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A prequel to one of the most acclaimed sci-fi films of all time has just been added to Netflix and fans are already eating it up

A sci-fi film directed by Ridley Scott that’s been praised by fans as a “masterpiece” is available to stream now in the UK. Prometheus (2012) is the fifth instalment in the iconic Alien franchise, and follows scientists who uncover startling clues that humanity may have been created by an ancient alien race, and journey to a remote world to investigate.

However, in their quest to solve the mystery they stumble upon a terrifying discovery that could spell the end of the human race. The psychological thriller boasts an all-star ensemble cast, including Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green, and Charlize Theron.

The film acts as a prequel to the first film in the franchise, Alien (1979) which was also helmed by Scott, and generated a number of successful sequels directed by Hollywood titans including James Cameron and David Fincher, as well as a cross-over franchise, Alien vs. Predator.

Mere hours after its release on the platform and it has already reached the number two spot on Netflix’s top 10 films.

One fan, writing on Rotten Tomatoes, called Prometheus a “masterpiece”. “This movie expands the Alien world and lore,” they added.

“The acting is top notch. The sci-fi horror element is incredible. Very existential. Watch it with commentary,” reports the Express.

Another described simply as the “Best movie of all time”.

Not everyone was impressed by the prequel, with one writing whilst Prometheus “looks phenomenal” its “strong visuals cannot hide weak writing”.

“The dialogue feels stiff and unnatural, making it hard to connect with the characters.”

Another commented: “It’s frustrating how amazing this film could’ve been. Solid cast, beautifully shot, original story. Scott should’ve either made a film about our creators or an Alien prequel; instead the two elements get too muddled together and neither gets full service.”

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However, others believed it matched the high benchmark established by the franchise’s stronger entries.

One remarked: “This was a perfectly cast movie. It gave excellent insight into the origins of the Alien lore. Excellently tied in with the existing movies. Not too many Aliens ripping people apart but plenty of action. Truly a great movie.”

Another rejected criticism of the picture, claiming it’s “gripping, thought provoking, visually stunning and entertaining from start to finish”.

A third branded it an “incredible and impactful film that deserves to be seen multiple times”.

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A fourth described it as “massively underrated in the Alienverse”, boasting a “strong script, amazing cast”, and visual effects that are “on point”.

The film carries a 15 certificate and features strong violence, gore, alongside threat and horror – so viewer discretion is recommended.

Prometheus arrived on Netflix in the UK on Monday (February 16). It’s also accessible to stream on Disney+, and available to rent or purchase on various platforms, including Apple TV, Amazon Prime Video, and Sky Store.

Single on Valentine’s Day? Skip the predictable romance films and celebrate with these nostalgic, feel-good movies to lift your spirits

Valentine’s Day has come round once more, and if you’re not getting caught up in all the soppy, romantic nonsense, there’s loads of other ways you can spend your evening. If you’re staying in and swerving all the loved-up couples out there, telly is an excellent means of escape.

Valentine’s Day needn’t revolve around romance, after all. If you’ve had your fill of formulaic, predictable romantic flicks, here are some brilliant alternatives that’ll rekindle your appreciation for those nearest and dearest.

So whether you fancy a giggle on your own or with mates, ditch those rom-coms for some feel-good nostalgia this Valentine’s Day.

Angus, Thongs & Perfect Snogging (2008)

For anyone wanting to grasp what life was like as a British teenage girl in the late noughties, Angus, Thongs & Perfect Snogging hits frighteningly close to home. At some stage, we’ve all caught ourselves relating to Georgia’s worldview, however misguided it might be, reports the Express.

Adapted from Louise Rennison’s bestselling book series, we follow 14-year-old Georgia Nicholson (Georgia Groome) as she tries to navigate adolescence whilst pining after the new lad in town – a breakthrough performance from Aaron Taylor-Johnson. Throughout her mission to bag a boyfriend and organise a spectacular 15th birthday bash at a nightclub, we witness the inner workings of the teenage brain manifesting in reality through some absolutely hilarious and toe-curling antics.

Shaving off an eyebrow? Absolutely. Faking the disappearance of a beloved moggy for sympathy? Naturally. A massive pair of granny pants? Without question.

Whilst this flick might centre on Georgia’s romantic pursuits, beneath the surface lies a tender coming-of-age tale exploring insecurity, platonic bonds, and that distinctly teenage sensation that everything is utterly catastrophic. Plus, it boasts what’s arguably one of cinema’s finest original songs, guaranteed to transport you straight back to those nostalgic days.

