book

WASHINGTON — Jill Biden is breaking her silence about Joe Biden’s decision to abruptly end his 2024 presidential reelection bid under pressure from Democrats concerned about his age, health and viability against Republican Donald Trump in a rematch of their 2020 campaign.

A political spouse for nearly 50 years, Jill Biden said she has never publicly discussed her feelings about the three-week stretch when her husband ended his political career, instead saving her thoughts for the pages of her soon-to-be-released memoir.

Gallery Books, an imprint of Simon & Schuster, on Wednesday announced that her book, “View from the East Wing: A Memoir,” is scheduled to be published June 2.

Jill Biden told the Associated Press in a brief telephone interview that the book is a “reflection of my four years as first lady” and that writing it was somewhat healing.

“It was kind of cathartic for me to write it, and I wrote about all the, you know, sometimes painful — but other times, most of it really beautiful moments that Joe and I shared during his presidency,” she said.

Jill Biden declined on Tuesday to discuss any of those moments, good or bad — including watching her husband work his way to the decision to end his five-decade-long political career by dropping out of the 2024 presidential race.

In an announcement video shared on Instagram, she said she wants to “set the record straight.”

The last chapter of her husband’s political career

In April 2023, then-President Joe Biden was 80 and the oldest president in U.S. history when he announced he was running for a second term. His age and fitness to serve another four years — which would take him to age 86 — became a source of concern for the public. Some fellow Democrats began to pressure him to step aside after he turned in a disastrous debate performance against Trump in June 2024 in which he struggled, in a raspy voice, to land his debating points and often appeared to lose his train of thought. Aides blamed the poor performance on a cold.

Joe Biden at first insisted that he would stay in the race, but after a few weeks he withdrew from the campaign and endorsed Democrat Kamala Harris, his vice president. Harris became the party’s presidential nominee but lost to Trump in the November 2024 election.

Jill Biden said that, with the book, “I have put things in perspective,” presenting what she describes as a “more balanced view” of her husband’s time as president.

The memoir is also a tribute of the sorts to women who, like herself, juggle multiple roles.

“It’s also a story about my being able to balance life, you know, as a working woman and as a mother, a grandmother, a first lady,” she said.

During her four years in the role, Jill Biden, 74, made history as the first first lady to continue the career she had before entering the White House. She had taught English and writing for decades at the community college level, and she continued teaching twice a week at a Northern Virginia school while serving as first lady.

Joe Biden ‘doing well’ after his cancer diagnosis

The former president’s office announced in May 2025 that he was diagnosed with an aggressive form of prostate cancer and that it had spread to his bones. He’s receiving treatment.

Jill Biden said it was “quite a shock getting the diagnosis” for her husband, who’s now 83.

“The fact that it is in his bones means that he will have cancer, you know, all his lifetime,” Jill Biden said. She said the doctors say he will “live out his natural life.”

“Like most retired couples, he’ll probably drive me crazy till the end of it,” she joked.

She said he visits Washington at least once a week for meetings or to give speeches.

A unique period in American history

The former first lady also writes in the book about serving during a unique period in U.S. history, including the COVID-19 pandemic and the aftermath of the insurrection at the Capitol on Jan. 6, 2021, according to the publisher.

Her husband was sworn into office on the steps of the Capitol on Jan. 20, 2021, just two weeks after a mob of Trump supporters, spurred by his false claims that the Republican lost because of election fraud, stormed the building in a violent attempt to keep lawmakers from certifying Joe Biden’s victory.

Joe Biden’s first year in office was dominated by the federal response to the pandemic and, while he mostly stayed at the White House, Jill Biden wore face mask and traveled around the country to encourage people to get their vaccinations. She also continued her advocacy on behalf of military families, education and community colleges, cancer prevention and women’s health initiatives.

Before she became first lady, Jill Biden was second lady of the United States from 2009 to 2017, when her husband was Barack Obama’s vice president. She currently chairs the Milken Institute’s Women’s Health Network.

Jill Biden is also the author of “Where the Light Enters,” published in 2019, in which she writes about meeting Joe Biden, then a U.S. senator from Delaware, and marrying and building a life with him. She also has written three children’s books.

Superville writes for the Associated Press.

There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.

Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.

That’s there, says Smith, but there are also a number of more subtle inspirations.

The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.

Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.

(Gary Coronado / For The Times)

Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”

Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.

Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.

(Nikkolas Smith)

His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.

“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.

“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”

Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.

Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.

(Gary Coronado / For The Times)

As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.

The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”

Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.

The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.

(Gary Coronado / For The Times)

“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”

And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.

“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”

It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.

Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.

(Gary Coronado / For The Times)

Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.

“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”

Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.

A selection from “The Artivist,” an illustrated book from Nikkolas Smith.

(Nikkolas Smith)

“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”

The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.

“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”

It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.

One of the biggest takeaways from the biography “Judy Blume: A Life” may not be in the story itself but in its author. Because of her frank talk about puberty and sexual awakenings, Blume’s work is usually associated with young female readers. Her biographer, Mark Oppenheimer, is a middle-aged father of five.

He says he received minimal pushback on the idea that a man should be allowed to write Blume’s definitive life story. If the whole point of her books is that there should be no shame in body awareness, what service does it do to say only a woman has the authority to write her story? Plus, although her books aren’t selling as well as they used to — who’s are? — Oppenheimer’s biography points out that there are still plenty of parents who will throw a copy of her seminal “Are You There God? It’s Me, Margaret.” at their kids rather than have the menstruation talk or risk any misinformation that may be online.

“No good writer should be ghettoized,” Oppenheimer says during a recent Zoom call with The Times. “If you’re a good writer, you shouldn’t be marketed just to girls or just to boys or just to white people or just to straight people. Good art should be for everyone.”

It is intrinsic and impossible not to parlay Blume’s stories of sibling rivalries, first loves, friends and frenemies, and (most famously) puberty with what was going on in your life when you read them. Books like “Deenie” and “Superfudge” and “Margaret” are also remarkably malleable enough so that, even if a kid picks them up decades after their release or cannot relate with a parallel experience, they can become placeholders and explainers for what must be going on in the minds of their classmates. Last year, TV creator Mara Brock Akil adapted “Forever,” Blume’s 1975 story of the kind of mutually shared devotion that feels like it will last eternally, into a miniseries set in 2018 Los Angeles.

“I think for many of us, Judy’s books are our first crush or our first love and they do hold a special place that no book we read in our world-weary, cynical 40s can hold,” says Oppenheimer.

Some of this can be attributed to time and brain space. Oppenheimer discovered Blume’s work when he was a child. He’s now a parent, with a career and all the other time-sucks that come with adulthood.

“The books I read as a child imprinted on me in a way that books today don’t,” he says. “I probably remember more plot points of the first Judy Blume books that I read than I do of any book I’ve read in the past five years.”

But what of Blume herself? Can America’s mom also be a three-dimensional person who makes her own mistakes? Discovering her four adult novels — especially “Wifey,” a book about a gilded-caged suburban housewife that even Oppenheimer describes as “a very salacious, one might say, smutty, adult novel” that even some of Blume’s collaborators wanted her to publish under a pseudonym — or watching documentaries about her like 2023’s “Judy Blume Forever,” in which she is seen joking about masturbation with employees at her Key West, Fla., bookstore, can seem as evasive and dangerous as reading your mom’s diary.

Author Mark Oppenheimer

(Lu Arie)

There have been other books about Blume and her work, most notably Rachelle Bergstein’s 2024 deep-dive “The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.” But Oppenheimer’s biography is a more straightforward tracing of Blume’s life and career. He starts with her childhood when she was encouraged to read Philip Roth at home and went to sleepovers at friends’ houses that were more about body awakenings. He discusses her stifling first marriage, which gave her the last name she carries with her to this day and her two children but is also where she hung her college diploma and another award over her washing machine as reminders of her intellect. There’s talk of her second marriage, which Blume has always been reluctant to discuss, as well as the two abortions that resulted from it. And there are details on her life with her third husband, the polymath George Cooper.

Oppenheimer relied on past news stories about Blume, as well as a collection of her work and professional correspondences that are archived at Yale’s Beinecke Rare Book & Manuscript Library and, probably most informatively, his own interviews with Blume and her friends and family. (Although Blume did agree to speak with Oppenheimer for his book, she declined our request to interview her for this story about that book).

“I think that the difficult subjects are sometimes the ones that make her more relatable,” Oppenheimer says of his subject. “I think most of her fans will find it interesting and admirable that she speaks so candidly about her abortions, about especially her divorce from her first husband, which came as she was getting involved in the [second-wave] women’s movement, about her early same-sex experiences, about masturbation as a girl; these are things we would expect Judy Blume to be candid about.”

Oppenheimer matches how these life events correspond with the ones of Blume’s characters because, for better or for worse, she almost always was an author who wrote what she knew even if her fandom transcended it. What her books lack in character diversity, they make up for in specificity. And that, in turn, also makes them relatable.

“Judy found incredibly compelling human drama in books about the New Jersey suburbs, and that’s a testament to her strength as an artist,” Oppenheimer says.

Writer Judy Blume at her nonprofit bookstore Books and Books on March 26, 2023, in Key West, Fla.

(Mary Martin / Associated Press)

Examining and reexamining Blume’s work as an adult also gave Oppenheimer a better perspective of her writing style. Blume didn’t begin to try to write professionally until she was a married mother of two and some have criticized her work for not being as flowery and polished as others’.

“All of her books tend to take a fairly tight focus on the characters,” Oppenheimer says. “They don’t tend to pull back and look at large societal forces or changes going on in the country or the world. And that’s fine. You know, the same could be said of Jane Austen.”

Perhaps the best example of this is Blume’s own religious foundation. Her most autobiographical novel, “Starring Sally J. Freedman as Herself,” has a protagonist who is paranoid that she sees Adolf Hitler on park benches and whose life is imprinted with stories of a relative who followed her mother into the concentration camps and the neighbors sitting shiva (a time of mourning) for their daughter who got pregnant with her non-Jewish boyfriend. And yet, Oppenheimer notes, Blume is not always immediately thought of as a Jewish writer. Nor have most of her readers been Jewish.

“I think that her Judaism is there, if you know where to look,” says Oppenheimer, who spends the early part of his biography looking at how the synagogue and religious community were a normal part of a young Blume’s life. He adds that “she is somebody who speaks really, really well across religious, cultural and racial differences, and that’s partly why she has sold tens of millions of books.”

Oppenheimer acknowledges that Blume’s characters may not be diverse enough by today’s standards; that they don’t usually discuss “gender identities or sexualities; children of multiracial backgrounds; children who have disabilities.” They can also feel like time capsules to other dimensions; his 12-year-old daughter was scandalized by how normative bullying was after she read “Blubber,” Blume’s 1974 novel about tween mean girls and body shaming.

