Beating

Two of the biggest box-office standouts of 2026 so far were not made by established studio directors or built on franchise IP.

“Obsession” and “Backrooms” — horror films from internet-native directors in their 20s — have outperformed far more expensive studio releases.

The breakout success of these films has ignited debate across Hollywood about what made these movies so popular, especially among Gen Z moviegoers who haven’t been flocking to cinemas in recent years. Here’s what to know:

The numbers

”Obsession” was directed by 26-year-old Curry Barker, who got his start on YouTube with sketch comedy and horror shorts. Released May 15 by Focus Features, the film was made for just $750,000 but opened to a staggering $17 million and has improved on its debut every weekend since.

“Obsession” set an all-time horror record for the biggest fourth weekend for a film at the domestic box office, raking in $25.4 million. It now ranks as the year’s fifth most popular film, nearing $200 million domestically and roughly $295 million worldwide — ahead of Pixar’s “Hoppers” ($166 million) and Paramount’s “Scream 7” ($121 million), per Box Office Mojo.

“Backrooms,” from 21-year-old Kane Parsons — known on YouTube as Kane Pixels — drew on an online fascination with liminal spaces, leading audiences through an endless run of nearly indistinguishable rooms.

Released May 29 by A24 (known for such acclaimed films as “Moonlight” and Everything Everywhere All at Once”) on a reported $10-million budget, it opened to $81 million and crossed $100 million in under a week.

Within two and a half weeks, it had outgrossed the entire theatrical runs of horror films “Five Nights at Freddy’s 2,” “Smile” and “Scream 7.” It sits as 2026’s eighth-highest-grossing film.

Who is watching?

The audiences are young. In recent weeks, nearly 90% of “Backrooms’” viewers were under 35, with more than half under 25. Over “Obsession’s” first few weekends, 75% of the audience was 17 to 34, which is significant at a time when major studios have struggled to consistently get younger viewers to trek to the multiplex.

Why it’s working

Audiences have clearly latched onto the stories, said Jason Blum of Blumhouse–Atomic Monster, who worked on both films.

“There’s been an audience kind of waiting to get back to the movie theaters, and we in Hollywood really have not landed on what would get them back,” he told The Times in an interview this week.

Blum, who upended horror genre with the “Paranormal Activity” franchise, ties the success of “Backrooms” and “Obsession” to a connection to the directors’ origins.

Because the films were made by creators who speak to younger viewers daily on YouTube, he said, that generation “feels like they’re being spoken to.”

David Gross, an analyst at FranchiseRe, framed it as a new pipeline of talent and material. Creators can build large followings very inexpensively, he said, and their stories arrive further developed — which expedites the development and discovery process. He called internet-based storytelling “another additive source for material for movies.” Blum added that the films’ success could make studios more willing to bet on undiscovered directors who “might not have been considered” before.

Rosie Ramirez, chief marketing officer at Galaxy Theatres, said a young first-wave audience tends to generate buzz. More than a month after “Obsession” was released, she said, the Nevada chain’s four California locations are only now seeing a second wave of moviegoers curious about the hype.

Notably, the rise of these two films has unfolded in the shadow of major releases like Disney’s “Star Wars: The Mandalorian and Grogu,” and Mattel’s “Masters of the Universe,” both of which returned underwhelming numbers in their respective opening weekends.

Is it a trend or an anomaly?

Whether this marks a lasting shift or a fluke is unclear. May crossed $1 billion in box office — with “Backrooms” and “Obsession” doing much of the heavy lifting. Despite the improvement, the box office has yet to full return to pre-pandemic levels, with the summer tracking roughly 3.5% behind summer 2019, said Comscore’s Paul Dergarabedian.

And Dergarabedian questioned how the industry could replicate a success that, in his words, was “authentically and organically created” rather than manufactured: “It just happened,” he said.

Ramirez argued the broader summer slate — franchise tentpoles like “Toy Story 5” alongside some original surprises — points to a healthy box office regardless, a reminder that “it doesn’t always have to be the big summer blockbuster.”

Everything I need to know about the current presidential election, I learned in fourth grade. Back then, I was the smartest kid in my class. I knew it, and I wanted everyone else to know it too. Math, science, history–I had all the answers. The minute the teacher asked a question, my hand flew up and I panted, “Oooh, oooh, I know, I know.”

I was not very popular with my classmates. In fact, I got beat up a lot after school. I suspect Al Gore did too.

