Arts and Culture

After years of avoidance, Trump to attend first White House press dinner | Donald Trump News

Washington, DC – Donald Trump — whose political career has been built, in part, on deriding the United States press — is set to attend his first White House Correspondents’ Dinner as president.

Saturday’s event continues a decades-long tradition, dating back to 1921. Still, the black-tie gala held in Washington, DC, remains a divisive event.

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For years, detractors have argued its chummy approach to the presidency risks blurring the independence of the press corps.

Trump himself is one of the dinner’s critics. Until this year, Trump had refused to attend, appearing poised to defy a tradition of sitting presidents dining at least once with the press corps during the annual event.

Since he launched his first presidential campaign, Trump has taken a bellicose approach towards the media, issuing both personal attacks on journalists and lawsuits against news organisations for coverage he deems unfair.

His presence at Saturday’s dinner has only heightened questions about the event’s role in the modern era.

Trump has previously declined five previous invitations to attend, across his first and second terms. His inaugural visit on Saturday has been accompanied by changes to the dinner’s format: Most notably, the longstanding practice of having a comedian perform has been nixed.

Journalist organisations and rights groups, meanwhile, have called on the event’s host, the White House Correspondents’ Association (WHCA), to send a “forthright message” to the president about protecting the freedom of the press.

“We also urge the WHCA to reaffirm, without equivocation, that freedom of the press is not a partisan issue,” a coalition of groups, including the Society of Professional Journalists, wrote in an open letter.

A return for Trump?

Saturday is set to be the first time Trump attends the correspondents’ dinner as president, but it is not his first time attending the event.

He was present as a private citizen at the 2011 dinner, years before launching his first successful presidential campaign.

At the time, Trump had begun his foray into national politics, pushing the so-called “birtherism” theory: the racist claim that then-President Barack Obama was born in Kenya and had faked his US birth certificate.

It is tradition for the sitting president to speak at the event, and Obama seized the moment to lob barbs at Trump’s conspiracy theories and his nascent political career.

In one instance, Obama poked fun at Trump’s work hosting the reality television show The Apprentice.

Referring to Trump’s “firing” of actor Gary Busey, Obama mockingly praised his decision-making. “These are the kind of decisions that would keep me up at night,” he quipped. “Well played, sir.”

Obama also envisioned what a future Trump presidency would look like, displaying a mock-up of a “Trump White House Resort and Casino”.

Comedian Seth Meyers, who hosted the night’s event, also took aim at Trump’s birtherism claims and political ambitions.

“Donald Trump has been saying that he will run for president as a Republican,” he quipped at one point, “which is surprising since I just assumed he was running as a joke.”

Trump sat stone-faced in the audience, with several confidants later crediting the night as a major motivator for his 2016 presidential bid.

The White House Correspondents’ Association was launched in 1914, as a response to threats by then-President Woodrow Wilson to do away with presidential news conferences. The organisation has worked to expand White House access for reporters.

Comedians became mainstays of the annual dinner in the early 1980s, with both presidents and journalists often the subject of their pointed jokes.

Defenders of the event have argued that the presence of comedians helps to celebrate free speech and ground the black-tie proceedings, underscoring that no attendee is above ridicule.

But since President Trump first declined to attend the event after taking office in 2017, that norm has shifted.

Michelle Wolf’s no-holds-barred performance in 2018 is often seen as a breaking point.

In her jokes, she seized upon Trump’s past statements appearing to praise sexual assault, and she charged that Trump did not have a “big enough spine to attend” the event. She also mocked the mainstream media’s coverage of the president.

While praised by fellow comedians and some members of the press, her performance divided the White House press corps. Trump and his top officials took particular issue with the material, with the president decrying Wolf as “filthy”.

The following year, the association instead invited historian Ron Chernow to speak at the event. The dinner did not have another comedian until 2022, during the administration of US President Joe Biden.

Last year, during Trump’s first term back in office, the association abruptly cancelled a planned performance by comedian Amber Ruffin, with the board’s then-President Eugene Daniels saying it wanted to avoid “politics of division”.