He adds that some of today’s bestselling young adult novels, like Rick Riordan’s Percy Jackson series about a teen demigod or Suzanne Collins’ dystopia-set “Hunger Games” books, are “contemporary realism [that] focus on extraordinary or unusual circumstances.” And while he’s happy for these books’ popularities, he says that some subjects may be better told by kids who also aren’t tasked with saving the world. (I am pretty sure I learned more about male puberty from Blume’s 1971 story “Then Again, Maybe I Won’t,” which is as much about wealth divides and questionable friend choices as it is about a 13-year-old boy’s inner monologues about her awkward adolescence).

“If what you’re looking for is realism that isn’t focused on obvious external differences, but rather on interiority,” Oppenheimer says, “then Judy Blume still remains one of the premier novelists that you would want to read.”

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

In “Rooster,” a genial comedy premiering Sunday on HBO, Steve Carell, comfortable as an uncomfortable person, plays Greg Russo, the author of a best-selling series of books whose hero is named Rooster. He has come to leafy, fictional Ludlow College to give a reading, but also because it’s where his daughter, Katie (Charly Clive) teaches art history, and because it’s all over school that her husband, Archie (Phil Dunster), a history professor, has left her for Sunny (Lauren Tsai), a graduate student in neuroscience. He’s a concerned father.

“They are light; they are fun. The characters that you like have sex, the ones you don’t get shot in the face,” Greg tells poetry professor Dylan (Danielle Deadwyler) of the “beach read” books he writes, as she ushers him to an auditorium. Unlike his fictional alter ego, Greg is by his own account a self-conscious introvert, heightened by the fact that his ex-wife, Elizabeth (Connie Britton) — “a philanthropist, a pioneer in corporate gender equality and an accomplished CEO” whose name adorns the school’s new student center — left him five years earlier and he never moved on. Additionally, Greg likes nuts and cocoa, can toss a penny into a jar from across a room, and played minor league hockey, which will put him back on skates here.

College president Walter Mann (John C. McGinley) decides it would be “a feather in his cap” to hire a reluctant Greg, “a best-selling author that the parents have actually heard of,” as an artist-in-residence — a deal he makes impossible to refuse by agreeing to keep Katie on staff after she accidentally burns down Archie’s house. (She was only trying to burn his first edition of “War & Peace.”) It’s a role quite like the one McGinley played/plays on “Scrubs,” but more politic and better dressed, when dressed — he takes meetings in his backyard sauna.

And they’re off.

Poetry professor Dylan (Danielle Deadwyler) and author Greg (Steve Carell) become colleagues when Greg is named artist-in-residence.

(Katrina Marcinowski / HBO)

The series was created by Bill Lawrence (“Ted Lasso,” “Shrinking,” “Scrubs,” “Bad Monkey”) and frequent collaborator Matt Tarses, and as men of at least a certain age, the view is slanted from experience back toward innocence; students play a secondary, though not insignificant role in the story. There are some pro forma jokes about the sensitivities of the young, with Greg getting into not-very-hot water over misunderstood references to “white whale” and the Bangles’ “Walk Like an Egyptian.” (“Liberal arts college used to be havens for free thought, Greg,” says Walt. “When did you and I become the bad guys?”) Not that the olds are reliably smart about life — the ways in which they’re not power the series — but they have a better notion of where they’re stupid.

“No one must be humiliated,” Greg says to Archie, quoting Chekhov, as Archie goes off to talk to Katie. (The quote is in the animated opening titles as well, so you can take it as important.) But no one here is out to humiliate anyone, which is nasty and unkind and not at all the sort of humor Lawrence trades in. Of course, characters will be put into embarrassing positions, or embarrass themselves, embarrassment being the root of all comedy, or near enough. (There’s a good bit of slapstick knitted in.) And though we’re told that “there are real villains lurking around this place,” niceness reigns — at least through the six episodes, of 10, available to review — with the possible exception of Alan Ruck as the dean of English. (“There’s no way she wrote all these poems,” he says of Emily Dickinson.)

Though there are couples, and ex-couples and new couples, one doesn’t necessarily feel invested in their getting together, or staying together, or getting back together. Indeed, as in other Lawrence projects — which typically feature divorced or separated characters — romance is a sort of side dish, less the issue than whether people are managing to treat one another well. We knew Ted Lasso wasn’t going to get his wife back, but it wasn’t the point (nor was winning games, really); kindness was what mattered. Greg’s possibly pre-romantic friendship with Dylan is no more significant than his cross-generational friendship with a group of goofball students (led by Maximo Solas as Tommy); they treat each other as peers, while knowing they aren’t. He teaches them that peanut butter can make celery better, and they teach him that he’s cooler than he thinks.

Katie, who says she still loves Archie — who says he still loves her — will also call him “a run-of-the-mill narcissistic a— who sometimes smells like wildflowers.” (As for Sunny, practical and deadpan — that no one gets her jokes is a running joke — not even Archie can see what she sees in him, a problem you might have as well, but, as is true of most everyone here, we’re not meant to merely write him off. Funny secondary characters, who get some of the best business, notably include Rory Scovel as a cop who can’t keep track of his gun, Robby Hoffman as Sunny’s intense, anti-Archie roommate and Annie Mumolo (co-writer of “Bridesmaids”) as Walt’s arch assistant.

Old-but-not-that-old-fashioned, “Rooster” has a tinge of Gen X nostalgia, underscored by the ’80s college radio classics that line the soundtrack. (R.E.M.’s Michael Stipe co-wrote and sings the series’ theme, and Greg, drunk and in a mood, will kill a party getting the DJ to play “Everybody Hurts.” Directed by Jonathan Krisel (“Portlandia,” “Baskets”), it’s low stakes, soft-edged, humane, basically gentle, a little fantastic, a little farcical, well cast and well played in every instance — qualities I happen to like, and maybe you do, too.

For decades, Iranian novelist and memoirist Shahrnush Parsipur wrote under the threat of her country’s oppressive laws. Parsipur was imprisoned for her work four separate times: once under the shah, who ruled Iran before the Islamic Revolution of 1979, and three times under the regime that took power that year.

Despite this Damoclean sword hanging over her, she managed in 1989 to publish “Touba and the Meaning of Night,” a sweeping historical novel that lays bare Iran’s crushing patriarchal culture. In 1990, she wrote “Women Without Men,” a book of connected stories that trace the lives of five women, including a sex worker and schoolteacher, in search of liberation and self-actualization.

Shortly after the book’s publication, the Iranian government threw Parsipur in prison for a fourth time, where she remained for over four years.

Flash forward 36 years, and an English translation of “Women Without Men” has published in the U.K. for the first time. (The first U.S. English translation was published by Feminist Press in 2011.)

Now, the U.K. book has been nominated for this year’s International Booker Prize. In an email exchange, Parsipur, who presently lives in exile in Northern California, expounded on her career, Iran and the recent developments there.

✍️ Author Chat

(The L.A. Times may earn a commission from bookshop.org links.)

Women Without Men was longlisted for the 2026 International Booker Prize

(The Feminist Press)

What is your feeling about the U.S. air attack against Iran?

I am very sorry for my country. People suffer and the country becomes ruined. I will never forgive Israel and the U.S. I am an American also and as an American I want to stop the war. I do not think that Americans and Israelis can bring liberty to Iran. The people of Iran must try for themselves.

The government threw you in prison shortly after you published “Women Without Men.”

I was never a political activist and they did not torture me. But one time they put me in a grave for two months in Ghezel Hesar Prison. There, we always had to sit without speaking and our eyes were closed by a cover and we listened to Islamic slogans.

So it was solitary confinement?

We were sitting in a space the size of a grave and there was a wooden wall between every grave, so you could not see anything except your grave.

Did you write in prison?

Yes, I began to write my novel “Touba and the Meaning of Night.” I wrote half of it and suddenly they took it and after one year the men of Ayatollah Montazeri came to prison and they gave me the novel. They had destroyed two pages that were about the killing of a girl. I thought the virginity of my book was ruined. So I burned it. I wrote my memoirs when I came to the U.S.

So you burned the book and then rewrote it?

When my prison term finished I wrote “Touba” again.

Do you still have family in Iran?

Yes, I have some family in Iran and I cannot contact them. The internet does not work and mobiles are silent.

Do you think change in Iran will come soon? Will the U.S. help to liberalize the country?

The Islamic laws must change and a country like Israel cannot do that. So, the Iranian must change the situation. All my books are banned in Iran, except ones that they change themselves. But “Women Without Men” is published in more than 30 countries. The Booker International Prize is an English prize and if they give it to me there is no relation with banning the book in Iran. I am not surprised about the situation.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Julia M. Klein is fascinated by Loubna Mrie’s memoir “Defiance,” which, she writes, “offers a prism on Syria’s authoritarian society before the 2011 uprising and subsequent civil war, and vivid snapshots of the devastation that the war unleashed.”

Mark Athitakis considers two books that tackle the old “New Hollywood” of the late ’60s and early ’70s: Paul Fischer’s “The Last Kings of Hollywood,” which spotlights the Coppola, Lucas and Spielberg pantheon, and Kirk Ellis’ “They Kill People,” about the making of “Bonnie and Clyde.” Athitakis calls Ellis’ history “a meaty yet accessible book that captures the lightning-in-a-bottle nature of the generation’s ur-text,” while Fischer’s book “has a gift for highlighting the ways that moments that we now accept as inevitable were often the product of dumb luck.”

Diane Garrett has a chat with Elizabeth Arnott about her novel “The Secret Lives of Murderers’ Wives,” which she calls “an empathetic and at times bracing mystery tale about unlikely crime solvers circa 1966.”

Finally, Costa Beavin Pappas considers Brian Raftery’s curiously titled “Hannibal Lecter: A Life,” which is really a biography of Lecter’s creator, author Thomas Harris. “For fans of true crime, Raftery has written a fascinating biography and origin story about one of pop culture’s most emblematic serial killers, and his lasting bite on society,” writes Pappas.

📖 Bookstore Faves

Taschen Beverly Hills sells eye-catching artistic works

(TASCHEN)

Taschen Beverly Hills may well be the most gorgeous bookstore in Los Angeles, all gleaming, polished wood and ambient light illuminating the store’s lavishly illustrated art and design books. The shop opened over two decades ago as a showcase for the German publisher’s catalog, and it remains a popular destination for tourists and Taschen cultists who collect the company’s highly collectible titles. I spoke with Taschen Executive Director Creed Poulson about what’s selling right now.

What is the store’s clientele?

At the risk of sounding like a marketing manager, we have something for everyone, because our price points range from $10 up to thousands of dollars. Which allows us to have a mixed clientele in the store.

I know there is a kind of Taschen cult, folks who will buy your books because of your reputation.

That comes from our owner Benedikt Taschen, who is a collector and understands the mindset of a collector. Our books become collectible, regardless of the cost.

What is selling right now?

