Ashley

PUSSYCAT Doll Ashley Roberts has an eye on the Maldives after her time in the South African bush.

The singer, 44, is on a luxury break on the paradise islands and posted snaps in a tropical pink bikini, as well as relaxing on the sand and cooling down after a shower.

It comes ahead of a big week on I’m A Celebrity’s all-stars series, which she filmed at the end of last year.

Hosts Ant and Dec have hinted contestant Ashley takes centre stage in tonight’s drama.

She seemed to win a solitary biscuit after her triumph in Friday’s Balance of Power trial.

But Ant said: “That’s not the end of it!”

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Dec added: “That’s not all she has won.”

Over the years I’m A Celebrity South Africa star Ashley Roberts has made a number of wild sex confessions.

From a steamy dream about romping with Harry Styles, to revealing her turn-ons in the I’m A Celeb Jungle, the Pussycat Dolls star, 44, is known for not holding back.

It’s fair to say Ashley has made a career out of being sexy.

The star oozes sex appeal, thanks to being in the sizzling girlband the Pussycat Dolls.

Since her rise to fame in the early noughties, Ashley, who thrilled fans when she was first to strip off for the I’m A Celebrity South Africa shower, has revealed some sexy details about her life.

The singer and dancer has made a number of racy confessions that would make anybody listening blush.

There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”

Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.

“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”

The overheard in L.A. moment inspired the eight-episode season,

Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”

(Netflix)

The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.

“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”

Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.

Why did you want to set this season in Montecito?

Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud. (Netflix)

That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.

We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?

It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.

Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.

I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.

There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?

I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.

Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”

(Netflix)

You directed this season. Is there a moment that stands out with this cast?

A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.

How did you want race and identity to figure into this season, particularly through Austin?

Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.

Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”

(Netflix)

There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?

Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”

The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?

The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.

We didn’t see where Eunice (Seoyeon Jang) ends up.

I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.

Charles Melton as Austin Davis in “Beef.”

(Netflix)

We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.

The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]

Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?

I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.

Also, can we take a moment for Burberry’s acting?

Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.

I’m A Celebrity… South Africa star Ashley Roberts is marking her birthday with her new campmates

Viewers of I’m A Celebrity… South Africa will see one of the campmates celebrate their birthday in a unique way during the latest episode.

Pussycat Dolls star Ashley Roberts can be seen volunteering for a trial during the episode to be aired on Friday, April 17 – despite it being her birthday. But her co-stars feel she should put her feet up on her special day.

Instead it’s Mo Farah taking on Termite Terror where Ant McPartlin instructs: “You need to make your way into the termite mound and down into the nest below. Once you’re down there, your mission is simple: you must dig, crawl and scramble through the tunnels, collecting stars as you go.”

Meanwhile, birthday girl Ashley has another announcement as she tells everyone they need to leave camp immediately for the day’s challenge – Balance of Power.

She tells them: “Celebrities, in front of you are two pits and eleven balance paddles. You must each take hold of a paddle and keep it steady to prevent your ball from falling into the pit. When you drop your ball, you are eliminated. The last person standing wins.”

The celebrities position themselves behind their paddles and the challenge begins. While some adopt peculiar techniques, they quickly realise it’s an endurance challenge rather than one of skill.

As night falls, most celebrities are still standing, balancing balls on their paddles with focus as the eliminated campmates try to distract them from the sidelines.

The group makes a unanimous decision to throw the game by dropping their paddles and letting one person win. But will Ashley be given that chance as the birthday gift?

How old is Ashley Roberts?

Ashley Roberts is 44 years old. While the I’m a Celebrity episode featuring her birthday airs on April 17, her actual birthday is on September 14.

Episodes of the original series of I’m a Celebrity, which airs in November and December, are broadcast live from Australia but the current all stars series was pre-recorded in South Africa and the latest scenes were filmed seven months ago.

However, the series finale will be broadcast live from London in two parts on Friday 24 April. It will run on ITV1 and ITVX from 7.30pm until 9pm. The winner’s announcement will then air at 10pm.

The entire celebrity cast will gather and the public will get the chance to vote for this year’s I’m a Celebrity legend.