This year, a mentalist, Oz Pearlman, is set to perform instead of a comedian.

Calls for press freedom

The Society of Professional Journalists, Freedom of the Press Foundation, and The National Association of Black Journalists are among the organisations and hundreds of individual journalists urging their colleagues to use the event to make a statement.

In an open letter, it said the actions by the Trump administration “represent the most systematic and comprehensive assault on freedom of the press by a sitting American president”.

The organisation pointed to a series of hostile actions the Trump administration has taken against journalists.

They include limiting the White House and Pentagon press pools, threats by the Federal Communications Commission against broadcasters, immigration enforcement actions against non-citizen journalists, and an FBI raid of a Washington Post reporter’s home.

The letter also pointed to the White House’s launching of a “hall of shame” page on its website, which highlights news organisations accused of biased coverage, as well as Trump’s repeated verbal attacks on reporters.

But the Trump administration has rejected allegations that it treats journalists unfairly or that it has prevented public access to information.

White House spokesperson Karoline Leavitt, for example, has regularly touted Trump as the “most transparent” president in US history, pointing to his regular media events.

During his second term, Trump has also taken spur-of-the-moment phone interviews from reporters, even amid the US-Israeli war in Iran.

In their letter, the journalists and professional organisations note that some attendees on Saturday plan to wear pocket handkerchiefs or lapel pins with the words “First Amendment”.

The pins reference the section of the US Constitution that protects freedom of speech and freedom of the press.

But the journalists called on the White House Correspondents’ Association to go further and make it clear that it will not “normalise” Trump’s behaviour — “but instead fight back against any officeholder who has waged systematic war against the journalists whose work the dinner celebrates”.

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Oscars 2026: Full list of winners | Arts and Culture News

One Battle After Another was the big winner of the 98th Academy Awards, taking home six Oscars.

Paul Thomas Anderson’s black comedy about a has-been revolutionary won Best Picture, Best Director, Best Adapted Screenplay, Best Supporting Actor, Best Film Editing, and Best Casting.

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Sinners, which entered the ceremony with a record 16 nominations, was the second-biggest winner of the night, with four awards.

Michael B Jordan earned Best Actor for his leading role, while director Ryan Coogler picked up his first Oscar for Original Screenplay.

In the acting categories, Jessie Buckley won Best Actress for Hamnet, marking her first Academy Award, while Amy Madigan was recognised as Best Supporting Actress for Weapons.

Elsewhere, the South Korean musical fantasy KPop Demon Hunters won two Oscars, while Frankenstein also secured two awards.

Here is the full list of winners:

Best Picture
One Battle After Another 

Best Actress
Jessie Buckley, Hamnet

Best Actor
Michael B Jordan, Sinners

Best Supporting Actress
Amy Madigan, Weapons

Best Supporting Actor
Sean Penn, One Battle After Another

Best director
Paul Thomas Anderson, One Battle After Another

Best Original Score
Ludwig Göransson, Sinners 

Best Animated Film
KPop Demon Hunters

Best International Feature
Sentimental Value

Best Documentary Feature
Mr Nobody Against Putin

Best Casting
Cassandra Kulukundis, One Battle After Another

Best Sound
Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A Rizzo and Juan Peralta, F1

Best Original Screenplay
Ryan Coogler, Sinners

Best Adapted Screenplay
Paul Thomas Anderson, One Battle After Another

Best Documentary Short
All the Empty Rooms  

Best Live Action Short Film
The Singers and Two People Exchanging Saliva (tie)

Best animated short film
The Girl Who Cried Pearls

Best Music (Original Song):
EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park for Golden, KPop Demon Hunters

Best Film Editing:
Andy Jurgensen, One Battle After Another

Best Cinematography:
Autumn Durald Arkapaw, Sinners

Best Production Design:
Tamara Deverell and Shane Vieau, Frankenstein

Best Costume Design
Kate Hawley, Frankenstein

Best Makeup and Hairstyling
Mike Hill, Jordan Samuel and Cliona Furey, Frankenstein

Best Visual Effects
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, Avatar: Fire and Ash