“Ferrari” by Pino Allievi, who is one of Formula One’s best known correspondents. “The James Bond Archives,” which is edited by Paul Duncan, and “Ultimate Collector Watches” by Charlotte and Peter Fiell.

Lately, there has been a turn among Gen Z into all things analog. Have you seen younger customers come into the store?

Yes, absolutely. I’m seeing a lot of the younger generation coming, especially during our annual sales — fans that are migrating away from just looking at images online, into book collecting. They want a tactile object they can hold and feel, and they want something they can enjoy as an object.

The saga of “A Court of Thorns and Roses” will continue.

Author Sarah J. Maas announced on Alex Cooper’s “Call Her Daddy” podcast Wednesday that two new books will be released in the hugely popular romantasy series, ending a five-year drought since the fifth installment, “A Court of Silver Flames.” The sixth book will be published on Oct. 27, 2026, and the seventh on Jan. 12, 2027.

“It took me a while to find the right story and to be in the right headspace. And then, like what poured out of me was this and it poured out very quickly,” the author told Cooper. “The story that was finally ready to come out of me was big. Really, really big.”

Maas first teased the sixth book on Instagram in July, with the caption “First drafts DONE” on a video that drew nearly a million likes.

Maas did not share details about the book titles, cover art or whose point of view the stories will follow, but did mention that the character’s perspective was “one of the surprising things” for her while writing.

On Instagram, Maas thanked her fans for their patience, passion and “never letting the world fade.”

“I know how long you’ve waited. I know how much these characters mean to you. And I also know these stories deserve more than speed and deadlines. They deserve my best self. They deserve the right moment,” Maas wrote. “I’m so honored by the way you guys have always embraced Prythian as your own. I truly hope it feels like coming home for you like it did for me.”

The first installment of the “A Court of Thorns and Roses” series was released in 2015, but the franchise gained popularity on BookTok — a TikTok subcommunity dedicated to literature — during the COVID-19 pandemic. The books follow Feyre Archeron in the faerie lands of Prythian and her love story with the High Lord of the Night Court, Rhysand.

Maas has sold more than 70 million English copies between her interconnected “Throne of Glass,” “A Court of Thorns and Roses” and “Crescent City” series, according to her website. Maas is a major player in the romantasy — a portmanteau of romance and fantasy — genre, which has soared in popularity on TikTok.

“This is going to sound silly, and you probably won’t believe me, but just talking about things like legacy is beyond for me,” Maas told Cooper. “I’m still very much that girl in middle school or high school sneaking off to watch anime or drool over Legolas and getting to go play in these worlds in my head and do the thing that makes me come alive every day, that’s incredible.”

Israel, Iran, ICE, dyslexia, single moms and a pet otter named Potter were among the subjects discussed Tuesday evening at California Gov. Gavin Newsom’s tour stop in Los Angeles to promote his new book, “Young Man in a Hurry: A Memoir of Discovery.”

Speaking to a sold-out crowd of around 1,300 at L.A.’s historic Wilshire Ebell Theatre, the hourlong Q&A hosted by Writers Bloc and moderated by “Pod Save America” hosts John Favreau and Tommy Vietor was equal parts a get-to-know-the-man-behind-the-mask chat and a timely discussion about challenges facing the country.

The engaging discussion was clearly geared toward dispelling the image of Newsom as “that slick guy” (his own words), by covering his journey from an insecure, cocky young man trying to impress those around him to an adult who, through his successes and follies, has become comfortable in his own skin.

Gov. Gavin Newsom and moderators Jon Favreau and Tommy Vietor promoting Newsom’s new book, “Young Man in a Hurry.”

(Ronaldo Bolanos / Los Angeles Times)

He described his young, pre-politician self as posing in a suit: “I was thinking I was Pierce Brosnan in ‘Remington Steele.’ I just discovered hair gel,” Newsom joked. He said in those early years he was often overcompensating for his own feelings of inadequacy as the son of a single mom who struggled to pay the rent. As a kid with learning differences, whose undiagnosed dyslexia put him behind in school. Whose “broke and broken” father neglected his family while hobnobbing with wealthy San Francisco families, including the heirs of the Getty oil fortune.

A chatty, relaxed and sometimes free-associating Newsom rarely needed prompting from the moderators when speaking about his childhood, his family’s strange choice of pet (the aforementioned otter) or far more serious matters. He said that Democrats need to “fight fire with fire” and be more “ruthless” in their fight to win back the country.

Newsom’s politician-speak was evident in some of his more rehearsed efforts to convince the crowd that he’s a regular guy (he may not have changed many diapers with his first daughter, but he got better at his dad duties with his next three kids). But those instances were matched by unvarnished comments that appeared genuine, and risked alienating some of his base.

One such instance came early in the conversation, when Newsom was asked about where he stood on President Trump’s new Iran war, and the administration’s changing rationales on why it launched the military operation without consulting Congress.

“[The Trump administration’s] first rationale was we’ve got to make sure that they’re not armed with nuclear [weapons]. But I thought that was resolved, that we had completely ‘obliterated’ it,” Newsom said, using Trump’s claims against him. “Then maybe that wasn’t the case, so now it’s about their missiles, and they can perhaps hit the United States, and then it’s wait, that’s a decade plus away. So that’s BS. Then it’s about their militias, it’s about their proxy. Then it’s no, it’s about their navy. And then no, it’s a response to the likelihood that Israel was going to [go in] so we had to go in ourselves. God help us … this is Keystone Cops.”

Newsom was then asked if the United States should perhaps consider rethinking its military support for Israel, and he said that would be reasonable.

“The issue of Bibi [Israeli Prime Minister Benjamin Netanyahu] is interesting because he’s got his own domestic issues,” Newsom said. “He’s trying to stay out of jail. He’s got an election coming up. I mean, to say this is in America’s interest, at a time when affordability is at crisis levels, where you had an administration who literally got elected saying this is exactly the opposite of what they would ever consider doing. The fact that we are in this now, regional war.…”

He also said Netanyahu was “potentially on the ropes. He’s got folks, the hard line, that want to annex the West Bank.” Newsom suggested that some critics have “appropriately” described Israel as sort of an “apartheid state.” His comments caused a stir Wednesday from pro-Israel advocates who felt Newsom was turning on their interests.

But most of the conversation was about the book, and domestic issues. Newsom has been a fierce critic of Trump and his policies, positioning himself as part of the resistance, one of the few high-profile leaders to hit back with policy (Proposition 50) and a strong media presence with his podcast, “This is Gavin Newsom,” and his Trump-trolling social media accounts.

“Nothing goes to the heart of who [Donald Trump] is than his press conference yesterday, where he was lamenting [that] four Americans had died,” Newsom said. “He mentioned them in passing. And then went on, in great detail, about the drapes and the Imperial Palace in the East Wing [of the White House] that he’s building. He talked about [it] with real passion and conviction. It says everything about Donald Trump, the uncertainty in the world, to the fact that we have allies under threat, UAE, we’ve got proxy war with, once again, with Hezbollah and Lebanon. We’ve got all the anxiety as relates to 20% of the world’s oil flow, issues related to oil prices and stocks.”

Though Newsom was speaking to an auditorium of blue state supporters, his tour kicked off last week in the South, with stops in Georgia, Tennessee and South Carolina. His efforts to relate to his audience were seized upon when, during a conversation with Atlanta Mayor Andre Dickens, he addressed the audience, saying, “I’m like you,” before bringing up his low SAT scores. He was called out for his comment, which was labeled as racist by critics, particularly those from right leaning media outlets.

In Los Angeles on Tuesday, he was asked how he felt about the California Democratic Party chair’s recent suggestion that some party candidates drop out of the governor’s race, to avoid a Republican potentially winning. “I confess. I agree. With all the promise and peril that marks this moment in California, the most un-Trump state in America,” we can’t risk a Republican winning, he said.

The California Highway Patrol and a private security firm deployed officers and agents around the venue for a tight security presence (no bags or purses allowed). On at least three occasions, one or more protesters interrupted the discussion with shouts from the balcony and floor seats, demanding Newsom do something about privatized prisons and the ICE sweeps of immigrants.

After they were removed by security, Newsom said he understood the “escalation of stress” over the last ten years or so, and defended his record, mentioning he signed the first bill banning private prisons and was a “fierce opponent” of what’s happening on American streets.

Attendees of the event applauded Newsom’s record, and just about everything else he said. They were, after all, folks who had paid up to $80 a seat to hear the conversation and receive a copy of his book. He walked into the crowd afterward and spent nearly a half hour chatting with audience members, posing for selfies and signing copies of his memoir. Newsom was not in a hurry.

The cheapest European city breaks have been revealed for a serene and sun-soaked escape over the Easter holidays, and many have pristine beaches to lap up the balmy rays

Heading on holiday during the peak travel season can be notoriously expensive, but some beautiful European destinations offer an affordable escape over Easter.

As we inch closer to Spring, thoughts turn to the Easter holidays and how we intend to spend the welcoming long weekend, or weeks, while the kids are off school. With the British weather somewhat unpredictable, a trip to a sun-soaked city destination might be top of the list, or a city packed with charm for a day of exploring.

In a bid to help travellers book their Easter escape, Which? compared more than 3,000 package holidays across Europe during the busy travel period, to reveal where you can get the best bang for your buck. The travel experts outlined the price, per person, for a seven-night stay, with flights and accommodation included, and some beautiful cities came out on top.

READ MORE: Five sunny destinations where you can get a drink from £1.30READ MORE: Spain holiday island warning as threat of plague grows worse

1. Marmaris, Turkey

Ranked as the cheapest for an escape was the resort town of Marmaris, situated along the Turkish Riviera, often known as the ‘Turquoise Coast’ or the ‘King of the coast’. It’s a haven for those looking to soak up the balmy rays, with highs of 25C in April and stretches of golden-sand beaches. Which? found that a trip to the sun-soaked city would cost an average of £594 per person for a seven-night package – half the cost of a trip to Paris!

2. Krakow, Poland

Following close behind is the city of Krakow, Poland, with its fascinating medieval architecture, market square, and iconic landmarks, including Wawel Castle and the Cathedral. Its scenic backdrop will feel as though you’ve stepped into a fairy tale, and while the weather offers a cooler 14C in April, you’ll barely notice as you lose yourself among the enchanting streets. A seven-night package getaway to Krawkow will cost around £628 per person, as outlined by the experts at Which?

3. Albufeira, Portugal

Offering a blend of city and beach escapes is the Albufeira, nestled along the picturesque coast of the southern Algarve of Portugal. Along with its sprawling beaches and turquoise waters, there’s the Old Town with cobbled streets lined with shops and restaurants, and its museums to explore. With highs of around 19C predicted over the Easter period, it might just be the best time to visit, that alongside its reasonable cost of around £638 per person.

