Bruce

As the time approached 10:30 Tuesday night — nearly three hours after Bruce Springsteen had marched onstage at Inglewood’s Kia Forum alongside 18 of his musical comrades — the 76-year-old rock legend told the crowd he hadn’t intended to be there.

“This is a tour that we never planned,” he said. “The E Street Band is here with you tonight because we need to feel your hope and your strength. And we want to bring some hope and bring some strength for you.”

It wasn’t impossible to believe him.

After a two-year trek that finally wrapped last summer amid the release of a massive box set and a splashy Hollywood biopic, Springsteen might’ve been expected to spend 2026 counting his money and his accolades. Yet the way he tells it, the actions of a “corrupt, incompetent, racist, reckless and treasonous” president and his administration spurred him back into action.

“If you’re feeling helpless, if you’re feeling hopeless, if you’re feeling betrayed, if you’re feeling frustrated, if you’re feeling angry — I mean, I know I’ve been,” he said.

Tuesday’s show was the first of two this week at the Forum.

(Allen J. Schaben / Los Angeles Times)

Thus the hastily arranged Land of Hope & Dreams tour: two months of U.S. concert dates that began last week in Minneapolis, where federal immigration agents killed two American citizens in January, and will wrap May 27 with a stadium show in Washington, D.C.

“The White House — this White House — is destroying the American idea,” Springsteen proclaimed during Tuesday’s gig, the first of two this week at the Forum.

Before we get to the performance itself, let’s acknowledge that the Boss is sticking his neck out here. Sure, he’s protected by his wealth and his celebrity; sure, he’s preaching to the choir in every city he and the E Street Band visit.

But what other musician on Springsteen’s level is speaking out the way he is right now?

On Tuesday, he introduced “Streets of Minneapolis” — a brand-new protest song in which he mentions both Alex Pretti and Renée Good by name — with a vividly detailed monologue about the circumstances of their deaths. Then he led his players through a fervent rendition of the driving folk-rock tune.

“It’s our blood and bones / And these whistles and phones / Against Miller and Noem’s f— lies,” Springsteen sang — one lyric that might’ve inspired President Trump this month to urge his followers to boycott the singer, whom he compared in a social media post to a “dried up prune who has suffered greatly from the work of a really bad plastic surgeon.” (In truth, Springsteen probably enjoyed that.)

Bruce Springsteen and the E Street Band

(Allen J. Schaben / Los Angeles Times)

Whatever the risks of his speechifying, you had to admire — here in our age of political infotainment — the natural finesse with which Springsteen threaded his prepared rhetoric into Tuesday’s set. He knew just when to have the E Streeters vamp so he could talk about NATO and USAID; he knew when it was wiser to lead the audience in a chant of “ICE out.”

Indeed, as much as he was speaking his mind, Springsteen was providing his fans with an opportunity to work out their own anxieties in rowdy singalong versions of classics like “Born in the U.S.A.,” “No Surrender,” “The Promised Land” and “Out in the Street.”

If the concert’s animating impulse was outrage, the prevailing emotion was joy, even — or especially — when the music was at its most pointed, as in covers of Edwin Starr’s “War” and “Clampdown” by the Clash.

With an extra E Street member in Rage Against the Machine’s Tom Morello, Springsteen made “Badlands” and “Death to My Hometown” shimmer and stomp; “Murder Incorporated” was a gritty soul-rock rave-up, while “Youngstown” got a scabrous guitar solo by Nils Lofgren that reminded you of his other gig in Neil Young’s Crazy Horse. (Springsteen’s wife, Patti Scialfa, who said in 2024 that she has cancer, wasn’t part of the band Tuesday.)

About halfway through the show, Springsteen sang “American Skin (41 Shots),” the early-2000s song about racialized police violence he wrote after Amadou Diallo’s killing by four NYPD officers; he followed that with “Long Walk Home,” which he described as “a prayer for our country.”

Bruce Springsteen

(Allen J. Schaben / Los Angeles Times)

Played back to back, the songs made you think of how little agreement we’ve come to over the last quarter-century about who gets to be called an American. The identity is always under attack, and it’s always being defended.

Anyone but a Bruce stan would admit that Springsteen leaned a little hard on recent stuff here: “House of a Thousand Guitars,” “My City of Ruins,” “Wrecking Ball” and the like.

Yet as with his speechmaking, he can still read a room. “It’s gotta be done,” he said with a grin as the band revved up “Hungry Heart,” one of a handful of old pop hits he did that broke from the evening’s topical throughline.

Near the end — in an encore that went bang-bang-bang with “Born to Run” into “Bobby Jean” into “Dancing in the Dark” — Springsteen, his shirt drenched with sweat, took a seat onstage and thanked members of the Immigrant Defenders Law Center for attending the show. (Also in the house Tuesday: Henry Winkler.)

Then he offered one final homily before closing with Bob Dylan’s “Chimes of Freedom.”