I’m A Celebrity… South Africa is on ITV1 and ITVX

Arriving at his training session, Cole was all business, talking mostly in English while throwing in Italian phrases.

One local staff member was impressed by his willingness to tidy up the equipment, which he said was uncommon for a player who had enjoyed such a successful playing career.

To Cole, a former schoolboy from east London, that behaviour is normal. Even his new title – ‘Mister’, bestowed on all managers in Italy – is something he is still getting used to.

“I don’t see myself above anyone at this club,” he said. “Of course I have to be the leader of the group, but I’ll pick up a cone.”

Cole had some awareness of what he was arriving into in Emilia‑Romagna – nicknamed Italy’s ‘food valley’ and famous for parmigiano reggiano, balsamic vinegar from Modena and prosciutto di parma – with his wife Sharon Canu an important sounding board.

“I certainly didn’t go looking for an Italian wife [when he joined Roma in 2014], but I came back with one,” he joked.

“Sharon has been great for me. She’s from Rome, but she understands that people in smaller cities really love the club where they live. I have to embrace that.”

One example is Cole’s routine of buying a five euro ‘piadina’ – an Italian flatbread sandwich – from a stall outside Cesena’s stadium before his media conferences. The food stand also regularly feeds the squad after home matches.

In this working‑class town of fewer than 100,000 people, Cole’s side are underdogs in Serie B – something he identifies with.

“I liked that the owners have a similar background to me – hard work, graft, underdogs nobody believed in – but they created a really successful business,” he said.

“They also wanted someone to believe in them and give them a chance.”

Cesena, like most Italian clubs, rent their stadium and training facilities from the local authority, but Cole has innovated where he can.

He created a video analysis room and uses a high-angle tactical camera to film his sessions, which he watches back in full every day.

“I came here thinking something had to change,” Cole said. “We hadn’t won away from home for a long time, so that had to change – it wasn’t working.

“We’d gone a number of games without a win, so that had to change too. We needed higher intensity in training and matches. The style of football had to change.

“We had to be more adaptable to the different styles we come up against, and we needed more control in games through possession.”

In his first media conference, Cole also called out Italy’s failure to qualify for three consecutive World Cups as a sign they needed to be open to new styles of football, which he is implementing before a trip to face Palermo on Saturday.

BRIDGERTON star Simone Ashley has stunned in a tiny Burberry bikini poolside as she revealed she’s back in the dating game after splitting from her lawyer ex.

The actress began dating high-powered entrepreneur Tim Sykes in the summer last year after they were spotted locking lips at the US Open in New York.

Just a few months later, in December it was revealed they had parted ways reportedly “wanting different things.”

Simone then unfollowed CEO Tim on Instagram.

The gorgeous star has now stripped down into a selection of very skimpy bikinis for the latest Burberry advert.

Simone, who is also a model, put on a sizzling display as she posed on a diving board, soaking up the sun.

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The 31-year-old surely set pulses raising in the incredible black ensemble, which was trimmed with the iconic Burberry check.

She looked flawless, with her black hair styled in natural waves and a subtle makeup look.

Simone’s eyes were dusted with a dark brown shadow and a simple black eyeliner.

In another snap, the star flaunted her toned physique as she gave the camera a sultry pout.

She was wearing the famous Burberry print triangle bikini as she laid at the edge of the pool.

Simone sizzled as she was spotted with water droplets rolling off her body.

Elsewhere, Netflix star Simone put on a very leggy display as she posed on a bench wearing a black bikini cover-up.

She was also seen oiled up donning a pink bikini paired with a little gingham sarong.

Following her sad split Tino, Simone picked up her life and moved to New York.

Speaking on The Louis Theroux podcast, Simone said: “I moved to New York last year. I’m having the time of my life. I love it. It’s changed my life.”

But, it seems that is not all that has changed in the stars life as she made a candid admission.

She added: “At the moment, I’m dating. The plan is always to find love and have another great year in New York.

“I feel very ready for a relationship but I think it’s about finding the right person. I don’t get into situationships because it’s just a way to keep things vague. It’s not my style and I haven’t got time for that.”

Before her brief romance with Tim, Simone dated lawyer Constantin “Tino” Klein in the summer of 2022.

They called it quits back in January 2025.

