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MIAMI — Former Cuban President Raúl Castro is facing more charges in Florida related to the 1996 downing of civilian planes flown by Miami-based exiles after the U.S. government indicted the former leader earlier this year.

Florida Atty. Gen. James Uthmeier on Monday accused Castro, 95, of directing spies to infiltrate the exile group Brothers to the Rescue and ordering the attack on their planes. The state charge of conspiracy to commit first-degree murder is based largely on a federal indictment announced in May that included charges of murder and destruction of an airplane.

It remains unclear whether Castro will ever step foot in a U.S. courtroom. Uthmeier said the arrest warrant will restrict Castro’s ability leave the island nation and prevent him from traveling to any place with an extradition agreement with the U.S.

“I’m not ignorant of the fact that Raúl Castro is an older man who’s probably not looking to march himself into Miami,” Uthmeier said. “I think others would get him before the court of law would, but at the end of the day, we stand ready to prosecute the case.”

According to the state complaint, Castro was the Minister of the Revolutionary Armed Forces and First Vice President of Cuba when he gave the final authorization to shoot down the planes. Cuban Directorate of Intelligence agents operating as part of the Wasp Network in the Miami area and the Florida Keys infiltrated Brothers to the Rescue and reported flight plans, investigator said.

On Feb. 24, 1996, three unarmed Cessna aircraft departed Opa-Locka Airport in Miami-Dade County. Well outside Cuba’s territorial waters, Cuban MiGs destroyed two of the civilian planes with air-to-air missiles, killing the four occupants, the complaint said. Both aircraft were traveling away from Cuba and received no warning despite contact with Havana air traffic control, U.S. officials said.

Cuban President Miguel Díaz-Canel called the federal indictment earlier this year a political stunt that sought only to “justify the folly of a military aggression against Cuba.” He accused the U.S. of lying and manipulating events surrounding the shootdown.

“Our historic federal indictment laid the groundwork, and James and his team have now taken the important step of bringing charges under Florida law,” U.S. Attorney for the Southern District of Florida Jason Reding Quiñones said at a news conference.

Castro took over as president from his ailing older brother Fidel Castro in 2006 before handing power to a trusted loyalist, Díaz-Canel, in 2018.

While he retired in 2021 as head of the Cuban Communist Party, he is widely believed to wield power behind the scenes, underscored by the prominence of his grandson, Raúl Guillermo Rodríguez Castro.

Meanwhile, President Trump has been threatening military action in Cuba ever since U.S. forces captured former Venezuelan President Nicolás Maduro, the Cuban government’s longtime patron.

After ousting the Venezuelan leader earlier this year, the White House ordered a blockade that choked off fuel shipments to Cuba, leading to severe blackouts, food shortages and an economic collapse across the island.

Fischer writes for the Associated Press.

It was only Adéla’s second headlining show in Los Angeles — and she was only about 20 minutes into it — but the ascendant pop star already had an apology she needed to get off her chest.

“The next song that I’m gonna sing is a little bit awkward,” she said Thursday night at the Fonda Theatre. “So I’m gonna need y’all to bear with me as I explain why I made a song called ‘The Baddest Bitches Ain’t in L.A.,’ OK?”

Added Adéla: “Please don’t boo.”

To be precise, the song in question is titled “Ain’t in L.A.” — a woozy banger from the 22-year-old’s buzzy debut album, “Prima.” But you took her point: Here she was in front of a hyped-up crowd that included Chappell Roan and members of the girl group Katseye, and what she was about to tell us is that true coolness lies elsewhere.

Based on her assertion that the Hollywood dream machine is “all a lie,” “Ain’t in L.A.” looks back with scorn at Adéla’s experience as a first-round flameout on “Dream Academy,” the build-a-band reality series that documented Katseye’s creation under the watchful eye of the K-pop kingpin Bang Si-hyuk. At the Fonda, Adéla recounted moving here from her native Slovakia and working alongside the show’s other contestants to “try to become pop stars together,” she said.

