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Authorities warn locals and tourists to stay at least 6km away from the site of the volcano and to be ready for evacuation.

Authorities in Indonesia have raised the volcano emergency alert to its highest level after Mount Lewotobi Laki-Laki erupted, spewing volcanic ash an estimated 10km (6.2 miles) into the sky.

There were no immediate reports of casualties or damage on Wednesday, but authorities have warned residents and tourists on the eastern Indonesian island of Flores to keep away from the mountain and prepare for possible evacuation.

“The public should remain calm and follow the local government’s directions and not believe issues from unclear sources,” the country’s Centre for Volcanology and Geological Hazard Mitigation said in an alert notice.

The volcano erupted at 1:35am on Wednesday (Tuesday 18:35 GMT) for about nine minutes, Indonesia’s Geological Agency said in a statement, after also erupting two hours earlier.

Muhammad Wafid, head of the Geological Agency, said people should stay at least 6 to 7km (3.7 to 4.3 miles) from the site of the eruption, which saw volcanic materials shoot 10km (6.2 miles) into the sky above the mountain’s 1,584-metre-high (5,080ft) peak.

“People living near the volcano should be aware of the potential volcanic mudflow if heavy rain occurs,” Wafid said, adding that the column of ash from the eruption could “disrupt airport operations and flight paths if it spreads” further.

Authorities have suspended operations at the local Fransiskus Xaverius Seda Airport in the town of Maumere some 60km (37 miles) west of Lewotobi, the airport said on Instagram. The airport will remain closed until Thursday.

In July, the same volcano erupted, sending an 18km-high (11-mile) cloud of ash into the sky and forcing the cancellation of flights at the international airport on the resort island of Bali.

Ten people living in local villages were killed and thousands of houses damaged when the volcano erupted in November 2024, according to reports.

Indonesia, which has more than 120 active volcanoes, sits on the Pacific “Ring of Fire”, an area of intense seismic activity stretching from Japan through Southeast Asia and across the Pacific basin.

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JAPAN has released a terrifying AI-generated video showing residents what could happen if Mount Fuji erupted.

The footage, created by Tokyo’s Metropolitan government, warned locals that their city could one day be buried under ash as it urged them to remain vigilant.

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If Mount Fuji erupts, the ash is estimated to start pouring down on Tokyo within one to two hours, building a layer up to 10cm thick over the city.

Volcanic ash is formed during explosive eruptions when dissolved gases expand in magma and escape into the atmosphere.

The AI clip shows a huge grey cloud engulfing the sky as it mushrooms over the capital’s high-rise buildings.

Thick black ash spreads over the city covering cars, houses and roads.

A voiceover over the clip says: “The moment may arrive without any warning.

“Volcanic ash is made up of fine, jagged particles. Its unique qualities pose many hazards to health and society.”

Covered in smog, Tokyo appears at a standstill with planes and trains grounded as thick soot blankets train tracks and runways.

Video shows locals holding umbrellas and wearing masks, while cars sit parked in heaps of the volcanic cinders.

In a bid to educate Tokyo’s locals on how to prepare for the colossal event, the clip shows a family opening up a store cupboard full of provisions.

It comes as the government’s cabinet office released a separate video on Tuesday in which it urged residents to “visualize specific scenarios” so they could be better prepared.

And in March, the government issued recommendations suggesting residents keep a two-week supply of essentials in their home.

Officials have stepped up their warnings to locals amid ongoing fears the country is due an environmental disaster.

Estimates suggest eruption damages would cost over $16 billion as areas are plunged into darkness and houses collapse under the ash.

The video has sparked fear among locals who say the prospect of an eruption is “terrifying”.

One resident said: “The thought of volcanic ash causing transportation chaos in the Tokyo metropolitan area is terrifying.”

Some experts have criticised the video for stirring up irrational worry and potentially deterring tourists from visiting.

Japan is no stranger to volcanic eruptions though, as seen in 2022 when plumes of ash spewed into the air after mount Sakurajima burst into life.

And about ten per cent of the world’s active volcanoes can be found in Japan as it lies inside the ‘Ring of Fire’ – one of the most active seismic zones in the world.

A chain of six volcanoes were set off in the perilous zone earlier this month with explosions sending ash as high as 5.28 miles above sea level.

Klyuchevskaya Sopka, the largest volcano in the region, exploded at three miles with a stream of scalding lava.

This was followed by four other volcanoes in the region – the Krasheninnikov, Shiveluch, Bezymianny and the smaller, Karymsk – which each spewed colossal columns of ash.

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If history has taught us anything, it’s that no one is truly safe. That gathering dread fueled some great ’70s paranoid thrillers, such as “The Parallax View” and “The Conversation,” but it’s been difficult to replicate that eeriness in today’s extremely online world, when our devices explain and obfuscate with abandon, conspiracies are lifeblood and we feel persecuted one day, invincibly anonymous the next.

The nifty premise of “Relay,” a new white-knuckle ride from “Hell or High Water” director David Mackenzie, is that a certain type of tech-savvy hero can, if not completely ease your anxiety, at least navigate a secret truce with those out to get you. And Riz Ahmed’s solitary off-the-grid fixer, Ash, who hides in plain sight in bustling New York, can do it without ever meeting or talking to you: His preferred mode of traceless communication is the text-telephone service that hard-of-hearing people use in conjunction with message-relaying operators. Like a ready-made covert operation, it keeps identities, numbers and call logs secret.