Planning to mark Valentine’s Day with your mates this year? Nobody’s turning down this gem. Angus, Thongs & Perfect Snogging proved a defining British picture for younger audiences back then, and continues to supply countless cultural touchstones we reference today.

In fact, Georgia Groome recently resurrected that legendary olive outfit for a cameo appearance in the reveal video for Maisie Peters’ latest album ‘Florescence’. Nearly two decades on and that immortal line still echoes: “Boys don’t like girls for funniness”.

The film is available to stream on Netflix, Amazon Prime and Apple TV.

Wild Child (2008)

The year 2008 was evidently peak teen cinema. On one side sits Angus, Thongs & Perfect Snogging, offering a relatively authentic portrayal of adolescent life for girls during the noughties, whilst on the other stands Emma Roberts ‘ Wild Child.

What do you do with a spoilt, glamorous Malibu Barbie teenager who leaps off cliffs into the ocean? Simple – pack them off to an all-girls boarding school deep in the English countryside.

A genuine fish out of water, Emma Roberts’ Poppy Moore couldn’t be more different from the seemingly prudish, eccentric pupils she encounters at Abbey Mount. It’s quite the exaggerated portrayal of boarding school life, but that’s rather the point – to knock the protagonist down a peg or two.

Gradually, the crisp English climate begins breaking down Poppy’s defences as she develops authentic bonds with her roommates – Kate (Kimberley Nixon), Josie (Linzey Cocker), Kiki (Sophie Wu), and Jennifer “Drippy” Logan (Juno Temple). Naturally there’s a love interest (Alex Pettyfer) and a sworn enemy (Georgia King) determined to see her fail, though that’s really beside the point when there’s such entertaining mischief afoot.

Beneath the rebellious and entitled façade lies genuine warmth, drawn out through the connections she forges. Ultimately, Poppy emerges transformed – having discovered a missing piece of herself through real mates who embrace her for who she truly is, whilst wreaking havoc around campus. Whilst Wild Child might not be the most universally relatable picture, there’s something in all of us that yearns for that kind of school adventure.

The film also marks one of Natasha Richardson’s final performances (as headmistress Mrs Kingsley) prior to her tragic passing in 2009.

Wild Child is available to stream on Netflix.

The Breakfast Club (1985)

This film boasts what’s arguably one of cinema’s most iconic closing sequences and exit tracks. The Breakfast Club, a coming-of-age comedy-drama, follows a group of outsiders whiling away the hours together during an all-day Saturday detention.

Each teenager belongs to a different social circle within the school, and their paths would ordinarily never cross in daily life. They’re set the task of penning a thousand-word essay on “who you think you are” by their notoriously harsh vice principal (Paul Gleason).

Alongside the usual rebellious teenage shenanigans and storylines, the film explores the realities lurking beneath the stereotypes presented on screen. It tackles themes including peer pressure, abuse, neglect, troubled relationships, and suicide in a manner that resonates with its audience, rendering the characters relatable to viewers.

Despite their contrasts, the group discover they’re all grappling with comparable struggles and form connections with one another. It serves as a reminder that surface appearances can be deceiving.

Whilst the group suspect their newly-formed bonds will dissolve once detention wraps up, they acknowledge they’ll view their classmates through fresh eyes going forward. As the film reaches its conclusion, we hear their moving message to their vice principal, declaring: “Each one of us is a brain, an athlete, a basket case, a princess, and a criminal.

“Does that answer your question? Sincerely yours, the Breakfast Club.”

Cue Judd Nelson’s fist raise and Simple Minds’ ‘Don’t You Forget About Me’.

The Breakfast Club can be watched via Netflix, Amazon Prime and NOW TV.

Romy and Michele’s High School Reunion (1997)

There’s something about a 90s comedy that hits all of the right spots, something the 2020s can learn from. The film follows underachieving best friends Romy (Mira Sorvino) and Michele ( Lisa Kudrow ) who decide to reinvent themselves with fake careers to impress their former classmates at their ten-year high school reunion.

The film kicks off with the drama of the girls’ prom in 1987, where they find themselves targeted by bullying from the high school cheerleader clique. Some stroppy behaviour leads the girls to do the classic slow dance together.

Fast forward, the duo don’t appear to have achieved much success since leaving school, stuck in dead-end jobs – or jobless – living a life lacking in some sort of purpose. They’re fine, totally fine.

It’s the invitation from one of their high school tormentors to their high school reunion that makes them pull their socks up, but only in the pretence sense. It’s your typical American movie that takes you on a journey, both literally and figuratively.

