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In a book nerd battle that’s become so epic, even The Onion has satirized the saga, acclaimed author Susan Orlean has grabbed the mic, and Emily Wilson is admitting she has one regret in her review of “The Odyssey.”

Earlier this week, Joyce Carol Oates panned Wilson’s critique of Christopher Nolan’s big-screen adaptation, and now acclaimed author and journalist Susan Orlean has entered the chat.

“I loved The Odyssey (saw it twice) and love any piece of art that gets people talking and reading and thinking,” she posted on Threads on Thursday. “Emily Wilson is being a bit of a jerk.”

Choice words from Orlean, but she knows a thing or two about film adaptations: her 1998 book “The Orchid Thief” inspired Spike Jonze’s 2002 film “Adaptation” starring Nicolas Cage and Meryl Streep (who played Orlean), and her 1998 article “Life’s Swell” was brought to screen as “Blue Crush,” also in 2002.

“Why can’t things be the things they are and if they’re different from their source material that’s their new form and their own thing and I SAY THIS FROM EXPERIENCE,” she added in a separate post.

The ire stems from a biting 4,200-word takedown of “The Odyssey” penned by classicist Wilson, who translated Homer’s poem in 2017.

In early interviews discussing the film, Nolan referenced Wilson’s translation, which subsequently skyrocketed in sales. A representative for Audible told The Times on Wednesday that, year over year, purchases of Wilson’s “Odyssey” translation were up by more than 600% across Audible’s U.S., U.K. and Canadian marketplaces.

Wilson’s review, published in the London Review of Books, essentially dubbed Nolan’s film a dud for academics with taste and a blockbuster hit for virgins who like special effects that go “Boom!”

“Nolan’s Odyssey lacks many of the elements that make the poem great. It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbours,” she wrote. “It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.”

Pulitzer Prize finalist Oates, like Orlean, is also team Nolan. “Her tone of dismissal & haughty superiority strike a sour note,” Oates said of Wilson’s review in a post on X. Oates added that rather than Wilson disagreeing with “interpretations of Homer in a collegial manner,” she benefited from Nolan’s film and then attacked it.

Wilson’s review went so viral it crashed the London Review of Books website for a few hours on Monday. On the heels of the missive’s publication, Wilson posted on Bluesky that an earlier draft of the essay was actually more cutting than the version that went live.

“Was I too mean? Or not mean enough? I went through my first draft and tried to take out the snark,” she wrote. “To quote the great poet: ‘Though much is taken, much remains… That which we are, we are.’”

She added in the same thread: “The oddest thing about the response to this essay is people who say it’s ‘personal’. You can disagree about some or all of it! I may well be wrong! But it’s not ‘personal’ to analyze a film or other work of art, even negatively. Criticism is more than ‘Hurray!’ or ‘Hiss!’”

One criticism Wilson admits she regrets in retrospect is her take on Nolan’s race-neutral casting. In the review she wrote that while the casting launched a culture war, it wasn’t actually progressive. She likened the characters portrayed by Zendaya, Lupita Nyong’o, Himesh Patel, Corey Antonio Hawkins and Travis Scott to “versions of the Black best friend, whose only role in the drama is to provide aid to the white protagonist.”

On Bluesky, she wrote, “In this piece, I regret the paragraph about the uses of the POC actors – who are all great, but IMO under-utilized (and why couldn‘t Himesh Patel be Odysseus instead?) I still think the film largely wastes its strong cast, but I framed it badly.”

Jeremy Clarkson took to Instagram this weekend with an exciting update on his hit Prime Video series

The update comes days after his cancer diagnosis was revealed.

Clarkson’s Farm Season 6 is officially in the works at Prime Video, Jeremy Clarkson has confirmed.

The news comes days after the fifth outing of the former Top Gear star’s hit series concluded with the devastating news that he has been diagnosed with cancer.

Jeremy took to Instagram this weekend with a filmed update in front of a Lamborghini tractor.

“So, bit of a year,” he began. “But, I am delighted to tell you that Season 6 of Clarkson’s Farm is currently being filmed. It’s in production.

“And that’s particularly good news for me because… well, if you know, you know.

“And, if you don’t know, you need to watch Season 5.”

Despite Jeremy being diagnosed with an “aggressive” form of prostate cancer, which devastated his farming colleagues Kaleb Cooper and Charlie Ireland in the seventh episode of season five, he’s now confirmed to be cancer free.

The presenter took to Instagram just a couple of hours before the Season 6 announcement to assure fans he’s “perfectly fine” and urging men to get tested.

His update also arrives after Jeremy was spotted with camera crews on Diddly Squat Farm, leading to speculation that Season 6 was almost certainly underway.

Fans can now rest assured that the upcoming instalment is officially in the works and is likely to be released in summer 2027.

One of his followers replied: “I love you Jeremy, love the show and the rest of the crew.”

Someone else exclaimed: “Best news of the day!” And another said: “Wonderful news [heart emoji].”

“Absolutely thrilled,” another fan commented. “Thrilled as your show is one of my all time favourites, but even moreso that you’re all clear health wise! Excitedly awaiting season 6.”

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Season 5 was a rocky road for the Diddly Squat crew, which also includes Jeremy’s partner Lisa Hogan and dry stone walling expert Gerald Cooper.

In addition to Jeremy’s cancer diagnosis, the latest instalment kicked off with Jeremy’s emergency heart surgery in late 2024 and saw one of his toughest farming experiences yet as his pregnant cow was slaughtered due to “inconclusive” tuberculosis tests.

However, there were plenty of uplifting moments too as the AI-powered AgBot tractor proved a success and Kaleb welcomed his third child with fiancée Taya.

Clarkson’s Farm is available to stream on Prime Video.