“And guess what? That didn’t work out for me. But it did for them.” She peered up at the venue’s balcony. “Shout out to y’all,” she said.

Except now it’s working out for Adéla too: Thursday’s show was the first of two at the Fonda behind last month’s release of “Prima,” whose title nods to the singer’s background as a ballet dancer; in addition to “Ain’t in L.A.,” which has more than 190 million streams on Spotify, the album has spun off a second hit in “Nicole Kidman,” which reached No. 1 on that platform’s U.S. singles chart thanks in part to the enthusiastic embrace of the Hollywood meme queen herself.

This week, Kidman appeared in a viral TikTok video showing her, Kristen Wiig, Pedro Pascal and Dua Lipa lip syncing to “Nicole Kidman” at a Chanel fashion show in Paris.

Adéla’s breakthrough comes amid a broader surge by a generation of young pop singers — think of Slayyyter and think of Tinashe — finding success with music that plays up rather than sands down its rough edges; each is working in the wake of Charli XCX’s influential “Brat,” which offered new ways to think about how pop balances polish and filth, swagger and confession.

Adéla made “Prima” with the producers Dylan Brady (of the duo 100 gecs) and Blake Slatkin (who’s scored hits with Lizzo and Justin Bieber); together the three get an appealingly scuzzy sound that puts chirpy vocal hooks over serrated club beats à la “Blackout”-era Britney Spears. What I’m saying, basically, is that the indie-sleaze revival is real.

At the Fonda, Adéla brought her songs to life on a stage that was bare except for a ballet barre, which she and a small crew of dancers used to execute choreography that grew raunchier and more elaborate as the show progressed. Both she and a guy danced en pointe; Adéla never went long without whipping her long pink hair, which was one style choice widely replicated throughout the room.

Before she closed with “Nicole Kidman,” the singer sat down at the front of the stage with her journal and told the crowd she wanted to “take a second and manifest a little bit.” She asked the universe to give her a long career, and she asked that her fans, after having gotten home safe, remember this night forever. She also asked — again — that L.A. not be mad at her for writing “Ain’t in L.A.”

“I really do feel bad,” she said, and not a boo could be heard.

Two Corrie stars are making their way back to the cobbles years after their last appearance, as Sarah Platt faces prison for the murder of Theo Silverton

Coronation Street is welcoming two stars back to the cobbles. Ahead of Sarah Platt’s murder trial, both James Weber-Brown and Amelia Curtis will return later this month.

James played prosecution barrister Robin Winchester in 2017 and appeared on the show on and off for the following six years. His character was last seen on Corrie as part of the legal team that put Justin Rutherford (Andrew Still) in prison for ten years after he carried out an acid attack on Daisy Midgely (Charlotte Jordan) and Ryan Connor (Ryan Prescott).

Meanwhile, Amelia, who also played Juliette Holiday on Emmerdale, will return as legal barrister Georgina Romney, appearing on the show for the first time in more than six years.

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Georgina was last on the show in 2020, when Yasmeen Nazir (Shelley King) was on trial for the attempted murder of her abusive husband Geoff Metcalfe.

Both barristers are expected to appear often during a week of episodes about Sarah Platt’s (Tina O’Brien) trial. The character faces prison after she murdered Theo Silverton (James Cartwright).

Theo was a huge villain on the show. He arrived in 2025 and started a relationship with Todd Grimshaw (Gareth Pierce). He often exhibited controlling and abusive behaviour, slowly isolating Todd from his family and friends. During the Corriedale crossover, Theo left Billy Mayhew (Daniel Brocklebank) to die, knowing that Billy had cottoned on to what he was doing to Todd.

Todd and Theo also got married, after which Theo started beating his husband. Todd eventually called the police, but Theo started stalking him. In April, he was discovered murdered outside of the flat he had shared with his husband and a whodunnit ensued.

