bad bunny

As 2026 reaches its halfway point, the editors of De Los are eager to talk about Latin artists to watch — and share their hottest music takes. Over the years, award-winning music journalist Suzy Exposito and Director of Latino Initiatives Fidel Martinez have documented the rise of genres like reggaeton and música Mexicana in mainstream culture.

In her work for Vogue, The Times and Rolling Stone, Exposito has interviewed influential artists like Shakira, Cardi B and Bad Bunny (the last of which made history as the first Rolling Stone cover story written by a Latina journalist).

Martinez has an impressive roster of his own, having interviewed many stars in the Mexican and Chicano music scenes, from Fuerza Regida to Natalia Lafourcade.

Reflecting on a landmark year for Latin music

On this week’s episode of “The De Los Podcast,” they weigh in on the explosive impact of 2025 on the genre: between Bad Bunny‘s Super Bowl halftime show and Karol G‘s Coachella headlining performance, last year was nothing short of a groundbreaking for Latin music.

“Being there, you could feel barriers coming down,” Martinez, who reported live from the Super Bowl in February, said. “It wasn’t Bad Bunny trying to validate us in front of others. It was him saying, ‘This is who we are, and we are proud of who we are.’”

According to the RIAA, 2025 was the first year that Latin music sales in the U.S. reached $1 billion, in its 10th consecutive year of growth. In 2016, American Latin music sales were at just below $150 million.

“It highlights how quickly and with what speed the genre has been taking off,” Martinez said.

However, as Exposito notes, at times, it came at the cost of originality.

A Latin music trend that De Los is leaving behind this year

“Our generation is too married to the past,” Exposito said. “How can we evolve musically if we keep trying to re-create our grandparents’ music?”

Nostalgia, De Los editors note, has driven the wide-ranging popularity of last year’s most successful Latin projects. As Exposito says, the artists “mine the past in their own ways.”

In Bad Bunny’s “DtMF” and Karol G’s “Tropicoqueta,” classic genres like salsa, plena and cumbia took center stage. “DtMF” samples El Gran Combo de Puerto Rico while in Fuerza Regida samples Mexican classics like Vicente Fernández.

While comforting and educational for younger generations, Martinez argues that artists relying on nostalgia could turn that effort into becoming more experimental with their sound.

Some artists, however, are resisting the nostalgia trend, making De Los’ best albums list of 2026 … so far.

De Los’ 2026 Latin albums you need to hear

Suzy’s picks:

Alvaro Díaz, “Omakase”

“He’s experimental … and taking bold swings, with producers like Tainy,” Exposito said.

“Omakase,” which the Puerto Rican star released in May, blends Latin trap elements with electronic, R&B and in one track, cumbia, for a diverse, thoughtful album that Diaz equates in his De Los story to the Japanese dish omakase, or a platter decided by the chef.

RaiNao, “Marcría”

With a worldplay title that blends the words “malcriada” (badly raised woman) and “cria por el mar” (born in the sea), RaiNao’s project promises earthly, intimate lyricism with experimental musicianship.

“The way she melds jazz with reggaeton and folkloric elements, I really enjoy,” Exposito said. “I really appreciate people (like RaiNao) who can remix but also introduce seemingly disparate elements, like saxophone and Caribbean music.”

Other picks include Ibeyi’s “Offering” and Diles Que No Me Maten’s “Escrito en Agua.”

Fidel’s picks:

Julieta Venegas, “Norteña”

Venegas, who De Los interviewed last month, wrote a memoir alongside this album, which delves into her Tijuana heritage with Mexican collaborators like Bronco, is what Martinez calls “a chef’s kiss.”

“She’s such a fascinating character because she started as an indie rocker,” Martinez said. “This album is a love letter to Tijuana. It’s just the perfect fusion of tradition and pop.”

Hermanos Espinoza, “Linaje”

Two brothers from the Rio Grande Valley, Hermanos Espinoza performed at De Los’ SXSW showcase and blew the audience away with their live energy and accordion work.

“Their project talks about lineage. This album certainly has a point of view,” Martinez said. “With this album, they said, música Mexicana can be like rock and roll.”

Also on the list are Tito Doble P’s “Acomodo” and Trio Asesino’s self-titled.

To hear more about 2026’s emerging artists and De Los’ music hot takes, check out “The De Los Podcast.”

June 6 (UPI) — Pope Leo XIV landed in Madrid Saturday to begin his one-week papal visit to the country, the first in 15 years.

Leo was greeted at the airport by King Felipe VI and his wife Queen Letizia, then addressed them at the Royal Palace along with politicians and diplomats.

He acknowledged political polarization and called for an end to it in Spain and elsewhere in the West.

“I come among you to affirm, encourage and instill a renewed fidelity to the Gospel among believers, as well as a deeper reconciliation and collaboration among the various elements of this nation,” the first American pope said.

