy dress outfits had a Nîmois theme. Nîmes became part of the Roman empire around the first-century BCE, when it was known as Colonia Nemausus, and alongside the emperors and gladiators, I saw crocodiles and palm trees. Crocodiles may be about as native to Nîmes as lions and unicorns are to Great Britain, but they’ve become the symbol of the city. In the 16th century, a Roman coin showing a crocodile and a palm frond, to depict Roman victory over Egypt, was unearthed here. Now the Nîmois crocodile appears on paving stones and fountains, and there are even four stuffed ones hanging from the ceiling of the hôtel de ville.

Although my running attire was relatively dull, the race promised to be anything but. The people running the full marathon had been released into the (urban) wild half an hour earlier; I, surrounded by gladiators and crocodiles, was about to tackle the shorter, but still hilly, 24km race. After us would come runners participating in the 16km and 10km races, and finally the 10km hikers (breaking into a trot was strictly forbidden), so there’s something for all fitness levels and abilities.

When he co-founded the NUT 10 years ago, Benoît Goiset was clear he wanted to create something more than just a calf-buster. He envisioned a run that broke down social barriers and got the whole city involved.

The route changes each year, with new and unusual sites being added. “After the pandemic we were seeing an epidemic of loneliness, so I added in the EHPADs [retirement homes],” said Goiset. “The five-star hotels and Michelin-starred restaurants were [included] because so few people get to experience them, particularly people who live in Nîmes. I didn’t want anywhere to be off limits.”

At the end of the race, we burst into the Roman arena with a rush of pride, feeling like warriors, to be greeted by trestle tables loaded with snacks and beer and lemonade. This had been my first full day in Nîmes, and I’ve never had such a complete introduction to a city. Not only had I seen all the Roman sites – the arena, Tour Magne (watchtower), the Temple of Diana and even the Musée de la Romanité (we ran across the roof terrace) – I’d also had a glimpse of “the real Nîmes”, behind closed doors. I’d seen where children go to school, where soldiers train, and where some of the city’s older residents spend their later years. The tiered Jardins de la Fontaine, an 18th-century park full of stone fountains set over canals, was so beautiful that as soon as my legs had recovered that afternoon, I went back again.

At the risk of sounding like so many obnoxious yogis, who told me the reason I don’t like yoga is that I haven’t found the right class, if you don’t like running, perhaps you haven’t found the right race.

Registration is open for the next Nîmes Urban Trail, which takes place on 15 February 2026. Prices vary depending on distance, but the 24km trail run is €38pp. Appart’City is opposite the race start line, with double rooms from €105 (room only).

Two and a half years before he died, Elvis Presley sat on the floor of a walk-in closet at the Las Vegas Hilton and discussed a project that might have changed the course of his life.

The meeting, as recounted by Presley’s longtime friend Jerry Schilling, put the King of Rock and Roll face to face with Barbra Streisand, who’d come to see Presley perform at the Hilton in March 1975 then sought an audience after the show to float an idea: Would Presley be interested in appearing opposite Streisand in her remake of “A Star Is Born”?

At the time of the duo’s conversation — Schilling says that he, Presley’s pal Joe Esposito and Streisand’s boyfriend Jon Peters squeezed into the closet with the stars in a search for some quiet amid the commotion backstage — it had been six years since Presley had last played a dramatic role onscreen; Streisand’s pitch so tantalized him, according to Schilling, that they ended up talking for more than two hours about the movie.

“We even ordered in some food,” Schilling recalls.

Presley, of course, didn’t get the part famously played by Kris Kristofferson — a casualty, depending on who you ask, of Streisand’s insistence on top billing or of the unreasonable financial demands of Presley’s manager, Colonel Tom Parker. (In her 2023 memoir, Streisand wonders whether the character of a self-destructive musician was in the end “a little too close to his own life” for Elvis’ comfort.)

