Billy

Billy Shoemaker made history 40 years ago at the Kentucky Derby

When the late and great Times sports columnist Mike Downey decided years ago to write about jockey Billy Shoemaker, he did so perfectly. His lead sentence:

“Billy Shoemaker was born 2 pounds 6 ounces and it was the only edge he ever needed in life.”

That remains noteworthy now, because when they run this year’s thoroughbred classic at Churchill Downs on May 2, it will mark 40 years since “Billy The Shoe,” still the third-winningest rider in the sport’s North American history and perhaps its most memorable, won his fourth and last Derby aboard a 17-1 longshot named Ferdinand.

In 1986, Snow Chief was the 3-1 Derby favorite. He was trained by colorful and often grumpy Mel Stute, who was, like Shoemaker, a fixture at Santa Anita. His jockey was a young Alex Solis, who came from Panama, was still struggling with the English language then and had quickly dazzled the Southern California racing world with his talent.

Jockey Bill Shoemaker smiles as he holds a large plaque presented to him at Santa Anita in 1953 for winning 484 races.

Jockey Bill Shoemaker smiles as he holds a large plaque presented to him at Santa Anita on Jan. 1, 1953, in recognition of winning 484 races. He promptly added to the total by winning the first race of the day.

(David F. Smith / Associated Press)

It was an era in sports somewhat less contentious, more inclined to celebrate its history and its moments and less inclined to look for more. A few weeks earlier, Jack Nicklaus had won the Masters, at age 46. It was a hugely popular outcome, just as Shoemaker’s would be. It was quite the time for legend building, those few months in 1986.

The Derby network telecast brought the comfort of an easy chair. Jim McKay, who had done it for years, took viewers through the likely race scenarios. Al Michaels, whose racing chops were notable well before he asked the world if it believed in miracles and well before the NFL hustled him away to greater fame and fortune, pitched in on the telecast with thoughts on the pageantry and some race angles. A young Michaels, with thick black curly hair and the same distinctive voice, broadcast from the track and touched on the interesting elements of Shoemaker’s presence.

“Ferdinand is at 17-1,” Michaels told the audience. “A few years back, you couldn’t get 17-1 with Shoemaker if he was riding Mr. Ed.”

Shoemaker was already a legend and had already won the Derby three times by then. But any mention of his Derby expertise was, and always would be, sprinkled with a disclaimer about his 1975 ride on Gallant Man, when he misjudged the finish line while leading on the home stretch, pulled up his horse and lost a race he had pretty much won.

In ‘86, that was all soft peddled by the media, which mentioned it more out of duty than reportorial necessity. Ferdinand was, after all, a 17-1 longshot, easier to downplay or ignore. Also, Shoemaker was 54, not exactly an age to be looked upon as a contender. No jockey that age had ever won the Derby — and still hasn’t. There was respect for his seniority, but mostly an assumption that he was the past, not likely the present. He had led North American racing in victories for 29 years, finally totaling 8,833. But much of that happened prior to 1986.

Worst for Shoemaker, he had drawn the No. 1 hole, the starting spot closest to the infield that is usually a death knell for Derby horses. The gate opens and the entire field dashes for the rail, all coming down on top of the 1-hole starter. Shoemaker and Ferdinand held ground for a while, but by the time they got to the back stretch, they were dead last. They were still there as the field got to the top of the home stretch.

Then the cavalry charge to the finish began and Shoemaker went with the crowd, to the outside. At one point in the home stretch run, he was six horses wide.

Then, he made one of those moves that made William Lee Shoemaker “Billy The Shoe.” He saw an opening to his left, squeezed through it and soon had Ferdinand almost to the rail — and in full gallop. Before anybody could analyze what had happened, Ferdinand, carrying a jockey who probably never weighed 100 pounds in his career — thanks to the birth advantage Downey so aptly pointed out years later — was cruising past the leaders and sailing home a winner.

Ferdinand, ridden by Billy Shoemaker, heads down the homestretch to win the Kentucky Derby on May 5, 1986.

Ferdinand, ridden by Billy Shoemaker, heads down the homestretch to win the Kentucky Derby on May 5, 1986, in Louisville, Ky.

(John Swart / Associated Press)

The victory made legendary trainer Charlie Whittingham a Kentucky Derby winner for the first time. He was 73 and had disliked running young horses in a pressure race such as the Derby. The Triple Crown races are only for three-year-old thoroughbreds. Whittingham won another Derby three years later with Sunday Silence. He trained into his 80s.

