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Emma Willis is set to take over Zoe Ball’s BBC Radio 2 Saturday show

Emma Willis has opened up about the “pressure” surrounding her latest career move. The 49 year old television personality is preparing to take over Zoe Ball’s BBC Radio 2 Saturday lunchtime slot after the broadcaster announced her departure last month.

Every Saturday afternoon from 1-3pm, Emma will host a programme filled with conversations featuring special guests and listeners, alongside a carefully curated selection of top-quality music.

Speaking ahead of her Radio 2 debut, Emma joined Monday’s (January 12) edition of BBC The One Show, where presenters Roman Kemp and Clara Amfo quizzed her about the upcoming venture.

Roman wasted no time addressing the elephant in the room, asking: “You’re taking over from Zoe Ball, feeling any nerves?”, reports Wales Online.

Emma confessed: “I’m super excited but I’m a bit nervous because it’s Zoe Ball. Taking over her show but I just have to think it’s not taking over her show, let’s not think of it like that because that would terrify me.”

She added: “Zoe is the queen of Radio 2.” Roman interjected: “Sounds like you’re already over thinking it. I can’t lie, it sounds like you are already over thinking it.”

Laughter erupted in the studio as Emma revealed: “She sent me a message ‘it’s going to be great, you’re going to be fine’ and I said ‘ok, thank you’. People love Zoe don’t they? So there is that bit of pressure.”

Looking visibly anxious, the presenter remarked: “It’s two hours of radio, what could possibly go wrong.” Roman offered words of encouragement, telling her: “They love you.”

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Emma went on to say: “It is a lovely slot one till three – I’m super excited. I have been on Radio 2 for a couple of years so it’s familiar territory but I just want it to be all about the listeners.”

For six years, Emma has co-hosted Sunday mornings on Heart Radio with Stephen Mulhern. Since 2019, she has become a familiar voice on Radio 2, often stepping in for Sara Cox, Claudia Winkleman and Romesh Ranganathan.

Helen Thomas, Head of Radio 2, expressed her delight, saying: “Emma is one of the UK’s most popular broadcasters, so I’m thrilled that she’s joining the all-star Radio 2 family of presenters. I’m certain that our loyal listeners will welcome her with open arms.

“I can’t wait to hear Emma’s new show as a part of our Superstar Saturday weekend schedule, which features Tony Blackburn, Dermot O’Leary, Romesh Ranganathan, Rylan, Liza Tarbuck, Gary Davies and Fearne Cotton.”

The One Show airs weekdays from 7pm on BBC One and iPlayer

It takes a lot for sweet-tempered 28-year-old Nick Darnell to transform himself into Christmas’ most sought-after sourpuss.

There’s colored contacts and facial prosthetics, a protruding belly and at least an hour of makeup. But for the devout Christian and preternaturally cheerful young actor, the real metamorphosis is psychological.

“People today love to connect with the villain,” said the viral Grinch impersonator. “The world is just a darker world now.”

Darnell called the chartreuse baddie he portrays “the modern-day Santa.”

Dr. Seuss’ holiday parable “How the Grinch Stole Christmas!” has been a seasonal favorite since it was published in 1957, ranking among the most popular and profitable of the author’s iconic rhyming picture books.

The story’s sassy, brassy antihero has likewise adorned Christmas trees and school library shelves for generations. His hornlike fur forelocks and pathological refusal to assimilate have led some critics to call the Grinch ambiguously antisemitic, but those concerns have largely been glossed over by years of nostalgia.

Experts say 2025 heralds the Grinch’s ascent from Yuletide bit player to Christmas A-lister. He now crowds out Kris Kringle in store displays, social media feeds and holiday meet-and-greets.

Unlike Santa, who ho-ho-hos his way through the holiday season, Grinches twerk and pout and scream in kids’ faces. Compilations of their antics on YouTube and TikTok routinely rack up millions of views.

“I do the things that people think,” Darnell said of the role. “I’m not restrained.”

Despite the Grinch’s anti-consumerist zeal, the market for his visage has exploded in recent years.

Target touts its “Grinchmas,” while Walmart has “WhoKnewVille.” McDonald’s sells Grinch fries, Starbucks features a “secret menu” frappuccino. Hanna Andersson, a popular purveyor of holiday pajamas, boasts roughly a dozen different Grinch patterns, compared to three Hanukkah options and just one Santa design in two colorways.

“I’m not restrained,” Grinch impersonator Nick Darnell, 28, says of his role.

(Christina House/Los Angeles Times)

Ownership of the Grinch’s likeness is guarded as jealously as the villain protects his lair: Dr. Seuss Enterprises holds the rights to the children’s book, Warner Bros. Discovery the 1966 animated TV special, and Universal Studios the 2000 live-action Jim Carrey film, which ranks among the highest-grossing Christmas movies of all time.

But impersonators, academics and even working Santas agree: Americans’ embrace of the Grinch in 2025 goes far beyond consumerism.

“It’s definitely more popular,” said ‘Santa’ Ed Taylor, the famed Los Angeles Santa behind the Worldwide Santa Claus Network, a training camp for the art of Christmas cheer. “It’s a little yin and yang. Maybe we need a little bit of both.”

Costume companies across Los Angeles say they’ve seen a deluge of demand for the Grinch this year. At Etoile Costume & Party Center in Tarzana, nearly half of Christmas costume rentals are now furry green villains.

“It’s about equal to Santa,” one employee said. “Maybe 40% Grinch and the rest Santa.”

