Finneas O’Connell took to social media to defend Billie Eilish and her Grammys acceptance speech from a specific demographic that was angered by her remarks.
“Seeing a lot of very powerful old white men outraged about what my 24 year old sister said during her acceptance speech,” O’Connell wrote Wednesday on Threads. “We can literally see your names in the Epstein files.”
The sibling duo won the Grammy for song of the year Sunday, becoming the first ever three-time winners of the category. The “Wildflower” songwriters were among those wearing “ICE Out” pins at the 2026 Grammy Awards as a statement against the Department of Homeland Security’s immigration-enforcement agency and its tactics after the killings of Renee Good and Alex Pretti in Minnesota sparked a national outcry.
“No one is illegal on stolen land,” Eilish said while accepting the award. “It’s just really hard to know what to say and what to do right now. I feel really hopeful in this room and like we just need to keep fighting, speaking up and protesting. Our voices really matter.”
While some of her speech was censored during the live broadcast, Eilish was also heard saying “F— ICE,” drawing cheers from those in attendance.
Eilish was one of many artists who used their moment on the Grammys stage to speak out against the Trump administration and the federal immigration raids that have been happening in multiple states, including California. Some, including R&B song and performance winner Kehlani, were just as direct in their language condemning ICE. Other winners, including Bad Bunny and Shaboozey, used their speeches to celebrate immigrant communities.
History was made in more than one way at Sunday night’s 68th Grammy Awards.
Bad Bunny’s “Debí Tirar Más Fotos” won album of the year — the first Spanish-language LP to take the Recording Academy’s highest honor. Kendrick Lamar and SZA’s “Luther” was named record of the year, making Lamar the winningest rapper in Grammy history (and just the fourth artist to go back-to-back for the record prize). Then there were Billie Eilish and her brother, Finneas O’Connell, who took song of the year with “Wildflower”; they’re now the only songwriters with three wins in that prestigious category.
To go by demographics, the ceremony clearly embodied the diversity gains the academy has been saying proudly are happening among its 15,000 voting members. But if new kinds of faces are becoming Grammy darlings, the music they’re being recognized for still upholds many of the academy’s old values. A night for making history was also a night for reveling in it.
Take “Luther,” a soulful hip-hop slow jam built on a prominent sample of Luther Vandross and Cheryl Lynn’s 1982 rendition of a love song Marvin Gaye and Tammi Terrell recorded in the late 1960s — an intricate piece of lineage-making meant to bridge multiple generations.
Olivia Dean performs.
(Myung J. Chun / Los Angeles Times)
“First and foremost, let’s give a shout-out to the late, great Luther Vandross,” the producer Sounwave said as he, Lamar, SZA and the song’s other creators accepted their award at Crypto.com Arena. (Before they made it onstage, Cher misread the card identifying “Luther” as record of the year and said that Vandross himself had won.) Lamar added, “This is what music is about,” and expressed his gratitude for being allowed “the privilege” to use Vandross’ music as long as he and SZA promised the singer’s estate not to curse on their record.
You can hear a similar reverence for those who came before in Olivia Dean, the 26-year-old British singer named best new artist on the strength of her hit “The Art of Loving” LP, which looks back to the gleaming pop-soul of Diana Ross and Whitney Houston.
Even Bad Bunny, the Puerto Rican rapper and singer who became a superstar at the bleeding edge of reggaeton and Latin trap, achieved his Grammy breakthrough with something of a throwback move: “Debí Tirar Más Fotos” is an exactingly arranged tribute to his native island, with elements of Puerto Rican folk styles such as bomba and plena and more hand-played instrumentation than he utilized for 2022’s sleek “Un Verano Sin Ti,” which scored a Grammy nomination for album of the year but lost to “Harry’s House” by Harry Styles (who, as it happens, presented the album prize Sunday).
Part of Bad Bunny’s success this year can be attributed to the fact that he’s a far bigger celebrity than he was three years ago; indeed, his Grammy triumph impressively sets up the halftime performance he’ll give this coming weekend at Super Bowl LX. But not unlike Beyoncé’s rootsy “Cowboy Carter,” which finally brought her a win for album of the year in 2025 after a number of outrage-inducing defeats, “Debí Tirar Más Fotos” is also primo Grammy bait: a work steeped in tradition from a natural innovator.
SZA backstage.
(Allen J. Schaben / Los Angeles Times)
For years, the Grammys’ rearview gaze used to bum me out — and, to be honest, as lovely as Eilish’s “Wildflower” is, her song of the year win with the tender acoustic ballad felt like a failure of imagination among voters I wish had recognized the hurtling exuberance of “Golden,” from Netflix’s “KPop Demon Hunters.” (“Golden” did take the prize for song written for visual media, which made it the first K-pop tune to win a Grammy.)
Yet something about Sunday’s ceremony made it hard to get too worked up about all the historicizing. Perhaps it was how plainly yet passionately many artists used their time onstage to speak about the issues pressing on us right now. “Before I say thanks to God, I’m gonna say: ICE out,” Bad Bunny told the crowd as he accepted an award for música urbana album. “We’re not savage, we’re not animals, we’re not aliens. We are humans, and we are Americans.”
Lady Gaga on the red carpet.
(Christina House/Los Angeles Times)
Eilish said, “No one is illegal on stolen land.” Dean pointed out that she’s the granddaughter of an immigrant and that “those people deserve to be celebrated.”