4. Las Palmas de Gran Canaria, Spain

The Canary Islands are a popular hotspot among Brits seeking some sunny rays, and the city of Las Palmas de Gran Canaria, also known as Las Palmas, is a great, affordable option. As the largest city of the Canary Islands, Las Palmas has a historic charm, with its Vegueta district brimming with landmarks, and its golden sands at the lengthy Playa de Las Canteras, which also boasts a vibrant promenade. A trip to the city will bring a warming 21C, and cost around £671 per person for that escape this April.

5. Benidorm, Spain

It’s no surprise that Benidorm on Spain’s Costa Blanca in Alicante secured a spot on the Which? list, with its promise of cheap drinks, affordable hotels, bustling nightlife and balmy rays along its stretching beaches. It’s famed for boasting more than 320 days of sunshine a year, and in April is expected to welcome temperatures of around 19C – ideal for a cocktail in one of the bars that line the beachfront. According to Which?, a seven-night stay will set you back on average, £682 per person – that’s a reasonable £97 a day with flights and accommodation included.

6. Prague, Czech Republic

It’s long been hailed as a stag-do destination or beer capital, but Prague has much more to offer away from its cheap pints, although that is a bonus. The city is surrounded by Gothic, Baroque, and Renaissance-style architecture, alongside its stunning Prague Castle and striking Charles Bridge. Making it even more appealing is the prospect of paying £753 per person for a seven-night package stay, as well as its warming rays of 14C to wander around the city in.

7. Budapest, Hungary

Securing a place on the list is the capital of Hungary, characterised by its Danube River, majestic Hungarian Parliament Building, ruin bars and thermal baths. Its most famous is the Széchenyi Thermal Bath, the largest medicinal bath in Europe, along with the Art Nouveau Gellért. A trip to the vibrant city with sunny scenes of 17C in April will cost around £770 per person on a package holiday.

8. Porto, Portugal

While it’s a little further down on the list, the coastal city of Porto deserves its time in the spotlight. Located on the Douro River, the walkable city is brimming with character, with its steep, colourful streets, restaurants, shops, landmarks, and plenty of bars and cellars to taste its famous port wine. A seven-night package holiday is around £780 per person, and during that time you can expect to bask in a warming 18C in April.

9. Milan, Italy

Renowned as one of Europe’s biggest fashion capitals, Milan is an elegant city with its Gothic cathedral, Duomo di Milano, taking centre stage and its historic shopping centre, Galleria Vittorio Emanuele II, a standout spot, whether you’re a fashionista or not. There are meandering streets to explore, you’ll never be short of things to do, and with a package holiday setting you back around £795 per person, and rays of 17C, perhaps Easter is the best time to explore the Italian city.

10. Dubrovnik, Croatia

Known as the ‘Pearl of the Adriatic’, Dubrovnik is characterised by its 16th-century city walls, its main street, Stradun, lined with boutiques and cafés, and its Old Town with Baroque churches and the Rector’s Palace. There are some breathtaking coastal views to marvel at, and Game of Thrones locations to explore. A cooler temperature of 14C is expected during Easter, making it a prime time to wander around the charming city, and a package holiday could cost around £796 per person.

Do you have a travel story to share? Email webtravel@reachplc.com

Ensure our latest lifestyle and travel stories always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.

Merlin’s annual pass offer ends this weekend where you can get a free annual pass if you book a £95 stay at the likes of Alton Towers, Legoland, Thorpe Park, Chessington and more

A deal where theme park fans can ‘stay for a night, play for a year’ at Merlin’s attractions across the UK ends this weekend.

Merlin Entertainment, whose attractions include Alton Towers, Thorpe Park, Warwick Castle, LEGOLAND, and Chessington World of Adventures currently has a deal running where families who book an overnight stay on selected dates in March get a free Essential Merlin Annual Pass (MAP) for each guest, giving them 339 days of unlimited access to over 20 of its theme parks and attractions.

However, theme park fans will need to hurry as the bookings need to be completed by Sunday (March 1), so there are only a couple of days left to take advantage of the offer. Eligible stay dates include:

• LEGOLAND and Alton Towers – stays between March 14 and June 26
• Chessington – stays between March 20 and June 26
• Thorpe Park and Warwick Castle – stays between March 27 and June 26

When making a booking, simply look for a banner that says ‘Merlin Pass Included’ that indicates whether the stay is eligible for the offer. Facilities at each theme park resort vary, but many have themed accommodation, breakfast included in the price, plus two days of theme park entry included in a one-night stay. Alton Towers’ hotel guests enjoy access to a 9-hole golf course, while those staying at Chessington can enjoy access to its SEA Life Centre.

As soon as you book your stay, you’ll be emailled your Merlin Annual Passes and can start using them as soon as they are activated, even before your overnight break if you like. The Essentials tier pass offers 339 days of fun, and in addition to theme parks it includes attractions such as the London Eye, Madame Tussauds, and The London Dungeon.

Passholders can also access SEA Life centres across the UK, Cadbury World, Shrek’s Adventure! London and LEGOLAND’s Discovery Centres, so it’s easy to fill up the calendar in the Easter holidays and May half term without needing to pay a penny extra on entry fees.

It’s worth checking Merlin’s exclusions calendar for dates when the Essentials pass cannot be used. Restricted dates include some bank holidays and Saturdays in August. However, no dates in July are restricted, and you can still use your pass freely on other days during the six week summer holidays.

So, how much could families save? It depends on which hotel stay you book and how much you use the pass. A family of four could book a night at the Warwick Castle Hotel on May 16 for £429 and get four free passes included. Buying Merlin Essential passes would usually cost £139 each at full price, adding up to £556 for four people, so this is already a cheaper option if you’ve been considering buying the passes anyway.

Day passes to Alton Towers, as an example, cost £32 online and as much as £68 if you buy on the gates, so if you plan just a handful of theme park visits, this offer could save you hundreds over the year.

Full list of attractions where Merlin’s annual pass can be used

• Alton Towers Resort
• Chessington World Of Adventures Resort
• LEGOLAND® Windsor Resort
• The London Eye
• Thorpe Park
• SEA LIFE London
• National SEA LIFE Centre Birmingham
• SEA LIFE Manchester
• SEA LIFE Blackpool
• SEA LIFE Brighton
• SEA LIFE Weymouth Adventure Park
• SEA LIFE Great Yarmouth
• SEA LIFE Sanctuary Hunstanton
• SEA LIFE Scarborough
• SEA LIFE Loch Lomond
• Warwick Castle
• Madame Tussauds London
• Shrek’s Adventure! London
• LEGOLAND® Discovery Centre Birmingham
• LEGOLAND® Discovery Centre Manchester
• The London Dungeon
• The York Dungeon
• The Edinburgh Dungeon
• Cadbury World

You can find out more at merlinannualpass.co.uk.

Have a story you want to share? Email us at webtravel@reachplc.com

Ensure our latest stories always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.

Tayari Jones was feeling intense pressure to deliver a follow-up to her 2018 bestseller, “An American Marriage.” She was three years past her publisher’s deadline. Worse, she had begun to suffer symptoms of what was ultimately diagnosed as Graves’ disease, a serious autoimmune condition that attacks the thyroid. At the time she didn’t know what was causing pain in her right leg and the intense itching on her arms, legs and torso — or why her handwriting had “gone funky.” Meanwhile, 200 pages in, the novel she owed Knopf Publisher and Editor in Chief Jordan Pavlin wasn’t coming together.

She confided to a close friend, “This book got me feeling like a clown right now.” Jones began to doubt that she was ‘worthy’ of another literary success.

“You know how musicians say ‘that band was swinging’? I wasn’t swinging,” Jones, who lives in Atlanta, tells me during a recent phone call.

She says she turned to an empty notebook, and began word doodling — scrawling random words, going wherever her pen took her. “Kin,” the magnificent novel that emerged, is out now. Oprah recently announced that it’s her latest book club pick (the second time Jones has been honored with the selection).

“Kin: A Novel” by Tayari Jones

(Knopf)

“Kin” was supposed to have been an entirely different book — an of-the-moment novel about gentrification in the New South — but what materialized from Jones’ creative experiment was a tiny Louisiana town called Honeysuckle, amid the 1950s and Jim Crow. Then, as Jones puts it, “Annie and Vernice [her main characters] introduced themselves.” All of Jones’ previous fiction has been contemporary, and at first she didn’t know what to make of the path Annie and Vernice were leading her on. “I don’t write historical,” observes Jones, “I’m a writer of my own era.” Not to mention she’d always been suspicious of writers who claim their characters came to them fully realized.

Even at that point, Jones still believed Vernice and Annie might just be part of a larger backstory, perhaps parents to protagonists she had yet to conjure. “So I stuck with it to find out.” The more she wrote, the more the puzzle pieces began to fit together. Annie’s journey out of Louisiana takes her through a sharecropping brothel in Mississippi, then on to Memphis where she is convinced she will find and reunite with her mother. Meanwhile, Vernice attends Spelman (the HBCU Jones is a ’91 graduate of).

Jones began to suspect that she’d had a previously undetected ulterior motive for moving her book to the past. She wondered if “Kin” was actually an effort to better understand her parents, particularly her mother, a former economist who’d been active in the civil rights movement. “My mother is a very tight-lipped person,” Jones says. “I knew very little about her life, and maybe this was my imagination trying to crack the code.”

Jones’ progress wasn’t without its setbacks. She was deep into the writing of “Kin” when her Graves’ disease flared in earnest. Her blood pressure spiked. She got winded just climbing the stairs to her bedroom. She landed in the emergency room with a life-threatening “thyroid storm,” requiring surgery and daily medication. Then her eyesight deteriorated, which necessitated a month of radiation. But she powered through, and sent off the manuscript.

Jones’ editor, Pavlin, admits the novel she received was a surprise. “But it was as perfect a novel as I’ve ever read,” she says. “No publisher in their right mind would stand on anything as insignificant as a contractual description in the face of such a work.”

“Kin” deftly alternates points of view between Vernice and Annie, narrating events by way of a vernacular that would be at home on a front porch rocking chair. When Annie takes a job at a nightclub in Memphis, she says of its penny-pinching owner: “The man was tight as a skeeter’s teeter.” Jones is equally adept at the delicate prose, as in this description of a well-worn family Bible: “The paper, thin as butterfly wings, was heavy with wisdom.”

While Jones had Toni Morrison’s short story “Recitatif” in mind while writing “Kin,” her take on the subject is singular. “Vernice and Annie remain friends because each of them is the keeper of the other’s true self,” she says. “Friendship is particularly meaningful because it’s a relationship you’re constantly recommitting to — reupping.”

Now that “Kin” is out in the world, and Jones has weathered the bumpy road to publication day, we asked her if she’s nervous about how it will be received eight years after her previous novel was published. “I am not ambitious now in the way I was then,” she says. “I’ve learned what success can and cannot do for a person. You have to learn to be satisfied. People say ‘don’t rest on your laurels,’ but what are laurels for?”

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

Now everyone can go to the cottage.