Ashley Roberts returns to the I’m A Celebrity camp 14 years after she finished runner-up on the show Down Under and she will rejoin former stars as she bids to go one better

Ashley Roberts’ second stint in the I’m A Celebrity jungle is here after she headed to South Africa 2012. The songstress, now 44, finished runner-up in her camp behind EastEnders star Charlie Brooks.

And while she will be reappearing alongside former campmate David Haye, who finished in third, the former Pussycat Dolls star will be hoping to go one better this time around.

The second series of the ITV spin-off, which features some of the show’s most memorable campmates, is set to launch tonight (Monday, April 6) and Ashley labelled her comeback a “no brainer”.

Hosts Ant McPartlin and Declan Donnelly will join the returning stars in the South African jungle for some of the biggest trials in I’m A Celebrity … history. Away from the small screen, Ashley has had a lot of eyes on her for other reasons too…

READ MORE: I’m a Celeb’s Seann Walsh screams in horror in trial with Sinitta in first-lookREAD MORE: Why did Craig Charles quit I’m A Celebrity the first time as he returns for second take

Declan Donnelly links

Ashley Roberts has been linked with a number of high-profile romances over the years. A year after her first I’m A Celebrity experience, the American was rumoured to have been dating the show’s host, Dec.

While the rumours were never concrete, they were spotted together and Roberts admitted to “getting to know” him. Dec has since married talent manager Ali Astall, with the pair tying the knot in 2015.

Ryan Fletcher romance

A year after the Dec rumours, Ashley had moved on to fellow musician, Ryan Fletcher. The bassist for pop-rock band Lawson dated the Pussycat Dolls star in 2014, but their romance was short lived.

The pair were spotted at the time looking affectionate at a Justin Timberlake concert in London. Despite previously claiming to be just friends, the guitarist confirmed their relationship months later. He told us at the time: “Ashley and I are great – I’m loving it at the moment. It doesn’t feel like we’re in the spotlight and we see each other when we can.

“We are both really busy so we make the most of the time we get together. We just don’t think about everyone watching us and just get on with it.” Sadly for the pair, the flame fizzled out and they’re romance ended shortly after.

Giovanni Pernice relationship

The former Strictly star was all loved up with Ashley between 2018 and 2020. The duo met on the popular BBC dance show and quickly became an item.

The grew close in rehearsals, but managed kept their relationship a secret until after the show ended. Ashley was paired with pro Pasha Kovalev on the series, while Giovanni was teamed up with Steps star Faye Tozer.

The Italian announced the shock split in a tweet at the time, writing: “@ImAshleyRoberts and I have made the decision to separate as a couple. We remain friends and wish each other well for the future.”

He had previously gushed: “I never thought anyone would ever make me smile, laugh and steal my heart as fast as you did !! I love you amore.”

Pussycat Dolls feud

Five years after the group’s previous comeback was called off due to the coronavirus pandemic and a brutal feud, Ashley is part of the plans to bring the band back together. However, three members won’t be joining as an ongoing feud ensues.

In 2012, Ashley and Kimberly Wyatt sensationally quit the group, with Kimberly blasting Nicole Scherzinger in a scathing statement. While Kimberly claimed Nicole was “no friend of hers,” Ashley was a bit more tactful with her exit.

She said at the time on her official website: “Yes, I have left the Pussycat Dolls..I love you all sooo much!!! I am so grateful to have the love and support of all of you. It was an amazing ride and I learned so much!

“I am currently have gotten the acting bug and am falling in love with it. I have a few projects in the works and when ready I will announce more details to all of you.”

And it appears her polite exit has helped with the reunion. Nicole, Ashley and Kimberly will all return to the stage, but without Melody Thornton, Jessica Sutta or Carmit Bachar.

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“Playing for Wales is the highest honour you can get when you are a player and it’s the same when you are a coach,” said Beck.

“To be asked by Sean to join the set-up for the Women’s 2026 Six Nations is a real privilege and I am excited by the challenge of coaching at Test match level.

“Having worked with a host of the players in the Celtic Challenge, I know the talent we have in Wales and the challenge for the players is to believe they can compete at this level.”

Wales kick off their Six Nations campaign at home to Scotland at Principality Stadium on Saturday, 11 April.