beard

Matt Lucas has opened up about his new look, joking about his ‘bizarre’ beard

Matt Lucas appeared on Wednesday’s The One Show.

The actor, 52, was on the BBC One show, which also aired an emotional tribute to Dolly Parton, to talk about playing Fagin in Lionel Bart’s musical Oliver! for six weeks only at the Gielgud Theatre in the West End.

As well as Oliver!, Matt will also appear on Taskmaster alongside the likes of Richard Ayoade, Isy Suttie, Chloe Petts and Nina Conti.

Matt said of his new theatre role: “I’m growing this bizarre beard” to which host, JB Gill, said: “It looks good!” while co-host Clara Amfo, quipped: “Well, let’s talk about that. I don’t think we’ve ever seen you this way.”

This prompted Matt to admit: “Well, I’ve never ever tried. I grew a moustache for three weeks in the pandemic, but I mean, I, you know, I’ve talked about this before. I have alopecia. Lost my hair when I was six, shortly after that photo [a picture on screen] was taken, actually.

“So seven weeks ago, when I knew I was doing this, I went, ‘Right, what happens if I don’t shave?’ And this is what, so my aim is to keep growing it down to my ankles.

“And then when I’m at the football and it’s freezing in the winter. Wrap it as a scarf!” with Clara joking: “I love that. Function and fashion. Fantastic.”

Taking to Twitter, now X, viewers were also quick to comment on and praise Matt’s new look.

One person said: “Didn’t recognise Matt Lucas, quite a change since I last seen him. Looking good though. #theoneshow!”

A different viewer wrote: “Matt Lucas looks like a different person. #theoneshow” while another show watcher joked over how unrecognisable Matt looked: “They definitely said Matt Lucas was on #theoneshow tonight …. still waiting.”

Meanwhile, a different show watcher added: “Cant wait to see @RealMattLucas take on fagan in @OliverOnStage #theoneshow.”

It comes as Matt, who shot to fame on Little Britain and has more recently returned to the comic relief role of Thenardier in Les Miserables for the musical’s mammoth 40th anniversary celebrations, recently received his OBE for services to theatre.

The One Show airs on weeknights at 7pm on BBC One and BBC iPlayer

ZZ Top legend Frank Beard has died at 77, the band confirmed on Tuesday.

The drummer had been forced to pull out of the band’s tour earlier this month due to health issues.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas,” said ZZ Top guitarist Billy Gibbons.

“His signature backbeat was key to keeping ZZ on top.”

A representative for the Texas-formed band confirmed to USA Today that Frank died on Monday while in hospice.

The drummer was “with family members at his side” at his ranch in Richmond.

Frank dropped out of The Big One! Tour in early August due to health issues and had previously dropped out from touring with the band in March as he was undergoing a “health procedure.”

The band announced that their upcoming shows in Colorado Springs and Salt Lake City would be canceled.

However, the band plans to resume its current tour The Big One! this weekend, with the two shows at Austin City Limits music festival held at The Moody Theater.

The band, which formed in 1969, said the venue was “one of Frank’s favorite venues and in a city that had been something of a second home for him.”

Beard was born on June 11, 1949, in Frankston, Texas, and began playing in bands while still in high school.

He later became part of the Dallas music scene, where he met Dusty Hill, and the pair performed together in several 1960s groups including the Warlocks and American Blues.

In one of the stranger chapters of their early careers, Beard and Hill also played in a fake version of British rock band The Zombies that toured the US after the original group had broken up, Rolling Stone reported.

Beard has been part of ZZ Top for more than five decades and played on all 15 of the band’s studio albums.

He joined Billy Gibbons in 1969 and helped create the group’s classic lineup by introducing the guitarist to his former American Blues bandmate Dusty Hill.

The trio went on to become one of rock’s most recognizable acts, with Beard providing the beat behind hits including “La Grange,” “Tush,” “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs.”

Beard, Gibbons and Hill remained together for more than 50 years until Hill’s death in July 2021 at the age of 72.

At the time, Gibbons and Beard announced that their longtime bandmate had died in his sleep at his Houston home.