Following a catastrophic falling out over their friendship, the pair go their separate ways after their drive cross-country to the reunion. Or do they?

The film is madcap, light-hearted, and chock-full of clichés, but sometimes that’s just the ticket. Let’s face it, we all need a good giggle now and then, and anything featuring Lisa Kudrow is guaranteed to leave you in fits of laughter.

You can catch this film on Disney+.

Frances Ha (2012)

Whilst we’re accustomed to seeing Greta Gerwig behind the lens, she’s equally at home in front of it. The film stars Gerwig as a struggling dancer in New York, grappling with the rollercoaster ride of her twenties alongside her best mate, Sophie (Mickey Sumner).

They say your twenties are meant to be the time of your life, but in truth, you’re still figuring out who you are and where you fit into the world. We can all identify with the unpredictability of existence; flitting from one flat to another, settling for jobs you don’t really fancy, and witnessing friendships fade as they form new relationships.

Life in the Big Apple can be complex and unsettling, regardless of which side of the Atlantic you hail from. The trials and tribulations of everyday life can weigh heavily, with Frances battling to make her mark on New York.

The film masterfully blends comedy, drama and emotion to paint an authentic picture of struggling twenty-somethings.

In 2025, Frances Ha secured the 90th spot on The New York Times’ list of “The 100 Best Movies of the 21st Century”. Writing for Harper’s Bazaar, Yasmin Omar noted: “Frances Ha has become a cult classic thanks to its relatable portrait of the bewildering life stage that is young adulthood.”

Frances Ha is available on Netflix, Amazon Prime and Apple TV.

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In a widely anticipated outcome that felt like a long-overdue coronation, Paul Thomas Anderson won the top honor at Saturday’s Directors Guild of America Awards for his Thomas Pynchon-inspired political thriller “One Battle After Another.” The ceremony was held at the Beverly Hilton Hotel in Beverly Hills.

It was the director’s first DGA win after two prior nominations, in 2008 for “There Will Be Blood” and in 2022 for his San Fernando Valley reminiscence “Licorice Pizza.”

Speaking at the podium after receiving the award from last year’s winner, “Anora” director Sean Baker, a humbled Anderson thanked the guild, mentioning recent EGOT winner Steven Spielberg, sitting in the audience right in front of him. “It reminds me, being in this room, of ‘Close Encounters,’ ” Anderson said. “We’re all brought here for a reason — some cosmic thing brought us to this room. It was that call to the mountain. It’s that feeling that we all love making s— and we need to do it.”

Anderson also devoted much of his speech to remembering his first-assistant director Adam Somner, who died from thyroid cancer in November 2024. “May you be blessed with the relationship I had with him,” the director said, “and if you have one already, hold them close and remind them that you love them.”

True to tradition, the evening was both a celebration of achievements in directing and an occasion for much pro-guild testifying — from nominees, winners and Christopher Nolan, presiding over his first ceremony as DGA president. “We are the best at what we do,” Nolan said, touching on last year’s 40% dip in DGA member employment with a note of solidarity and urgency. “We are the storytellers. We are the people who have to innovate.”

All five nominees for theatrical feature film are invited to give a speech during these annual awards, with the eventual winner speaking twice. Guillermo del Toro, up for his personal take on “Frankenstein,” saluted Nolan: “I love saying ‘President Nolan’ because it’s so good to say ‘President’ with a good word after it,” he cracked to hearty applause. (The joke was echoed by several podium speakers.)

Ryan Coogler, a DGA nominee for “Sinners,” thanked the guild for his health insurance and mentioned his longtime dream — not of filmmaking but of joining a union, like some of the adults in his life growing up.

“Lately I’ve been learning about alchemy, “ said Chloé Zhao, representing “Hamnet,” her domestic drama about the grief-stricken family life of William Shakespeare. “You need fire and you need a chalice. To me, that fire is my creativity. It’s my birthright to create. And that chalice is the community that holds me.”

Indicating the respect the DGA commands among actors, several A-listers attended the ceremony to introduce their directors: Leonardo DiCaprio for Anderson, Jacob Elordi for Del Toro and Timothée Chalamet, the latter celebrating his “Marty Supreme” director Josh Safdie with sincerity and gentle deprecation. “I don’t think Josh will ever be ‘institutional,’ ” Chalamet said. “I think Josh will forever be an insurgent filmmaker and I don’t think the world would be right otherwise.”

