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KATIE Price has shocked fans after appearing to KICK her new puppy in newly surfaced footage.

The reality star, 47, recently added new pup Arlo to her family, posting loving snaps of her new dog with son Harvey on her social media accounts.

But on Tuesday, Katie shared a sponsored post on her Facebook account where fans insisted she appeared to boot Arlo in video promoting a clothing brand.

“Taking my new baby Arlo for walkies [dog emoji]”, she wrote, before adding the link to a grey trench coat she’s wearing in the video.

But eagle-eyed fans were too distracted by a moment in the video, where the reality star appeared to have booted her pup.

One joked: “She just kicked the poor thing [laughing emoji]”.

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While another warned: “Watch your foot”.

Some viewers also joked about the length of the ‘walkies’ in the 20 second clip.

Another quipped: “Great walk.. 8 yards.. lord be with u arlo… may u live to see Xmas”.

Katie‘s new arrival to the family comes against the backdrop of a petition designed at preventing her from being a pet-mum, which has reached more than 37,000 signatures.

It also came after her home life was thrown into chaos last month when her cat Doris had kittens, yet they became seriously unwell.

During her new short clip, Katie was seen wearing a white hoodie and propping herself up against the headboard in her bedroom.

The tiny puppy, with white and grey fur, appeared to be asleep as it sat perched by her side.

Katie did not initially address the new pet as she spoke to the camera and instead said: “This filter is so needed today, I am so tired.”

In another slide, she spoke of her new family member purely to say: “And this little one just does not leave my side.

“I can’t wait for him to meet Rookie, he’s met all of the other animals.

“This is Rookie’s new little friend for when we go horse riding, walks, everything.”

Katie was recently slammed for allegedly putting black dog Rookie in danger as she headed on a horse ride.

It came just weeks after she was called out by an animal charity over a “dangerous” move which saw her dog hanging out of her car window.

Of course, injury could definitively intervene in the destination of the Golden Boot, but there are two reasons why Haaland is such a strong favourite for the award so early.

First, the number of goals he has already scored – and, just as importantly, the number and quality of chances he is getting. And second, the slow start his usual rivals for the prize have made.

A player’s expected goals number (xG) signifies how many goals a Premier League player has historically scored from the number and quality of chances he has had.

It is not a number randomly picked by statistics boffins, but by Premier League history.

And if we look at players’ xG in the Premier League so far this season from normal play, the Norway forward is getting so many more good opportunities to score than anyone else.

Indeed, even if Haaland were no better at finishing chances than anyone else in the league, he would still have scored more than twice as many goals as everyone else.

HE IS the English striker formerly of Stoke, Yeovil and Weymouth in a  shootout for the MLS Golden Boot with Lionel Messi.

Sam Surridge, now of Nashville SC, is on 23 league strikes, just one behind the Greatest Of All Time — as well as LAFC’s Denis Bouanga — in the Stateside goalscoring stakes.

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The ex-England Under-21 international has the odds stacked against him as he has only one game left to take the crown, as opposed to Messi’s two and Bouanga’s three.

And, in an exciting twist of fixture fate, that solitary match is at home to the iconic Argentinian’s Inter Miami a week today.

Yet Surridge, who played in the Premier League with Bournemouth and Nottingham Forest, told SunSport: “I’ve probably got to get a hat-trick so it’s not going to be easy.

“But at the same time I’ll always back myself to score and it would be an amazing achievement.

“We’re fighting at a really good point in our league. We just won the cup and we need to get into the top four to get a good play-off spot.

“I’ll do as much as I can to do it.

“It’s great. Just to mention my name along with his is a huge achievement.”

Berkshire-born Surridge came through the ranks at Bournemouth under Eddie Howe and had formative lower-league loans at Weymouth, Poole Town, Yeovil, Oldham and Swansea.

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He had a half a season at Stoke before moving to  Forest, where he played 20 Premier League games in 2022-23 but netted only once.

His world has changed completely, however, since moving to the other side of the Pond in 2023.

He is now the main man with Tennessee side Nashville.

Though he has Messi to thank for convincing him to make the revitalising switch in the first place.

Surridge will hope his upcoming meeting with the eight-time Ballon d’Or winner goes better than the last one, when Miami won 2-1 thanks to Messi’s double — including a sublime free-kick.

The 27-year-old added: “At first I didn’t want to come here because I just wanted to stay in England.

“But then I saw Messi join Inter Miami and I knew they were going to host the World Cup and the size of the league was going to grow.