Whatever the case, Schilling believes that the disappointment over “A Star Is Born” set Presley on a path of poor decision-making that effectively tanked his career before his tragic death at age 42 on Aug. 16, 1977 — 48 years ago this weekend.

“That was the last time I saw the twinkle in my friend’s eye,” Schilling, 83, says of the sit-down with Streisand.

An intriguing new box set commemorates the King’s final burst of creativity. Released this month in five-CD and two-LP editions, “Sunset Boulevard” collects the music Presley recorded in Los Angeles between 1972 and 1975, including the fruit of one session held just days before the meeting about “A Star Is Born.” These were the studio dates that yielded songs like “Separate Ways,” which Elvis cut amid the crumbling of his marriage to Priscilla Presley, and “Burning Love,” his last Top 10 pop hit, as well as 1975’s “Today” LP, an exemplary showcase of Presley’s latter-day blend of rock, country and blue-eyed soul.

Is yet another repackaging of Presley’s music really something to get excited about? The Elvis industry has never not been alive and well over the half-century since he died; in just the last few years, we’ve seen Baz Luhrmann’s splashy big-screen biopic, the latest book from the singer’s biographer Peter Guralnick (this one about Parker) and not one but two documentaries about the so-called ’68 comeback special that heralded Presley’s return to live performance after nearly a decade of film work.

More gloomily, “Sunset Boulevard” arrives as Priscilla Presley — who got her own biopic from director Sofia Coppola in 2023 — is making headlines thanks to an ugly legal battle with two former business partners she brought on to aid in managing the Presley brand. (The feud itself follows the sudden death two years ago of Priscilla and Elvis’ only child, Lisa Marie Presley.)

Yet the new box offers an opportunity to ponder the curious position Elvis found himself in once the glow of the comeback special had faded: a rock and roll pioneer now strangely removed from the culture he did as much as anyone to invent.

“Sunset Boulevard’s” title, which the set shares with Billy Wilder’s iconic 1950 movie, can’t help but evoke the spoiled grandeur of an aging showbiz legend. It also refers to the physical location of RCA Records’ West Coast headquarters at 6363 Sunset Blvd., across the street from Hollywood’s Cinerama Dome. Now the site of the L.A. Film School, the building is where the Rolling Stones recorded “(I Can’t Get No) Satisfaction” and Jefferson Airplane made “Surrealistic Pillow” — and where Presley set up in the early ’70s after cutting most of his ’60s movie soundtracks at Radio Recorders near the corner of Santa Monica Boulevard and La Brea Avenue.

Jerry Schilling at his home in West Hollywood.

(JSquared Photography / For The Times)

By 1972, rock had long since evolved beyond the crucial influence Elvis exerted at the beginning of his career. Nor was the King particularly dialed into what was happening in music while he was busy in Hollywood.

“We weren’t as exposed as much as I wish we would’ve been to everything going on,” Schilling says on a recent afternoon at his home high in the hills above Sunset Plaza. A core member of Elvis’ fabled Memphis Mafia, Schilling has lived here since 1974, when Elvis bought the place from the TV producer Rick Husky and gifted it to Schilling for his years of loyal friend-ployment.

“When you’re doing movies, you’re up at 7 in the morning and you’re in makeup by 8,” Schilling continues. “You work all day and you come home — you’re not necessarily putting on the latest records.”

More than the growling rock lothario of Presley’s early days — to say nothing of the shaggy psychedelic searchers who emerged in his wake — what the RCA material emphasizes is how expressive a ballad singer Elvis had become in middle age. Schilling says the singer’s romantic troubles drew him to slower, moodier songs like “Separate Ways,” “Always on My Mind” and Kristofferson’s “For the Good Times,” the last of which he delivers in a voice that seems to tremble with regret. (Presley had to be cajoled into singing the uptempo “Burning Love,” according to Schilling, who notes with a laugh that “when it became a hit, he loved it.”)