(From L) US visual effects supervisor Eric Saindon, US visual effects artist Richard Baneham, Daniel Barrett and US visual effects supervisor Joe Letteri accept the award for Best Visual Effects for "Avatar: Fire and Ash" onstage during the 98th Annual Academy Awards at the Dolby Theatre in Hollywood, California on March 15, 2026. (Photo by Patrick T. Fallon / AFP)
Visual effects supervisor Eric Saindon, visual effects artist Richard Baneham, Daniel Barrett and visual effects supervisor Joe Letteri accept the award for Best Visual Effects for Avatar: Fire and Ash [Patrick T. Fallon/AFP]

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One Battle After Another’s big night: Key takeaways from the 2026 Oscars | Arts and Culture News

As anticipated, it ended up being One Battle After Another’s night at the 98th annual Academy Awards, with the political thriller carting away six Oscars out of a total of 13 nominations.

But while Paul Thomas Anderson’s magnum opus continued its march towards award-season domination, there were moments of genuine surprise and subversion in Sunday’s ceremony.

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Some of those moments had to do with the current political climate in the United States.

Host Conan O’Brien and his fellow presenters deftly avoided mentioning President Donald Trump by name, but their barbs took direct aim at his policies since returning to office.

Other surprises came from within the filmmaking community itself. For only the seventh time in Oscar history, a tie was announced: Two films had gotten an equal number of votes for Best Live Action Short.

As a result, both the surrealist thriller Two People Exchanging Saliva and the moody bar-room drama The Singers shared the Academy Award.

Here are six key takeaways from the night.

(L/R) US actor Michael B. Jordan holds the Oscar for Best Actor in a Leading Role for "Sinners" and US director Ryan Coogler holds the Oscar for Best Writing (Original Screenplay) for "Sinners" in the press room during the 98th Annual Academy Awards at the Dolby Theatre in Hollywood, California on March 15, 2026. (Photo by VALERIE MACON / AFP)
Actor Michael B Jordan holds the Oscar for Best Actor next to director Ryan Coogler, who earned an Oscar for Best Original Screenplay [Valerie Macon/AFP]

A two-horse race between Sinners and One Battle

The vampire film Sinners came into Sunday night’s ceremony with a record 16 Oscar nominations. But the big question of the night was: How many nods could it actually convert into wins?

Its biggest competition was, of course, Anderson’s One Battle After Another, which had the second highest tally of nominations.

Sinners director Ryan Coogler and Anderson were in direct competition in several top categories, including Best Picture and Best Director.

In both cases, Anderson came out ahead, though he acknowledged how fickle such awards can be.

“ I just want to say that, in 1975, the Oscar nominees for Best Picture were Dog Day Afternoon, One Flew Over the Cuckoo’s Nest, Jaws, Nashville and Barry Lyndon,” the four-time Best Director nominee said, listing films now considered to be Hollywood classics.

“There is no best among them. There is just what the mood might be that day.”

In the categories for Best Supporting Actor and Best Film Editing, One Battle After Another also triumphed, as well as for the inaugural award for Best Casting.

But in a sign of how well matched their two films were, both Coogler and Anderson emerged from the night with writing Oscars.

Anderson picked up Best Adapted Screenplay award for his use of the Thomas Pynchon novel Vineland, while Coogler made off with the Best Original Screenplay Oscar for Sinners, a work inspired by his uncle’s love of the blues.

US cinematographer Autumn Durald Arkapaw poses in the press room with the Oscar for Best Cinematography for "Sinners" during the 98th Annual Academy Awards at the Dolby Theatre in Hollywood, California on March 15, 2026. (Photo by VALERIE MACON / AFP)
US cinematographer Autumn Durald Arkapaw poses in the press room with her Oscar for Best Cinematography [Valerie Macon/AFP]

Jordan dunks on Chalamet in Best Actor race

Sinners, which won four Academy Awards overall, earned some of the most emotional, nail-biting victories of the night.

In the Best Cinematography category, for instance, Autumn Durald Arkapaw became the first woman to top the field.

It was her first nomination and first win, with Arkapaw besting veteran cinematographers like Marty Supreme’s Darius Khondji and Frankenstein’s Dan Laustsen, both multiple nominees.

