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With its gridlocked terminals, infuriating delays and long lines for everything from security checks to coffee, LAX might be where patience goes to die. It’s a place most dream of escaping; instead L.A.-born novelist Alexander Maksik takes readers inside the airport to witness both the unease and shared humanity of people passing through.

Longlisted for the 2026 National Book Award in fiction, Maksik’s new novel, “Passengers,” unfolds within the airport’s sprawling concourses. The story centers on Ivan and Nina, a distant father and daughter meeting up for a flight to Paris. For 75-year-old Ivan, it’s a chance to show his daughter where he once lived. For 29-year-old Nina, it’s a free trip and an opportunity to finally understand a parent she barely knows. When their flight is delayed, and then delayed again, frustration shifts from the departure boards to the fault lines between them.

Maksik, speaking via video conference from his Parisian apartment, always planned that the book would be about a father-daughter pair. “When my daughter was born, like many new parents, I found I could only think in clichés, and I didn’t try to resist them,” he says. “But as time went by, I started to toy with the idea of writing a novel about a father and daughter in which the battle against cliché would become central, would take on huge, even life-saving, importance.”

The author also plays with the idea of nostalgia. “Nostalgia brings you close to the edge of real feeling without forcing you to confront the weight, power and terror of real feeling. It’s too easy to keep yourself wrapped up in the false ease of the past.” One of the things that airports remind us of, he says, is change. Restaurants and boutiques close and open regularly. In one era, people sought out bookstores; in another, they’re looking for headphones and portable chargers.

“For a long time, airports felt to me like places of civility,” says Maksik. “I remember having real conversations with strangers at a bar or in various waiting areas. There was promise and possibility and warmth in such interactions. Now an airport is just one more place to look at your phone.”

As Ivan and Nina walk, talk, do tequila shots and observe their fellow travelers, those travelers are also observing them. One of the most powerful conceits in the book occurs when the two leave an airport venue and readers get the perspective of a person who served or overheard them. For example, one character, “an elegant woman, long gray hair in a braid” thinks about her dead husband when she notices Ivan and Nina: “It was impossible for the woman to see two people together, really any two people, and not feel his absence.” There’s another man who thinks he can tell that father and daughter “were the kind always looking for a way around the rules, who think waiting is for suckers like him.” Each underscores the fact that strangers affect and can even change one another (like our own offspring do).

Something else Ivan and Nina share is physical labor. Ivan spent decades as a building contractor, while Nina is a masseuse who goes to clients’ homes, not liking “the idea of going to the same place again and again. She wanted to travel, to peer inside different lives.” Maksik himself held service positions for many years, experience that gave him a different outlook than some of his colleagues at the renowned Iowa Writers Workshop, which he entered at the relatively senior age of 38.

“At Iowa, I was drawn to those who were writing about worlds that were far away from literature and academia,” he says. “Maybe that’s because I’ve worked so many different jobs. I washed dishes. I was a bartender. I cooked. I delivered pizza. Those experiences were vivid and interesting and at least as formative to me as a writer as anything I learned in the classroom. To write well about work is something I admire a great deal.”

Of course, Maksik is writing fiction, and can write about any sort of life, including that of a teacher, as he did in his critically acclaimed 2011 novel “You Deserve Nothing,” about an affair between an American teacher and his French high school student. As he knows, there’s a shadow over that book because one of his students alleged that the story was about Maksik’s affair with her when she was 17 years old.

“I will aways have to acknowledge my own history, and how I came to write that novel,” he says. “And there will always exist people to whom this acknowledgment means nothing. Perhaps this is as it should be. I’m certainly not proud of that period of my life, and, frankly, I’m no longer particularly proud of the novel either. Nevertheless, it will always be part and parcel of my history, and I have no intention of pretending otherwise.”

As Ivan and Nina wrestle with their own emotional truths, which range from her mother Nora’s departure from their lives to Ivan’s clumsy recitations of Nina’s childhood antics, something alarming is afoot. Nina can’t make or receive calls on her phone. The pair notices that others can’t make calls, either; a restaurant loses its checkout interface; and everyone is snaking cords around to keep devices charged for the moment when service returns.

Something is definitely wrong, and no one seems to know what it is. Soon Nina sees that her father is tired and weak, despite a meal and plenty of water; she becomes convinced that he needs fresh air. When they try to exit the airport, they find barriers set up and armed soldiers who say no one is allowed to leave.

The sense of unease Maksik creates mirrors the sense of disconnection between all of the people stranded, from a brusque young woman in bunny slippers and giant headphones to an older couple huddled beneath racks of merchandise: “We’re trying to sleep … Can’t you see that?” one of them says. This LAX, unlike the island of civility and good manners Maksik remembers from childhood, fosters alienation and dread.

The author laughs ruefully when accused of his own version of nostalgia, admitting that the version of the airport he’s created feels closer to our present-day reality. As it happens, Maksik himself will be taking a flight soon, from France to Florida, taking part in his fellow author Lauren Groff’s First Editions Book Club. How does he feel about that?