For the simple fact that “Relay” is not about an assassin (the movies’ most over-romanticized independent contractor), screenwriter Justin Piasecki’s scenario deserves kudos. Rather, Ash’s broker helps potential whistleblowers escape the clutches of dangerously far-reaching entities — unless, of course, they want to settle for cash. It’s a fascinatingly cynical update: Should we make an uneasy peace with our tormentors? (Hello, today’s headlines.)

Before those questions get their due, however, “Relay” sets itself up with clockwork precision as a straightforward big-city nail-biter about staying one step ahead. Seeking protection from harassment and a return to normal life, rattled biotech scientist Sarah (Lily James) goes on the run with incriminating documents about her former employer. When she’s rebuffed by a high-powered law firm, she’s provided a mysterious number to call. Ash, armed with his elaborate vetting methods, puts Sarah through the paces with rules and instructions regarding burner phones, mailed packages and a detailed itinerary of seemingly random air travel. It doesn’t just test her commitment, though — it’s also a ploy to scope out the corporate goons on her trail: a dogged surveillance team led by Sam Worthington (who should maybe only play bad guys) and Willa Fitzgerald.

As the story careens through airports and post offices and New York’s hidey-holes, the cat-and-mouse chase is dizzyingly enjoyable, worthy of a Thomas Perry novel. We wait for the missteps that threaten everything, of course, and they begin with learning that Ash is a failed whistleblower himself, one who is beginning to question his chosen crusade. Another vulnerability, recognizable in the occasional cracks in Ahmed’s commanding stoicism, is the loneliness of the gig. So when a restive Sarah, on one of their protected calls, gently prods for a smidgen of personality from her mysterious unseen helper, one is inclined to shout, “No feelings! Too risky!”

But that, of course, is the slippery pleasure of “Relay,” which pits individuals against venal institutional might. Flaws are the beating hearts of these movies, triggering the peril that makes the blood pump faster. Some of that effectiveness is undercut by some off-putting music choices, but McKenzie’s command of the material is rock solid, Giles Nuttgens’ cinematography achieves a sleek, moody metallic chill and Matt Mayer’s editing is always fleet. In a year that’s already given us one superlative case of adult peekaboo — Steven Soderbergh’s “Black Bag” — “Relay” proves there’s still more room for smart, punchy cloak-and-dagger options.

Aug. 3 (UPI) — An eastern Russian volcano has erupted for the first time in more than 500 years, which may have been related to an 8.8 magnitude earthquake last week, experts said.

The Krasheninnikov Volcano on the Kamchatka Peninsula emitted a plume of ash 3.7 miles into the sky overnight. The last recorded eruption of the volcano happened in the 15th century, the Kamchatka Volcanic Eruption Response Team said.

Officials urged residents of the area to move away from the area, and volcano monitoring staff have been removed, though there have been no imminent threats to populated areas. No deaths have been reported.

The Kamchatka Peninsula is located on the “Pacific Ring of Fire,” known for the frequency volcanoes and earthquakes that occur there.

Last week’s massive earthquake was the latest in a series of seismic events in the region, including another temblor that shook a region 11 times zones away from Moscow on the Pacific peninsula, Russian seismic officials reported. The statement said the eruption occurred far from areas that could directly affect people.

The volcano erupted at about 6 a.m. local time Sunday when staff observed gas and vapor spewing from Krasheninnikov’s crater, officials said in a statement on social media.

Officials in the volcano reserve called the eruption an “exciting and fascinating” event. Krasheninnikov is one of 8 volcanoes nestled among the reserve near Kamchatka.

The “Avatar: Fire and Ash” trailer is finally here.

The third installment in James Cameron’s “Avatar” series returns to Pandora and introduces a new Na’vi tribe: the Mangkwan Clan, also known as the Ash People, led by the fierce Varang (Oona Chaplin).

While not much is known about the Mangkwan Clan and its leader, the trailer offers a first look at their ashen home, destroyed by a volcanic eruption. The footage positions Varang, who wears a red headdress and can manipulate fire, as an adversary to Neytiri (Zoe Saldaña) and her family. It’s a stark departure from 2022’s “The Way of Water,” which took viewers underwater into the world of the Metkayina Clan.

The trailer also shows a tense exchange between Varang and Kiri (Sigourney Weaver): “Your goddess has no dominion here,” the fiery leader, donning a red and black headdress, says.

“Varang is the leader of a people who have gone through an incredible hardship. She’s hardened by that,” Cameron told Empire in an interview published in January. “She will do anything for them, even things that we would consider to be evil.”

In addition to the Ash People, the trailer includes a look at the Wind Traders, a nomadic Na’vi clan that travels aboard airborne ships drawn by massive jellyfish-like creatures. It also teases that the film will see Jake Sully (Sam Worthington) being captured by humans.

Also returning to the ensemble are Kate Winslet (Ronal) and Jack Champion (Spider). In addition to Chaplin, David Thewlis joins the cast as Peylak, the chief of the Wind Traders.

The trailer was first unveiled at CinemaCon in April and was launched exclusively in theaters ahead of “The Fantastic Four: First Steps,” which opened Thursday.

“Fire and Ash” comes three years after “Way of Water” and 16 years after the original film. The first two movies were nominated for best picture at the Oscars and “Way of Water” was the highest-grossing film of 2022. But Cameron has hinted that the third installment may be surprising to fans of its predecessors.

“One thing we wanted to do in this film is not be black-and-white simplistic,” he told Empire. “We’re trying to evolve beyond the ‘all humans are bad, all Na’vi are good’ paradigm.”

“Fire and Ash” hits theaters Dec. 19. The fourth and fifth installments are expected Dec. 21, 2029, and Dec. 19, 2031, respectively.