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Authors, readers and publishing industry experts lament the underrepresentation of Hispanic stories in the mainstream world of books, but have found new ways to elevate the literature and resolve misunderstandings.

“The stories now are more diverse than they were ten years ago,” said Carmen Alvarez, a book influencer on Instagram and TikTok.

Some publishers, independent bookstores and book influencers are pushing past the perception of monolithic experience by making Hispanic stories more visible and discoverable for book lovers.

The rise of online book retailers and limited marketing budgets for stories about people of color have been major hurdles for increasing that representation, despite annual celebrations of Hispanic Heritage Month from Sept. 15 to Oct. 15 in the U.S. There’s been a push for ethnically authentic stories about Latinos, beyond the immigrant experience.

“I feel like we are getting away from the immigration story, the struggle story,” said Alvarez, who is best known as “tomesandtextiles” on bookstagram and booktok, the Instagram and TikTok social media communities. “I feel like my content is to push back against the lack of representation.”

Latinos in the publishing industry

Latinos currently make up roughly 20% of the U.S. population, according to Census data.

However, the National Hispanic Media Coalition estimates Latinos only represent 8% of employees in publishing, according to its Latino Representation in Publishing Coalition created in 2023.

Brenda Castillo, NHMC president and CEO, said the coalition works directly with publishing houses to highlight Latino voices and promote their existing Latino employees.

The publishing houses “are the ones that have the power to make the changes,” Castillo said.

Some Hispanic authors are creating spaces for their work to find interested readers. Award-winning children authors Mayra Cuevas and Alex Villasante co-founded a book festival and storytellers conference in 2024 to showcase writers and illustrators from their communities.

“We were very intentional in creating programming around upleveling craft and professional development,” Cuevas said. “And giving attendees access to the publishing industry, and most importantly, creating a space for community connection and belonging.”

Villasante said the festival and conference allowed them to sustain themselves within the publishing industry, while giving others a road map for success in an industry that isn’t always looking to mass produce their work.

“We are not getting the representation of ourselves,” Villasante said. “I believe that is changing, but it is a slow change so we have to continue to push for that change.”

Breaking into the mainstream

New York Times bestselling author Silvia Moreno-Garcia, a Mexican-Canadian novelist known for the novels “Mexican Gothic” and “The Daughter of Doctor Moreau,” is one of few Hispanic authors that has been able to break to mainstream. But she said it wasn’t easy.

Moreno-Garcia recalled one of her first publisher rejections: The editor complimented the quality of the story but said it would not sell because it was set in Mexico.

“There are systems built within publishing that make it very difficult to achieve the regular distributions that other books naturally have built into them,” Moreno-Garcia said. “There is sometimes resistance to sharing some of these books.”

Cynthia Pelayo, an award-winning author and poet, said the marketing campaign is often the difference maker in terms of a book’s success. Authors of color are often left wanting more promotional support from their publishers, she said.

“I’ve seen exceptional Latino novels that have not received nearly the amount of marketing, publicity that some of their white colleagues have received,” Pelayo said. “What happens in that situation (is) their books get put somewhere else in the bookstore when these white colleagues, their books will get put in the front.”

Hispanic Heritage Month, however, helps bring some attention to Hispanic authors, she added.

Independent bookstores

Independent bookstores remain persistent in elevating Hispanic stories. A 2024 report by the American Booksellers Association found that 60 of the 323 new independent bookstores were owned by people of color. According to Latinx in Publishing, a network of publishing industry professionals, there are 46 Hispanic-owned bookstores in the U.S.

Online book retailer Bookshop.org has highlighted Hispanic books and provided discounts for readers during Hispanic Heritage Month. A representative for the site, Ellington McKenzie, said the site has been able to provide financial support for about 70 Latino bookstores.

“People are always looking to support those minority owned bookstores which we are happy to be the liaison between them,” McKenzie said.

Chawa Magaña, the owner of Palabras Bilingual Bookstore in Phoenix, said she was inspired to open the store because of what she felt was a lack of diversity and representation in the books that are taught in Arizona schools.

“Growing up, I didn’t experience a lot of diversity in literature in schools.” Magaña said. “I wasn’t seeing myself in the stories that I was reading.”