As I watched Gore during the debates, I saw a bright, hard-working, dedicated guy with an impressive command of the pertinent information and an astounding ability to synthesize this knowledge into concrete proposals on domestic and foreign affairs. Unfortunately, I also saw myself in grade school–too smart for my own good.

Gore studied hard and was thoroughly prepared for the televised civics and government quizzes each debate provided. A teacher might have given him an A. But much of the rest of the class just wanted to punch Mr. Smarty Pants in the nose.

The rap on George W. Bush is that he doesn’t know what he’s talking about, that he offers only vague generalities and sound-bite platitudes. This may be so, but I learned an important life lesson at the hands of several of my beefier, if intellectually less gifted, fourth-grade classmates: People may poke fun at a Know-Nothing, but they can’t stand a Know-It-All.

I’m a liberal Democrat and I’m voting for Gore. I thought Gore “won” the debates, meaning I found his arguments far more detailed and persuasive.

But the vast majority of people who vote based on issues, such as taxes, education and abortion, chose sides long ago. The election is now in the hands of others, those who put off doing their homework until the last minute. These folks don’t evaluate candidates in a purely analytical fashion. They don’t grade on a point system. It’s strictly pass/fail, based on gut reaction, and the plain truth is Gore fails with too many of these voters. For them, his superior intellect isn’t an asset, it’s an irritant. He just rubs them the wrong way. They may not beat him up, but they surely won’t vote for him, and that means trouble for Gore when the final exam comes on Nov. 7.

The intellectual part of me cries out, “This isn’t fair.” I want the principal to step in and acknowledge that Al Gore is far more qualified than George W. Bush. But this is a democracy, not a meritocracy. The best and brightest student doesn’t always get to be class president. The most popular one does.

THE American city of Philadelphia may be known as the home of brotherly love – but loves a good fight.

Its name combines the ancient Greek words philos, which translates as love or friendship, and adelphos, meaning brother, because founding father William Penn envisaged it as a haven of tolerance and peace.

But the US state of Pennsylvania’s largest city is also, of course, where the Rocky movies were filmed — and everywhere homage is paid to cinema’s most famous boxer.

Philly also has another claim to fame, though, as the place where the American Declaration of Independence was signed in 1776 — and this year marks the 250th anniversary of that treaty. So there is plenty to explore.

Our base was the Loews Philadelphia hotel, a 20-minuite drive from the airport and just yards from the City Hall — topped by a 37ft statue of William Penn.

The hotel is also handy for many a fine restaurant and bar — including the historic McGillin’s Old Ale House bar and restaurant.

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The beer taps here have been pumping out ale since 1860 and the kitchen cooks up the city’s most famous dish — Philly cheesesteak.

This feast was the perfect introduction to my stay in town — layers of finely cut beef and sauteed onions shaped into a long roll and drenched in melted cheese.

Just forget that your arteries are closing as you eat it — and enjoy.

We did.

Less than a 20-minute walk from here is Independence Hall, where that treaty was born.

Before entering, do swing by the Liberty Bell, just opposite, which rang out as America’s founding fathers, also including George Washington, finalised America’s break from mother country Great Britain.

Sadly, the 3ft-high bronze bell, which weighs nearly a ton, no longer rings out due to a crack that opened up in the 19th Century.

But on special occasions, it is tapped with a mallet.

Bell ticked off, as you step inside Independence Hall you are transported back 250 years, with history all around you.

It is free to enter but tickets at busy hours are limited so make sure you book your time slot well in advance.

Number one attraction is the room where the Declaration of Independence was signed, as well as the US Constitution 11 years later.

For a spot of culture, not far from Independence Hall is the Barnes Foundation — possibly the greatest art museum that, er, no one has ever heard of.

And then just a 15-minute walk up the road is the place for your must-have Philly holiday snap — next to the Rocky statue.

This 8ft 6in bronze tribute of Rocky Balbao stands at the foot of the 72 steps up to the Museum of Art which the underdog slugger played by Sylvester Stallone famously ran up as part of his gruelling big-fight training.

If all the sightseeing leaves you working up an appetite, there are plenty of fabulous eating places to choose from.

One such is the Reading Terminal Market, which is home to more than 75 stalls selling every food delicacy you can possibly imagine — and then some.

Or, for a proper sit-down feast, the Gran Caffe L’Aquila is a good bet — and particularly renowned for its award-winning gelatos.

I called it posh ice cream — and got a glare.

If, on the other hand, you want to find out what the locals really eat, book on to a Streats of Philly Food Tour and open your eyes, and mouth, to no end of tasty treats.