“These are hard times, but we’ll make it through,” he said. “We’re the Americans. What do they say? Americans do the right thing after they’ve tried everything else.” He shook his head as though he were running through a mental inventory.

“F—!”

Tzruya “Suki” Lahav, a violinist and poet who played with Bruce Springsteen and the E Street Band in the mid 1970’s on some of the band’s most beloved LPs, has died. She was 74.

Yonatan Albalak, her son, posted on Facebook April 2 that his mother had been “gathered into infinity after a short and hard battle with the cursed disease” of cancer.

“She wrote songs that touched people’s hearts,” he wrote, describing her as “a special woman, smart, pure in heart and loving life. She was the best mom I could ever ask for.”

Lahav’s tenure with the group lasted only between 1974 and 1975, yet she contributed several standout moments to Springsteen’s catalog. She performed on “The Wild, the Innocent and the E Street Shuffle” and its follow-up, the smash “Born to Run.” She played the famed violin intro to the classic single “Jungleland,” and performed the multi-tracked choir on “4th Of July, Asbury Park (Sandy)” after a church vocal group failed to turn up for the session. She also played on a fan-favorite, widely-bootlegged cover of Bob Dylan’s “I Want You.”

She entered Springsteen’s camp after her husband, Louis Lahav, engineered on Springsteen’s 1972 debut album, “Greetings From Asbury Park.” Lahav told the Jerusalem Post in 2007 that she joined the group as “a young girl in a flowing white dress from Kibbutz Ayelet Hashahar in the Upper Galilee, barely out of the army, barely married … I went from kibbutz harvest music to rocking with Bruce.”

She remained a major artist in Israel for decades after her tenure with Springsteen. She recorded with the Israeli rock band Tamuz, and wrote songs for prominent Israeli artists like Rita, including “Yemei Hatom” and “Shara Barkhovot.” She won the ACUM Lifetime Achievement Award and the Arik Einstein Prize there. In 1990, “Shara Barkhovot” was Israel’s submission to the Eurovision Song Contest.

Tom Skinner, an entrepreneur who was on The Apprentice in 2019, appeared on Question Time in Clacton-on-Sea, Essex, which featured a debate about social media giants

TV personality Tom Skinner squirmed under interrogation from Fiona Bruce during a showdown about social media on Question Time.

The presenter of the topical debate programme accused Mr Skinner, 35, of being “part of the problem” amid the debate around the pros and cons of apps, such as TikTok and Instagram. The entrepreneur regularly posts videos to his 536,000 TikTok followers, including clips of him eating full English breakfasts at his favourite café. He told Question Time he also makes money by promoting products on Instagram, TikTok and other apps.

But Ms Bruce fronted him on his use of the platforms, suggesting he himself was actually playing into the challenges young people and their parents face with social media. Meta and Google were this week found liable for causing addiction in users in a landmark £2.2million legal case, which led to last night’s debate around how they government should help protect children from such addiction.

Addressing Mr Skinner, the host said: “As you said, you are benefiting from social media, you make part of your living that way and, part of the reason you are able to do so is because of the addictive algorithms that will push people towards yours (social media content)… It is giving you a platform, and job opportunities come your way because of it. In the nicest possible way, you are part of the problem.”

The remark led to a wry smile from Justice Minister Jake Richards, also on the panel in Clacton-on-Sea, Essex. Dad-of-three Mr Skinner hesitated as he answered, eventually insisting his videos are harmless.

READ MORE: Calls mount for UK social media ban as Meta hit with ruling over ‘addictive’ appsREAD MORE: Parents across UK to get new powers to limit teenagers’ social media use under trial

Ms Bruce, presenter of the programme since 2019, said: “How can you on the one hand say ‘people shouldn’t be doing it so much’ but, on the other hand, you are benefiting from it?” It left the entrepreneur stuttering again, before he went on to stress the importance of the roles parents should play in protecting children.

“It’s bad. It’s bad when people sit on their phone all day. I’ve seen it myself. I’ve done it myself, I sometimes know I’ve got to be up in four hours and I’ve sat there and I’ve scrolled my brains through, watching absolute nonsense,” Mr Skinner, from Romford, east London, said.

Other panellists defended Mr Skinner, arguing his clips are innocent and “do not drive the worst of the algorithms”. The case this week heard Meta and Google both were negligent in the design or operation of their platforms — including the “infinite scroll” feature that was claimed to trigger addiction in users.

The jury also decided each company’s negligence was a major factor in causing harm to a 20-year-old woman, who says her use of social media as a child addicted her to the technology and worsened her mental health struggles.

Both firms have strongly rejected the verdict and plan to appeal. Meta said: “We respectfully disagree with the verdict and are evaluating our legal options”. A spokesperson for Google added: “This case misunderstands YouTube, which is a responsibly built streaming platform, not a social media site.”