It was later revealed that Sarah, one of Todd’s closest friends and his ex, had murdered Theo. She hit him to death with a scaffolding pole after Theo taunted her about the dead son she shared with Todd.

A dramatic new trailer teasing what is to come for Sarah Platt has already been released. In the sneak peek, Gary Windass (Mikey North), who helped Sarah cover up her crime by hiding the weapon, is seen insisting that her actions were in self-defence.

Tina O’Brien, who has played Sarah since 1999, said: “Sarah is absolutely terrified, she has been desperate for this day to come, but the reality of being brought up from the cells and standing in the dock is overwhelming.

“As the prosecution’s case is laid out, she is not sure things will go her way.” The dramatic episodes will air from Wednesday, October 14th on ITV, ITVX, STV and YouTube.

When Tina was first cast as Sarah, she was central to a controversial teenage pregnancy storyline and over the years, her character has been kidnapped several times. Her stepfather, who turned out to be a serial killer, infamously tried to drown her and the rest of the family by driving them all into a canal.

Since returning in 2015, Sarah has been married and divorced, and got away with covering up the murder of her drug dealer ex, Callum Logan, who was killed by her now-deceased sister-in-law, Kylie.

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Portadown, Northern Ireland – On the Garvaghy Road in Northern Ireland, residents have spent days gathering to stand guard in their community.

They have linked arms and blocked their road, preparing to stop a Protestant Orange Order parade from attempting to march through this predominantly Catholic area for the first time in 28 years.

Some pitched tents. Others brought food and stayed through the night, keeping watch.

“We’ll be here as long as we have to be,” said one local woman, who asked not to be identified for fear of violent reprisals. “I’ve seen the fighting when those Orangemen come along here, and I’m not having it back here – none of us are.”

The Orange Order, a Protestant organisation with a historically anti-Catholic tradition, has been banned from marching on Garvaghy Road for the last 28 years.

The High Court order has overturned that ban. Now, a small group of Orangemen gathers at Drumcree Church each day in their traditional regalia, ready to march.

But they have not been able to get beyond the end of the road. Police stand in their way, refusing them permission to pass and citing the risk of violence with so many protesters waiting a few hundred metres away.

This has infuriated the Orange Order, which has called for the Police Service of Northern Ireland chief constable, Jon Boutcher, to be removed. The group believe they have a legal right to march and accuse police of yielding to the protesters.

“We hold a positive determination issued by the Parades Commission and reinforced by the High Court judge,” Nigel Dawson, district master of the Portadown Orange Lodge, told Al Jazeera. “The chief constable must comply with the law.”

In the 1990s, there were protests and violence when the Orange Order tried to return from Drumcree Parish Church along the road.

When asked how much longer the Orangemen are prepared to wait, Dawson said, “I’ve been at Drumcree for 28 years.”

Dawson warned of a dangerous precedent in which “might makes right”.

If a protest is big enough, the police can refuse to uphold a court ruling, he said, adding, “We have the law on our side here.”

Ultan Larkin, a protester who travelled to Portadown from the neighbouring town of Armagh to show support for the Garvaghy Road residents, said, “The law is on their side, but justice is not on their side.

“There’s hurt here. There’s pain here. Just because you can doesn’t mean you should.”

The standoff has so far been peaceful. But history tells the story of why this confrontation has a real risk of escalation.

‘Justice is not on their side’

Garvaghy Road was one of the most potent flashpoints of The Troubles – a 30-year conflict between mostly Protestant unionists who fought for Northern Ireland to remain part of the UK, and predominantly Catholic republicans who want a united Ireland.

Orange marches through the Catholic area were usually accompanied by some of the worst sectarian violence Northern Ireland has seen.

The peace deal known as the Good Friday Agreement was signed in 1998, and it transformed Northern Ireland.

Large-scale violence largely ended, former enemies shared power in a devolved assembly at Stormont, and a generation grew up in an era of peace without soldiers manning checkpoints on their streets.