There are several tours to choose from, many led by chef Jacquie who grew up in the area and seemingly knows everyone in town.

I opted for the Italian Market tour and, over the course of two and a half hours, sampled fare including pork sandwiches, local cheeses and cannolis.

But do just remember not to eat anything before you go — the helpings were so generous that, after I later made for the airport to return home, I had to practically roll on to the plane.

During this tournament, she has been able to lean on Meg Jones a little more to lift her mood.

Like the new England skipper, Packer was born and raised in Wales. The pair will occasionally swap a word or two of Welsh, a reminder of home and family.

“We have just some funny phrases that no-one else really understands, but it really makes us laugh,” says Packer.

“She’s very good at making things quite light and I’m probably the opposite – I make it quite serious.”

There is plenty to be serious about when they face France in Bordeaux.

Given England’s home run at the 2025 Rugby World Cup, WXV’s sparse crowds and an expected record attendance at the 42,000-capacity Stade Atlantique, it is likely to be the most hostile environment the Red Roses have played in since that fateful defeat in Eden Park in 2022.

The streak of 37 straight wins England have put together since is in definite peril.

But, beyond her notes and focus points, there is something else, less easily defined, that bolsters Packer amid the stress.

“As a team we are all overly critical of ourselves, but there is a bond that’s really important to us,” she says.

“The biggest thing is how tight we are as a group – and that just really carries us through.”

Packer, her team and that togetherness will be tested.

But the scrum-half, book smart, street smart and quick smart at the breakdown, can pass most things.

Barcelona move 11 points clear of Real Madrid in the La Liga title race with five games to play.

Fermin Lopez and Marcus Rashford’s goals took Barcelona to the brink of the La Liga title with a 2-0 win at Getafe.

The defending champions moved 11 points clear of second-place Real Madrid, who drew at Real Betis on Friday to dent their hopes of finishing the season with a trophy.

Hansi Flick’s side can win their second consecutive Spanish title if they overcome Osasuna next weekend and Real Madrid fail to beat Espanyol.

“It’s not done, we have five more games, and we’re only focused on the next one,” Flick told reporters.

“We will celebrate when it’s time, but not now.”

Barcelona were without vital injured wingers Lamine Yamal and Raphinha, but still did enough to see off Jose Bordalas’s tricky side, sixth, in the Madrid suburbs.

“We were aware of what was going to happen here, we were going to have few chances, and I think we played well, competing well defensively and putting away the chances we had,” Lopez told Movistar.

“We know we’ve got a big advantage [in the title race], but even so, we can’t relax, I know it’s a cliche, but it’s the truth.”

Getafe set out to disrupt Barcelona’s rhythm with small fouls, and Barca struggled to create many clear opportunities.

Flick opted for Swedish winger Roony Bardghji in place of Yamal and chose Lopez on the left over Rashford.

Dani Olmo made the first with a neat dribble, speeding into Getafe territory, but pulled his shot wide of the far post.

Eventually, the hosts made the breakthrough just before half-time when Pedri played in Lopez.

Wearing a protective mask after hurting his face in a collision with Atletico Madrid goalkeeper Juan Musso during Barcelona’s Champions League quarterfinal elimination last week, Lopez stayed calm to slot home.

The midfielder imitated Yamal’s usual “304” celebration in tribute to the injured teenage star.

“The truth is he’s really important for us, it’s a shame that he can’t play any more, but the important thing is that he recovers well and is ready for the World Cup,” added Lopez.

With Getafe needing to come out of their shell to find an equaliser, Barca had more opportunities after the break.

David Soria saved from Olmo after he met Jules Kounde’s cross, and then the French defender headed a Joao Cancelo ball narrowly off-target.

Martin Satriano threatened for the hosts before Rashford, on loan from Manchester United, secured Barcelona’s triumph.

Robert Lewandowski sent the England international charging through on goal, and he slipped a low effort past Soria to help Barca put one hand on the trophy.

“Marcus, in the second half, he came on and used the space they gave us,” said Flick.

“I’m happy that we scored this goal for the team and also for him.”

Getafe goalkeeper Soria acknowledged Barca were clinical enough to clinch victory.

“They were very efficient, you give away two chances, and they score them both,” he said.

“It’s a shame to have gone in behind at half-time because it puts you in a difficult spot.”

Iran has condemned a ban imposed by YouTube on a pro-Iranian group that releases Lego-style artificial intelligence videos. But as war messaging moves into