Of the books for sale at Palabras Bilingual, between 30% to 40% of the books are Latino stories, she said.

Magaña said having heard people say they have never seen that much representation in a bookstore has made her cry.

“What has been the most fulfilling to me is able to see how it impacts other people’s lives,” she said. “What motivates me is seeing other people get inspired to do things, seeing people moved when they see the store itself having diverse books.”

Figueroa writes for the Associated Press.

At least 679 titles blacklisted, including texts on human rights, women’s rights and Western political thought.

Afghanistan‘s Taliban-run government plans to remove books written by women from university curricula.

A member of the committee reviewing textbooks confirmed the ban to BBC Afghan on Friday. The blacklisting is part of an educational decree that also prohibits education courses “deemed in conflict with Islamic Sharia”.

The committee member told BBC Afghanistan that “all books authored by women are not allowed to be taught.”

At least 679 titles were banned due to their “anti-Sharia and Taliban policies”, he added.

The books affected cover every field of study, including texts on constitutional law, Islamic political movements and the political system, as well as human rights, women’s studies and Western political thought.

A final list of banned books will be issued to universities at a later date.

A directive, which was seen by BBC Afghan, was signed by the Taliban’s deputy higher education minister, Ziaur Rahman Aryoubi, and the 50-page list of banned books was sent to Afghan universities at the end of last month.

Aryoubi said in a letter to the universities that the decisions had been taken by a panel of “religious scholars and experts” and that the banned books should be replaced with course materials that “do not conflict with Islam”.

The decree is the latest in a series of restrictions the Taliban has imposed since returning to power four years ago.

The Taliban has cracked down on many aspects of education, from firing hundreds of professors on the grounds that they “opposed” the group’s ideology to increasing mandatory religious coursework across all faculties.

Women have been particularly affected. They are no longer allowed to attend school past the sixth grade (age 12).

Universities have also been ordered to stop teaching 18 subjects, six of which are specifically about women, including gender and development. Another 201 courses were under review.

‘Misogynistic mindset’

Zakia Adeli, the former deputy minister of justice before the Taliban’s return in August 2021 and author of Political Terminology and International Relations, one of the banned books, told BBC Afghan that she was unsurprised by the move.

“Considering what the Taliban have done over the past four years, it was not far-fetched to expect them to impose changes on the curriculum,” said Adeli.

“Given the Taliban’s misogynistic mindset and policies, it is only natural that when women themselves are not allowed to study, their views, ideas and writings are also suppressed.”

Sources in the capital Kabul told the Independent Persian outlet that the ban on such a large number of textbooks would cripple the country’s higher education system, as universities will now have to dedicate significant resources to finding and acquiring replacements.

Alongside the female-authored books, a further 300 written by Iranian authors or issued by Iranian publishers are being targeted.

Sources, including one on the book review committee, said this was to “prevent the infiltration of Iranian content” into the country’s curriculum.

In recent years, the relationship between the two neighbouring countries has been strained, particularly over water rights. This tension has been further compounded by Iran’s ejection of more than 1.5 million Afghans who had been living in the country.

Artificial intelligence startup Anthropic has settled a class action copyright infringement lawsuit, in which authors accused the company of training its AI models on their work without permission, according to a Tuesday court filing.

San Francisco-based Anthropic, which trained its AI assistant Claude using copyrighted books, was sued by authors Andrea Bartz, Charles Graeber and Kirk Wallace in August 2024.

Terms of the settlement were not disclosed. The company did not immediately respond to a request for comment.

Last June, U.S. District Judge William Alsup ruled that AI models could legally learn from copyrighted books without the authors’ consent. The decision was a partial win for Anthropic.

Alsup found the usage to be “exceedingly transformative” and “a fair use,” though the company might have broken the law by pirating a large portion of its source material. According to the filing in the U.S. Court of Appeals for the 9th Circuit, the tech company and the involved authors asked the court to pause its proceedings while they finalize the settlement deal.

“Fair use” doctrine, which allows for the limited reproduction of copyrighted material without consent in some circumstances, is a key component of AI companies’ defenses against copyright claims.