Following this peace process, the Orange Order was prevented from parading along Garvaghy Road – an effective ban that has lasted almost three decades, until now.

In an unexpected decision, the Northern Ireland Parades Commission allowed for a scaled-down Orange march to go ahead under strict conditions. Only 35 Orangemen could take part in the march, and they would have to do so in silence without their usual flutes and drums.

Residents of Garvaghy Road were appalled and legally challenged this ruling.

A High Court judge initially granted an injunction preventing the parade, but the Court of Appeal overturned that ruling late on Saturday, clearing the legal way for the march to proceed on Sunday morning.

A further High Court challenge was subsequently dismissed.

Ultan grew up during the Troubles. He was convicted for having a senior role in the Real IRA and was sentenced to four years in prison – a conviction quashed years later on appeal.

“We have to live together, and to do that we have to respect each other,” he said. “But where is the respect if you’re marching through a community that doesn’t want you and where the people of that community are asking you to march somewhere else?”

“On the Irish tricolour we have green, white, and orange. The green is for the Irish Catholics here, and the orange is for the Protestant community, with white symbolising peace. We all have our place.”

He said there are old wounds on Garvaghy Road.

“People here suffered a lot when the Orange marches came. They remember how bad things were here – the intimidation and that sort of thing – and some people just aren’t able to forgive that.”

Political fallout

The standoff has become a political crisis in Northern Ireland, affecting the power-sharing government that runs the country.

Sinn Fein First Minister Michelle O’Neill visited Garvaghy Road to stand beside the protesters, alongside Sinn Fein President Mary Lou McDonald.

The Democratic Unionist Party (DUP) accuses nationalist politicians of breaking the law by supporting a protest that blocked Garvaghy Road, and observers have questioned how the first minister can continue in her role when she has openly rejected a High Court ruling.

The confrontation is particularly awkward as the DUP and Sinn Fein are supposed to govern together, representing the two principal political traditions that emerged from the conflict as part of the peace process.

The language between them has become increasingly bitter, and in less than nine months, Northern Ireland faces an Assembly election.

For now, the DUP and Sinn Fein remain in government together, while accusing the other of threatening the political settlement that followed the Good Friday Agreement.

Meanwhile, attempts to find a resolution continue.

Northern Ireland Secretary Chris Bryant has met representatives of the two communities, but talks have so far failed to produce a breakthrough.

His future is also now on the line over this.

Bryant could revoke the Orange Order’s right to march, but he has not exercised this power. Unionists have threatened to call for his resignation if he tries. Irish nationalists say they will do likewise if this parade goes ahead.

Earlier this summer, Akriila flew to Los Angeles and played two nights at the Roxy in West Hollywood. At 22, the Chilean singer-songwriter, most identifiable by her fire engine red tresses, is one of the most visionary newcomers in the latest wave of post-urbano Latin artists.

Fittingly, Akriila kick-started her career with a trap mixtape. The most-streamed tracks on her debut, 2024’s dazzling “Epistolares,” favor a progressive reggaeton vein. She also collaborated with Milo J on “Llora Llora” — a folksy lullaby off the Argentine rapper’s masterpiece “La Vida Era Más Corta.”

“Hot gays listen to Akriila” became a celebrated slogan on social media.

Turns out she was just getting started. Released Sept. 3, her latest album, “Lucy Miró al Mundo y Notó Que Está Girando” — its title a delicious riff on Beatles lore — eschews reggaeton altogether, in favor of a hallucinogenic collage of shoegaze, electronic glitch pop and South American roots sounds.

A guidepost of Chilean hyper-pop, it is also a heart-wrenching mash of tenderness and distortion. The lyrics describe the trauma of a recent transition, after she left her father’s home and ventured to live on her own — and though she’s now an established artist signed to Atlantic Records, her music is still aching and vulnerable.

“She is a reference point for all of us in contemporary music,” says producer Diego Raposo, a Dominican tastemaker who featured Akriila on his 2023 debut album. “I believe we’re witnessing something that we’ll probably never see again. Her music reminds me of Björk, Aphex Twin, even Shakira — but it’s also incredibly fresh and original.”