“We are saddened by the news today that our Compadre, Dusty Hill, has passed away in his sleep at home in Houston, TX,” they said.

They added, “You will be missed greatly, amigo.”

Hill’s longtime guitar tech Elwood Francis then took over bass duties and continued touring alongside Gibbons and Beard.

The Texas rockers found major success in the 1970s before exploding into the MTV era with their 1983 album Eliminator, which included “Sharp Dressed Man,” “Legs,” and “Gimme All Your Lovin’.”

Beard was famously the only member of the classic ZZ Top lineup who did not sport the huge beard that became part of the band’s signature look.

ZZ Top was inducted into the Rock and Roll Hall of Fame in 2004 after decades of success.

Beard had suffered previous health setbacks over the years, including pneumonia in 2019 and another unspecified health issue that forced him off the road in 2025.

His latest absence came after ZZ Top abruptly canceled its August 5 Hollywood Bowl show because of what the band called “unforeseen personnel matters.”

Michael Monahan was brought in to play drums while Beard stepped away, with Gibbons and Francis continuing the tour.

The cause of Beard’s death has not been publicly disclosed.

ZZ Top is mourning the loss of longtime drummer Frank Beard, who has died at age 77 after years of facing health-related issues.

The band announced Beard’s death on Tuesday via Instagram, with founding member and frontman Billy Gibbons writing in a statement that he and fellow member Elwood Francis “lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas.”

The Fort Bend County Medical Examiner confirmed to The Times that Beard’s death was reported Monday. A cause of death was not revealed. He died at his ranch in Texas with family by his side after a stay in hospice, TMZ reported.

Beard died weeks after ZZ Top called off its Aug. 5 concert at the Hollywood Bowl, reportedly due to his health issues. In March 2025, the Texas trio also shared that Beard would temporarily step away from the band’s Elevation tour to address a separate health issue, later revealed to be foot and ankle problems. The veteran drummer had also missed shows because of an emergency appendectomy in 2002.

ZZ Top said in Tuesday’s announcement that its concerts in Salt Lake City and Colorado Springs have been canceled in the wake of Beard’s death. The band will continue its The Big One! tour this weekend, including two shows at Austin City Limits, which it said had become one of “Frank’s favorite venues in a city that had been something of a second home” for the drummer.

Beard joined ZZ Top in 1969, soon after the band formed, replacing founding drummer Dan Mitchell.

Times staff writer Andrea Flores contributed to this report.

LONDON — Booker Prize winners Marlon James and Douglas Stuart are in the running again for the prestigious fiction award, alongside Dublin gangs, dystopian science fiction and the New England characters of Pulitzer Prize laureate Elizabeth Strout.

Judges read 163 novels to come up with the 13 semifinalists announced Tuesday for the $66,000 Booker Prize, a list described by historian Mary Beard, head of the judging panel, as literary “dynamite.”

The list includes James’ “The Disappearers,” about a group of gay men in a hostile 1980s Jamaica; Stuart’s “ John of John,” a story of father-son secrets on a remote Scottish island; and Strout’s heartfelt small-town tale “The Things We Never Say.”

Marlon James is semifinalist for the 2026 Booker Prize for fiction. In 2015, he became the first Jamaican writer to win the prestigious literary award.

(Neil Hall / Associated Press)

James won the Booker in 2015 for “A Brief History of Seven Killings,” and Stuart won in 2020 for “Shuggie Bain.” Strout’s “Oh William!” was a finalist in 2022. She won the Pulitzer Prize for fiction in 2009 for “Olive Kitteridge.”

They sit alongside lesser-known names on a Booker longlist that includes authors with roots in Britain, Ireland, Jamaica, Mexico, Turkey and the United States.

Three of those on the list are debut authors: Turkish American writer Kenan Orhan for the family history saga “The Renovation,” British author Rebecca Perry for the Medieval-to-modern tale “May We Feed the King” and Ireland’s Djamel White for “All Them Dogs,” a thriller set in the Dublin underworld.

