background

Former Gogglebox and I’m a Celebrity…Get Me Out of Here! star Scarlett Moffatt is among the celebrities taking part in the 2025 Strictly Christmas special – but fans have hit out over her dance past

Scarlett Moffatt has hit back after being accused of cheating in an upcoming Christmas special of Strictly Come Dancing. It had previously been revealed that the reality star had attended dance training ahead of taking part in the BBC show.

The TV star – famous for appearing on reality shows including Beauty School Cop Outs, Gogglebox, and I’m a Celebrity…Get Me Out of Here! – will appear on the festive special, partnered with Vito Coppola. Other stars taking part in the Christmas episode include singers Brian McFadden and Melanie Blatt, Gladiators star Jodie Ounsley aka Fury, EastEnders actor Nicholas Bailey, and comedian Babtunde Aléshé.

But fans were quick to call the 2025 Christmas episode a fix because Scarlett had already enjoyed years of dance training in her youth. Now she has hit back at those claims and insisted her dance days are a long, distant memory.

READ MORE: M&S’ coffee and cake hampers are now under £5 in time for Christmas giftingREAD MORE: Strictly Come Dancing host Tess Daly’s last performance on BBC show as she gets farewell gift

She told The Sun: “I feel they’ve really hyped me up. I enjoy dancing, but that was when I was a little girl; I’m 35 now. I did dance, but it was so long ago. So I did Old Time and Sequence, which is a bit like ballroom and Latin.”

She continued: “Strictly started when I was 13, and I remember it starting, thinking, ‘oh, this is the coolest thing ever’. When I was little, this sounds so sad, but I used to follow the dancers online. Anton and Erin were doing a show, and at the end of the show, they would teach people how to do a bit of a foxtrot or a bit of a waltz. I went to that when I was eight, and Anton signed a piece of paper which I’ve still got.”

Defending herself further, she added: “That somehow was translated into that I was trained by Anton. Somehow, that’s been twisted, and I am professionally trained by Anton. It’s so funny though, man. You’ve got to laugh, haven’t you?”

Scarlett, however, has previously spoken about her dancing past. She took to Instagram this week to share footage of herself gliding across a ballroom in a dance contest from her past – while adding details about her skills.

She wrote in an accompanying caption on Instagram: “I know I’ll probably never get to dance on the main Strictly series because of my past dance experience when I was a little girl so getting to be part of the Christmas special means everything to me.”

Explaining that dance was something of an escape for her, she continued: “School wasn’t always easy for me, but dance was my safe place. It’s where I found my people, where I felt happiest, and where I could just be me.”

She went on: “Dancing on the Strictly Christmas Special, on Christmas Day, feels like a true bucket-list moment — one of those wishes you make quietly and never really expect to come true. I am so grateful to share this moment with my family, my friends, Vito and everyone watching at home & this will forever be one of the greatest days of my entire life.”

Despite her expectation that she would never be allowed onto the main version of the show, Scarlett was offered the glimmer of hope that one day the BBC might call her up and ask her to return for a true run at winning the glitterball trophy.

Former winner Stacey Dooley defended the TV star, arguing: “Babe, you can ABSOLUTELY do the main series! can’t wait to see u in action!” While professional dancer Karen Hauer wrote: “You’re a star and most importantly you’re a wonderful human. You would be an absolute dream on the main series.”

Other Strictly contestants have been critcised for having dance backgrounds when they have taken part in the show. During the 2025 contest, Emmerdale actor Lewis Cope and Love Island star Amber Davies were singled out for being West End stars – however the show was ultimately won by footballer Karen Carney who went from complete novice to ballroom champion.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

The year was 1923, and thousands of people a month were flooding into Los Angeles in hopes of finding a job in the nascent film business.

Many planned to start as background actors, dreaming they’d be discovered by a director and finally get their big break. These behind-the-scenes actors would wander from studio lot to studio lot, lining up in hopes of being cast.

But the chaos of aspiring actors searching for jobs eventually became too much. Even silent screen star Mary Pickford took to warning wide-eyed newcomers that they should save enough money to survive for five years before coming out to Hollywood.

Out of calls to create safeguards around this fledgling business, and more order around background acting opportunities, emerged the Central Casting Corp.

Central Casting — now so eponymous that its name has become a cultural phrase — celebrated its 100th anniversary earlier this month.

I recently spoke with Mark Goldstein, president and chief executive of the Burbank-based company, to talk about changes in the industry, including the threat of artificial intelligence, runaway production and the role of a background actor in 2025.