Alsup originally ordered the matter to go to trial in December to decide how much they would pay in piracy damages. If it went to trial, the damages could have reached up to $150,000 per case of willful copyright infringement and could have cost the startup billions. In early August, the AI company attempted to get an appeal and was denied.

Anthropic, founded by former OpenAI employees and backed by Amazon, pirated at least 7 million books from Books3, Library Genesis and Pirate Library Mirror, online libraries containing unauthorized copies of copyrighted books, to train its software, according to the judge.

They also bought millions of print copies in bulk and stripped the books’ bindings, cut their pages and scanned them into digital and machine-readable forms, which Alsup found to be in the bounds of fair use, according to the judge’s ruling.

“The mere conversion of a print book to a digital file to save space and enable searchability was transformative for that reason alone,” he wrote.

Anthropic later purchased the books it initially pirated. Alsup said the purchases did not absolve the company, but that they could reduce damages.

This agreement is being reached as many other copyright cases against AI companies are being brought to courts around the country. Most recently, Walt Disney Co. and Universal Pictures sued artificial intelligence company Midjourney, which the studios allege trained its image generation models on their copyrighted materials.

Project Hail Mary is one of the most talked about upcoming blockbusters for next year, but there’s another gripping science fiction thriller you should check out first

Science fiction fans can stream this critically acclaimed blockbuster right now ahead of the new Ryan Gosling-led thriller, Project Hail Mary.

The upcoming space epic will be hitting cinemas next March and a recent trailer has teased a high-octane thrill ride beyond the solar system.

Starring Gosling as school science teacher Ryland Grace, he’s plunged headfirst into a dangerous outer space mission to protect the Earth from catastrophe – but can he save his own life in the process?

Helmed by the genius directors behind 21 Jump Street and Into the Spider-Verse, Phil Lord and Christopher Miller, this jaw-dropping adaptation of Andy Weir’s bestselling novel is guaranteed to be a must-watch cinematic experience.

Sci-fi readers will already be well-acquainted with Weir as the author of the equally gripping novel The Martian, which was adapted into a major film directed by Ridley Scott and starring Matt Damon back in 2015.

10 years later, this nail-biting space survival thriller remains one of the most beloved sci-fi films of the century so far – and fans can stream it right now.

Whether you’ve already experienced this riveting space adventure or it’s somehow passed you by, make sure you stream The Martian on Disney+ at some point before March to get yourself well-prepared for Project Hail Mary.

One five-star Google review calls it: “An Absolute Masterpiece of Sci-Fi Cinema.”

They went on: “Adapted from Andy Weir’s equally captivating novel, this film takes you on an exhilarating journey to the red planet, Mars.

“From the very first scene to the closing credits, The Martian is a thrilling and suspenseful rollercoaster of human ingenuity, resilience, and survival.

“Matt Damon’s portrayal of Mark Watney, an astronaut stranded on Mars, is brilliant. His charismatic and witty performance keeps you engaged throughout the film.”

Someone else raved: “What makes The Martian so rewatchable is its tone. It’s intense when it needs to be, but never loses that touch of optimism and wit that makes it so enjoyable.

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“The soundtrack fits perfectly, the pacing keeps you engaged, and the visuals of Mars are stunning without ever feeling overwhelming.

“It’s a film that makes space feel both terrifying and oddly comforting, a rare mix. Whether you’re into science fiction, survival stories, or just well-made cinema, The Martian is the kind of film you’ll gladly watch more than once.”

The accolades continued over on Letterboxd, where yet another five-star review says: “An effortlessly engrossing and excellently rendered science fiction epic of survival, Ridley Scott’s Martian immediately ranks as one of the director’s most satisfying works.

“A love letter to the power of science, problem solving, and human will, the film provides a smart and soaring experience that rivets as much as it satisfies.

“Scott and company tell a story that is buoyant, nail-biting, and life affirming.”

This modern masterpiece isn’t leaving Disney+ any time soon, so there’s plenty of time and absolutely no excuse not to stream one of Damon’s best blockbusters before the torch is passed to Gosling next year.

The Martian is available to stream on Disney+.