White, at 28, is the youngest author in the running. The oldest is 81-year-old M. John Harrison, whose postapocalyptic tale “The End of Everything” is a rare science fiction novel to make the Booker list.

The other contenders are “The Shadow of the Object” by Chloe Aridjis, “Black Bag” by Luke Kennard, “The Vivisectors” by Missouri Williams, “Switzy” by Emma Cline, “Helen of Nowhere” by Makenna Goodman and Gwendoline Riley’s “The Palm House.”

Beard said the five jurors, who include Pulp frontman Jarvis Cocker and American novelist Patricia Lockwood, tried to look beyond the idea of a typical Booker winner — “slightly serious, about to be classic.” Instead, they chose novels that are “trying to expand the boundaries of how we can think about ourselves in completely different ways,”

“Sometimes they’re using humor, sometimes it’s pathos, sometimes there’s shock value,” Beard said. “They’re risk-takers. They are dynamite. They say, ‘Come on, try seeing it a different way.’ ”

Pulitzer Prize winner Elizabeth Strout is a semifinalist for the Booker Prize for fiction for her novel, “The Things We Never Say.”

(Leonardo Cendamo)

Founded in 1969, the Booker Prize has a reputation for transforming writers’ careers and is open to novels from any country published in the U.K. and Ireland. Last year’s winner was “Flesh” by Hungarian-British writer David Szalay.

The judges will announce six finalists on Sept. 22, and the winner will be revealed Nov. 9 at a ceremony in London.

Lawless writes for the Associated Press.

In the Mid-City neighborhood where Syd grew up, lots of people now refer to this 34-year-old musician as the mayor.

“During COVID, I’d spend all day on the grass waving at everybody,” she says with a laugh. More recently, a bunch of “unruly teenagers,” as Syd describes them, have been doing doughnuts in the street near her parents’ house.

“I’m out there talking about, ‘Hey! Stop!’ I had one of my trucks parked in front, so I was like, ‘Y’all ain’t finna mess my s— up.’ But also they were hanging out the window — it was really dangerous.” She laughs again.

“I’m an old head when it comes to safety.”

Syd’s new album happily embraces a sense of maturity — of “feeling more sure of myself than I ever have,” she says. Released last week, “Beard” — the title was inspired by Syd’s wife’s request that she maintain the peach fuzz on her upper lip — sets thoughts of romantic commitment and professional achievement against gleaming R&B grooves that occasionally nod toward Afrobeats or bossa nova. It’s Syd’s third solo LP since she emerged nearly two decades ago as a member of the Los Angeles hip-hop collective Odd Future; it also comes eight years after her most recent album with the Internet, the Grammy-nominated soul-music combo she shares with Matt Martians and Steve Lacy (the latter of whom dropped his new “Oh Yeah?” on the same day Syd dropped “Beard”).

Yet for all the growing up she’s done, “ironically, I feel younger than I’ve ever felt,” Syd says. “Beard’s” blurry cover photo, which shows her shaved head and slightly doleful eyes, “captures exactly what I was trying to portray with the music,” she adds. “It’s kind of this nonbinary image, where if you’re looking at it and you don’t know who I am, you might wonder: Is that a 12-year-old boy?”

Syd and I are talking over coffee at a crowded spot on Jefferson Boulevard that she says she visits every day. (So many people say hi to her that I’m inclined to believe it.) The restaurant isn’t far from her house, which itself is just an eight-minute drive from her folks’ place; eventually, she says, her parents plan to swap homes with Syd and her wife, the model Simone Clay, so that the couple can fulfill their dream of becoming foster moms in the larger house.

“With all my privilege and with all the peace I’ve been able to create for myself, I would love to spread that,” says Syd, whose full name is Sydney Bennett and whose younger brother Travis (known as Taco) also came up through Odd Future before finding success as an actor.

Syd recorded “Beard” between a studio she built at her parents’ place and a studio in North Hollywood owned by Raphael Saadiq, the veteran R&B star whom Syd counts as something of a mentor. The singer says she can relate to the way Saadiq moves between making solo records, working in a band (in his case Tony! Toni! Toné!) and writing and producing for other artists, as Syd did on Beyoncé’s 2022 “Renaissance” album.