I was also moved by how personal so much of the music felt — a cry of imperfection like Lola Young’s “Messy,” for instance, which she performed by herself on piano and which won pop solo performance in an upset over the likes of Lady Gaga and Sabrina Carpenter. “I don’t know what I’m gonna say because I don’t have any speech prepared,” she yelled into the microphone as she received her trophy. “Obviously, I don’t — it’s messy, do you know what I mean?”
Weirdly for a show with yesterday so heavily on its mind, a tribute to the late R&B trailblazers Roberta Flack and D’Angelo was a disappointment, with Lauryn Hill as bandleader moving way too quickly (in way too short an allotted time) through songs that require real space to unfurl.
That’s what Justin Bieber had for the evening’s most striking performance: a slow and radically stripped-down rendition of his song “Yukon” that he sang wearing only boxer shorts and socks, accompanying himself with a scratchy electric guitar riff he fed through a looping station.
“Yukon” is from Bieber’s impressive “Swag” album, which he released last year after a lengthy stretch in the pop-star wilderness; it’s an LP, kind of like “Messy,” about learning to forgive yourself for your flaws, and here he sang “Yukon” like a guy who’d figured out — maybe a guy figuring out — how to build a life outside the punishing expectations of celebrity. The music had the past in it, of course, but didn’t feel constrained by it.
Feb. 2 (UPI) — President Donald Trump has threatened to sue Trevor Noah over a joke the comedian made while hosting Sunday night’s Grammy Awards.
“It looks like I’ll be sending my lawyers to sue this poor, pathetic, talentless dope of an M.C., and suing him for plenty$,” Trump said Sunday night in a statement on his Truth Social media platform.
Trump frequently pursues lawsuits against critics and media organizations over comments he says damaged his reputation, drawing criticism from opponents who accuse him of trying to silence dissent.
Noah, a South African comedian who has hosted the Grammy Awards since 2021, attracted the ire of the American president with a joke about Trump’s relationship with the convicted sex offender and disgraced financier Jeffrey Epstein.
After awarding singer Billie Eilish the song of the year award, Noah remarked: “That is a Grammy every artist wants — almost as much as Trump wants Greenland, which makes sense, I mean, because Epstein’s island is gone he needs a new one to hang out with Bill Clinton.”
There is no verified evidence that either president visited Epstein’s Little Saint James Island, which has been linked to sex crimes committed by Epstein against minors.
“Noah said, INCORRECTLY about me, that Donald Trump and Bill Clinton spent time on Epstein Island. WRONG!!!” Trump said in his statement.
“I can’t speak for Bill, but I have never been to Epstein Island, nor anywhere close, and until tonight’s false and defamatory statement, have never been accused of being there, not even by the Fake News Media.”
Trump and Epstein, who died in jail by apparent suicide in 2019 while awaiting trial for sex-trafficking charges, were friends dating back to the 1980s. The American president said in July that they had a falling out in the early 2000s after Epstein “stole” spa staff from his Mar-a-Lago resort including Epstein accuser Virginia Giuffre, who died by suicide in April.
On Friday, the Justice Department released millions of pages from its investigation into Epstein. Included in the documents were unverified claims and allegations submitted to the FBI that mention Trump in connection with alleged sex crimes involving minors.
Trump has denied wrongdoing. Justice Department Deputy Attorney General Todd Blanche told CNN’sState of the Unionon Sunday that allegations included in the documents against Trump and others were “very quickly determined to not be credible.”
Kendrick Lamar and SZA’s “Luther” was named record of the year at Sunday night’s 68th Grammy Awards, giving Lamar his second straight win in the category after he took it in 2025 with his smash-hit Drake diss, “Not Like Us.”
The Compton-born rapper is one of only four acts in Grammy history who’ve gone back to back in record of the year, along with Billie Eilish, U2 and Roberta Flack.
Built on a prominent sample of Luther Vandross and Cheryl Lynn’s 1982 duet “If This World Were Mine” (itself a cover of the song Marvin Gaye and Tammi Terrell introduced in 1967), “Luther” is from Lamar’s sixth studio album, “GNX,” which came out in November 2024.
“Luther forever,” Lamar said while accepting the speech. Cher announced the winner after accepting the Lifetime achievement award, at first just reading off Vandross’ name.
The song — which was produced by Jack Antonoff, Bridgeway, M-Tech, Roselilah, Sounwave and Kamasi Washington — spent 13 weeks atop Billboard’s Hot 100, longer than any other single in 2025. On Spotify, “Luther” has been streamed more than 1.3 billion times.
The other songs nominated for record of the year were Bad Bunny’s “DTMF,” Sabrina Carpenter’s “Manchild,” Doechii’s “Anxiety,” Billie Eilish’s “Wildflower,” Lady Gaga’s “Abracadabra,” Chappell Roan’s “The Subway” and “Apt.” by Rosé and Bruno Mars.
From the Versace dress that led to the creation of Google Images to the Swarovski-encrusted jumpsuit that repopularized androgynous menswear on the red carpet, the Grammy Awards show is synonymous with iconic fashion. Bold and daring looks often push the envelope.
Music’s biggest night returns to Crypto.com Arena on Sunday and will bring with it the edgiest fashion of the season. Lady Gaga, Sabrina Carpenter, Billie Eilish, SZA, Doechii, Chappell Roan, Addison Rae, Miley Cyrus, Cardi B, Katseye and Huntr/x are among the nominees sure to turn heads while Bad Bunny, Kendrick Lamar, Justin Bieber, Bruno Mars and Tyler, the Creator are some of the men who will bring their A game.
Here’s the best fashion from the 2026 Grammys, captured by The Times’ photo team.