“Since I’ve been here, the standard has been getting better and better every year.

“Going into that game against Miami in July, we were on a ten-game unbeaten streak, I was on 16, he was on 14.

‘IT WAS CRAZY’

“I remember we gave a foul away on the edge of the box and you just knew he was going to score from it.

“It was crazy — you knew exactly where he was going to put the ball. And he did.

“You’re trying to focus on the game but at the same time you know he’s playing. It’s not easy.

“He is coming to the end of his career but he only won the Ballon d’Or two years ago.”

Surridge has been relishing his role as Nashville’s go-to guy up top and recently scored the match-winning goal to clinch the US Open Cup — America’s equivalent of the FA Cup.

It was the first piece of silverware in Tennessee in a long time, although Surridge was sent off right at the end of the game for two late yellows.

Surridge puts his inspired form in part down to the recent birth of son Noah.

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He added: “In the past, I’ve probably let it eat me up when I’ve had a bad game or not scored a goal.

“But now as one game is gone, I’m straight on to the next, back home with my family and being a dad.

“That’s a massive factor (in my form) this season, giving me that renewed focus.” Surridge is experiencing week in, week out the soaring temperatures that Harry Kane and the rest of the England team will have to deal with at the World Cup next summer.

And forward Surridge, who played with the likes of Marc Guehi for the Young Lions, said: “I know England are going to find it hard to cope with the weather over here because it’s not easy adjusting to it.

“There’s going to be a lot of South American teams that are used to it.

“Especially when you go to places like Miami, and places more south of Nashville, it’s not easy to play in the heat. There’s going to be a lot of toing and froing, sitting off and trying to break teams down.

“They should be pushing the games back because we play at 7pm most games and it’s still ridiculously hot.

“At the Club World Cup, I’ve seen them play at games at 2pm and 3pm in the 30-degree heat and it’s almost impossible.”

‘PICKING THE MOMENTS’

So what would his advice be for Thomas Tuchel’s side braving the heat?

The striker replied: “It’s not saving yourself in games, it’s more about picking the moments.

“Because as soon as you get into a full-on sprint in that heat, it’s hard to get your breath back.

“I think managers will set up their teams differently for that reason.

“You see pressing teams where they’re full-on pressing and, as soon as they break down, they’re going to struggle.

“It’s about conserving your energy where you can.”

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In “Boots,” a new miniseries set in 1990, Miles Heizer plays Cameron Cope, a scrawny, bullied gay teenager who is out only to his best (and only) friend, Ray (Liam Oh). Ray, who is joining the Marines to make his disciplinarian but not unkind father proud, convinces Cam to join alongside him. (The recruiters sell a buddy system, which is a bit of a come-on.) Cam told his messy but not unkind mother, Barbara (Vera Farmiga), where he was going, but she wasn’t listening.

Though the series, which premieres Thursday on Netflix and is based on Greg Cope White’s 2016 memoir, “The Pink Marine,” is novel as regards the sexuality of its main character, it’s also essentially conventional — not a pejorative — and largely predictable. It’s a classic Boot Camp Film, like “An Officer and a Gentleman,” or Abbott and Costello’s “Buck Privates,” in which imperfect human material is molded through exercise, ego death and yelling into a better person, and it replays many tropes of the genre. And like most every military drama, it gathers diverse types into a not necessarily close-knit group.

Cam’s confusion is represented by externalizing his inner voice into a double, “the angel on my shoulder and, honestly, sometimes the devil,” with whom he argues, like a difficult imaginary friend. (It’s the voice of his hidden gayness.) Where basic training stories like this usually involve a cocky or spoiled character learning a lesson about humbleness and teamwork, Cam is coming from a place of insecurity and fear. At first he wants to leave — he had expected nothing worse than “mud and some bug bites and wearing the same underwear two days in a row” — and plots to wash out; but he blows the chance when he helps a struggling comrade pass a test. He’s a good guy. (Heizer is very fine in the part.)

Cameron (Miles Heizer), left, is convinced by his best friend (and only friend), Ray (Liam Oh), to join the Marines with him.