Another big win for Sinners came in the form of Michael B Jordan, the actor whom Coogler has cast in every film since his directorial breakout in 2013’s Fruitvale Station.

Jordan, 39, was in a tight race for Best Actor with another young performer, 30-year-old Timothee Chalamet of the 1950s ping-pong drama Marty Supreme.

But Chalamet’s aggressive campaigning may have ultimately sabotaged his prospects. Multiple cracks were taken throughout the night at Chalamet’s recent comments disparaging opera and ballet.

“Nobody cares anymore” about either art form, Chalamet said in an interview last month.

“We can change society through art, through creativity, through theatre and ballet and also cinema,” director Alexandre Singh said pointedly during his acceptance speech for Best Live Action Short.

O’Brien, meanwhile, acknowledged the backlash with a joke about heightened security at the night’s Oscar ceremony.

“I’m told there are concerns about attacks from both the opera and ballet communities,” O’Brien said, before turning to Chalamet. “They’re just mad you left out jazz.”

This handout picture courtesy of the Academy of Motion Picture Arts and Sciencies (AMPAS) shows Irish actress Jessie Buckley during the 98th Annual Academy Awards at the Dolby Theatre in Hollywood, California on March 15, 2026.
Irish actress Jessie Buckley celebrates her win during the 98th Annual Academy Awards [AFP]

A conga line of snubs

Given the dominant performances from Sinners and One Battle After Another, plenty of critically acclaimed films left empty-handed, or nearly so.

Guillermo del Toro’s Frankenstein, as expected, earned three wins in technical categories, including Best Production Design, Best Costumes and Best Hairstyling and Makeup.

Netflix’s smash hit KPop Demon Hunters, meanwhile, also fulfilled expectations that it would dominate in its categories, Best Animated Feature and Best Original Song.

But then there were former frontrunners like Hamnet that failed to generate much traction, including for director Chloe Zhao, a past Oscar winner. Out of eight nominations total, it only came away with one win: a Best Actress trophy for Irish performer Jessie Buckley.

Marty Supreme and the Brazilian film The Secret Agent fared worse, however. Despite having nine nominations and being considered an early shoo-in for Best Actor, Marty Supreme scored no wins.

The Secret Agent, which swept the Best Actor and Best Director categories at the 2025 Cannes Film Festival, also earned nothing at this year’s Oscars.

Same was true for the quirky kidnapping drama Bugonia, from Oscar darling Yorgos Lanthimos.

South Korean-US singer Ejae poses with the Oscar for Best Music (Original Song) for "Golden" from "KPop Demon Hunters" during the 98th Annual Academy Awards Governors Ball at the Dolby Theatre in Hollywood, California on March 15, 2026. (Photo by ANGELA WEISS / AFP)
South Korean-US singer Ejae poses with the Oscar for Best Original Song for the film KPop Demon Hunters[Angela Weiss/AFP]

Fears about artificial intelligence

The ceremony, however, did occasionally veer away from the competition between the films to discuss issues facing the film industry and the country as a whole.

Among those was the creeping growth of artificial intelligence (AI) in the creative sector.

In the weeks leading up to the 98th Oscars, an AI-generated video clip had gone viral, appearing to show Hollywood icons Brad Pitt and Tom Cruise in a rooftop brawl worthy of a James Bond movie.

The clip had been generated through AI software developed by the Chinese firm ByteDance, and Hollywood leaders quickly denounced it as a threat to their livelihood, not to mention a copyright infringement.

Those concerns reverberated on the Oscar stage on Sunday, with O’Brien and others addressing the growing use of AI.

“Tonight we are celebrating people, not AI, because animation – it’s more than a prompt,” actor Will Arnett said emphatically as he introduced the animation awards.

O’Brien, meanwhile, joked that, by next year, his hosting gig would be taken by “a Waymo in a tux”.