“Our daughter was born in late 2019, and then there was the pandemic. Each day since then seems more dangerous than the previous one. I wouldn’t at all be surprised to find myself trapped in an airport, whether as a result of climate change, AI, or one of the many petulant maniacs who run the world.”

Patrick is a freelance critic and author of the memoir “Life B.”

Follow updates from the 2026 Ballon d’Or ceremony as the world’s best male and female footballers are crowned.

GEORGE EZRA has been quiet since dropping his third album, Gold Rush Kid, four years ago.

But it turns out he’s busy behind the scenes helping other artists make music.

I’m told that after disappearing from public life following his last gig in 2023, the Green Green Grass singer is in no rush to jump back into the spotlight just yet.

Instead, he has started renting out his own recording studio so that it is not sitting empty.

I can reveal George, who has also stopped posting on social media, has set up a business at Hotel Quebec studios in Hertford.

He is advertising for artists and writers to come and work on their own music at the facility.

GEORGE’S JOY

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In an advert, he says: “Hello, my name is George Ezra and I would like to introduce you to my personal recording studio, Hotel Quebec, a state-of-the-art recording facility in Hertford, just outside of London, that was designed and built for me — my musical projects, my writing and my recording.

“It gives me great pleasure to tell you that the studio is now available for you to book and for you to record in, whether it’s for a day, a week, a month: if you are looking for a uniquely beautiful and creatively safe environment to work in, please don’t hesitate to get in touch.

“On behalf of myself and the small but dedicated team here at Hotel Quebec, we hope you are well and we look forward to hearing from you.”

Those close to George said he had been quietly beavering away on his own projects in the studio, but added: “He wants to share what he’s created and it’s a clever side hustle.

“George has no confirmed plans or dates for a return yet, but he has been using the studio for his own projects.

“By renting the studio out, George can help other artists — and he’d much rather have that than the place being empty when he’s not using it.”

I told at the end of 2024 how George had quietly become a father for the first time, so I’m sure a few extra quid from the venture will be welcome.

The Brit Award winner has had three No1 albums and topped the singles chart in 2018 with Shotgun.

However, on his 2023 tour, he was forced to cancel some live ­performances due to acute vertigo, and he has always made it clear he’s not particularly keen on fame.

With that in mind, I can’t blame him for wanting some time away from the spotlight.

But I’ll be gutted if we don’t get any more music from George soon.

So I’m keeping my fingers crossed he doesn’t wait too much longer before treating us again.

MADGE IS CRAZY FUR ROCCO’S ART

ROCCO RITCHIE has found his biggest fan – in his mum Madonna.

She has shared a load of snaps from the budding artist’s most recent exhibition, which includes a self-portrait in which Rocco is cos-playing the Incredible Hulk.

Madge slipped into a fur coat and silky shorts for the event and told her Instagram followers: “Everyone knows I love art.

“Can you imagine how much more I love it when it’s my son, Rocco’s?

“It’s been so exciting watching him grow as an artist, finding his groove, his style, struggling with the loneliness of being a painter, locking himself in his studio. Watching him turn nothing into something.

“I love that he is moving into sculpture now.”

LEDS NIGHT FOR PAUL

THERE was a meeting of legendary musical minds over the weekend as Sir Paul McCartney headed out on a double date with Led Zeppelin guitarist Jimmy Page.

Beatles maestro Paul was spotted arriving at the trendy West London restaurant Dorian with his wife Nancy Shevell, before being joined by Jimmy and his missus, poet Scarlett Sabet.

The foursome were snapped during the course of their dinner, with one onlooker telling me: “They talked music non-stop. People were doing double takes when they saw Paul and Jimmy together.”

As Paul was heading home he was overheard telling the waiting photographers to make sure they took pictures of his “good side”.

It all looks good from where I’m sitting.

A RAYE OF HOPE

RAYE is considering legal action against an unnamed artist after they seemingly released a song written by her grandad without any credit or money for him.

The Where Is My Husband! singer, who clearly has music in her veins, revealed grandpa Michael wrote and recorded a track when he was younger and sent it to a record label who, without his knowledge, gave it to an artist, who she hasn’t named.

Raye, who won the Mercury Prize on Thursday, said: “He [Michael] was burnt by the industry. He wanted to make it as a songwriter, so he would write songs on the piano, score them and record it.

“Then he’d put them in boxes and post them to record labels in London, hoping that someone would play his tapes, like it, contact him and bring him down to London to live his dream. Unfortunately – and it was the case back in the day – so many songwriters were just absolutely done so dirty.

“He sent one song, and it was released two years later with no credit, no contact, and it completely broke his heart.

“There was nothing he could do about it – he had no money.

“He couldn’t afford a lawyer so no one cared.”

