Brad Pitt

How a tiny French village became a hub of royals and rock stars

Ros Wynne-Jones visits a French retreat once revered by royalty and now loved by Hollywood legends. In 1660, King Louis XIV and his mum Anne of Austria made a pilgrimage to the Notre Dame de Grâces church here, to thank the Virgin Mary for Louis’ miraculous birth

Every place has a story, but Cotignac, a village hidden deep in the Provencal countryside in the South of France, is a place with more stories than most. From kings battling infertility to religious apparitions and Hollywood stars, from French crooners to Pink Floyd, this softly painted village at the foot of a huge limestone cliff, has seen it all.

In 1660, King Louis XIV and his mum Anne of Austria made a pilgrimage to the Notre Dame de Grâces church here, to thank the Virgin Mary for Louis’ miraculous birth. As the only place in the world where all three members of the Holy Family have appeared in visions, Cotignac is a major site for Catholic pilgrimage – with around 150,000 pilgrims a year.

But for decades, the village has also been a magnet for Hollywood royalty and musical legends. George and Amal Clooney, live close by – near enough for George to have a preferred baker in the village from which he collects his breakfast bread and croissants, according to one resident.

Author avatarMilo Boyd

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And another villager, Brad Pitt, is allegedly in dispute with ex-wife Angelina Jolie over their neighbouring vineyard.

Joe Dassin, one of the most famous French singer-songwriters, recorded nearby at Studio Miraval – before building his house in the village a few years later and dying at 41 of a heart attack. Which is where our hotel, Lou Calen, enters the story. When Chateau Miraval opened a studio that rose to fame after recording Pink Floyd’s The Wall, a nearby 16-room hotel-restaurant found itself ideally located to wine, dine and accommodate recording artists from all over the world.

Opening it in 1971, Huguette Caren named the hotel, Lou Calen – meaning the Oil Lamp – and her cooking and hospitality soon attracted names from Dassin to Brigitte Bardot, Pink Floyd, The Cure and even Yvonne De Gaulle, wife of Charles.

In 2001, the hotel closed, abandoned with its ghosts for two decades, until a Canadian entrepreneur decided to resurrect it. Graham Porter had spent summers in Cotignac as a student living with a Danish family who spent their holidays here.

He bought a home in the village in the early 2000s, but time spent there during the Covid pandemic convinced him to buy the hotel – and share his passion for pastis and petanque with guests from all over the world.

Porter saw the opportunity to rebuild not just a hotel but a luxe fairytale – a place of quiet eco-luxury where the routes between rooms are overrun with wildflowers, and no view or bedroom is the same. The sound of petanque boules echoes across the hillside, and guests are greeted with a cloudy glass of pastis on arrival.

This may be a wellness destination for well-heeled travellers, but it is far from pious – the hotel even has its own microbrewery with a wide range of beers from cold IPAs to dark porters named after La Tuf – the high cliffs that surround the village.

At the heart of it all remains food as good as that which once attracted the famous recording artists.

Hidden in the olive and lavender-scented grounds is the Secret Garden, an extraordinary restaurant by forward-looking chef Benoit Witz – one of the first in the world to have earned a coveted Green Michelin Star. The Michelin Guide notes the dishes created by Witz – who once trained with top chef Alain Ducasse – are “100 per cent authentic”.

In Witz’s kitchen, not one single stalk or flower is wasted, and seasonal ingredients are king. This, after all, is Provence Vert – Green Provence. The rosé wine comes from the neat rows of vines on the neighbouring hillsides, from vineyards with names like Carpe Diem, and the grapes of Miraval now harvested in the disputed Pitt-Jolie vineyard. Only seconds away, the House of Mirabeau offers wine and gin tasting.

Cheeses come from a tiny footprint of local farms and vegetables from the hotel’s own market garden where edible flowers and goats somehow co-exist.

All can be explored on foot or via electric bikes available at Lou Calen.