Shane Hollander’s (Hudson Williams) cottage, featured in the season finale of the HBO Max hit “Heated Rivalry,” will be available to rent starting March 3 at 9 a.m. Pacific, according to a statement by Airbnb. The Lake Muskoka listing can be booked for $248.10 CAD (about $180 U.S.) per night, an homage to Shane and Ilya’s (Connor Storrie) jersey numbers, 24 and 81.

The Barlochan cottage will host four early access bookings from May 8-10, May 16-18, May 22-24 and May 29-31, before opening for regular bookings, with the property listed exclusively on Airbnb.

“Every great story deserves the perfect setting. Airbnb is inviting guests to Barlochan cottage — which has captivated screens big and small this winter — allowing fans to book and experience the private haven in real life on the shores of Lake Muskoka,” Airbnb wrote.

In “Heated Rivalry,” Shane and Ilya escape to the cottage during their off-season for a private, romantic getaway as the couple hides its relationship from the public. Ilya agrees to attend after being inspired by a fellow hockey player, Scott (François Arnaud), who publicly came out after winning the hockey championship in Episode 5. As Scott kisses his partner on live television, Ilya calls Shane to tell him he’ll come to the cottage.

“That’s then part of the structure of giving 5 that big rom-com movie star ending to [Arnaud], so that I can have a quiet ending with Shane and Ilya,” series creator Jacob Tierney told Entertainment Weekly in December.

At the cottage, Shane and Ilya confess their love for one another, swim in the lake and watch the Lake Muskoka sunsets. According to the listing, the three-bedroom cottage features nearly 400 feet of private waterways, outdoor activities like kayaks and canoes and an exercise room.

Connor Storrie as Ilya Rozanov and Hudson Williams as Shane Hollander in the Season 1 finale of “Heated Rivalry.”

(Sabrina Lantos / HBO)

Airbnb also noted that “travelers have been eager to embark on their own private cottage getaway,” with a 40% increase in property searches in Muskoka since the finale aired in late December.

“Heated Rivalry” became a cultural phenomenon this winter despite the project’s small budget. The show, based on the “Game Changers” book series by Rachel Reid, was produced by Bell Media’s Crave in Canada. After the show was licensed by HBO Max, fans flocked to the series, with an average of 10.6 million viewers per episode in the U.S., according to Warner Bros. Discovery.

So while “Heated Rivalry” fans wait for the second season — set to premiere in spring 2027 — they’ll now be able to take their own trip to the cottage.

Gov. Gavin Newsom on Monday sharply criticized “fake MAGA-manufactured outrage” over his comments about his low SAT score in Atlanta Sunday during his national book tour.

Conservative commentators, Trump loyalists and right-wing media outlets accused the California governor and potential 2028 presidential candidate of disparaging Black Americans when he was discussing his struggles with dyslexia.

“First MAGA mocked his dyslexia and now they’re calling him racist for talking about his low SAT scores,” said Izzy Gardon, a spokesperson for Newsom, in a statement. “The governor has said this publicly for years — including with [the late conservative commentator] Charlie Kirk and dozens of other audiences.”

During a conversation with Atlanta Mayor Andre Dickens, who is a Black politician, Newsom was asked what he wanted the audience and readers to know about him. The governor, in a long-winded response, said he wasn’t trying to impress anyone, but “press upon you I’m like you.”

“I’m no better than you,” Newsom said. “I’m a 960 SAT guy.”

The governor continued to discuss his dyslexia and struggle to read.

Right-wing personalities pounced.

President Trump’s political operation accused Newsom of calling “black people dumb.” Former Fox News personality Megyn Kelly declared that the comment would “haunt him forever,” and Republican Sens. Tim Scott of South Carolina and Rick Scott of Florida belittled the governor. Rapper Nicki Minaj, an outspoken Trump supporter, criticized him too.

“@GavinNewsom Thinks a 960 SAT Makes Him ‘Like’ Black Americans. Let That Sink In,” Fox News commentator Sean Hannity posted on the social media platform X.

Newsom offered a profanity-laced retort to Hannity, accusing him of long ignoring President Trump’s racist remarks and social media posts, then feigning outrage at Newsom’s remarks.

“You didn’t give a shit about the President of the United States of America posting an ape video of President Obama or calling African nations shitholes — but you’re going to call me racist for talking about my lifelong struggle with dyslexia?” Newsom posted on X. “Spare me your fake fucking outrage, Sean.”

Gardon pointed out that Newsom was speaking to a mixed-race audience during the conversation with Dickens.

Dickens also rejected the allegations that Newsom was being racist.

“Take it from someone who was actually in the chair asking the questions: context matters more than a headline,” Dickens said on Instagram. “The conversation around his new book included him speaking about his own academic struggles, including not doing well on the SAT. That wasn’t an attack on anyone. It was a moment of vulnerability about his own journey.”

Sunday’s event wasn’t the first time Newsom has mentioned his SAT score. The governor has cited his performance on the test many times in conversations about his dyslexia and issues with self-esteem growing up, including during an interview with The Times about his new memoir “Young Man in a Hurry” earlier this month.

“Come on, I’m a 960 SAT guy, governor of the fourth largest economy in the world,” Newsom told The Times. “I’m a guy, you know, with sweaty hands as described in the book, you know, who can’t read a speech, and I’m governor. I’m talking to you. Come on, the whole thing is sort of fascinating.”

Newsom used the low score as an example of the grit and resilience he learned from his mother.

The governor is accustomed to sparring with Republicans on social media. Ring-wing furor over his remarks, whether justified or politically motivated, is likely to continue as he flirts with a 2028 presidential run.

“We’ve gotten so used to loud, chest-pounding politics that when someone speaks about shortcomings, people try to twist it into something else,” Dickens, said in his post on Instagram. “Let me be clear though. This is Atlanta. We don’t need anyone to tell us when to be offended. And history has shown… when we are, you’ll know.”

THE washout weather that has plagued the country this year has many of us desperate for some sunshine.

As yet another rain-soaked week awaits, it makes sense to search out some blue skies and warm weather.

With the Easter break a way off, now is the perfect time to head abroad for some vitamin D at decent prices.

Here Head of Travel Lisa Minot picks some great deals on guaranteed sunshine destinations . . . 

THE Canary Island favourite is always a good bet for sun as March arrives, with temperatures averaging in the low 20s.

The family-friendly 4-star Alexandre Gala near Playa de las Americas on the sun-drenched south-west coast has two outdoor pools, one of which is heated year-round.

WAIL OF A TIME

I drove Irish Route 66 with deserted golden beaches and pirate-like islands

COSTA LOT

The silly holiday mistakes that even Sun Travel team have made that cost hundreds

As well as a buffet restaurant and two bars, there is a spa and sports facilities.

Its central location means it is close to the beach, bars and restaurants and just 1km from the Siam Park water park.

GO: Seven nights’ half-board at the Alexandre Gala is from £677pp including flights from Birmingham on March 4. See thomascook.com.

WARMING up nicely in March, Cyprus offers average highs of 20C.

Set on the beachfront of Kato Paphos, the 5-star Ivi Mare hotel is designed exclusively for adults.

There are three restaurants — buffet, Mediterranean and Japanese — as well as two bars, two outdoor freshwater pools and an indoor one.

There also a spa with sauna, steam room and Jacuzzi plus treatments for a pamper between sunbathing sessions.

GO: Seven nights’ B&B at the Ivi Mare is from £969pp including flights from Gatwick on March 2 and transfers. See easyjet.com/en/holidays and ivimarepaphos.com.

YOU are guaranteed tropical sunshine on the Caribbean coast of Mexico — and the all-inclusive 5-star AVA Resort Cancun makes the most of it, with all rooms and suites featuring panoramic ocean views.

The 2.8-acre beachfront lagoon is perfect for sailing, kayaking and paddleboarding, while another six pools offer more water fun.

There are nine fine-dining restaurants and eight casual options, including street food and ice cream salons.

There are also bars, cocktail lounges and nightlife venues.

GO: Seven nights’ all-inclusive is from £2,175pp, including flights from Gatwick on March 11 and transfers. See ba.com and avaresortcancun.com.

AGADIR’S beaches are a hit with surfers thanks to the year-round swells.

And with temperatures sizzling in the high 20s around now, there is no better place to kick back on a sunlounger with a beer.

At this time of year, stays at the 5-star Hyatt Place Taghazout Bay are a steal, with luxurious rooms overlooking the ocean, two outdoor pools and a sandy beach just a 1.4km stroll away.

While golf enthusiasts are getting in the swing at the on-site 18-hole course, those seeking relaxation can book in at the Moroccan-themed spa.

GO: Seven nights’ B&B at the Hyatt Place Taghazout Bay is from £449pp with Luton flights on March 10. See loveholidays.co.uk.

ALL you will see from your room is blue at the 4-star Fuerteventura Princess, where four sprawling outdoor pools look on to the ocean.

Lush palm trees, volcanic mountains and hot weather make the island seem like a far-flung tropical escape, yet it is just a four-ish hour flight.

Sample local delights as well as familiar favourites at the buffet restaurant.

There is an outdoor tennis court, table tennis, billiards, volleyball and archery.

GO: Seven nights’ half-board at the Fuerteventura Princess is from £660pp including flights from Luton on March 4. See onthebeach.co.uk.

WITH GORGEOUS beaches and incredible swimming in coral reefs, Marsa Alam is ideal for a last-minute winter sun break.

TUI has new direct flights from Gatwick to the Red Sea resort, making it an easy flight with short transfers.

The 4-star Jaz Grand Marsa has its own private beach with a coral reef, as well as five pools, three of which have sea views.

The spacious grounds feature gardens and water fountains, plus tennis courts.

GO: Seven nights’ all-inclusive at the Jaz Grand Marsa is from £666pp including flights from Gatwick on March 15. See tui.co.uk.

HOLIDAY prices move constantly. Most people know that.

But only a few realise just how much the time of day you book can influence what you pay.

I work in travel and spend a large part of my job analysing pricing data, and recently, I wanted to understand how big the swing really is across a single day.

Not just the cheapest day of the week, but the cheapest hour, and even the cheapest minute.

The results were clearer (and way more dramatic) than I expected.

When is the most expensive time to book?

The data shows that the most expensive time of day to book a holiday is between 9am and 10am.

Bookings made in that window came in at around 30 per cent more expensive than the cheapest time of day, according to the data.

There is a straightforward reason for this: it’s when demand spikes.

People arrive at work, open their laptops and start browsing.

Search volumes increase, airline pricing systems respond, and fares begin to rise. Then, package holiday prices follow the same pattern.

In simple terms, booking your summer break with your first coffee of the day is statistically one of the pricier moments to do it.

When is the cheapest hour to book?

At the other end of the scale, the cheapest time to book is consistently between 4am and 5am.

Overnight, demand drops off. Fewer searches mean less upward pressure on prices.