Ryan Ortiz, dressed in a Grinch costume, stands next to his 1969 Volkswagen Bus in San Diego on Dec. 21.

(K.C. Alfred / The San Diego Union-Tribune via Getty Images)

Fans of the hirsute sourpuss seek him out for his in-your-face edge — the opposite of Santa’s remote joviality. Santa enforces his regime of goodness through lists and surveillance. The Grinch will get in your face and yell at you to shut up.

“[Santa]’s supposed to be mysterious and unknown,” said Darnell’s fiancee JadaPaige. “He’s supposed to just come in the night and you’re never supposed to see him.”

“I grew up obsessed with Santa Claus — I did not grow up obsessed with the Grinch,” Darnell said. “I was the kid waiting up in the middle of the night, peeking, wondering if Santa’s down there. A lot of modern day kids aren’t having that journey.”

Instead, many Gen Alpha youths look to the Grinch for his views on “corruption or poverty or the oversaturation of commercialism,” Darnell said.

“Santa is looked at more like a godly figure, while the Grinch is a more everyday man,” the actor explained. “The world is so sinister and negative. [The Grinch] tells you how it is, rather than telling you everything is going to be fine.”

TikTok turbocharged that trend, with the infamous green meanie matching or beating his red rival in holiday clout.

“He has aura,” Darnell said.

Grinch impersonator Nick Darnell said the character he plays has become popular because, “He has aura.”

(Christina House/Los Angeles Times)

Today’s professional Santas are often retirees with a bit of a belly and some time on their hands. Grinches, by contrast, are more likely to be working actors like Darnell, who look reverently to Carrey’s performance as a blueprint for the character’s slapstick antics and snarky reads.

Still, experts say the Grinch’s 2025 glow-up likely owes as much to holiday exhaustion and broad consumer pessimism as it does vertical video virility.

“The Grinch is the opposite side of Christmas,” said Oscar Tellez, who owns Magic Dream Costumes and Party Rentals in East Los Angeles and says he’s seen a spike in Grinch requests even as overall holiday rentals have sagged.

“Especially with the Latino community, I don’t think they feel the enthusiasm to celebrate,” Tellez said. “They are more worried about what’s gonna happen next.”

Pop culture experts agreed.

“The economy is in big trouble, our political situation is chaotic, there’s a lot of hate — it’s no wonder that we would seek to express that through the embodiment of a monster like the Grinch,” said Michael M. Chemers, director of the Center for Monster Studies at UC Santa Cruz.

“You’ve seen these nativity displays popping up all over the country that have the Jesus figures removed and it says ‘ICE was here,’ ” he added. “I think there’s just a lot of Grinchy feeling right now in the world.”

Chemers and other scholars say the emergence of the Grinch as a foil to Santa is less a departure than a return to form: the Grinch is a “PG version” of the mythical Krampus, a shaggy, fork-tongued Germanic goat man who beats and even abducts naughty children, working as an enforcer for Father Christmas.

An “organillero,” or traditional street musician, dressed as the anti-Christmas character known as the Grinch plays on a central street in Mexico City on Dec. 9.

(Yuri Cortez/AFP via Getty Images)

“He’s been called the Christmas devil,” said Jeff Belanger, author of “The Fright Before Christmas,” a compendium of so-called “Yuletide monsters.”

“[Krampus] represented the consequence of bad behavior, while St. Nick rewards good behavior,” he said.

Krampus likely evolved from older, pre-Christian deities, just as Christmas absorbed solstice and midwinter customs, the author explained. The Christmas most Americans grew up with only emerged as a national holiday in the wake of the Civil War, he said, about a decade after the formal introduction of Thanksgiving in 1863. It was around this time that Christmas trees became popular in the United States.

“In 1867, Charles Dickens came over to Boston and that’s when he read his ‘Christmas Carol’ for the first time in America,” spurring President Ulysses S. Grant to declare Christmas a federal holiday, Belanger said. “It was truly on the back of that story.”

The holiday’s corpulent, white-bearded dandy arrived even later, his schmaltzy persona skimmed from bony St. Nicholas between Reconstruction and 1931, when Coca-Cola debuted its iconic, brandy-flushed Santa Claus.

“That’s when Christmas turned purely commercial, and there was no room for consequences anymore,” Belanger said.

Seuss’ Grinch sits somewhere in the middle — cuddlier than Krampus and pricklier than Santa — making him the perfect avatar for a moody, uncertain age.

Workers check Grinch inflatables ready for export at a factory in Suixi County in central China’s Anhui Province on March 19.

(Wan SC/Future Publishing via Getty Images)

Grinch boosters point out that the villain repents and reforms at the end of the story, shedding his pathological hatred of Christmas.

“I always tell people, ‘Don’t you just love how his heart grew three sizes?’ ” Taylor, the famous Santa, said of his increasingly popular crossover events.

Others note that it’s never the repentant Grinch who marauds through schools and holiday parades or blows up on social media.

“Once he’s rehabilitated, he’s no fun anymore,” Chemers said.

That makes it hard for the holiday villain to visit sick kids in the hospital, as legions of Santas do every year, or comfort children who confide in him about bullying.

“The message is one of encouragement and positivity and acknowledgment of accomplishments and encouragement to strive harder,” Taylor said. “It’s these beautiful personal development messages that Santa gets to be the conduit for.”

The Grinch, by contrast, can affirm where you are, without ever asking you to be better.

“He can hear you and know what you’re thinking, because he has the same thoughts,” Darnell said of his beloved version of the character. “People want to know his heart and his mind, and that’s something they wouldn’t be able to ask Santa.”