Places with so much history need a historian, and ours comes in the form of an American guide John Peck, who leads us up the hot, winding routes into La Tuf to tell us the stories of the place.

The cliff is inset with a giant wooden olive press once used by the entire village to make oil, and inlaid with paths that lead past former troglodyte dwellings, where villagers once hid from the invading Saracens.

We see where local craftsman Jean de la Baume once saw a vision of the Virgin Mary and where Saint Joseph is said to have appeared to Gaspard Ricard, a thirsty shepherd tending his sheep on Mount Bessillon.

At the village’s ancient, magical spring, pointed out to Gaspard by Saint Joseph, John shakes out his “pocket museum” onto a stone wall. It is an extraordinary collection of findings that tell Cotignac’s history better than any guidebook.

There is a Napolean-era greatcoat button, flattened and heavily worn Roman coins, a gladiator’s strigil – or arm-scraper that once removed oil, and even a coin bearing a swastika – a reminder that during World War II Lou Calen was an orphanage for children who had lost their parents in the Nazi occupation.

As we walk past the well-stocked modern art gallery, Centre d’Art la Falaise, a Frenchman from central casting or perhaps the Napoleonic-era, cycles past in a beret.

The next day we tour the wild-flower filled gardens with a local herbalist, Vera Schutz, who tells us the names of the different plants and their ancient uses.

We get a tour of the Jardin Secret kitchen gardens in the quiet of Sunday morning, and even meet Monsieur Witz, who is teaching his friend’s children how to shell broad beans. In our room, a portrait of singer Joe Dassin looks down on us from between windows that perfectly frame views of the village, terracotta roofs dotted between the green.

A line from one of his songs – “elle m’a dit d’allez siffler la haut sur la colline” or “she told me to go whistle up there on the hill” – is inscribed on the wall. There are no screens or televisions at Lou Calen, so we play Dassin’s love songs, “Les Champs-Elysees” and “Et Si Tu N’Existais Pas”, through the wireless speaker.

France’s Mediterranean beaches are just an hour away, but who needs them? Instead of TVs and iPads, guests are instead encouraged to mingle on long tables, play petanque, enjoy the local jazz “manouche”, swim in the bright blue of either the family or adult swimming pools, or to rest and recuperate at a peaceful spa in the round turret of the old pigeon loft.

The food is just as good at the bistro where smiling staff battle smoking barbeques in the afternoon heat to deliver tasty seared swordfish and grilled lamb.

All that is missing is Hugette Caren herself, the founder and spirit who once drew the recording artists from the surrounding countryside with her cooking, the way the magical spring drew visitors to Cotignac. She still lives in the village and is known to visit the bars and restaurants. When you visit you might see her there, like an apparition – pastis in hand.

In 2025 Lou Calen, the oil lamp that Hugette lit back in 1971, is still shining brightly.

GET THERE

Fly from airports across the UK to Nice or Marseille; rail to Aix-en-Provence or Avignon.

BOOK IT

Rooms at the Lou Calen hotel in Cotignac, Provence, South of France, start at around £175 a night.

loucalen.com

MORE INFO

france.fr/en/destination/provence

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Liz Hurley, 60, unveils secret to her ageless appearance as she fronts new reality show

Sharing the spotlight with Robert Rinder, Liz Hurley stars in The Inheritance as The Deceased – an eccentric winemaker. But she admits she isn’t the biggest fan of alcohol.

Liz Hurley portrays an eccentric vintner in The Inheritance
Liz Hurley portrays an eccentric vintner in The Inheritance(Image: Channel 4)

Liz Hurley recently opened up about her relationship with alcohol – and it may be the secret to her ageless appearance.

Her admirers may be surprised but Liz Hurley is a Traitors superfan. So, when the chance came to star alongside Robert Rinder in C4’s The Inheritance, she didn’t hesitate.

In the new reality game show, Liz plays The Deceased, a glamorous winemaker with a lavish estate. Barrister and broadcaster Robert portrays The Executor in the show and ensures the stipulations of The Deceased’s will are followed to the letter.

