black people

For more than a century, South Los Angeles has been an anchor for Black art, activism and commerce — from the 1920s when Central Avenue was the epicenter of the West Coast jazz scene to recent years as artists and entrepreneurs reinvigorate the area with new developments such as Destination Crenshaw.

Now, the region’s legacy is receiving formal recognition as a Black cultural district, a landmark move that aims to preserve South L.A.’s rich history and stimulate economic growth. State Sen. Lola Smallwood-Cuevas (D-Los Angeles), who led the effort, helped secure $5.5 million in state funding to support the project, and last December the state agency California Arts Council voted unanimously to approve the designation. The district, formally known as the Historic South Los Angeles Black Cultural District, is now one of 24 state-designated cultural districts, which also includes the newly added Black Arts Movement and Business District in Oakland.

Prior to this vote, there were no state designations that recognized the Black community — a realization that made Smallwood-Cuevas jump into action.

“It was very frustrating for me to learn that Black culture was not included,” said Smallwood-Cuevas, who represents South L.A. Other cultural districts include L.A.’s Little Tokyo and San Diego’s Barrio Logan Cultural District, which is rooted in Chicano history. Given all of the economic and cultural contributions that South L.A. has made over the years through events like the Leimert Park and Central Avenue jazz festivals and beloved businesses like Dulan’s on Crenshaw and the Lula Washington Dance Theatre, Smallwood-Cuevas believed the community deserved to be recognized. She worked on this project alongside LA Commons, a non-profit devoted to community-arts programs.

Beyond mere recognition, Smallwood-Cuevas said the designation serves as “an anti-displacement strategy,” especially as the demographics of South L.A. continue to change.

“Black people have experienced quite a level of erasure in South L.A.,” added Karen Mack, founder and executive director of LA Commons. “A lot of people can’t afford to live in areas that were once populated by us, so to really affirm our history, to affirm that we matter in the story of Los Angeles, I think is important.”

The Historic South L.A. Cultural District spans roughly 25 square miles, situated between Adams Boulevard to the north, Manchester Boulevard to the south, Central Avenue to the east and La Brea Avenue to the west.

Now that the designation has been approved, Smallwood-Cuevas and LA Commons have turned their attention to the monument — the physical landmark that will serve as the district’s entrance or focal point — trying to determine whether it should be a gateway, bridge, sculpture or something else. And then there’s the bigger question: Where should it be placed? After meeting with organizations like the Black Planners of Los Angeles and community leaders, they’ve narrowed their search down to eight potential locations including Exposition Park, Central Avenue and Leimert Park, which received the most votes in a recent public poll that closed earlier this month.

As organizers work to finalize the location for the cultural district’s monument by this summer, we’ve broken down the potential sites and have highlighted their historical relevance. (Please note: Although some of the sites are described as specific intersections, such as Jefferson and Crenshaw boulevards, organizers think of them more as general areas.)

The president of the United States posted a racist video Thursday night depicting Barack and Michelle Obama as apes. On Friday, the White House dismissed criticism — but the president deleted the post. Was this episode disappointing? Yes. Surprising? Not anymore.

Last spring, after Pope Francis had died, Donald Trump posted an AI image of himself as the pope just days before cardinals convened to elect a successor.

So, no — it is not surprising that the president would choose to post virulent anti-Black imagery during Black History Month.

But it is disappointing here in 2026 that an occupant of the Oval Office is still thinking like that.

Back in 1971, the president of the United States laughed when the governor of California referred to the African delegates at the United Nations as monkeys. Less than 10 years later, that governor became the president of the United States. And here we are, half a century later, and yet another president has amplified that racist trope.

Meaning white supremacy is still on the ballot.

That Nixon-Reagan-Trump throughline isn’t tightly wound around policy or principle, but simply that shared worldview. After all, Nixon created the Environmental Protection Agency and Reagan offered amnesty to immigrants — highly un-Trump-like moves. No, their commonality is best revealed in the delight each man took in an old racist attack against Black people.

For Americans who are 50 and older — roughly a third of the nation — this worldview has been the architect responsible for White House policy for most of our lives. And yet, when Kamala Harris lost the 2024 election, the forensic investigation focused on grocery prices and her absence from Joe Rogan’s podcast. Some — in trying to explain why Harris lost — mischaracterized her role at the border or inflated her influence on the war in Gaza.

For some reason, race did not seem to receive the same level of scrutiny.

This factor was slighted despite decades of data, such as the wave of white nationalists endorsing Harris’ opponent and the birther movement questioning President Obama’s citizenship. The trio of presidents who are on the record as enjoying depictions of Black people as monkeys — Nixon, Reagan and Trump — all used racist dog whistles in their combined 10 presidential campaigns. Their administrations have tended to be more anti-civil-rights movement than post-civil-rights movement.

Our nation’s attempts at understanding ourselves are continuously undercut by the denial that for some single-issue voters, race is their single issue. Not the price of bacon or their religious convictions. Not Gaza. Just the promise of having a safe space for prejudice. And when the president of the United States entertains racist jokes as Nixon did in the 1970s or shares racist videos as Trump continues to do, undoubtedly there is a sense among the electorate that such prejudice has a home in the White House.

Before Trump used social media to push yesteryear’s ugliness, earlier in the week Harris relaunched her 2024 social media campaign account, calling it a place where Gen Z can “meet and revisit with some of our great courageous leaders, be they elected leaders, community leaders, civic leaders, faith leaders, young leaders.” She exhorted: “Stay engaged. I’ll see you out there.”

Whether she plans to run again in 2028 is unclear. What we do know is she would not have posted an AI picture of herself as the new pope while Catholics were mourning Francis (or any other time). We know she would not have advocated for immigration officers to racially profile Black and brown Americans or disregard the 14th Amendment to detain children. We do not know how many of her policy proposals she would have been able to get across the finish line in Congress, but we do know her record of public service to the American people, in contrast with the current president who is suing the American people for $10 billion.

There is nothing wrong with revisiting Harris’ missteps on the campaign trail or debating her electability as she reemerges in the public spotlight. But now that Trump has resorted to posting monkey jokes about Black people, perhaps updated forensics will consider our well established history of racism among the factors in the 2024 election.

It is not a shock that a president of the United States thinks poorly of Black people. Not when you know that more than 25% of those who have held the office were themselves enslavers. But it is disappointing that 250 years into our nation’s story, some of us still deny the role that racism plays in shaping our politics and thus all of our lives.

YouTube: @LZGrandersonShow