An Oscar victory path is now clear for Anderson, previously nominated for the academy’s directing honor three times, for “There Will Be Blood,” “Phantom Thread” and “Licorice Pizza,” but never a winner. Twenty of the last 23 recipients of the DGA’s top prize have gone on to take the Oscar for directing.

Here is a complete list of the night’s nominees, with winners in bold:

Outstanding directorial achievement in theatrical feature film

Paul Thomas Anderson, “One Battle After Another” (Warner Bros. Pictures)
Ryan Coogler, “Sinners” (Warner Bros. Pictures)
Guillermo del Toro, “Frankenstein” (Netflix)
Josh Safdie, “Marty Supreme” (A24)
Chloé Zhao, “Hamnet” (Focus Features)

Michael Apted Award for outstanding directorial achievement in first-time theatrical feature film

Charlie Polinger, “The Plague” (Independent Film Co.)
Hasan Hadi, “The President’s Cake” (Sony Pictures Classics)
Harry Lighton, “Pillion” (A24)
Alex Russell, “Lurker” (Mubi)
Eva Victor, “Sorry, Baby” (A24)

Outstanding directorial achievement in documentary

Mstyslav Chernov, “2000 Meters to Andriivka” (PBS)
Geeta Gandbhir, “The Perfect Neighbor” (Netflix)
Sara Khaki and Mohammadreza Eyni, “Cutting Through Rocks” (Assembly Releasing)
Elizabeth Lo, “Mistress Dispeller” (Oscilloscope Laboratories)
Laura Poitras and Mark Obenhaus, “Cover-Up” (Netflix)

Outstanding directorial achievement in dramatic series

Amanda Marsalis, “The Pitt,” “6:00 P.M.” (HBO Max)
Liza Johnson, “The Diplomat,” “Amagansett” (Netflix)
Janus Metz, “Andor,” “Who Are You?” (Disney+)
Ben Stiller, “Severance,” “Cold Harbor” (Apple TV+)
John Wells, “The Pitt,” “7:00 A.M.” (HBO Max)

Outstanding directorial achievement in comedy series

Seth Rogen and Evan Goldberg, “The Studio,” “The Oner” (Apple TV+)
Lucia Aniello, “Hacks,” “A Slippery Slope” (HBO Max)
Janicza Bravo, “The Bear,” “Worms” (FX on Hulu)
Christopher Storer, “The Bear,” “Bears” (FX on Hulu)
Mike White, “The White Lotus,” “Denials” (HBO Max)

Outstanding directorial achievement in limited and anthology series

Shannon Murphy, “Dying for Sex,” “It’s Not That Serious” (FX on Hulu)
Jason Bateman, “Black Rabbit,” “The Black Rabbits” (Netflix)
Antonio Campos, “The Beast in Me,” “Sick Puppy” (Netflix)
Lesli Linka Glatter, “Zero Day,” “Episode 6” (Netflix)
Ally Pankiw, “Black Mirror,” “Common People” (Netflix)

Outstanding directorial achievement in movies for television

Stephen Chbosky, “Nonnas” (Netflix)
Jesse Armstrong, “Mountainhead” (HBO Max)
Scott Derrickson, “The Gorge” (Apple TV+)
Michael Morris, “Bridget Jones: Mad About the Boy” (Peacock)
Kyle Newacheck, “Happy Gilmore 2” (Netflix)

Outstanding directorial achievement in variety

Liz Patrick, “SNL50: The Anniversary Special” (NBC)
Yvonne De Mare, “The Late Show With Stephen Colbert,” “Julia Roberts; Sam Smith” (CBS)
Andy Fisher, “Jimmy Kimmel Live!,” “Stephen Colbert; Kumail Nanjiani; Reneé Rapp” (ABC)
Beth McCarthy-Miller, “SNL50: The Homecoming Concert” (Peacock)
Paul Pennolino, “Last Week Tonight With John Oliver,” “Public Media” (HBO Max)

Outstanding directorial achievement in sports

Matthew Gangl, 2025 World Series – Game 7 – Los Angeles Dodgers vs. Toronto Blue Jays (Fox Sports)
Steve Milton, 2025 Masters Tournament – Augusta National Golf Club (CBS Sports)
Rich Russo, Super Bowl LIX – Philadelphia Eagles vs. Kansas City Chiefs (Fox Sports)

Outstanding directorial achievement in reality / quiz & game

Mike Sweeney, “Conan O’Brien Must Go,” “Austria” (HBO Max)
Lucinda M. Margolis, “Jeopardy!,” “Ep. 9341” (Syndicated)
Adam Sandler, “The Price Is Right,” “10,000th Episode” (CBS)