“I really enjoyed The Traitors and loved the idea of being part of a show in which audiences were really invested,” Liz says, “I thought Robert Rinder and I would be a good combination.”

Though she wouldn’t mind following in the footsteps of celebrity vintners like Kylie Minogue and Brad Pitt, Liz has her own spin in mind.

“I can certainly see the glamour of having your own wine, and Brad Pitt’s rosé is actually delicious,” she says. “But I drink alcohol so rarely that I’d be more interested in trying to create an exceptionally fabulous alcohol-free wine.”

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Liz Hurley and Robert Rinder team up in The Inheritance as The Deceased and her Executor
Liz Hurley and Robert Rinder team up in The Inheritance as The Deceased and her Executor(Image: Channel 4)

At 60, Liz is still gleefully playful about her roles – even if that includes lying in a coffin. “I quite enjoyed it, it was very restful,” she quips. What really stole her heart, though, was the shoot’s picturesque setting.

“Shooting at an exquisite country estate was a real treat,” she says. “The air was so fresh it felt like we were at a health retreat. It can be easier shooting on a sound stage, but I prefer real locations as it really helps with getting into character.”

Liz shines on screen but she admits she’s never been tempted to join a reality show as herself. “I have been invited on a few really good ones, but I prefer scripted work,” she says. “I don’t much like being myself on camera; it feels like I’m invading my own privacy!”

Talk of inheritance sparks a softer note. Liz treasures porcelain coffee cups passed down from her great aunt. “I think of her with every espresso,” she says.

Material possessions don’t matter much, though. “I’m not desperate to inherit anything,” she says. “I want everyone I love to check out empty, having spent every penny on enjoying themselves.”

The new C4 reality show follows 13 contestants as they battle it out to get their hands on The Deceased's fortune
The new C4 reality show follows 13 contestants as they battle it out to get their hands on The Deceased’s fortune(Image: Channel 4)

Produced by Studio Lambert, the powerhouse behind BBC’s The Traitors, the show takes 13 strangers, locks them inside a grand stately home, and pits them against each other in challenges to prove themselves worthy of inheriting part of The Deceased’s fortune – and it’s no easy feat.

Contestants must show cunning, teamwork and nerve, all while enduring surreal challenges that embody Liz’s camp and larger-than-life alter ego.

“They’re very right for this lady and her estate,” she says, “As the show goes on, she comes up with some interesting things.” The absurdity is clear from the very first episode.

Tasked with creating The Deceased’s trademark rose, players must gather white wine from the bottom of a lake and pick out the perfect red wine from a string of barrels. “That’s absurd, isn’t it?” Liz says, “Everyone has to put on their diving suits. I wouldn’t want to do that!”

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Jane Pitt dead: The mom of film star Brad Pitt was 84

Jane Pitt, a schoolteacher, philanthropist and the mother of film star Brad Pitt, died on Tuesday at the age of 84.

The Pitt family shared her obituary with KY3, an NBC-affiliated station in Springfield, Mo., where Jane and her husband, Bill, raised their three children — Brad, Doug Pitt and Julie Neal.

The cause of Pitt’s death was not revealed by the family.

Doug Pitt’s daughter Sydney shared a tribute to her grandmother on her Instagram account with a series of pictures.

“We were not ready for you to go yet but knowing you are finally free to sing, dance, and paint again makes it a tad easier,” she wrote.

“I don’t know how we move forward without her. But I know she’s still here in every brushstroke, every kind gesture, every hummingbird. She was love in its purest form,” Sydney added.

In addition to being an accomplished artist, her family said Jane Pitt was an elementary school teacher with the Springfield public school system. In 2009, the Pitts donated $1 million to establish the Jane Pitt Pediatric Cancer Center at Mercy Hospital in Springfield.