US Comedian host Conan O'Brien performs onstage during the 98th Annual Academy Awards at the Dolby Theatre in Hollywood, California on March 15, 2026. (Photo by Patrick T. Fallon / AFP)
Host Conan O’Brien performs onstage during the 98th Annual Academy Awards [Patrick T Fallon/AFP]

Trump skewered for threatening free speech

Another concern looming over the night’s Oscar ceremony came in the form of President Donald Trump, who has courted controversy by launching deadly military attacks in Venezuela and Iran, as well as leading a violent immigration crackdown in the US.

At no point was Trump mentioned by name. But his leadership was alluded to throughout the night.

O’Brien, the host, set the tone early on with his oblique jabs at the Republican president in his opening monologue.

“When I hosted last year, Los Angeles was on fire,” the two-time Oscar emcee said in remarks dripping with sarcasm. “But this year, everything’s going great.”

Fellow comedian Jimmy Kimmel was even more direct. Last September, his show was briefly suspended after Trump criticised the comedian.

The head of the Federal Communications Commission, a Trump appointee, subsequently threatened the broadcasting license of the TV channel Kimmel performs on.

“There are some countries whose leaders don’t support free speech. I’m not at liberty to say which. Let’s just leave it at North Korea and CBS,” Kimmel quipped, referring to another channel that cancelled a fellow late-night comedy show.

Several filmmakers honoured at the Oscars likewise waded into the controversies surrounding Trump.

Best Documentary Feature winner David Borenstein, for instance, implied a parallel between his film — an exploration of authoritarianism in Russia — and what is currently happening in the US.

“Mr Nobody against Putin is about how you lose your country,” Borenstein explained.

“What we saw when working with this footage is that you lose it through countless small little acts of complicity: when we act complicit, when a government murders people on the streets of our major cities, when we don’t say anything, when oligarchs take over the media.”

Indian actress Priyanka Chopra and Spanish actor Javier Bardem present the award for Best International Feature Film onstage during the 98th Annual Academy Awards at the Dolby Theatre in Hollywood, California on March 15, 2026. (Photo by Patrick T. Fallon / AFP)
Indian actress Priyanka Chopra and Spanish actor Javier Bardem present the award for Best International Feature Film [Patrick T Fallon/AFP]

Political speeches avoid mention of Iran war

The Oscars come roughly seven months ahead of the pivotal midterm elections in the US, which could see Trump’s Republican Party lose its majorities in Congress.

But while several filmmakers did hint at their anti-Trump stances, few explicitly denounced his policies.

For example, Norway’s Joaquim Trier, the winner of the Best International Feature category, veiled his criticism in a James Baldwin quote about the duty to protect children.

“Let’s not vote for politicians who don’t take this seriously into account,” Trier said.

No artist during the night referenced the US and Israeli war against Iran either, though its effects were felt among the participants of this year’s Oscar crop.

Writer-director Jafar Panahi, whose work was up for two Oscars on Sunday, has already said he plans to return to his native Iran after the awards season concludes.

Meanwhile, Iranian politician Sara Shahverdi — the subject of a nominee in the Best Documentary Short category — was prevented from attending the Oscars at all due to Trump’s ban on visas for 39 countries.

Palestinian actor Motaz Malhees, star of the Oscar nominee The Voice of Hind Rajab, likewise told media outlets he could not be present at the ceremony due to the travel ban.

The most pointed acknowledgements of the US-led and US-backed conflicts in the world were brief. When Spanish actor Javier Barden took the Oscar stage to present an award, he offered up six words, “No to war, and free Palestine!”

Russian filmmaker Pavel Talankin, meanwhile, made a similar appeal to the audience. “In the name of our future, in the name of all of our children, stop all of these wars now,” he said.

But by and large, the Oscar winners and presenters kept their remarks vague, emphasising global unity over political criticism.

“If I can be serious for just a moment, everyone watching right now around the world is all too aware that these are very chaotic, frightening times,” O’Brien told the audience at the outset of the night.

“It is at moments like these that I believe that the Oscars are particularly resonant. Check it out. Thirty-one countries across six continents are represented this evening, and every film we salute is the product of thousands of people speaking different languages.”

Cinema, he and others argued, transcended borders. The talent on stage was not the US’s alone.

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