A few days before traveling to London for her inaugural European tour, Akriila spoke to De Los about the seduction of second verses, her obsession with ’90s dream pop and the growing pains of living alone.

This is such a dreamlike record. Was that intentional?
I wanted it to feel not necessarily ethereal, but hazy, like you’re inside a bubble. I love the way my voice is processed, sharing the space with so many layers. It’s really cool when the vocals are part of a track instead of lying there in the center of the mix.

I was your age in the ’90s, and this album has a very strange emotional effect on me: It reminds me of what it felt like to be in my 20s, listening to dream pop for the first time.
That makes perfect sense, and it connects with a favorite exercise of mine: Every week — ideally, every day — I listen to a full album from beginning to end. I started with new releases, but then set my sights on the classics.

The Sundays’ [1990 masterpiece] “Reading, Writing and Arithmetic” was the album that opened up the space mentally for what I wanted to do. I always say that I make alternative pop. I start with something that’s catchy and easily digestible, and then mix it with sounds that feel uncomfortable. As I was starting to work on this album, I listened to the Sundays, the Cardigans, and every single record that Prince ever made.

I can definitely feel the ’90s vibe in the closing track, “Lucy.” It’s gorgeous.
That’s inspired by the Sundays’ “Gone,” and the drums sound like Cocteau Twins. I love the art of collage — stealing from different artists, but doing it my way. There are samples of PJ Harvey, Patti Smith, but also Rosalía. When I make videos, I’m always thinking of something that MTV would have played back in the day.

I keep thinking of this record as a concept album, even though the actual concept is more of a feeling than anything else.
I totally get you. It’s not an album like the Who’s “Tommy” — an actual musical that takes the conceptual deal to another level. I feel we’ve forgotten the art of making albums now that we’re so focused on playlists and TikTok. I invest a lot of effort in making my albums conceptual, since I’m not into records that are random collections of tracks. “Epistolares” was all about sending letters and dedications. The deluxe version was more sentimental. This one is a concept album for sure. I could outline in detail why every moment of the record happens when it does.

The bridge on “Abrázame” is incredibly romantic.
That bit really freaked me out in a good way. It was shorter at first, but then I asked [producer] Vinco to make it longer. Those guitars on the bridge are the most beautiful thing he’s ever done. The contradiction of “Abrázame” is that everyone kept telling me that it should continue going up and explode at the end, but I had already overused that device on “Epistolares.” So I did the opposite and gave it a happy ending. That ethereal, ambient thing at the end kills me.

Talking about songwriting devices, here’s a trademark Akriila move: A song may be moving forward, and suddenly there’s a fracture — everything breaks and decomposes. Why?
I think I have ADHD and need things to be constantly changing. I’ve tried to make songs that are plain, but I just can’t do it. My favorite part of songwriting is working on the second verse. You’ve already presented the main idea and shown what the chorus is like. On the second verse you can change the beat or the lyrics, and do anything you like. [Producer] Clemente is just like me in that respect. Sometimes we take things to the limit, and then step back. It’s one of the great things about my creative team: We’re not married to the demos. We may do five versions of the same tune until it sounds right.

Your Chilean roots shine through on “Partedemipartedeti.” I listened to those folk bits and thought: Here’s someone who grew up listening to Los Jaivas and Inti-Illimani.
When I first started obsessing about music, the stuff that I liked was all in Spanish. I listened to tons of records from Chile, Argentina and Mexico. “Carta a Mi Papá” is like a traditional balada from Chile. I stole those chords from “Quizás, Porque” by [Argentine supergroup] Sui Generis. I listened to a lot of Pescado Rabioso when I was a teen. My partner has a cassette deck in her car, and she’s always playing [Charly García’s] “Piano Bar.” I don’t identify only with Chilean music. It’s more of a música latinoamericana thing. I don’t think gringos are that good in the lyric writing department. Artists like Bandalos Chinos, Alex Anwandter and Zoé are really great composers.