She would occasionally make red carpet appearances with her son Brad. The actor’s six children are among the Pitts’ 14 grandchildren, and the family said Jane Pitt treasured her role as grandmother. “The years of ‘Your Special Day’ of one-on-ones with each grandkid are some of their fondest memories,” the family said in her obituary.



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Brad Pitt and ‘F1’ win in Apple’s biggest box office debut

The Brad Pitt-led racing film “F1 The Movie” sped to the top of the box office this weekend, another in a string of big summer movies that Hollywood hopes will keep driving people to theaters.

The big-budget film from “Top Gun: Maverick” director Joseph Kosinski and producer Jerry Bruckheimer hauled in $55.6 million in the U.S. and Canada, according to studio estimates. That’s better than analysts had expected for a non-sequel racing movie. People who read pre-release audience surveys had anticipated a debut of $40 million to $50 million.

Powered by the global appeal of Formula One racing, the film took in an additional $88 million internationally. Still, with a reported budget of more than $200 million, not including marketing costs, “F1” will still need significantly more ticket sales to break even.

Only three Hollywood films so far this year have grossed more than $500 million globally — “A Minecraft Movie,” “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning” — and each of those opened above “F1” domestically.

Nonetheless, with “F1,” the iPhone maker has its first box office hit.

While Apple TV+ has found critical success with its shows, including “Severance,” “The Studio” and “Your Friends & Neighbors” — and notched its first best picture Oscar win in 2022 with “CODA” — its films had not yet clinched box office gold.

Its previous star-studded and filmmaker-driven movies have struggled at theaters, including the 2024 spy comedy “Argylle” and space-age romantic comedy “Fly Me to the Moon,” starring Scarlett Johansson and Channing Tatum.

“F1” benefited from a heavily promoted Imax run, which helps make it seem like a must-see on the big screen. Imax screens accounted for 23% of the domestic weekend revenue for “F1,” the cinema technology provider said Sunday. Around 55% of domestic sales came from large-screen formats including Imax, Dolby Cinema and motion seats.

As usual, Apple worked with a major studio to handle the theatrical release. “F1” is being distributed by Warner Bros. Pictures, adding to the studio’s winning streak that includes “A Minecraft Movie,” “Sinners” and “Final Destination Bloodlines.” Pitt and Dede Gardner’s Plan B Entertainment produced along with Bruckheimer.

Quality also helped.

“It’s emotional, it’s exciting, it’s got romance, it’s got humor,” producer Jerry Bruckheimer told The Times earlier this month. “It’s the reason I got into this business — to make movies that thrill you on that big screen, that you walk out feeling you’ve been on a real journey and got lost for a couple of hours. That’s the goal every time.”

Strong reviews from audiences and critics bode well for the film’s future grosses and its eventual performance on streaming for Apple. Audiences polled by CinemaScore gave the movie a grade of “A,” while the movie holds a critics’ score of 83% “fresh” on Rotten Tomatoes.

Not faring as well was Universal Pictures’ murderous doll sequel “M3GAN 2.0,” which debuted with a weak $10 million and landed in fourth place at the domestic box office, behind holdovers “How to Train Your Dragon” and “Elio.”

The Blumhouse film was expected to open with around $20 million. It fell far short of the success of the original, which opened with $30 million in 2023 and eventually collected $180 million worldwide.

Overall, though, it’s been a strong last few months for the horror genre, starting with Ryan Coogler’s “Sinners,” which has now grossed $364 million worldwide, and followed by “Final Destination Bloodlines” and zombie franchise revival “28 Years Later.”

The staying power of movies like “How to Train Your Dragon” and “Lilo & Stitch” shows the continued draw of family-friendly films at the box office, which have been major winners since the spring. The exception has been Disney and Pixar’s original animated movie “Elio,” which notched Pixar’s worst opening weekend ever last week.

“Elio” collected about $11 million Friday through Sunday, bringing its total to a poor $42 million in the U.S. and Canada for the $150-million animated picture.

Times staff writer Josh Rottenberg contributed to this report.

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