Airline systems effectively reset after the previous day’s activity, and fares often return closer to their baseline before building again through the morning.

It’s not a secret loophole. It’s simply supply and demand working in your favour while most of the country is asleep.

Is there a more realistic option?

Of course, most people are not setting alarms for 4am to book a holiday.

So I looked specifically at sociable hours.

If you are booking in the late evening, roughly 8pm to 10pm, prices were on average around 5 per cent cheaper than during the 9am to 10am rush for the same holiday.

Five per cent may not sound dramatic, but on a £2,000 family holiday that equates to around £100.

That is a tangible difference for many households – mine included.

When is the exact cheapest minute?

Out of curiosity, I pushed into the data further and examined booking times by the minute.

Consistently, the single cheapest minute recorded was 2:48am.

At that exact point, bookings were around 60 per cent cheaper than the most expensive time of day in the data sample.

Now – reality check time. Booking at 2:48am does not mean every holiday will magically be 60 per cent cheaper.

Pricing is influenced by many factors, including availability and route demand.

However, it illustrates just how wide the gap can be between peak and off-peak booking behaviour.

Testing it in real time

Data is one thing. I wanted to see it happen on screen. So I tested two different package holidays.

First, I checked Catty Cats Garden Hotel in Turkey at 2:47am. It was pricing at £133 per person.

Later that same morning, at 11:36am, the exact same hotel and dates were pricing from £165 per person.

That is roughly a 24 per cent increase in a few hours.

Then I repeated the test with a completely different deal – Mahdia Beach & Aqua Park in Tunisia.

At 2:48am, it was pricing from £130 per person. When I checked again at 11:46am, it had risen to £143 per person.

Again, same hotel, same dates. The only thing that changed was the time of day. Early hours versus late morning – identical searches but different prices.

It is a simple demonstration of how sensitive holiday pricing can be to demand levels throughout the day.

What this means for sunseekers

I want to be clear: I’m not encouraging everyone to live like an insomniac just to save a few pounds. But the broader trend is consistent.

Peak browsing hours tend to coincide with higher prices. Quieter periods – particularly early morning and late evening – often offer better value.

If you want a practical takeaway: avoid the 9am to 10am window if you can. Consider booking later in the evening instead.

And if you do happen to wake up at 4am and find yourself scrolling… it might be the most financially productive scroll of the week.

Holiday pricing is reactive, it responds to us.

So sometimes, saving money is not about finding a hidden code or waiting for a sale.

It is simply about stepping slightly outside the rush and pressing “book” when everyone else is still asleep.

Our present podcast era has bred a new generation of interlocutors from the public sphere, veteran interviewees turned journalists. Harper Simon is among the many pro musicians who have taken on the role of insatiably curious interrogator. The singer-songwriter, who is the son of Paul Simon, has made four solo albums and toured the country both as a solo artist and sideman, but it wasn’t until he was tapped by music manager Michael Lustig in 2016 to host an internet series called “Talk Show” that Simon found his new avocation.

The cream of Simon’s interviews have now been collected in “Thinking Out Loud,” which is published by L..A. imprint Hat & Beard Press. I chatted with Simon about the art of the interview, Pink Floyd and Ed Snowden.

✍️ Author Chat

I have found that people who have been interviewed a lot are good at interviewing others. They know how to avoid the banal and obvious questions.

I’m not a trained journalist, so the conversations were closer to what Andy Warhol’s “Interview” magazine used to be. More of a casual back-and-forth, rather than me trying to ask questions or having someone promote their product. So the book is really a combination of folks that I’ve known my whole life and others that I just asked to interview.

Interviewing public figures can be a very stilted experience. And then you wind up not getting much of anything.

Interviews with journalists are a funny thing. There is always this weird, uncomfortable hierarchical relationship, where the journalist might feel superior, or the subject feels that way. It creates this strange imbalance. The journalist might feel the need to wrest some hot information from the subject, or find some aha moment and then the subject gets their guard up. I feel like the interviews in my book are very relaxed. You’re going to get some truth, even if it’s a modest truth. There were some interviews I left out of the book because the subjects seemed too media trained or too guarded.

Some of your interviewees, like Eric Idle and Buck Henry, are people you’ve known your entire life, having grown up with your dad in that kind of very stimulating artistic milieu. Does that help or hurt?

I think I might get better material from folks like that. There’s a warmth there, but I’m also a huge fan of their work, so I want to hear about Eric Idle’s work with Monty Python, or Buck Henry hosting “Saturday Night Live.” There are still plenty of stories that I’ve never heard.

Harper Simon, the artist and son of Paul Simon, has released three solo albums and toured the country. His latest project is a collection of interviews.

(Demme)

Someone like Pink Floyd’s David Gilmour has been interviewed hundreds of times in his career. What is there left to ask?

It’s kind of like my father, where the legacy is so familiar and well-known, what is there left to be said? What is there left to say about “Dark Side of The Moon”? But it turned out to be a really good interview. He had some great things to say about [Pink Floyd founder] Syd Barrett, how Gilmour felt like the other members had behaved callously towards him at times. He also speaks with great warmth about his own family.

Harry Dean Stanton is in the book, and I have to empathize. He was by far the most difficult interview subject I’ve ever had to deal with. A man of few words.

It’s funny, because I wound up doing some projects with Harry Dean, like this big tribute event to help raise money for Vidiots in Eagle Rock, but even after all of that, we didn’t get any closer. He was a very hard person to know.

You interviewed James Woolsey, and you guys were definitely not on the same page, but the tone remains civil. Don’t you think it’s important to have a reasoned discourse with someone you don’t agree with politically?

Absolutely, but that was one that definitely became contentious at times. James Woolsey had been the former head of the CIA under Clinton. So I came into the interview feeling very outgunned. I’m not a trained political journalist. But somehow I had gotten it in my head that I was Abbie Hoffman and he was J. Edgar Hoover or something. This was 10 years ago, and Edward Snowden was the big story in the news. So I led with that, and Jim Woolsey, being a good CIA man with very strong convictions, felt that Snowden was a traitor. But then he said he would like to see him hung by his neck, which felt aggressive. Then things really went off the rails when we somehow got locked into a discussion about Israel and Palestine. I remember him saying to me, “You’re just parroting the talking points of the Muslim Brotherhood.” Now I found those words echoing in my thoughts when I listen to some people discuss the current situation. I respected him and enjoyed the conversation but it was intense. I thought I held my own reasonably well but he was a tough guy to get in the ring with.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Meredith Maran thinks Anastasiia Fedorova’s book “Second Skin” does a great job of busting open the taboo of what is commonly regarded as deviant sexual desire. The book “advocates for a person’s right to like what they like and to get it consensually,” writes Maran.

Victoria Lancaster has a chat with Emily Nemens about her new novel “Clutch” and the challenges of writing about midlife among a clutch of close female friends. “I was cognizant of balance and understanding the lazy-Susan of it,” says Nemens. “Making sure I was spinning all the way around the table and touching each piece in each storyline.”

Two new novels about game-changing women in history — Janet Rich Edwards’ “Canticle” and Paula McLain’s “Skylark” — find favor with Bethanne Patrick. What these books “get right about their very different heroines and time periods is that change doesn’t happen overnight. … [But] change can and does happen, one determined woman at a time.”

Finally, on the occasion of the new screen adaptation of “Wuthering Heights,” six authors weigh in on their love of Emily Brontë’s enduring romance novel.

📖 Bookstore Faves

Skylight Books on Vermont is a staple of the Los Feliz literati.

(Joel Barhamand/For the Times)

Let us praise Skylight Books, which for over 30 years has remained a pillar of its Los Feliz community, with the main shop and the arts annex just a few doors away from each other on Vermont Boulevard. Store manager Mary Wiliams tells us what her customers are sweeping off the shelves right now.

What is selling right now?

“Vigil” by George Saunders is our biggest seller right now. Aside from that, it seems like great recent fiction in paperback is dominating the bestseller list — “Rejection” by Tony Tulathimutte, “The City and Its Uncertain Walls” by Haruki Murakami, “Martyr!” by Kaveh Akbar, and “All Fours” by Miranda July all are books that keep on selling really well for us, month after month.

Do you sell more fiction than nonfiction, or is it a tie?

We sell a good amount of both, but fiction is the bigger seller. Especially literary fiction, which is our bread and butter. On the nonfiction front, “Everything Now” by Rosecrans Baldwin is a perennial bestseller out of our Regional section — it’s a great collection of essays about Los Angeles. And everything Patti Smith touches turns to gold, so her book “Bread of Angels” is also a hit here.

Your arts annex is unlike anything else in L.A. I suppose there is still a market for cool periodicals and expensive art books that the internet hasn’t knocked out?

Our goal with the annex is for it to be a place of discoverability — where you can find the weird cool art book, comic or magazine you didn’t know you needed. We hope even our customers who are well-versed in art books find something new every visit. A fair amount of what we carry isn’t widely available online in the U.S., so when we put it on our website in our Annex Picks section and advertise it in our newsletter, we get orders from around the country.

Skylight Books in Los Angeles is located at 1818 North Vermont Ave.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

AS an ignorant southerner, I barely believed the idyllic world I had seen on TV of Cumbria’s lakes, valleys and mountains could truly exist here in Britain.

And even as I gazed across the shimmering Ullswater lake, with the sun setting over the trees, I had to pinch myself.

I was so mesmerised I even tried to get the kids (aged five and seven) to stop fighting with sticks to take in the view with me. It didn’t work.

Even if it was a slightly different holiday to the one we’d taken in 2017BK (Before Kids), the 328-mile journey from East Sussex to the Lake District sure was worth it.

The drive even felt like part of the adventure, travelling in Skoda’s fully electric 2025 Elroq SportLine 85, complete with heated seats.

We only needed to stop to charge once, which gave us a welcome coffee and toilet break.

HANDS OFF OUR HOLS

Furious Sun readers demand Labour ditch holiday tax plan

I WOOD

I found the perfect woodland staycation for Center Parcs vibes without the price tag

Forty minutes and about £40 later we were off again, weaving past rolling hills, dry stone walls and flocks of curious sheep.

Our home for the next few nights was a cottage in picturesque Sedbergh, on the border of the Lakes and Yorkshire Dales.

Our home for the next few nights was a cottage in picturesque Sedbergh, on the border of the Lakes and Yorkshire Dales.

Known as England’s official “Book Town”, thanks to the high number of book shops here, its Emmerdale-esque scenery inspired my first attempt to get my children to “just look at the views”.

But like all later efforts to get them to marvel at, arguably, Britain’s greatest natural landscapes, it failed miserably.

I was told by my son that “I don’t really do views, I prefer doing things, like knee slides”.

Fair enough, and luckily for him there was plenty to keep him and his sister happy other than the scenery.

There’s lots for adults too, not least the food.