Goldstein acknowledged the tough environment for background performers, also commonly known as extras, who populate restaurants, parks and other film and TV scenes to make the environment seem more realistic — all without saying a word.

After the lows of the pandemic, and then the explosion of content during the peak TV era, one of the main challenges for Central Casting’s members is just finding new roles, he said.

“There’s been a little bit of a pullback in production over the last year,” said Goldstein, who serves as president and CEO of Central Casting as well as production finance and management tools firm Entertainment Partners, which owns the agency. “It’s really just constantly finding the right roles for people.”

In Southern California, of course, jobs have been more scarce as production has flowed to other states and countries offering steeper film incentives.

Then there is the advent of computer-generated imagery, which has lessened the need for massive crowd scenes that were once standard.

“Before [CGI] technology, we may fill up an arena, like we may fill a 5,000-person shoot or a 10,000-person shoot,” Goldstein said.

Remember the long lines for casting calls?

No more.

More recently AI has been a key concern for background actors, though Goldstein said he doesn’t think the new digital tools and the rise of synthetic characters will eliminate the need for background actors.

“There’s a lot of conversation [about] is it human or technology? And we kind of view it as human and technology,” he said. “The consumer wants believability, and so there’ll be situations where it’s really important to have the human role involved, but there may be other situations where AI and technology can be helpful.”

He added: “We have legendary people that started their career because they wanted to follow their dream to become an actor in Hollywood,” he said, ticking off the names of famous alumni such as Clark Gable, Carole Lombard, Eva Longoria, Will Ferrell and Brad Pitt. “And we don’t see that changing.”

Despite the challenges, aspiring actors still register with Central Casting every day, Goldstein said. The company has 200,000 background actors in its database, with more than 20,000 new names added a year. About 3,000 are placed in roles each day, the company says.

One of those is Jaylee Maruk, 38, who signed up with Central Casting in 2009 and has worked steadily ever since.

Maruk works often on “Grey’s Anatomy” and has credits on Hulu’s “Paradise” and Apple TV’s “Shrinking.” She once stood in for Greta Lee in Apple TV‘s “The Morning Show.”

“What I love about doing background is it really gives a solid foundation about what it’s like to be on set and what the expectations are,” Maruk said.

But she worries about her future, especially with the rise of AI and the migration of production.

“Productions will pack up and leave,” she said. “They’ll go somewhere cheaper, and it’s becoming harder and harder for us. That’s really the biggest concern, trying to entice and support productions staying here.”

Towns in far-off countries like Hungary and Turkey can be made to look just like places in America, she says. And they can cast local residents instead of U.S.-based performers like Maruk. After all, background actors don’t have speaking roles, so not speaking English isn’t a problem.

“We want our work to be here,” said the Lake Balboa resident. “Our families are here, our lives are here.”

Last year, I got a glimpse into the world of background acting when I covered the annual Los Angeles Union Background Actors Awards. Though tongue-in-cheek at times — the awards themselves are called Blurries — the ceremony and winners’ speeches also highlighted these actors’ key roles in Hollywood.

I met background actors who had done the job for years, including one who got his first role as a 12-year-old in “Hello, Dolly!” Many talked about the difficulty of the last few years and the desire for respect for their professional work. Some were full-time background actors; others did the work part time. All were passionate about what they did.

“It really is just preparedness and luck, as they say,” Maruk said. “And also just having a lot of motivation and resilience.”

Stuff We Wrote

Film shoots

Number of the week

James Cameron’s “Avatar: Fire and Ash” brought in $89 million in the U.S. and Canada during its opening weekend. Globally, the film made $346 million, with big hauls in China and France.

That opening total came in at the lower end of box office analysts’ expectations and is also less than the massive opening weekend for its predecessor film, 2022’s “Avatar: The Way of Water,” which grossed $134 million in its domestic debut. But “Avatar” films tend to build momentum at the box office over subsequent weekends, so the Na’vi aren’t vanquished yet.

In addition to “Avatar,” this past weekend also saw strong performances from Angel Studios’ animated “David,” as well as Lionsgate’s thriller “The Housemaid,” pushing the year-to-date domestic box office total a slim 1% above the same time period last year. That’s helpful for theaters but doesn’t bode well for the box office’s overall performance this year.

Finally …

My colleague Josh Rottenberg looks at what movie stardom will mean in an age of AI. In that story, he has an interview with the creator of Tilly Norwood, the AI-generated character that recently sparked a furious debate in Hollywood about the role of synthetics in film and TV.