Shoemaker’s career rightfully was topped off by that Derby victory, as well as his win in the Breeders’ Cup Classic in 1987.

The aftermath of that 1986 race was less kind, although nobody could take away what Shoemaker had accomplished. The jockey who finished last in the ’86 Derby was Laffit Pincay Jr., who later passed Shoemaker’s North American victory total with 9,530 wins. Pincay’s total was topped by Russell Baze, who took 12,842 wins, but in a riding career that featured wins at lesser tracks against lesser competition. When Baze broke his record, however, Pincay was there to offer his congratulations.

By the time Shoemaker won the 1986 Derby, he had little left to achieve. He not only won 11 Triple Crown races, but he also had won, to mention a few prestigious races, the Hollywood Derby, the Hollywood Gold Cup, the Oak Tree Stakes, the San Luis Obispo and the Santa Anita Derby.

Jockey Billy Shoemaker smiles as he rides Ferdinand at Hollywood Park after winning the Breeder's Cup.

Jockey Billy Shoemaker smiles as he rides Ferdinand, the 1986 Kentucky Derby winner, at Hollywood Park after winning the Breeder’s Cup.

(Bettmann Archive via Getty Images)

Each one eight times.

Shoemaker moved into thoroughbred training after he stopped riding. He was a fixture around Santa Anita, as he had been as a jockey. His success was mixed, certainly less than he had as a jockey.

On April 8, 1991, after a day of golf in the Inland Empire, Shoemaker was headed west on the 210 freeway in San Dimas. The road at that point includes an exit to the right for the 57 freeway south and under the 210. Shoemaker swerved right off the 210 and rolled his Ford Bronco down the embankment, about three stories high, and onto the 57 freeway. Police confirmed he was intoxicated during the crash. Shoemaker suffered a broken neck and spent the rest of his life in a wheelchair, from which he continued as a trainer for several years.

Billly Shoemaker is in the winner's circle at Santa Anita in March 1976 after winning his 7,000th race.

Billly Shoemaker is in the winner’s circle at Santa Anita in March 1976 after winning his 7,000th race.

(Associated Press)

Shoemaker eventually sued the state of California because there was no guard rail at the site, the Ford Motor Co., to whom he alleged that the Bronco was a rollover risk, and Glendora Community Hospital for alleged incorrect treatment when he was bought in. Ford paid him at least $1 million, after agreeing to do so if he received no money from the hospital. There is no record of him getting any money from the state of California.

Shoemaker died in October 2013. He remains third on the North American jockey career win list with his 8,833.

Ferdinand was sent to stud in 1989 and sold to a breeding farm in Japan in 1994. In 2002, reports surfaced that Ferdinand had been sent to a slaughter house in Japan, where he became food for either humans or pets, or both. Racing’s indignation over that, as well as that of anger in the general public, prompted the formation by Congress of a bill that would ban the slaughter of horses in the United States.

It never passed.

Source link

Billy Donovan: Chicago Bulls head coach resigns after six seasons

Billy Donovan has resigned as head coach of the Chicago Bulls, ending his six-season tenure, after missing out on the play-offs.

The Bulls wanted to retain Donovan’s services despite parting company with vice president of basketball operations Arturas Karnisovas and general manager Marc Eversley on 6 April.

Donovan, 66, held an option in his contract for next season but has decided to step down to allow a new coach to rebuild.

“After a series of thoughtful and extensive discussions with ownership regarding the future of the organisation, I have decided to step away as the head coach of the Chicago Bulls, to allow the search process to unfold,” Donovan said.

“I believe it is in the best interest of the Bulls, to allow the new leader to build out the staff as they see fit.”

Source link

Phil Collins, Billy Idol and Wu-Tang Clan lead 2026 Rock Hall inductees

Phil Collins, Luther Vandross, Oasis, Billy Idol, Iron Maiden, Sade, Wu-Tang Clan, Joy Division and New Order will join the Rock & Roll Hall of Fame this year at its annual induction ceremony, the organization announced Monday evening. The news was revealed on “American Idol” by Lionel Richie, a judge on the TV talent show who was himself inducted into the hall in 2022.

The 2026 class of inductees — set to be welcomed Nov. 14 in a ceremony at the Peacock Theatre in downtown Los Angeles — represents a broad array of styles and genres, including hip-hop, R&B, Britpop, heavy metal and post-punk. Yet the group contains only two women: the Nigerian-British soul singer Sade and New Order’s Gillian Gilbert; that result is likely to attract criticism after years in which organizers have sought to diversify the hall’s ranks along race and gender lines.