Outstanding directorial achievement in documentary series / news

Rebecca Miller, “Mr. Scorsese,” “All This Filming Isn’t Healthy” (Apple TV+)
Marshall Curry, “SNL50: Beyond Saturday Night,” “Written By: A Week Inside the SNL Writers Room” (Peacock)
Susan Lacy and Jessica Levin, “Billy Joel: And So It Goes,” “Part Two” (HBO Max)
Alexandra Stapleton, “Sean Combs: The Reckoning,” “Official Girl” (Netflix)
Matt Wolf, “Pee-Wee as Himself,” “Part 1” (HBO Max)

Outstanding directorial achievement in commercials

Kim Gehrig (Somesuch), “You Can’t Win. So Win.” – Nike | Wieden+Kennedy
Miles Jay (Smuggler)
Spike Jonze (MJZ)
Andreas Nilsson (Biscuit Filmworks)
Steve Rogers (Biscuit Filmworks)

Now that the 2026 Oscar nominations are out, it’s officially binge watch o’clock.

Chances are you caught a few of the contenders upon their 2025 movie theater openings, but with the onslaught of new releases in the weeks leading up to Thursday’s nominations announcement, even some voters are surely behind. (Don’t tell the Academy of Motion Pictures Arts and Sciences).

The good news is, the lion’s share of nominated films are available to stream or see in theaters (or both).

Here is a guide to where you can find all the feature-length nominees ahead of the Academy Awards on March 15, paired with some commentary from Times critics.

“The Alabama Solution”

Where to watch: HBO Max
Nominated for: Documentary feature
What we said: “Much of ‘The Alabama Solution,’ which reports on inhumane living conditions, forced labor and widespread violence against the state’s incarcerated population, is comprised largely of footage captured by inmates using contraband cellphones, offering one of the most shocking, visceral depictions of our carceral state ever put to film.”

“Arco”

Where to watch: In theaters
Nominated for: Animated feature
What we said: “The most impressive part of French animated sci-fi epic ‘Arco,’ which took the top prize at the Annecy International Animation Film Festival, is its imaginative world-building.”

“Avatar: Fire and Ash”

Where to watch: In theaters
Nominated for: Costume design, visual effects
What we said: “Viewed in ultra-crisp high frame rate, ‘Fire and Ash’ feels so overwhelmingly real that it circles back around to surreal.”

“Blue Moon”

Where to watch: Apple TV, Prime Video, Fandango at Home, in theaters
Nominated for: Lead actor, original screenplay
What we said: “[Richard] Linklater’s movies have frequently featured affable underdogs, but by contrast, ‘Blue Moon’ is an elegy to a bitter, insecure man whose view of himself as a failure has become a self-fulfilling prophecy.”

“Bugonia”

Where to watch: Peacock
Nominated for: Best picture, lead actress, adapted screenplay, original score
What we said: “‘Bugonia’ is a hilarious movie with no hope for the future of humanity. What optimism there is lies only in the title, an ancient Greek word for the science of transforming dead cows into hives, of turning death into life.”

“Come See Me in the Good Light”

Where to watch: Apple TV
Nominated for: Documentary feature
What we said: “‘Throughout the Festival, we saw audiences moved by Andrea Gibson’s and Megan Falley’s journeys in ‘Come See Me in the Good Light,’’ Sundance Film Festival Director of Programming Kim Yutani said to the fest’s website. ‘Festival goers embraced the humor and heartbreak of this intimate documentary directed by Ryan White, as it speaks to art and love and reminds us what it means to be alive as we face mortality.’”

“Cutting Through Rocks”

Where to watch: Not currently available
Nominated for: Documentary feature

“Diane Warren: Relentless”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV
Nominated for: Original song

“Elio”

Where to watch: Disney+
Nominated for: Animated feature
What we said: “‘Elio’ is a breezy Pixar adventure, the studio’s pivot back to making original, rip-roaring children’s yarns.”

“F1”

Where to watch: Apple TV
Nominated for: Best picture, editing, sound, visual effects
What we said: “The pleasures of ‘F1’ are engineered to bypass the brain. It’s muscular and thrilling and zippy, even though at over two and a half hours long, it has a toy dump truck’s worth of plot.”