(Alfonso “Pompo” Bresciani / Netflix)

Press materials describe “Boots,” created by Andy Parker, as a comedic drama, although, after the opening scenes, there’s not much comedy in it — even a food fight is more stressful than funny. Using “Also Sprach Zarathustra” as the soundtrack to a long-in-coming bowel movement — I just report the news — was already dated and exhausted in 1990, and is bizarrely out of joint with the rest of the production. “Boots” isn’t anywhere near as disturbing as, say, “Full Metal Jacket” — which Ray told Cam to watch to prepare, though he opted for a “Golden Girls” marathon instead. But it makes no bones about the fact that these kids are being trained to kill. “Kill, kill, blood makes the grass grow,” they chant, and “God, country, Corps, kill.” And sometimes just, “Kill, kill, kill.” And things do turn violent, sometimes for purposes of training and sometimes because someone just goes off his head.

Still, that Cam survives, and, after a period of adjustment, thrives (that’s not a spoiler, Cope White lived to write the book) makes this, strictly speaking, a comedy. (And, by implication, an endorsement of the program.) “We’re killing our old selves so we can be our best selves,” he’ll say to Ray. The Marines may make a man of him, but it won’t be a straight man.

Rhythmically, “Boots” follows scenes in which someone will break a little or big rule — I suppose in the Marines, all rules are big, even the little ones — with some sort of punishment, for an individual or the platoon. Laid across this ostinato are various storylines involving recruits working out the issues that have brought them to this Parris Island of Misfit Boys. Cody (Brandon Tyler Moore) was taught by his father to look down on his twin brother, John (Blake Burt), who is in the same outfit, because he’s fat. Slovacek (Kieron Moore), a bully, has been given a choice between prison and the military. Mason (Logan Gould) can barely read. Santos (Rico Paris) is slowed down by a bum knee. Ochoa (Johnathan Nieves) is a little too much in love with his wife. And Hicks (Angus O’Brien) is a chaos-relishing loon, having the time of his life. Obviously, not everyone who joins the Marines is compensating for something; Nash (Dominic Goodman), a more or less balanced character who seems to be sending Cameron signals, is there to pad his resume in case he runs for president one day; but he’ll have his moment of shame.

Sgt. Sullivan (Max Parker), left, is one of the drill instructors who takes an interest in Cameron (Miles Heizer).

(Alfonso “Pompo” Bresciani / Netflix)

Though they all raise their voices and get in people’s faces, the drill instructors do come in various flavors. Staff Sgt. McKinnon (Cedrick Cooper), the senior instructor, is imposing but obviously sane and sometimes kind; Sgt. Howitt (Nicholas Logan) is an unsettling sort who will prove to have some depth, while Sgt. Knox (Zach Roerig) is a twitchy racist, soon to be replaced by Sgt. Sullivan (Max Parker), tall, steely and tightly wound. He doesn’t yell as loud as the others, but even his posture is intimidating. He focuses immediately on Cameron; make of that what you will. He’s the series second lead, basically.

There are some respites from the training, the running and marching, the room full of tear gas, the dead man’s float test, the hand-to-hand combat, the flower planting. (That part was nice, actually.) The yelling.

Ray winds up in sick bay, where he flirts with a female Marine. We get a few perfunctory glimpses of what the brass is like when they’re out of uniform and quiet; it comes as a relief. McKinnon’s wife is having a baby; he makes Cookie Monster noises on the phone for his son. Capt. Fajardo (Ana Ayora), “the first woman to lead a male company on Parris Island,” is heard talking to her mother, presumably about her daughter’s wedding: “I would rather not spend the time or the money because she can’t live without love.” Of her position, she observes that it “only took 215 years and a congressional mandate.” McKinnon, who is Black, offers a brief history of Black people in the Marine Corps as lived by his forebears.

The social themes become more prominent in the second half, and we learn or are reminded just how toxic the military was to gay people, and how backward was its attitude. “Don’t Ask, Don’t Tell” wasn’t in effect until 1994, and it wasn’t until 2011 that openly gay soldiers could serve. Now, as civil rights are being beaten back to … backwardness by small-minded politicians, there’s a timely element to this perfectly decent, good-hearted, unsurprisingly sentimental miniseries.

THIS is the shocking moment sneaky jewel thieves distract a driver at a petrol station and steal £2 million from his car boot.

An organised crime group targeted the jewellery salesman as he was travelling from Sussex to Kent last year.

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Three of the group have now been jailed after they followed the man to a petrol station in Wrotham, Kent, before puncturing one of his tyres in January 2024.

The victim had been working in Brighton selling jewellery to several businesses and was carrying precious items worth around £2.25 million.

The CCTV footage shows the moment the thieves start following the salesman.