Cumbria claims to have the most Michelin stars outside of London, but my partner and I left the fine dining for a trip without youngsters.

Cumbria claims to have the most Michelin stars outside of London, but my partner and I left the fine dining for a trip without youngsters.

Instead, we spoiled ourselves in top-notch pubs, enjoying delicious, hearty grub.

Our local, The Dalesman, dished up beautiful pies by a roaring fire.

And the nearby Black Bull cooked up a stupendous full English and the biggest bacon sandwich I’ve ever seen, setting us up nicely for a day exploring.

Choosing where to eat is almost as important as picking which lake or waterfall to visit.

But while the Elroq features a smart windscreen display and huge navigation screen, I didn’t find cruising around narrow country lanes on a dark night that much fun.

They didn’t waste a penny on tarmac when they built the roads.

So we were lucky the 17th century Punch Bowl Inn in Crosthwaite was nearby and that its renowned cheese souffle lived up to the billing.

We also made use of the brilliant local produce by raiding the nearby Meat Hook butchers for fire-side steak and sausages at home.

While our electric Skoda may be the future of travel, we still enjoyed heading back in time with an unmissable trip on the steam train from Haverthwaite to Lakeside.

It is a great way to see some of the area and we combined it with a boat ride up the mighty Lake Windermere to Bowness where, once again, the views are jaw-dropping.

Bustling Bowness boasts a huge choice of pubs and shops, but we spent the afternoon in the magical, and reasonably priced, World Of Beatrix Potter Attraction.

As well as a Peter Rabbit cafe selling home-made cakes and afternoon tea, there is a free activity trail and interactive videos showing yet more cracking Lake District views, except on a screen.

The kids loved completing the puzzles about Peter Rabbit, Jemima Puddle-Duck and Co.

And while that kept their little minds entertained, the best way to burn off energy was climbing through the trees and adventure playgrounds of Brookhole on Windermere.

There, you can brave tree-top adventures in Zip World, try axe-throwing or take a boat out on the lake, among other activities.

We left there with the kids suitably exhausted and ready for an eight-hour drive home.

Luckily, they slept the entire way, tucked up in the back of the car, while I soaked up the last of those views.

Finalists and honorees for the 46th Los Angeles Times Book Prizes were announced Wednesday.

Writer-curator Ekow Eshun is among the biography finalists for “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them,” which parses Black masculinity as embodied by various civil rights activists, philosophers and other visionaries. Contenders in the fiction categories ranged from seasoned novelists like Michael Connelly to breakouts including Saou Ichikawa, whose debut novel, “Hunchback,” was longlisted for the 2025 International Booker Prize.

Many selected books evoke the greatest anxieties of our time, from government-sanctioned historical revisionism to the ongoing proliferation of AI.

“The Joy Luck Club” author Amy Tan will be honored with this year’s Robert Kirsch Award for lifetime achievement. Nonprofit We Need Diverse Books and novelist Adam Ross will receive the Innovator’s Award and Christopher Isherwood Prize for Autobiographical Prose, respectively.

Winners in the remaining categories will be revealed at the 46th L.A. Times Book Prizes on April 17 at USC’s Bovard Auditorium. The ceremony is a prelude to the annual L.A. Times Festival of Books, which this year runs April 18-19.

The Oakland-born Tan will be given the marquee Robert Kirsch Award, which celebrates literature with regional and thematic connections to the Western United States, for her highly awarded body of work exploring multicultural identity and its complex effects on familial bonds.

“Throughout her extraordinary career, Amy Tan has transformed American literature by shining a light on the emotional complexities of family, identity and cultural inheritance,” said Times senior editor for Books Sophia Kercher. “Her work confronts the social and cultural legacies of the American West with rich details of the immigrant experience.”

Tan’s 1989 debut novel, “The Joy Luck Club,” which interweaves the stories of four Chinese immigrant mothers and their American-born daughters in San Francisco, is a staple of the modern literary canon and was previously a finalist for the National Book Award and the National Book Critics Circle Award. “The Joy Luck Club,” along with the essays, memoirs and novels Tan has since penned — most recently 2024’s “The Backyard Bird Chronicles” — have also led her to be inducted into the American Academy of Arts and Letters and earned her a National Humanities Medal from President Biden.

We Need Diverse Books, a viral 2014 Twitter campaign turned nonprofit, is being honored with the Innovator’s Award for its efforts toward promoting diversity and inclusion in children’s and young adult publishing.

According to the WNDB website, upon the nonprofit’s launch more than a decade ago, only 8% of children’s books published in the U.S. were written by authors of color. In 2023, that figure rose to 47%, in no small part due to WNDB’s grants, library partnerships and other advocacy work, per the Cooperative Children’s Book Center at the University of Wisconsin-Madison.

“We Need Diverse Books has played an important role in publishing by championing stories that reflect our world, and opening doors for writers and readers,” said Times Executive Editor Terry Tang. “We are thrilled to recognize them with this year’s Innovator’s Award, honoring their unwavering commitment to access and representation in literature.”

Ross rounds out the L.A. Times Book Prize honorees as the winner of the Christopher Isherwood Prize for “Playworld,” a semi-autobiographical novel about a teen growing up in 1980s New York that is described as “less a bildungsroman than a story of miseducation.”

In addition to the achievement awards, the Book Prizes recognize titles in 13 categories: audiobooks, autobiographical prose (the Christopher Isherwood Prize), biography, current interest, fiction, first fiction (the Art Seidenbaum Award), graphic novel/comics, history, mystery/thriller, poetry, science fiction, science and technology and young adult literature. Each category’s finalists and winners are chosen by panels of writers specializing in that genre.

For more information about the Book Prizes, including the complete list of finalists, visit latimes.com/BookPrizes.

Robert Kirsch Award

Amy Tan

Innovator’s Award

We Need Diverse Books

The Christopher Isherwood Prize for Autobiographical Prose

Adam Ross, “Playworld: A Novel”

The Art Seidenbaum Award for First Fiction

Andy Anderegg, “Plum”

Krystelle Bamford, “Idle Grounds: A Novel”

Addie E. Citchens, “Dominion: A Novel”

Justin Haynes, “Ibis: A Novel”

Saou Ichikawa translated by Polly Barton, “Hunchback: A Novel”

Achievement in Audiobook Production, presented by Audible

Molly Jong-Fast (narrator), Matie Argiropoulos (producer); “How to Lose Your Mother”

Jason Mott, Ronald Peet, and JD Jackson (narrators), Diane McKiernan (producer); “People Like Us: A Novel”

James Aaron Oh (narrator), Linda Korn (producer); “The Emperor of Gladness: A Novel”

Imani Perry (narrator), Suzanne Mitchell (producer); “Black in Blues”

Maggi-Meg Reed, Jane Oppenheimer, Carly Robins, Jeff Ebner, David Pittu, Chris Andrew Ciulla, Mark Bramhall, Petrea Burchard, Robert Petkoff, Kimberly Farr, Cerris Morgan-Moyer, Peter Ganim, Jade Wheeler, Steve West, and Jim Seybert (narrators), Kelly Gildea (producer); “The Correspondent: A Novel”

Biography

Joe Dunthorne, “Children of Radium: A Buried Inheritance”

Ekow Eshun, “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them”

Ruth Franklin, “The Many Lives of Anne Frank”

Beth Macy, “Paper Girl: A Memoir of Home and Family in a Fractured America”

Amanda Vaill, “Pride and Pleasure: The Schuyler Sisters in an Age of Revolution”

Current Interest

Jeanne Carstensen, “A Greek Tragedy: One Day, a Deadly Shipwreck, and the Human Cost of the Refugee Crisis”

Stefan Fatsis, “Unabridged: The Thrill of (and Threat to) the Modern Dictionary”

Brian Goldstone, “There Is No Place for Us: Working and Homeless in America”

Gardiner Harris, “No More Tears: The Dark Secrets of Johnson & Johnson”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Fiction

Tod Goldberg, “Only Way Out: A Novel”

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Mia McKenzie, “These Heathens: A Novel”

Andrés Felipe Solano translated by Will Vanderhyden, “Gloria: A Novel”

Bryan Washington, “Palaver: A Novel”

Graphic Novel/Comics

Eagle Valiant Brosi, “Black Cohosh”

Jaime Hernandez, “Life Drawing: A Love and Rockets Collection”

Michael D. Kennedy, “Milk White Steed”

Lee Lai, “Cannon”

Carol Tyler, “The Ephemerata: Shaping the Exquisite Nature of Grief”

History

Char Adams, “Black-Owned: The Revolutionary Life of the Black Bookstore”

Bench Ansfield, “Born in Flames: The Business of Arson and the Remaking of the American City”

Jennifer Clapp, “Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters”

Eli Erlick, “Before Gender: Lost Stories from Trans History, 1850-1950”

Aaron G. Fountain Jr., “High School Students Unite!: Teen Activism, Education Reform, and FBI Surveillance in Postwar America”

Mystery/Thriller

Megan Abbott, “El Dorado Drive”

Ace Atkins, “Everybody Wants to Rule the World: A Novel”

Lou Berney, “Crooks: A Novel About Crime and Family”

Michael Connelly, “The Proving Ground: A Lincoln Lawyer Novel”

S.A. Cosby, “King of Ashes: A Novel”

Poetry

Gabrielle Calvocoressi, “The New Economy”

Chet’la Sebree, “Blue Opening: Poems”

Richard Siken, “I Do Know Some Things”

Devon Walker-Figueroa, “Lazarus Species: Poems”

Allison Benis White, “A Magnificent Loneliness”

Science Fiction, Fantasy & Speculative Fiction

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Jordan Kurella, “The Death of Mountains”

Nnedi Okorafor, “Death of the Author: A Novel”

Adam Oyebanji, “Esperance”

Silvia Park, “Luminous: A Novel”

Science & Technology

Mariah Blake, “They Poisoned the World: Life and Death in the Age of Forever Chemicals”

Peter Brannen, “The Story of CO2 Is the Story of Everything: How Carbon Dioxide Made Our World”

Karen Hao, “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI”

Laura Poppick, “Strata: Stories from Deep Time”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Young Adult Literature

K. Ancrum, “The Corruption of Hollis Brown”

Idris Goodwin, “King of the Neuro Verse”

Jamie Jo Hoang, “My Mother, the Mermaid Chaser”

Trung Le Nguyen, “Angelica and the Bear Prince”

Hannah V. Sawyerr, “Truth Is: A Novel in Verse”

People are raving on about the drama series which is believed to be a ‘hidden gem’ and it’s available on a number of TV networks, including Disney+. So have you seen this before?

Looking for the next big TV series to binge-watch? It can be hard finding a new show to watch, especially if you’ve just finished something decent on Netflix or Amazon Prime.

Now people are raving on about a ‘hidden gem’ they found – and it’s available on a number of TV networks, including Disney+. After one TV fan asked for recommendations in a popular thread, many people flooded the comments section where they offered a number of suggestions, one of them being Will Trent, a American police TV drama. The series follows a Special Agent of the Georgia Bureau of Investigations.