Do you think you’re an old soul?
People always tell me that [smiles]. We’re a team of three; I think Clemente is a really young soul. Vinco and I are the old ones.

Before making this record, you stopped living with your dad, moved to a place of your own, and experienced a time of profound loneliness. What does your father think of the finished album?
He loves it. He is a musician himself, and it must have been hard for him when we started living apart. It was also difficult for me to get home and feel so lonely because there was no one waiting for me anymore. My dad still comes to my place once a week; he doesn’t want to bother me, so he leaves food in the reception area. It’s his way of making sure that I’m doing fine.

Authorities warn residents that extreme conditions could pose risks and urge people to stay away from flooded areas.

Residents of the northeastern United States are facing a powerful storm known as a nor’easter that has knocked out power and caused flooding across the region.

The storm has led to the cancellation of more than 400 flights and power outages affecting more than 88,000 homes and businesses as of Saturday afternoon local time. That figure is down from a high of 119,000 earlier in the day.

Bob Oravec, lead forecaster with the National Weather Service in College Park, Maryland, said that the storm is likely to persist, with “a lot of high winds, a lot of high tides and heavy rain possibility over the next few days for the northeastern US”.

The governors of New York and New Jersey declared states of emergency in counties expected to see the worst of the storm, including New York City, on Friday.

Authorities have also warned residents about the risks of flooding and high tides, cautioning people to stay away from the beach and areas inundated with water.

“Anyone who goes in or near the water this weekend is literally gambling with their life,” New York Governor Kathy Hochul said.

Despite the warnings, people have been seen kayaking down flooded streets in Long Island, New York, while others took advantage of large swells in Hampton, New Hampshire.

“In all the canals, the water is up really high and coming into people’s back yards,” Jay Boyd, a resident of Ocean City, Maryland, told The Associated Press news agency.

Oravec said that nor’easters are not unusual as the region of New England enters the autumn season, but that “this might be a little earlier than average for a big storm”.

About 425 flights have been cancelled and 1,338 delayed so far on Saturday, according to data from the flight tracker FlightAware.

Concerts and sporting events have also been cancelled, including musician Ed Sheeran’s scheduled shows in the state of Massachusetts on Friday and Saturday.

Heavy rains could cause life-threatening flooding and landslides on Mexico’s Pacific Coast, the US National Hurricane Center warned.

Hurricane Polo has sent heavy rain and strong waves across Mexico’s Pacific coast, while Tropical Storm Nolo is approaching Hawaii with the potential for catastrophic flooding.

Early on Thursday, the hurricane was swirling about 130 miles (209 kilometres) south-southwest of the Mexican city of Zihuatanejo. It was moving northwest at 7mph (11kph) and forecast to turn west-northwest later in the day, taking it further out to sea, before turning northwest on Saturday.

Polo was forecast to maintain Category 5 strength as it moves along Mexico’s coast over the next few days.

While the eye and the strongest winds were expected to remain at sea, the heavy rains could cause life-threatening flooding and landslides, warned the US National Hurricane Center in Miami.

A hurricane watch was issued for Hawaii county and disaster preparations are under way because Tropical Storm Nolo could hit the island on Friday or Saturday, warned the National Weather Service.

John Bravender, a weather service warning coordination meteorologist, said during a news conference on Wednesday afternoon that the tropical storm could develop into a major hurricane.

Hawaii County Mayor Kimo Alameda told residents in a video message that they should start preparing for the storm. He urged them to put together emergency kits with food, water and medications, as well as trim vegetation and clear drains.

“This is a very serious situation,” he said. “We do believe that the rain is going to come. It’s coming already.”

Governor Josh Green’s office said public schools and state and county offices across Hawaii’s Big Island will close on Thursday and Friday, while Maui County will shut them on Friday ahead of the threat of heavy rain, winds and flooding.