But in the deep soulfulness of this music you’re also hearing the rapport between Presley and the members of his live band, with whom he recorded at RCA instead of using the session players who’d backed him in the ’60s. Led by guitarist James Burton, the TCB Band — that’s Taking Care of Business — was assembled ahead of Elvis’ first engagement at Las Vegas’ International Hotel, which later became the Las Vegas Hilton; indeed, one of “Sunset Boulevard’s” more fascinating features is the hours of rehearsal tape documenting Presley’s preparation in L.A. for the Vegas shows that began in 1969.

The sound quality is murky and the performances fairly wobbly, as in a take on “You’ve Lost That Loving Feeling” where Elvis can’t quite seem to decide on a key. Yet it’s a thrill to listen in as the musicians find their groove — a kind of earthy, slow-rolling country-gospel R&B — in an array of far-flung tunes including “You Don’t Have to Say You Love Me,” “Good Time Charlie’s Got the Blues,” even the Pointer Sisters’ “Fairytale.”

The RCA Records building on Sunset Boulevard in an undated photo.

(RCA Records)

In one rehearsal recorded Aug. 16, 1974, Elvis cues his band to play the Ewan MacColl ballad made famous by Roberta Flack: “‘The First Time Ever I Saw Your Friggin’ Face,’” he calls out as we hear the players warming up. Then they all lock in for a closely harmonized rendition of the song so pretty there’s something almost spooky about it.

Sitting next to the balcony he was standing on when he got the phone call alerting him to the news of Presley’s death, Schilling takes clear pleasure in spinning well-practiced yarns about his years with Elvis: the time John Lennon told him to tell Presley that he grew out his sideburns in an attempt to look like the King, for instance, or the audition where Elvis took a flier on a relatively unknown drummer named Ronnie Tutt who ended up powering the TCB Band.

He’s more halting when he talks about the end of his friend’s life and about what he sees as the lack of a serious artistic challenge that might have sharpened Elvis’ focus. Staying on in Vegas a bit too long, making so-so records in a home studio set up at Graceland — these weren’t enough to buoy the man he calls a genius. Does Schilling know if Presley saw “A Star Is Born” when it came out at the end of 1976?

He considers the question for a good 10 seconds. “I don’t know,” he finally says. He started tour managing the Beach Boys that year and was spending less time with Presley. “He never mentioned it to me. I wish I knew. There’s probably nobody alive now who could say.”

TEMPLEGATE takes on Tuesday’s racing confident of building the bank for next week’s Ebor meeting at York.

Back a horse by clicking their odds below.

SILENT CITY (4.07 Lingfield, nap)

Roger Varian’s filly looked potentially smart when bolting up by nearly four lengths at Windsor two starts ago. She had an inexperienced jockey in the plate when she allowed a useful rival too much rope at Hamilton last time, but she still pulled miles clear of the rest. With Silvestre De Sousa back on board, she can return to winning ways.

NOBLE HORIZON (7.10 Hamilton, nb)

Bumped into a useful horse at Newmarket two starts ago. He made no mistake in a weaker race at Leicester 26 days ago and he can go on a roll now for his top stable.

NOVAK (7.40 Hamilton, treble)

Came back to form with a good second at Musselburgh last time. He is a C&D winner and is still on a winning mark.

VALOR SPIRIT (2.15 Carlisle, Lucky 15)

He ran three nice races on maidens and goes handicapping off a fair mark with a top apprentice taking off 5lb.

Templegate’s tips

CARLISLE

2.15 Valor Spirit
2.45 One Of Our Own
3.15 Curran
3.50 Ice Sovereigns
4.25 Reenie’s Dream
5.00 Homeland

LINGFIELD

2.30 Semser
3.00 Al Joory
3.32 Perfect Panda
4.07 Silent City (nap)
4.42 Foinix
5.17 Dogged

HAMILTON

5.40 Happier
6.10 Star Noir
6.40 Golden Horse
7.10 Noble Horizon (nb)
7.40 Novak (treble)
8.10 Shabu Shabu
8.40 Temper Trap

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