On whether she might pursue the case now she is a big star herself, Raye told the And The Writer Is… podcast: “I have looked into it.

“It’s just, financially, I just don’t know if the evidence is substantial enough because the evidence was sent off.

“All he has is a songwriting book with things jotted down, and yeah, it would be a giant thing.”

I’d love to see justice done.

DRAKE’S BOYBAND BIRTHDAY

DRAKE got a huge 40th birthday surprise when Backstreet Boys helped him celebrate the milestone.

The Hotline Bling rapper got up on stage in New York to sing with the group at Casa Cipriani, where they performed I Want It That Way.

I revealed last month that the American lads were poised to announce a run of shows at London’s O2 Arena in the coming weeks, with the concerts scheduled to take place next year.

Backstreet Boys will return to the Sphere in Las Vegas in December and January as part of their Into The Millennium residency.

After a nice break in the early new year, coming back to the UK will be the perfect way to kick-start 2027.

KASABIAN front- man Serge Pizzorno was the secret guest at the 20th anniversary celebrations of This Feeling in London.

The club, which has helped launch some of the biggest names in indie, put on a huge night of performances on Saturday.

Little Bit Of Love singer Tom Grennan was also on hand to perform a set as revellers partied until 2am.

HIGH SCHOOL MUSICAL

@ Troubadour Wembley Park Theatre

★★★★☆

YOU’D be foolish to walk into a stage ­musical based on a Disney kids’ movie and expect an edgy take on youth culture.

But that’s exactly why the new stage ­version of High School Musical delivers – it doesn’t try to be anything it’s not.

Having opened in Manchester, clever staging at its new home in London takes you courtside as the East High gang juggle basketball, science class and drama club.

And you’re immediately made one of them as the cheer squad lead you in ­routines ahead of the Wildcats’ big game.

McFly’s Harry Judd stars as Coach Bolton while Tobias Turley and ­Leonor Correia play young lovers Troy and Gabriella, who meet on holiday then find themselves at the same school. But it’s Luke Bayer and Caitlin TIpping, as siblings Ryan and Sharpay, who steal the show.

The writers wisely reprise the banger, Bop To The Top, and the show ends with a frenetic all-cast montage. It’s unlikely to win any awards or challenge minds, but this extra helping of cheese went down a treat.

By Felicity Cross

The Repair Shop expert Kirsten Ramsey was on hand to help restore a prized Pride of Birmingham Award, which was accidentally smashed

A mum was left feeling terribly guilty after accidentally breaking her son’s most prized possession while doing the housework.

During Wednesday’s (October 21) episode of The Repair Shop: Beyond the Barn, BBC viewers saw ceramics expert Kirsten Ramsey tasked with fixing an award statuette belonging to Mikey Akers from Coventry. In a cutaway scene, viewers saw Mikey alongside his mum Louisa share more about the incredible story behind the award.

In 2018, Mikey was 16 years old when he won a Pride of Birmingham Award for his tireless campaigning to raise awareness about verbal dyspraxia, after being diagnosed with the rare neurological speech disorder when he was two.

Mikey struggled to learn to speak and, throughout his childhood, needed intensive speech therapy to find his voice.

When he was 13, he wrote a poem called I Am The Boy about his struggles and set up campaign organisation, Mikey’s Wish, to raise awareness and support other young people with the condition.

Louisa explained: “It affects the messages from the brain to the mouth, and they struggle to move the muscles and the nerves in order to form the sounds needed for speech.”

Speaking about his diagnosis, Mikey added: “Growing up with verbal dyspraxia was quite lonely. People outside of my family struggled to understand what I was saying. It was quite common that people thought I weren’t as intelligent because of my speech. It was very frustrating.”

Mike was ecstatic with the Pride of Birmingham award and called it his “proudest achievement”; however, the angel-like trophy was damaged when Louisa knocked it off a shelf while doing housework, shattering it. “When it shattered, I was mortified. I felt so guilty”, Louisa told the camera.

Back at the Repair Shop, Kirsten was determined to make the award look brand-new again and said, “You don’t get this unless you’ve done something quite extraordinary.”

The expert explained that it would be tricky to recreate the award’s shiny surface because of all the broken pieces that would need to be reattached.

As Mikey and Louisa visited the barn to collect the award from Kirsten, Louisa said she “just wanted to see it back in one piece again.”

Miraculously, Kirsten had managed to make the award statuette look brand new, leaving Mikey elated. “Oh wow, Thank you”, he told Kirsten while Louisa joked: “The guilt has gone”, as the mother and son giggled.

“I am proud of him”, Louisa added as Mikey confirmed: “It brings me back to when I first got it, it’s a nice feeling.”

Kirsten commented: “You’re clearly an inspiration to many, many people, which really spurred me on to try and do the best job that I possibly could, and It’s ready to go back to whatever safe spot you’ve got for it. “

The Repair Shop Beyond the Barn is available to stream on BBC iPlayer