“Frankenstein”

Where to watch: Netflix, in theaters
Nominated for: Best picture, supporting actor, adapted screenplay, cinematography, costume design, makeup & hairstyling, original score, production design, sound
What we said: “‘Frankenstein’ is [Guillermo del Toro’s] lifelong passion project: He doesn’t just want to make a ‘Frankenstein’ but the ‘Frankenstein,’ so he’s faithfully set his adaptation in the past. But he’s adjusted the wiring so that 1850s Europe reminds us of Silicon Valley. The result is the best movie of his career.”

“Hamnet”

Where to watch: In theaters
Nominated for: Best picture, director, lead actress, adapted screenplay, casting, costume design, original score, production design
What we said: “The film’s depiction of grief has rightly been at the center of the conversation around ‘Hamnet,’ with their revelatory performances resulting in immense Oscar buzz for both actors. But [Paul] Mescal and [Jessie] Buckley were almost more interested in the relationship between William and Agnes and how artists navigate the trappings of conventional life.”

“If I Had Legs I’d Kick You”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV, in theaters
Nominated for: Lead actress
What we said: “From the moment it begins, Mary Bronstein’s ‘If I Had Legs I’d Kick You’ aims to put you inside the head of a mother in crisis, and for the next couple of hours it does so in such an exhausting, claustrophobic, anxiety-inducing manner that, as you take a journey on this cinematic endurance test, you feel many things: grudging admiration, abject terror and, finally, sweet relief when the closing credits roll.”

“It Was Just an Accident”

Where to watch: YouTube, Apple TV, Prime Video, Google Play, Fandango at Home, in theaters
Nominated for: International feature, original screenplay
What we said: “In a movie full of heightened emotions and anxious uncertainty, ‘It Was Just an Accident’ (which is France’s entry for the international film Oscar) glides between genres, too slippery to be nailed down. [Jafar] Panahi dabbles in the road movie, the revenge thriller, even the ‘getting the band back together’ comedy.”

“Jurassic World Rebirth”

Where to watch: Peacock
Nominated for: Visual effects
What we said: “‘Rebirth’ is a confounding title for a downbeat entry that’s mostly preoccupied by death and neglect.”

“Kokuho”

Where to watch: In theaters (Feb. 5)
Nominated for: Makeup & hairstyling

“KPop Demon Hunters”

Where to watch: Netflix
Nominated for: Animated feature, original song
What we said: “‘KPop Demon Hunters,’ the cartoon musical about a girl group using catchy tunes to keep evil at bay, has become a viral phenomenon since it launched on the streamer June 20. With 210 million views globally so far, it’s the most watched animated movie ever on Netflix, and is expected to soon top ‘Red Notice’ as the company’s most popular film.”

“Little Amélie or the Character of Rain”

Where to watch: YouTube, Apple TV, Prime Video, Google Play, Fandango at Home
Nominated for: Animated feature
What we said: “Amélie’s rowdy approach becomes more nuanced when she is confronted with a loved one’s death, as well as her own mortality in the aftermath of two accidents. [Liane-Cho] Han and [Maïlys] Vallade also make room for her realizations about life’s unfairness and the inevitability of sorrow — all communicated via flights of fancy that only animation can materialize.”

“The Lost Bus”

Where to watch: Apple TV
Nominated for: Visual effects
What we said: “This time [director Paul Greengrass] mixes star heroism with you-are-there spectacle and the results can be galvanizing if awkwardly framed.”

“Marty Supreme”

Where to watch: In theaters
Nominated for: Best picture, director, lead actor, casting, cinematography, costume design, editing, production design, original screenplay
What we said: “The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

“Mr. Nobody Against Putin”

Where to watch: Apple TV
Nominated for: Documentary feature

“One Battle After Another”

Where to watch: HBO Max, in theaters
Nominated for: Best picture, director, lead actor, supporting actor, supporting actress, adapted screenplay, casting, cinematography, editing, sound, original score, production design
What we said: “Paul Thomas Anderson’s fun and fizzy adaptation views its Molotov cocktail as half-full. Yes, it says, the struggle for liberation continues: ideologues versus toadies, radicals versus conservatives, loyalists versus rats. But isn’t it inspiring that there are still people willing to fight?”

“The Perfect Neighbor”

Where to watch: Netflix
Nominated for: Documentary feature
What we said: “‘The Perfect Neighbor’ does leave us with a patiently earned moment of justice. But it’s haunted by the notion that a lethal rage prevailed, that a crime was allowed to happen and an ordinary, trusting American neighborhood — where a loving mom unhesitatingly tells an inquiring cop, ‘All these kids are mine’ — isn’t protectable ground.”