Three of the new members — voted in by a group of more than 1,200 musicians, executives, historians and journalists — are joining the hall after being nominated for the first time: Vandross, the R&B star whose voice was prominently sampled in Kendrick Lamar’s Grammy-winning “Luther”; Wu-Tang Clan, the boisterous rap group that recently undertook what it called a farewell tour; and Collins, who’s getting in as a solo act after being inducted as a member of Genesis in 2010. (An act becomes eligible for induction 25 years after the release of its first commercial recording.) The remaining inductees had all been previously nominated.

Artists nominated for the 2026 class who didn’t make the cut include Mariah Carey, Shakira, Lauryn Hill, Melissa Etheridge, INXS, New Edition, Pink, the Black Crowes and the late Jeff Buckley.

Several other musicians will be honored at November’s ceremony. Celia Cruz, Fela Kuti, Queen Latifah, MC Lyte and Gram Parsons will receive the hall’s Early Influence Award, while the Musical Excellence Award will go to Linda Creed, Arif Mardin, Jimmy Miller and Rick Rubin. The television impresario Ed Sullivan is to be honored with the Ahmet Ertegun Award, a commendation for non-performers named after the late Atlantic Records co-founder who started the Rock Hall with Rolling Stone magazine’s Jann Wenner in the mid-1980s. These are posthumous honors for a number of recipients, including Vandross, Cruz, Kuti, Parsons, Creed, Mardin, Miller and Sullivan.

The 2026 ceremony in L.A. will be filmed and shown in December on ABC and Disney+. Organizers said 2027’s event will take place at the hall’s home in Cleveland.

Source link

Billy Porter says a urinary infection led to three-day coma

Billy Porter says a poorly treated urinary infection nearly killed him.

On Wednesday, the 56-year-old Broadway icon appeared on “Today” to promote his new children’s book, “Songbird in the Light,” and discussed a recent health scare that’s given the actor a new outlook on life.

“I am on the road to complete recovery,” he said, tearing up. “It is a gift to be alive. It’s still emotional to talk about it.”

Last year, Porter crossed the pond and made his West End debut starring as the Emcee in the musical “Cabaret,” which ran Jan. 28 through May 24 at London’s Playhouse Theatre. The Tony-winning actor said he was having a ball and living his purpose, but then he got a urinary infection.

“The medicine in the U.K. is trash,” he told “Outlaws” podcast host TS Madison earlier this month. “Four rounds of antibiotics and 10 to 12 weeks later, it’s a kidney infection with kidney stones.”

Porter eventually thought the infection had cleared up and returned to New York, where last fall he was gearing up for a Broadway revival of the musical starring as the production’s first Black Emcee, but his history-making run was cut short.

“I go into rehearsals for ‘Cabaret’ on Broadway … and everything seems fine, and a month in, the kidney stone pain comes back,” he told Madison.

On a Tuesday in September, Porter checked himself into the hospital due to debilitating pain, and then the “Pose” star subsequently fell into a coma and woke up days later on a Saturday evening.

“They went in to do a routine check. They saw that the kidney stone was trapped in my urethra, and they went in to put a stent in, redirect the urine, blast me with real antibiotics — not U.K. antibiotics — and blow up the kidney stones. When they got in there, there was so much pus and bile and infection behind the stone, it bubbled up and I went uroseptic in minutes.”

“I was dead for three days,” Porter said.

Porter said he was placed on an ECMO (extracorporeal membrane oxygenation) machine, which, according to Mayo Clinic, pumps blood outside of the body to a heart-lung machine, removes carbon dioxide from the blood and sends oxygen-rich blood back to the body. It’s essentially a life-support system.

While Porter was in a coma, he said, one of his legs went into compartment syndrome, which happens when there’s too much pressure around your muscles, causing reduced blood and oxygen flow and possibly leading to necrosis. “They had to cut me open on either side of my leg while I was in a coma, from my knee to my hip, and leave it open for two days so they could save my leg,” he told Madison, visibly choked up over the ordeal.

Porter told “Today” that the experience was mind-altering yet also inspiring. “My work here on this earth is not done, and that gives me hope.”

His new children’s book, “Songbird in the Light,” which follows a young boy who grapples with bullying while learning to embrace his talent and love himself, hit bookshop shelves this week.

Source link