He was tracked by Edgar Ardila-Ruiz, Monica Diaz and Edward Florez-Ortiz and closely tailed his vehicle back to Kent.

When the man stopped at a petrol station in Wrotham, Florez-Ortiz punctured one of his tyres.

The man drove away but was forced to turn back and headed to an air pressure machine after noticing his tyre was flat.

While at the machine, the footage shows Monica Diaz distract the salesman by attempting to engage him in conversation.

Meanwhile, Ardila-Ruiz can be seen at the rear of the car snatching a bag of jewellery from the boot.

The CCTV footage recovered from the garage showed the suspects fleeing in a silver Toyota Corolla.

All three thieves were part of a gang responsible for other offences across the country including areas in London and parts of Essex and Hertfordshire.

Ruiz and Diaz were later arrested on February 11 after attempting to steal from another travelling salesman near Bolton, Lancashire.

The victim had alerted police after he noticed a black BMW was following him.

Local officers ran checks showing Ruiz was wanted for the theft in Wrotham while Diaz was also recognised from the petrol station CCTV.

They both pleaded guilty at Maidstone Crown Court after they were charged with conspiracy to steal, and theft from a motor vehicle.

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Ruiz and Diaz, both of no fixed address, were sentenced to three years and six months in prison.

Florez-Ortiz, from Islington, London, was identified as a third suspect and separately convicted at Chelmsford Magistrates Court after pleading guilty to theft and criminal damage.

He was jailed for six years and will undergo future extradition proceedings after he was sentenced to three years for another jewellery theft in Belgium in 2021.

All three will also now be the subject of a financial investigation under the Proceeds of Crime Act to claw back any criminal gains they may have made.

Detective Constable Leo Graham said: “Our investigation uncovered a wealth of evidence showing how all three offenders initially followed the victim on foot, before tailing his car.

“They waited patiently for the perfect opportunity to prey upon him and a later examination of his car led to the recovery of a metal item which had been inserted into the tyre by Florez-Ortiz.

“Ardila-Ruiz and Diaz were thankfully caught just weeks later, after following another salesman hundreds of miles away from Kent.

“These sentences are welcome, as it is clear they were part of a bigger network of organised criminality targeting victims throughout the country.”

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Early into my tenure as a new line-dancing enthusiast, I found myself in Chatsworth, alone on a Friday night. I was looking for action — the country dance kind. It was not yet dusk when I entered the Cowboy Palace Saloon, which hosts line dancing on most nights. Suddenly, L.A. felt very far away. In the parking lot, men were flicking cigarettes into the hot summer air. The space was almost dreamlike, with leather boots hanging above the bar table. American flags strung up. A cue ball clattered on a pool table.

In the bar area, I stumbled upon a crowd in denim vests and leather-soled boots dancing in unison. They were line dancing, warming up the dance floor before the live band started their set. A man told me that on any given Friday night, this is the wildest bar in America. I believed him.

The appeal of line dancing is simple: It’s a partnerless dance. And still, it naturally fosters community. Scared? Saddle up anyway. If you fumble, the line will keep moving — feet brushing, stomping, rocking it back — and soon enough, you’ll find your rhythm again.

In Los Angeles, line dancing has a storied legacy. “In the early ‘90s, there used to be country dance bars all over L.A.,” says Sean Monaghan, one of the founders of queer line dancing night Stud Country. While the popularity of line dancing has seen dips since then, the scene is once again experiencing a revival, partly due to the 2021 closure of country western institution Oil Can Harry’s in Studio City. Deeply feeling its absence, the community filled the void with pop-up line dancing nights scattered across L.A.

”People want to share their joy,” Monaghan says of these gathering spaces.

No one is born a cowboy; they become one. You can see that in the zeitgeist. Pop stars like Chappell Roan, Post Malone and Beyoncé are making country albums and singles. Sabrina Carpenter released a line-dancing tutorial to accompany her hit song “Man Child.” Cowboy boots and camouflage have become fashionable in the L.A. nightlife scene too, littered across wine bars and nightclubs. Queer-themed line-dancing nights are popping up at queer bars across the city, from Dude Ranch at Micky’s WeHo to Hogtied at Precinct. Line-dancing has experienced a Gen-Z makeover in L.A. with TikToks showing line dancers accessorized with Labubus.

Today you can try line dancing at several country western bars around town, each one as eclectic and unique as the dances themselves. Each of these events on the dance floor will have you feeling like you’ve been teleported to a rollicking barn party — and may just make you want to abandon your life for the Old West.