“The Secret Agent”

Where to watch: In theaters
Nominated for: Best picture, international feature, lead actor, casting
What we said: “‘The Secret Agent’ isn’t tightly coiled so much as it gradually unfolds, its full meaning unclear until the filmmaker eventually hurtles forward nearly 50 years, snapping the final puzzle piece into place.”

“Sentimental Value”

Where to watch: Fandango at Home, YouTube, Apple TV, Prime Video, Google Play, in theaters
Nominated for: Best picture, director, lead actress, supporting actor, supporting actress, editing, international feature, original screenplay
What we said: “‘Sentimental Value’ is a movie for people who don’t like to cry, who may not admit that they have ever cried, who listen to Loudon Wainwright’s song ‘The Man Who Couldn’t Cry’ and say, ‘Yes, that’s me!’”

“Sinners”

Where to watch: HBO Max, in theaters
Nominated for: Best picture, director, lead actor, supporting actor, supporting actress, casting, cinematography, costume design, editing, makeup & hairstyling, original score, original song, production design, sound, visual effects, original screenplay
What we said: “What a blood rush to exit Ryan Coogler’s ‘Sinners’ aware that you’ve seen not merely a great movie but an eternal movie, one that will transcend today’s box office and tomorrow’s awards to live on as a forever favorite.”

“Sirāt”

Where to watch: Not currently available
Nominated for: International feature, sound
What we said: “‘Sirāt’ is taut and riveting and nearly all mood. You feel the exhilaration of veering off the path, the self-exile of speeding toward nowhere, the dread that this caravan has veered too far for its own safety.”

“The Smashing Machine”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV
Nominated for: Makeup & hairstyling
What we said: “While ‘The Smashing Machine’ represents a step in a new direction for [Dwayne] Johnson, it also finds [Benny] Safdie setting off on a new path as a writer and director on his own after years of collaborations with his brother. Sifting through the emotional and physical struggles of [Mark] Kerr’s life, Safdie found something at its core that aligns with his own ongoing interest in what it takes to move forward despite life’s difficulties. It’s not about being a loser, he thinks, but it is about not winning.”

“Song Sung Blue”

Where to watch: In theaters, YouTube, Apple TV, Google Play, Fandango at Home
Nominated for: Lead actress
What we said: “‘Song Sung Blue’ couldn’t be less cool. But the Sardinas were completely sincere and [Hugh] Jackman and [Kate] Hudson honor their innocence by playing them straight.”

“Train Dreams”

Where to watch: Netflix, in theaters
Nominated for: Best picture, adapted screenplay, cinematography, original song
What we said: “‘Train Dreams’ is the kind of movie that people often say they want more of, but when one actually comes along they don’t quite know what to do with it. Told with an unassuming, gentle simplicity that grows into an accumulating emotional power, the film manages to feel very small and specific while also vast and expansive.”

“The Ugly Stepsister”

Where to watch: Hulu
Nominated for: Makeup & hairstyling

“Viva Verdi!”

Where to watch: Not currently available
Nominated for: Original song

“The Voice of Hind Rajab”

Where to watch: In theaters
Nominated for: International feature
What we said: “The movie is a powerfully blunt instrument of empathy. [Kaouther] Ben Hania’s insistence on close-up melodramatics — faces in anguish, a handheld camera glued to them — sometimes overshadows a thirst for something more analytical. But it’s decidedly a vision, one steeped in roiling pain.”

“Weapons”

Where to watch: HBO Max
Nominated for: Supporting actress
What we said: “A former sketch comic, [Zach] Cregger knows how to work a crowd. The combination of his assurance and his characters’ confusion is wonderful in the moment, as though you’re listening to a spiel from someone who sounds crazy but might be making all the sense in the world.”

“Zootopia 2”

Where to watch: In theaters, YouTube
Nominated for: Animated feature
What we said: “After several haphazard attempts with the ‘Frozen’ and ‘Moana’ franchises, ‘Zootopia 2’ can take the title as Disney’s most effective animated sequel yet.”

A Love Actually actress looks worlds away from her iconic character in this ‘must watch’ thriller fans couldn’t get enough of

A Love Actually actress is completely unrecognisable in a “extraordinary” thriller that left fans on the edge of their seats.

German actress Heike Makatsch is best remembered for her portrayal of Mia, the flirtatious secretary who tempted her boss Harry (Alan Rickman) in the 2003 festive film.

Though the romcom is hugely iconic, its 65% Rotten Tomatoes score pales in comparison to Heike’s perfectly-rated 2024 show, Where’s Wanda?