As a child, Trent was abandoned and forced to endure a harsh coming-of-age in Atlanta’s overwhelmed foster care system. It was based on one of prolific New York Times author Karin Slaughter’s bestselling books.

The Reddit post read: “Any current network (CBS, ABC, NBC, etc.) TV shows that are any good? Most of the shows I currently watch are on streaming services and I’m wondering if there’s any hidden gems I’m missing out on.”

Many people shared their suggestions, including High Potential and The Rookie.

But plenty of viewers labelled Will Trent as a must-see. The series, which is also available on other network channels, can be streamed on Disney+ for subscribers.

The series was developed by Liz Heldens and Daniel T. Thomsen which stars Ramón Rodríguez and premiered on January 3, 2023, on ABC.

A year later in April, the series was renewed for a third season which landed on January 7, 2025. Then months later, the series was given the green light for a fourth season which finally premiered on January 6, this year.

The series follows Will who grew up in the Atlanta foster care system after being abandoned as a child. Despite being dyslexic and his upbringing having a lasting effect on him, he became a Special Agent in the Georgia Bureau of Investigation (GBI).

Will, a highly observant character, had been assigned a corruption case involving the Atlanta Police Department which shares an office building with the GBI.

The story also shows his on-again off-again relationship with APD Detective Angie Polaski, a childhood friend from the foster care system.

Will Trent has a 7.7 out of 10 rating on IMDb and 83% on Rotten Tomatoes. To watch it on Disney+, you must have a subscription on the streaming platform.

Expedia’s Air Hacks Report shows how holidaymakers can save hundreds on flights – including the cheapest day to fly, best time to book and most affordable month to travel

New figures from travel agency Expedia have uncovered how holidaymakers can knock hundreds of pounds off their flight costs, with Friday now officially crowned the most budget-friendly day to jet off. Expedia has put together a comprehensive guide of “Air Hacks” to help travellers secure the best bargains throughout the year.

The latest Air Hacks Report shows that travellers can pocket an average saving of 18% by departing on a Friday rather than a Saturday. Despite being the busiest travel day of the week, Friday delivers the strongest value for money. Meanwhile, Tuesday emerges as the quietest day for flying but most expensive to book.

According to the report, the best day to book is Sunday, as this gets you the best deal and June is the most affordable month to fly, with flights 68% cheaper on average than December, which represents a potential saving of £250 per ticket.

For optimal booking, the most affordable window for domestic economy flights is between 31 and 45 days before departure, which will save people around £38 compared to booking six months out.

For international travel, adults can save an average of £93 by booking between 15 and 30 days ahead of time instead of six months, though purchasing tickets 31 to 45 days before can still yield a saving of £85.

Regarding UK airports, the cheapest to fly from, on average, are Belfast (£170), Liverpool (£171), and Bournemouth (£171). Conversely, the most expensive airports to fly from are London Heathrow (£533), Humberside (£420), and Manchester (£404).

Melanie Fish, a spokesperson from Expedia, said: “We are very excited to release these new findings and share our top air hacks for 2026 to ensure holidaymakers get the best value for money, as well as an enjoyable travelling experience.

The report also uncovered emerging travel trends. Twenty percent of travellers have booked an “extreme day trip,” which involves a roundtrip flight within 24 hours to visit a new destination.

Over half (51%) of international flyers now opt for morning departures, with only 15% choosing an evening flight. Furthermore, a third of travellers now fly with only a carry-on bag, and 29% admit they wear extra layers to avoid baggage fees.

The company, which launched a ‘Flight Deals’ feature to help users find flights 20% below the norm, hopes these insights will help holidaymakers navigate the overwhelming and expensive process of planning a trip.

A travel enthusiast and On the Beach worker shared the cheapest time to book flights and hotels

People hoping to get the best deal on their summer holiday might need to set an early alarm. A travel influencer claims he knows the ‘cheapest time’ for booking flights and hotels – and it’s bad news if you like to sleep in.

The tip was shared on social media by Rob Brooks, a travel enthusiast and influencer with the travel company On The Beach. He is well-known online for providing budget-friendly travel advice, hotel reviews, and holiday tips, which has helped him amass a significant following on social media, especially on TikTok where he goes by the username @Robonthebeach.

In a recent video, Rob shared ‘three bad holiday booking habits that could be costing you £100s’ and explained how the timing of your holiday booking can affect the price. Introducing the three tips, Rob said: “I look through holiday bookings every single day, and I see these mistakes all the time.”

For his first point, Rob suggested that people shouldn’t book their holidays in the morning unless they get up early. “Your first bad booking habit is booking holidays in the morning,” he claimed.

“We see so many people book holidays between 7am and 10am in the morning. Often, that’s people booking just before work, on the commute, or even at the desk with their first coffee. And I get it, it feels like you’re being really productive and taking off something big right at the beginning of the day.

“But not many people know it’s actually one of the most expensive windows to book, because you’ve got loads of people searching at the same time. Everyone’s had the same idea, which means demand spikes, flight prices spike too, and then package prices follow.”

Rob continued: “The best times to book are statistically in the evening, between 8pm and 10pm. And actually the very cheapest time to book is first thing in the morning, between 4am and 5am. But no one’s setting their alarm for that habit.”

Continuing his video, Rob shared two more mistakes that he said holidaymakers should be wary of. In his second tip, he suggested people shouldn’t wait when they find the right deal for them.

“Don’t forget, when you find a really good deal, it’s very likely that someone else has found the same deal too. So waiting doesn’t protect you; it usually just means that the best price then disappears. So I would say this: when you find a holiday that you think is a really good price and you’ve checked it against other people, don’t wait, just get it booked,” he advised.

Finally, the travel influencer warned people against being ‘super rigid’ with their holiday dates. Rob pointed out that switching your holiday from seven days to six days, for example, could make a big difference to the price.

Michael Silverblatt, the longtime host of the KCRW radio show “Bookworm” — known for interviews of authors so in depth that they sometimes left his subjects astounded at his breadth of knowledge of their work — has died. He was 73.

Silverblatt died Saturday at home after a protracted illness, a close friend confirmed.

Although Silverblatt’s 30-minute show, which ran from 1989 to 2022 and was nationally syndicated, included interviews with celebrated authors including Gore Vidal, Kazuo Ishiguro, David Foster Wallace, Susan Orlean, Joan Didion and Zadie Smith, the real star of the show was the host himself, the nasal-voiced radio personality who more than once in life was told he did not have a voice for his medium.

His show represents one of the most significant archives of conversations with major literary powerhouses from the late 20th and early 21st centuries.

But Silverblatt knew that he was as much a character as the people he interviewed.

“I’m as fantastical a creature as anything in Oz or in Wonderland,” he said during a talk in front of the Cornell University English department in 2010. “I like it if people can say, ‘I never met anyone like him,’ and by that they should mean that it wasn’t an unpleasant experience.”

Born in 1952, the Brooklyn native learned to love reading as a child when he was introduced to “Alice’s Adventures in Wonderland.” Neighbors would see him walking the streets of Brooklyn with his head in a book and would sometimes call his parents out of fear he might get hurt.

But until he left home for the University at Buffalo, State University of New York, at the age of 16, Silverblatt has said, he had never met an author.

His college, however, was filled with such famous authors as Michel Foucault, John Barth, Donald Barthelme and J.M. Coetzee, who were all working as professors.

Silverblatt was shy and too embarrassed to speak during class because of his inability to clearly pronounce the letter “L,” which appears three times in his own name. Yet he considered the authors to be his friends, even if they did not know it yet, he said during the Cornell talk.

He would approach them after class to speak about their work.

Despite his interest in literature, Silverblatt’s parents wanted him to become a mail carrier, he said. The summer after his freshman year, Silverblatt worked a New York City mail route, delivering letters to the mayor’s mansion on an Upper East Side route that took him past numerous old bookstores and used-books shops. During that job, he said in the Cornell talk, he purchased the complete works of Charles Dickens.

Silverblatt moved to Los Angeles after college in the mid-1970s and worked in Hollywood in public relations and script development.

Like many young writers in Los Angeles, he wrote a script that never got made.

It was in Los Angeles that Silverblatt met Ruth Seymour, the longtime head of KCRW.

Seymour had just returned to the United States from Russia and was at a dinner party where everyone was discussing Hollywood. There, she and Silverblatt became immersed in a one-on-one discussion of Russian poetry.

“He’s a great raconteur and so the rest of the world just vanished,” Seymour told Times columnist Lynell George in 1997. “Afterward I just turned and asked him: ‘Have you ever thought about doing radio?’”

For the next 33 years, that’s exactly what he thought about.

“Michael was a genius. He could be mesmerizing and always, always, always brilliant,” said Alan Howard, who edited “Bookworm” for 31 years.

“It’s an extraordinary archive that exists, and I don’t think anyone else has ever created such an archive of intelligent, interesting people being asked about their work,” Howard said. “Michael was very proud of the show. He devoted his life to the show.”

Silverblatt once dreamed of being on the other side of the microphone, as a writer in his own right, Howard said. But he faced bouts of writer’s block through his 20s and gave up writing.

“Eventually, he came to find peace with the reality of that,” Howard said.

Instead of writing, he became an accumulator of a vast amount of other writers’ work — in his library as well as the repository in his head. He had an incredible memory for the books he read.

Silverblatt converted the apartment next to his Fairfax apartment into a library where he kept thousands of books, Howard said.

“It was heaven,” he said. “It was a fabulous library.”

“He was such a singular person,” said Jennifer Ferro, now the president of KCRW. “He had a voice you would never expect would be on radio.”

Alan Felsenthal, a poet who considered Silverblatt a mentor, called Silverblatt’s voice “sensitive and tender.”

Felsenthal said the show was about creating a space of “infinite compassion,” where writers could share things they might not share in everyday conversation.

“Michael was one of a kind, truly singular. And his voice is too,” Felsenthal said.

One of the most important tenets of Silverblatt’s approach was that he not only read the book he was discussing on his show that day, but also read the entire oeuvre of the authors he interviewed.

“A significant writer would come in and be bowled over by Michael’s depth of vision of the work at hand,” Howard said.

David Foster Wallace, in one interview, said he wanted Silverblatt to adopt him.

Silverblatt said he strove to read an author’s entire body of work, but he never claimed to have read it all if he hadn’t.

“In general I try to read the author’s complete work. … That’s not always true, and I never say it if it isn’t true. But more often than not, I have, at least, read the majority of the work. And sometimes it’s a superhuman challenge,” he said in the 1997 Times column.

The voracious reader said that the best books, those that brought him happiness, were not the ones that ease our way in this strange and difficult world.

“The books I love the most made it harder for me to live,” he said.

Silverblatt is survived by his sister, Joan Bykofsky.