“Syd is just looking for things in music that are breathing,” says Saadiq, who plays bass and co-produced several cuts on “Beard.” “She keeps developing, and she’s not developing to be relevant — she’s developed because she loves doing it. People like Syd and myself, we’ve been at this since we were kids. We were the ones in the neighborhood who’d walk outside and say, ‘Anybody want to get on this track? Anybody want to play?’”

Songs on “Beard” like “Closet” and “My Love” reflect recent changes in Syd’s life, not least her decision to get hitched last year, which she attributes in part to an uncertainty about how long same-sex marriage will remain legal in the United States.

“You know the Supreme Court,” she says with a shrug.

She also quit drinking after realizing that she was waking up more often than not with a hangover. “People around me weren’t like, ‘She be drinking,’” Syd says. “But it was every day, and it was just at the crib. Everybody has a different relationship to it, and I found that mine was tied to boredom, which I think is probably better than it being tied to sadness. But that’s also what made it a little bit harder to call it a problem, you know what I mean? I had to realize: OK, this might not be a problem for someone else, but it’s not serving me.”

So two and a half years ago, she stopped — and on a holiday some can’t imagine without booze.

Says Syd: “I raw-dogged New Year’s Eve, bro.”

“Ironically, I feel younger than I’ve ever felt,” Syd says.

(Nabil)

“Beard” encompasses shifts in Syd’s business too. After fulfilling her contract with the Columbia label, the singer signed last year to Warner Records, where an old high school pal, Tim Hinshaw, oversees a boutique label called Free Lunch. The new deal inspired her to mix up her creative process and hold a songwriting camp with an assortment of writers and producers, among them the duo Nova Wav, who’ve also worked with Beyoncé; on “Beard,” the duo co-wrote and co-produced the hooky “Callin” and “Jasmin 17,” a lusty boudoir jam titled after the unisex fragrance. (Additional collaborators on the album include James Fauntleroy, Van Hunt, Rodney Jerkins, Big Sean and Jordan Ward.)

Given her high-profile gig writing and producing Beyoncé’s “Plastic Off the Sofa” — a sensual retro-soul number that went on to win a Grammy — I tell Syd that I assume the offers came rolling in immediately afterward to join other A-list acts in the studio.

“To be honest, that opportunity didn’t give me any more producing opportunities,” she answers, to my surprise. “Nobody was reaching out — like, ‘Hey, can I get beats?’” She’s not bothered, though, since what the experience did do was “give me the confidence to produce this album for myself.”

And anyway, she’s got a solo tour coming up, not to mention a long-awaited Internet LP to finish. The band has been recording intermittently at her place, and last month she spent a week working at Martians’ studio in rural Georgia.

“We’re closer than we’ve probably ever been,” Syd says of the band, whose drummer, Christoper Smith, put out yet another solo record on the same day as “Beard” and Lacy. Syd doesn’t want to reveal too much about the Internet’s new music. But she will say that so far the group has avoided using Auto-Tune, the vocal-processing software that she feels has become sadly ubiquitous.

“I want nuance, I want texture, I want the lack of perfection,” she says. “I’d rather mess up naturally than not mess up unnaturally.”

Beard will complete a long season after the final two Wales matches against Argentina and South Africa in Durban next weekend.

The former Ospreys lock had only just linked up with the Wales squad a couple of days before the Fiji game, following a mammoth first season with French club Montpellier, which included a Challenge Cup success and losing the Top 14 final to Toulouse.

“I have personally loved it and it was probably the best decision I’ve made rugby wise so far for myself and my family,” said Beard.

“It was a tough decision at first, leaving the Ospreys after being there since I was 14.

“But it was probably something, if I didn’t join Montpellier, I might have regretted at the end of my career.”

While playing in France is a tough challenge, it is also a rewarding one said Beard.

“It’s a physical league and you’ve got to play 30 games a season,” he added.

“But just the support and passion, everything they do out in the Top 14 is a different level to what I’ve experienced before.

“So it’s been an amazing move for myself and my family.”