Currently streaming on Apple TV+, the dark comedy follows desperate parents Dedo (Axel Stein) and Carlotta Klatt (Heike) as they search for their missing daughter Wanda, months after her disappearance.

Frustrated by the police’s inability to find her, the couple take matters into their own hands and begin spying on their neighbours to find answers.

Love Actually fans may take a minute to recognise Heike in the drama as she ditches her dark bob for long blonde hair.

The Apple TV drama quickly won over critics upon its debut, earning a stellar 100% score from seven reviews. Casual viewers were equally impressed, though they awarded it a less generous 68% rating.

One fan shared a glowing review, penning: “I was overwhelmingly pleased. It was genuinely funny, aesthetically gorgeous, stupendously well acted, and decidedly fresh, making a story that I don’t think has ever been told before. 11/10 well worth a watch.”

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A second agreed, praising: “This show is such a delight! I have never seen such an extraordinary mixture of genres that throws you from one corner of laughter to the other corner of crying and then also exciting puzzle-piecing. A must watch for armchair detectives!”

Someone else described it as a “fantastic,” while a fourth raved: “I really enjoyed the unexpected curveballs, dark humour and loveable characters to us unlike other shows. At times I was giggling my head off while other times I was at the edge of my seat.

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“The end makes me hope that there will be a season 2. Don’t leave us hanging please!!”

Fortunately, the German drama has been renewed for a second season, which is set to feature another eight episodes.

Where’s Wanda? is streaming now on Apple TV+

Harrison Ford’s character in Apple TV’s Shrinking has Parkinson’s disease, leading some fans to question whether the 83-year-old actor has the condition in real life

Fans of Shrinking have been questioning whether Hollywood legend Harrison Ford has been diagnosed with Parkinson’s disease following the third season premiere on Apple TV.

The iconic actor has brought to life numerous memorable characters throughout his illustrious career, including Han Solo, Indiana Jones, Jack Ryan, and Jacob Dutton in the Yellowstone franchise.

His most recent role is Dr Paul Rhoades, an elderly therapist and gruff mentor to Jimmy Laird (portrayed by Jason Segel ) in Apple TV’s popular comedy-drama series.

The critically praised show made its return this Wednesday (28th January) with an hour-long premiere episode, featuring Paul navigating life after receiving a Parkinson’s diagnosis.

However, some viewers are questioning whether Paul’s storyline reflects a genuine health issue for the cherished film star. Here’s what we know, reports the Express.

Does Harrison Ford have Parkinson’s disease?

No, Harrison Ford does not suffer from Parkinson’s in reality, and the 83 year old cinema icon is widely believed to be in good health.

Parkinson’s disease results in progressive damage to parts of the brain over what can be many years. The condition causes uncontrollable tremors, rigid muscles and slowed movement, whilst also impacting cognitive abilities including memory, emotional wellbeing and sleep patterns.

Ford was recently forced to pull out of presenting at the 2025 Academy Awards after being diagnosed with shingles. However, Entertainment Tonight quickly confirmed he was “doing okay and resting at home”.

The star has kept fit and well into his 80s through regular exercise and a healthy diet.

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Speaking to Ellen DeGeneres in 2020, he revealed he cycles and plays tennis, but doesn’t “work out like crazy”. His diet consists mainly of fish and vegetables.

Although Ford doesn’t have Parkinson’s himself, his authentic portrayal of Paul, whose condition has progressively deteriorated over the past two seasons of Shrinking, has won widespread acclaim.

One particularly impressed viewer is Back to the Future legend Michael J Fox, a Parkinson’s campaigner who received his diagnosis in the early 1990s. He appears in a cameo role as Gerry in Shrinking’s third season premiere and recently disclosed that Ford’s performance “brought him to tears”.

“That’s one thing that’s amazing about Harrison,” Fox told Vanity Fair. “I don’t have to convince him I have Parkinson’s, but he had to convince me he had Parkinson’s.

“What I wasn’t prepared for was how much of his own understanding of the disease he brought to it.

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“I mean, I recognised Parkinson’s in his eyes. The things I was feeling, I recognised in the way he was expressing himself.”

Ford heaped also praise on his co-star, describing Fox as “generous, supportive, open, just a wonderful person”, before adding, “[and a] pretty goddamn good actor too”.

“It’s a daunting disease and also a daunting job to represent it in an appropriate way. It was a very important experience for me to have,” he continued. “Michael is an extraordinarily powerful person.”

Shrinking season 3 continues Wednesdays on Apple TV.