“In reality, the message of peace, which at present unfortunately strikes some as naive and others as confrontational, is welcomed by those who do not shut themselves off in preconceived ideologies, but are rather open to the truth,” Leo said.

Spanish Deputy Prime Minister Yolanda Díaz told the Washington Post that the left in Spain embraces the pope.

“The [left’s] alignment with Pope Francis was immediate: He defended Spain’s labor reform and the Episcopal Conference also supported it, something that would have seemed unthinkable 20 years ago,” she said. “With Leo XIV, that alignment deepens.”

The Spanish far-right are battling the Church, which they believed an ally. They are particularly upset over the church’s advocacy for migrants, The Washington Post reported. The left once saw the Church as complicit in the Franco dictatorship.

“The far right in Spain wants to copy the far right in the United States,” Bishop José Mazuelos Pérez, who heads a Canary Islands diocese providing shelter, food, blankets and medical care for arriving migrants, told The Post. “To go to war with the bishops over the issue of migration.”

On Monday, Leo will address the Spanish parliament, which is gridlocked. He’s expected to discuss that type of polarization, and his other visits around the country highlight differing segments of the Church.

He will have a prayer vigil with young people Saturday, then march Sunday in a traditional Spanish street procession.

On Thursday, Leo plans to visit the Canary Islands, a landing for Latin American migrants and for those arriving by sea from the African coast. He is planning to visit Lampedusa on July 4, an Italian island where migrants from Africa and beyond land.

On his flight to Spain, Leo acknowledged that he would be competing popular with Puerto Rican singer Bad Bunny, who played the Super Bowl halftime show this year, for Spanish attention. Bad Bunny is scheduled to perform in Madrid Saturday night.

Leo said that more young people are turning to the Church, looking for something more.

“If they are confronted with the question: do they want to see Bad Bunny or do they want to see the pope, I think many will see Bad Bunny,” Leo said. “But I think there will also be a few here to see the pope. And that says something.”

On Sunday, the pope will celebrate mass on the feast of Corpus Christi in the Plaza de Cibeles. There will be a Corpus Christi procession, the Vatican said. He will also meet privately with members of the Order of St. Augustine to which he belongs.

Later, he will go to a gathering of representatives of culture, arts, business and sports at Madrid’s Movistar Arena.

The Vatican spokesperson Matteo Bruni said, “Leo XIV’s trip to Spain is a sign that, despite the secularization of society, the pope still has something to say in many areas, in Spain and in Europe, where he can play a constructive role in public debate,” Euro News reported.

Bad Bunny’s halftime show at this year’s Super Bowl was largely embraced as a milestone for Latin music and Puerto Rican culture on America’s most prominent pop-cultural stage.

Not everyone thought so, though.

The Federal Communications Commission has released a massive trove of viewer complaints against the musician, the show’s broadcast partner NBC, and the NFL.

Many of them expressed outrage at the supposed bawdiness of Bad Bunny’s Spanish-language lyrics and dancing on a broadcast watched by children.

“That was the most disgusting inappropriate show. I had to make all of my children go into the next room!” wrote one traumatized Las Vegas viewer. “The none use [sic] of inappropriate language should stand no matter what language it’s in. This is the most disturbing thing I’ve witnessed on live TV in a long time.”

“NFL halftime show showed 2 men in act of intercourse while behind a pickup truck door,” wrote one aghast Ohioan. “The ratings for NFL [sic] made it safe for my children to watch but they witnessed this and became disturbed.”

Another viewer from Charlotte, NC who, to their credit, seemed familiar with Bad Bunny’s catalog, wrote that they “take issue with the vocal performances of ‘Safaera,’ which is a track widely known for explicit sexual references and graphic lyrical content, and ‘Yo Perreo Sola,’ which had choreography featuring overtly sexualized movements, including widespread twerking, grinding, pelvic thrusts and other sexually suggestive conduct.”

Those viewers were likely not sated by the FCC’s February review of the performance, which found that the songs’ lyrics had been appropriately altered for the broadcast.

Rep. Randy Fine (R-FL) had called for the FCC to investigate the broadcast.”What Americans witnessed during the Super Bowl halftime show with Bad Bunny was despicable and never should be allowed to be shown on television again,” Fine told the New York Post.

Many of the viewer complaints mirror President Trump’s post-show social media criticism, calling the performance “one of the worst EVER!”

“Nobody understands a word this guy is saying, and the dancing is disgusting, especially for young children that are watching from throughout the U.S.A., and all over the World,” the president wrote at the time.

Just before the Super Bowl, Bad Bunny had won the Grammy for album with “Debí Tirar Más Fotos,” and joined a wave of artists speaking out against violent ICE raids in speeches at the ceremony. The superstar demurred on performing in the continental U.S. for similar fears, instead performing a lengthy Puerto Rican residency.