boney island

Boney Island, a much-loved, homemade, skeleton-centric L.A. Halloween attraction for more than 20 years, will now be a ghost.

Creator Rick Polizzi — known to many for his 1996-2009 role as a producer of “The Simpsons” — announced on social media Monday that Boney Island is coming to an end.

The reason: A planned move to Santa Clarita has run into “unforeseen permitting and production challenges.” Polizzi said the county-wide slump in TV and film production is partially to blame.

After a string of venue changes, Polizzi said he was in talks to rent a set of soundstages at Santa Clarita Studios, and a large amount of Boney Island sets, props and other materials had already been moved to Santa Clarita.

But several logistical challenges proved hard to solve, and one element was the studios’ decision to reduce their inventory of soundstages. As a result, Polizzi said, “the rug was kind of pulled out from under us.”

Santa Clarita Studios President Mike DeLorenzo said that this fall, the studio will let go of leases on three of its 35-plus soundstages. Of Boney Island, DeLorenzo said that “we truly wanted this to happen, but it just didn’t make sense financially.” By the tally of FilmLA, on-location production days for film and TV in greater Los Angeles fell by 46% from 2022 to 2025.

With no other remedies in sight, Polizzi and company put out word on Instagram and Facebook, saying that after carefully considering locations, city permitting costs and storage, “we have made the difficult decision to officially bring Boney Island to an end” and sell the collection.

Reaction was quick, sad and peppered with family memories. “Thank you for creating so much magic for my family as well as so many others,” wrote one admirer on Instagram. “My kids and myself will forever walk around in a squeaky voice reciting: “Help meeee…I feeel like a yo-yo.”

Former “Simpsons” producer Rick Polizzi in his Sherman Oaks treehouse, known as “Boney Island,” in 2025.

(Juliana Yamada / Los Angeles Times)

Boney Island, a playful homage to Coney Island, was born in the late 1990s when Polizzi set out to build a Halloween attraction in his Sherman Oaks front yard for his family and neighbors. He was joined by “Aqua Dazzle” owner Rex Danyluk and friends as they designed an immersive, imaginative experience without a haunted house, a maze or jump scares. Instead it featured cavorting skeletons, magic acts and water shows.

“It’s not all the gore and horror stuff that everything else is,” Polizzi said. “I started it for my daughters.”

Eventually, the yard’s tall treehouse and growing crowds each Halloween led to permit disputes and the prospect of criminal charges.

“We were a victim of our own success, because it got so crowded we had to hire traffic control,” Polizzi told Spectrum News in 2025, adding that “one neighbor across the street always hated it.” Polizzi estimated that he’d spend more than $50,000 trying to get proper city approvals before dismantling the treehouse in 2025.

“I had the cool experience of actually ascending into the treehouse,” said Kim Cooper, co-owner of Esotouric tours and former visitors to the treehouse. “You look at this thing and you think: Wait a minute. That’s possible?”

Polizzi, in 2025, flips through a scrapbook he made about Boney Island.

(Juliana Yamada / Los Angeles Times)

Boney Island’s red-tape battles with the city of Los Angeles, Cooper said, show that “there is sadistic, demented element in the city [government] that does not like to see people who have an independent sense of élan and freedom.”

Still, Boney Island seemed likely to live on elsewhere. While the red-tape battles were being fought, the attraction moved from Polizzi’s yard to Griffith Park in 2018, went dark for several years, then resurfaced at the Natural History Museum of Los Angeles in 2023 and 2024, drawing tens of thousands of people. But the Exposition Park location proved difficult for many guests, Polizzi said, and the event went dark again last year while organizers searched for a new location, preferably a gated space with at least 70,000 square feet. Polizzi said he explored many options, including the L.A. Zoo, another corner of Griffith Park, Descanso Gardens, the L.A. County Arboretum, but none quite fit. Some of those spots host elaborate holiday light displays that require set-up in late October.

The best option seemed to be the soundstages at Santa Clarita Studios. “It was going to be challenging to have it inside to begin with, but I was looking forward to it,” Polizzi said.

At this point, he added, it would take a last-minute location discovery to change things.

“I would love to keep it going, I just don’t have a place for it,” Polizzi said.